Sludge metal

Sludge metal (sometimes referred to simply as "sludge") is an extreme genre of music that melds elements of doom metal and hardcore punk, and sometimes Southern rock. Sludge metal is typically harsh and abrasive, often featuring shouted or screamed vocals, heavily distorted instruments and sharply contrasting tempos. While the style was anticipated by the Melvins from Washington, many of its earliest pioneers were from the city of New Orleans.

Characteristics

Sludge metal generally combines the slow tempos, heavy rhythms and dark, pessimistic atmosphere of doom metal with the aggression, shouted vocals and occasional fast tempos of hardcore punk. As The New York Times put it, "The shorthand term for the kind of rock descending from early Black Sabbath and late Black Flag is sludge, because it's so slow and dense." Many sludge bands compose slow-paced songs that contain brief hardcore passages (for example, Eyehategod's "Depress" and "My Name Is God"). Mike Williams, a founder of the sludge style and member of Eyehategod, suggests that "the moniker of sludge apparently has to do with the slowness, the dirtiness, the filth and general feel of decadence the tunes convey". However, some bands emphasize fast tempos throughout their music. The string instruments (electric guitar and bass guitar) are down-tuned and heavily distorted and are often played with large amounts of feedback to produce a thick yet abrasive sound. Additionally, guitar solos are often absent. Drumming is often performed in typical doom metal fashion. Drummers may employ hardcore d-beat or double-kick drumming during faster passages, or through the thick breakdowns (which are characteristic of the sludge sound). Vocals are usually shouted or screamed, and lyrics are generally pessimistic in nature. Suffering, drug abuse, politics and anger towards society are common lyrical themes.

Sludge (film)

Sludge is a 2005 documentary film by Appalshop filmmaker Robert Salyer chronicling the Martin County Sludge Spill that was an accident that occurred after midnight on October 11, 2000 when a coal sludge impoundment in Martin County, Kentucky, broke through an underground mine below, propelling 306 million gallons of sludge down two tributaries of the Tug Fork River. The movie documents the continuing story of the Martin County disaster, the resulting federal investigation, and the looming threat of coal sludge ponds throughout the coalfield region.

In the United States today, coal is the largest single source of fuel for energy production. Annually, the country mines over a billion tons of coal. Coal waste is a consequence of this consumption; the Mine Safety and Health Administration has estimated that there are over 235 sludge ponds throughout the region with the potential to break into an underground mine, as the Martin County pond did in 2000.

In the wake of the December 2008 release of coal ash at a Tennessee Valley Authority power plant, Appalshop provided a web stream of Sludge for the public for a limited time.

Sludge (disambiguation)

Sludge may refer to:

See also

Mode

Mode (Latin: modus meaning "manner, tune, measure, due measure, rhythm, melody") may refer to:

Language

Music

Mode (computer interface)

In user interface design, a mode is a distinct setting within a computer program or any physical machine interface, in which the same user input will produce perceived different results than it would in other settings. The best-known modal interface components are probably the Caps lock and Insert keys on the standard computer keyboard, both of which put the user's typing into a different mode after being pressed, then return it to the regular mode after being re-pressed.

An interface that uses no modes is known as a modeless interface. Modeless interfaces intend to avoid mode errors by making it impossible for the user to commit them.

Definition

A precise definition is given by Jef Raskin in his book The Humane Interface:

"An human-machine interface is modal with respect to a given gesture when (1) the current state of the interface is not the user's locus of attention and (2) the interface will execute one among several different responses to the gesture, depending on the system's current state." (Page 42).

Mode (literature)

In literature, a mode is an employed method or approach, identifiable within a written work. As descriptive terms, form and genre are often used inaccurately instead of mode; for example, the pastoral mode is often mistakenly identified as a genre. The Writers Web site feature, A List of Important Literary Terms, defines mode thus:

History of mode

In his Poetics, the ancient Greek philosopher Aristotle uses 'mode' in a more specific sense. Kinds of 'poetry' (the term includes drama, flute music, and lyre music for Aristotle), he writes, may be differentiated in three ways: according to their medium of imitation, according to their objects of imitation, and according to their mode or 'manner' of imitation (section I). "For the medium being the same, and the objects the same, the poet may imitate by narration—in which case he can either take another personality as Homer does, or speak in his own person, unchanged—or he may present all his characters as living and moving before us" (section III). According to this definition, 'narrative' and 'dramatic' are modes of fiction: