Bowdoin College Museum of Art

The Bowdoin College Museum of Art is an art museum located in Brunswick, Maine. Included on the National Register of Historic Places, the museum is located in a building on the campus of Bowdoin College designed by the architectural firm McKim, Mead, and White.

History

The museum's collection originated from separate donations of art from James Bowdoin III in 1811 and 1826. Having been housed in a number of different locations during its history, the museum found a permanent home in the Walker Art Building in 1894. While the building had been renovated once in 1974, the $20.8 million renovation by architects Machado and Silvetti Associates of Boston that finished in 2007 received a great deal of publicity for its creation of a new modern entrance to the museum while preserving the structural integrity of the original building.

External links

Coordinates: 43°54′30″N 69°57′49″W / 43.90828°N 69.96371°W / 43.90828; -69.96371

Brigham Young University Museum of Art

The Brigham Young University Museum of Art, located in Provo, Utah, United States is the university's primary art museum and is one of the best attended university-campus art museums in the United States. The museum, which had been discussed for more than fifty years, opened in a 10,000-square-foot (930 m²) space in October 1993 with a large exhibit on the Etruscans. The museum is an integral part of the BYU College of Fine Arts and Communications and provides opportunities for students across the college and the university's campus.

History

After breaking ground two years prior, the museum opened in October 1993 as a location to house BYU's extensive collection of more than 17,000 pieces of art which, due to a lack of space, had never been able to be displayed permanently. The lack of a permanent home had resulted in damage to some of the collection and the loss of more than 900 pieces of art.

According to a 2004 survey, the museum ranked first in attendance among university campus art museums with 334,774 visitors. Among all art museums, the museum comes in 31st in attendance out of 157 member art museums from the United States, Canada and Mexico. The museum's philosophy of reaching out to the students and the community has been cited as one of the reasons for its success to date. In addition to having the largest university museum attendance, the museum also has the highest level of student attendance because its staff works closely with faculty to incorporate the museum into school curriculum.

Bowdoin College

Bowdoin College (/ˈboʊdᵻn/ BOH-din) is a private liberal arts college located in Brunswick, Maine. Founded in 1794, the college currently enrolls 1,839 students, and has been coeducational since 1971. Bowdoin offers 33 majors and four additional minors, and has a student–faculty ratio of 9:1.

Bowdoin was ranked as the fourth-best liberal arts college in the 2016 U.S. News & World Report rankings, and 21st on Forbes ranking in 2016.

The main Bowdoin campus is located near Casco Bay and the Androscoggin River, 12 miles north of Freeport, Maine, and 18 miles north of Portland, Maine. In addition to its Brunswick campus, Bowdoin also owns a 118-acre coastal studies center on Orr's Island and a 200-acre scientific field station on Kent Island in the Bay of Fundy.

History

Founding and 19th century

Bowdoin College was chartered in 1794 by the Massachusetts State Legislature and was later redirected under the jurisdiction of the Maine Legislature. It was named for former Massachusetts governor James Bowdoin, whose son James Bowdoin III was an early benefactor. At the time of its founding, it was the easternmost college in the United States, as it was located in Maine.

Art

Art is a diverse range of human activities in creating visual, auditory or performing artifacts – artworks, expressing the author's imaginative or technical skill, intended to be appreciated for their beauty or emotional power. In their most general form these activities include the production of works of art, the criticism of art, the study of the history of art, and the aesthetic dissemination of art.

The oldest form of art are visual arts, which include creation of images or objects in fields including painting, sculpture, printmaking, photography, and other visual media. Architecture is often included as one of the visual arts; however, like the decorative arts, it involves the creation of objects where the practical considerations of use are essential—in a way that they usually are not in a painting, for example. Music, theatre, film, dance, and other performing arts, as well as literature and other media such as interactive media, are included in a broader definition of art or the arts. Until the 17th century, art referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts.

Visual art of the United States

Visual art of The United States or American art is visual art made in the United States or by American artists. Before colonization there were many flourishing traditions of Native American art, and where the Spanish colonized Spanish Colonial architecture and the accompanying styles in other media were quickly in place. Early colonial art on the East Coast initially relied on artists from Europe, with John White (1540-c. 1593) the earliest example. In the late 18th and early 19th centuries, artists primarily painted portraits, and some landscapes in a style based mainly on English painting. Furniture-makers imitating English styles and similar craftsmen were also established in the major cities, but in the English colonies, locally-made pottery remained resolutely utilitarian until the 19th century, with fancy products imported.

But in the later 18th century two American artists, Benjamin West and John Singleton Copley, became the most successful painters in London of history painting, then regarded as the highest form of art, giving the first sign of an emerging force in Western art. American artists who remained at home became increasingly skilled, although there was little awareness of them in Europe. In the early 19th century the infrastructure to train artists began to be established, and from 1820 the Hudson River School began to produce Romantic landscape painting that was original and matched the huge scale of American landscapes. The American Revolution produced a demand for patriotic art, especially history painting, while other artists recorded the frontier country. A parallel development taking shape in rural America was the American craft movement, which began as a reaction to the industrial revolution.