- published: 05 Oct 2010
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Toccata (from Italian toccare, "to touch") is a virtuoso piece of music typically for a keyboard or plucked string instrument featuring fast-moving, lightly fingered or otherwise virtuosic passages or sections, with or without imitative or fugal interludes, generally emphasizing the dexterity of the performer's fingers. Less frequently, the name is applied to works for multiple instruments (the opening of Claudio Monteverdi's opera L'Orfeo being a notable example).
The form first appeared in the late Renaissance period. It originated in northern Italy. Several publications of the 1590s include toccatas, by composers such as Girolamo Diruta, Adriano Banchieri, Claudio Merulo, Andrea and Giovanni Gabrieli, and Luzzasco Luzzaschi. These are keyboard compositions in which one hand, and then the other, performs virtuosic runs and brilliant cascading passages against a chordal accompaniment in the other hand. Among the composers working in Venice at this time was the young Hans Leo Hassler, who studied with the Gabrielis; he brought the form back with him to Germany. It was in Germany where it underwent its highest development, culminating in the work of Johann Sebastian Bach more than a hundred years later.
A combination of classical music with progressive psytrance. keep follow my music on: https://www.facebook.com/guybelikboom https://www.soundcloud.com/belikboom -Belik boom-
UK instrumental band SKY playing electric treatment of Bach's "Toccata and Fugue in D Minor". Group specialised in fusing a variety of musical styles including light rock, progressive rock, classical and jazz. Audio version appeared on the band's second album "Sky 2" released in 1980. The latter was released as a single (under the name of "Toccata") and reached number 6 in the national pop charts, giving the band the opportunity of performing on Top Of The Pops.
Johann Sebastian Bach's Toccata and Fugue in D Minor BWV 565 played by organist Hans-André Stamm on the Trost-Organ of the Stadtkirche in Waltershausen, Germany. Toccata et fugue en ré mineur BWV 565 de Johann Sebastian Bach, interprété par Hans-André Stamm sur l'orgue Trost de la Stadtkirche, à Waltershausen, Allemagne.
Bach's most famous organ piece, with a bar-graph score. FAQ Q: I appreciate the work you're doing; how can I support it? A: Thank you! The easiest way to support my work is by contributing via Patreon: http://www.patreon.com/musanim If you'd like to help in more specific way, consider this: http://www.musanim.com/underwriting Q: Where can I get free sheet music for this piece? A: Sheet music for this can be found here: http://imslp.nl/imglnks/usimg/f/f4/IMSLP01335-BWV0565.pdf Q: Who wrote Bach's Toccata and Fugue in D Minor? Q: Isn't that like asking who's buried in Grant's Tomb? A: Heh-heh. A theory has recently (1981) been put forth that J. S. Bach did not write this piece. A brief summary of the supporting evidence for this theory can be read here: http://en.wikipedia.org/wiki...
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My own transcription of one of J.S. Bach's most infamous and popular works. I first had the idea of playing this piece in 2013 after hearing an old Russian transcription performed by the incredible Vavara Ivanova, but couldn't get hold of that version due to it being out of print. I loved the power this piece brings to the harp and was determined to try it for myself as I'm a huge fan of anything where I get to play LOUD! The process of adapting the piece for the harp and preparing for this performance took 18 months and many, many practice hours! Its first public performance was as the opening piece of my Masters final recital at the Royal Academy of Music, London in July 2014. Yes I know, how crazy was I to open my recital with this...I then had to play for a further 35 minutes! All not...
First recording of Bach's Toccata and Fugue in D minor with the harmonic piano pedal. I set up an overhead camera view in case any of you want fingering suggestions. The sheet music I used in this video is fairly close to the first link below. I just added octaves to bring out the pedal part in a few places. This piece was recorded in an average size room; the reverb you can hear is "sympathetic resonance" from the piano itself made possible by the harmonic pedal. http://www.facebook.com/paulbartonpiano Links to free piano score: http://imslp.org/wiki/Toccata_and_Fugue_in_D_minor,_BWV_565_%28Bach,_Johann_Sebastian%29 Go: "Arrangements and Transcriptions" Go: "Philip Addison Jones" * * * * * * * * * * Or: http://wikipiano.wikidot.com/archive:toccata-and-fugue-in-d-minor-bwv-565 * *...