- published: 05 Jul 2012
- views: 85577
Sweetness is one of the five basic tastes and is universally regarded as a pleasurable experience, except perhaps in excess. Foods rich in simple carbohydrates such as sugar are those most commonly associated with sweetness, although there are other natural and artificial compounds that are sweet at much lower concentrations, allowing their use as non-caloric sugar substitutes. Examples of foods that may be used as non-sugar sweet substitutes include saccharin, aspartame, acesulfame potassium, sucralose, xylitol, erythritol, and stevia. Other compounds, such as miraculin, may alter perception of sweetness itself.
The chemosensory basis for detecting sweetness, which varies between both individuals and species, has only begun to be understood since the late 20th century. One theoretical model of sweetness is the multipoint attachment theory, which involves multiple binding sites between a sweetness receptor and a sweet substance.
Access may refer to: getting in
Silence is the lack of audible sound or presence of sounds of very low intensity. By analogy, the word silence can also refer to any absence of communication or hearing, including in media other than speech and music. Silence is also used as total communication, in reference to nonverbal communication and spiritual connection. Silence also refers to no sounds uttered by anybody in a room or area. Silence is an important factor in many cultural spectacles, as in rituals.
In discourse analysis, speakers use brief absences of speech to mark the boundaries of prosodic units. Silence in speech can be due to hesitation, stutters, self-correction—or a deliberate slowing of speech to clarify or aid the processing of ideas. These are short silences. Longer pauses in language occur in interactive roles, reactive tokens, or turn-taking.
According to cultural norms, silence can be positive or negative. For example, in a Christian Methodist faith organization, silence and reflection during the sermons might be appreciated by the congregation, while in a Southern Baptist church, silence might mean disagreement with what is being said, or perhaps disconnectedness from the congregated community.
いろいろ一気に見ます 浅倉大介 貴水博之
access - SWEET SILENCE If you like this song, please support the artist by purchasing their content. No profit is being made. All rights belong to the respective owners. "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use." -Video Upload powered by https://www.TunesToTube.com
. 中野サンプラザ(2014.8.24) ☆★4/8 NEW SINGLE発売! 「IZASUSUME!」(品番:DWDH-019) M1・・・IZASUSUME! M2・・・新曲2 M3・・・Vertical Innocence(Instrumental) 販売価格:2,000円(tax in) ☆★4/11~5/21 TOUR「access ELECTRIC NIGHT2015」開催!
1994年の映像と2014年の映像を重ねてみました。
昔ハマった曲です!久々に歌ってみました。 コンデンサーマイクで歌いなおしたい・・・・('ω')ノ。 チャンネル登録 コメント 評価など なんでも随時喜んで受けます!
accessの三部作です今見てもクールです
20年以上前の曲で、時代を感じる部分もありますが 浅倉大介さんの作り出すサウンドは今聴いてもすごくかっこいいです♪ エレクトーンを習っていたので、浅倉さんの影響を受け弾き方を真似したり。 憧れのミュージシャンです♪ ボーカルの貴水さんも、若い頃の美貌を保っていてスゴイです☆
Delicate Planet Tour at Nippon Budokan. 2, 3 September 1994.
Under A Killing Moon is the third game in the Tex Murphy series of adventures, and a sequel to Martian Memorandum. The game is notable for its use of detailed, texture-mapped 3D graphics during a time when pre-rendered visuals were still the standard in the genre. Uncommonly for adventure games, Under A Killing Moon allows full maneuverability. The player can rotate the camera, change the viewing angle, zoom in and out, etc.; it is even possible to look for clues underneath desks, chairs, etc. Inventory-based puzzles are relatively rare in the game, and the emphasis of the gameplay is placed primarily on exploration, conversations featuring extended topics and choices, and self-contained logical puzzles. Other features include an online hint system (that decreases the player's score with ...
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Baby I don't like it since you've been talking in your sleep
I hear hints of other people's names in the night time when you sleep
I'm in love but I cant help wondering who you talk to in your dreams
When I see you mumbling baby. I know someone's in between
And it's like sweet silence
Is just like sweet violence to me
I don't take you dancing no more because I can't find my beat
I don't walk round to your house no more because I can't find my feet
Oh does someone else make you smile now? Do I really drag you down?
Oh baby, do I turn your rainbow brown, because
Sweet silence