Martial arts film

Martial arts film is a film genre. A subgenre of the action film, martial arts films contain numerous martial arts fights between characters, usually as the films' primary appeal and entertainment value, and often as a method of storytelling and character expression and development. Martial arts are frequently featured in training scenes and other sequences in addition to fights. Martial arts films commonly include other types of action, such as stuntwork, chases, and/or gunfights.

History

As with other action films, martial arts films are dominated by action to varying degrees; many martial arts films have only a minimal plot and amount of character development and focus almost exclusively on the action, while other martial arts films have more creative and complex plots and characters along with action scenes. Films of the latter type are generally considered to be artistically superior films, but many films of the former type are commercially successful and well received by fans of the genre. One of the earliest Hollywood movies to deploy the use of martial arts was Bad Day at Black Rock.

Martial arts

Martial arts are codified systems and traditions of combat practices, which are practiced for a variety of reasons: as self-defense, military and law enforcement applications; as competition, physical fitness, mental and spiritual development; as well as entertainment and the preservation of a nation's Intangible cultural heritage.

Although the term martial art has become associated with the fighting arts of eastern Asia, it originally referred to the combat systems of Europe as early as the 1550s. The term is derived from Latin, and means "arts of Mars", the Roman god of war. Some authors have argued that fighting arts or fighting systems would be more appropriate on the basis that many martial arts were never "martial" in the sense of being used or created by professional warriors.

Variation and scope

Martial arts may be categorized along a variety of criteria, including:

Martial

Marcus Valerius Martialis (known in English as Martial /ˈmɑːrʃəl/) (March, between 38 and 41 AD – between 102 and 104 AD), was a Roman poet from Hispania (the Iberian Peninsula) best known for his twelve books of Epigrams, published in Rome between AD 86 and 103, during the reigns of the emperors Domitian, Nerva and Trajan. In these short, witty poems he cheerfully satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing. He wrote a total of 1,561, of which 1,235 are in elegiac couplets. He is considered to be the creator of the modern epigram.

Early life

Knowledge of his origins and early life are derived almost entirely from his works, which can be more or less dated according to the well-known events to which they refer. In Book X of his Epigrams, composed between 95 and 98, he mentions celebrating his fifty-seventh birthday; hence he was born during March 38, 39, 40 or 41 AD (x. 24, 1), under Caligula or Claudius. His place of birth was Augusta Bilbilis (now Calatayud) in Hispania Tarraconensis. His parents, Fronto and Flaccilla, appear to have died in his youth.

Bruce Lee

Bruce Lee (Chinese: 李小龍; born Lee Jun-fan, Chinese: 李振藩; November 27, 1940 – July 20, 1973) was a Hong Kong American martial artist, action film actor, martial arts instructor, philosopher, filmmaker, and the founder of Jeet Kune Do. Lee was the son of Cantonese opera star Lee Hoi-Chuen. He is widely considered by commentators, critics, media and other martial artists to be one of the most influential martial artists of all time, and a pop culture icon of the 20th century. He is often credited with helping to change the way Asians were presented in American films.

Lee was born in Chinatown, San Francisco on November 27, 1940 to parents from Hong Kong and was raised in Kowloon with his family until his late teens. He was introduced to the film industry by his father and appeared in several films as a child actor. Lee moved to the United States at the age of 18 to receive his higher education, at the University of Washington, at Seattle and it was during this time that he began teaching martial arts. His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim, sparking a surge of interest in Chinese martial arts in the West in the 1970s. The direction and tone of his films changed and influenced martial arts and martial arts films in the United States, Hong Kong and the rest of the world.