Hey

Hey or Hey! may refer to:

Interjection

Music

Albums

Songs

Hey! (Julio Iglesias album)

Hey! is an album by Julio Iglesias. It was released in 1980 by Columbia Records. The album hit number one worldwide, and sales of the Spanish version purportedly surpassed 20 million. In 1981, Iglesias was nominated for a Grammy Award for the album under the Latin Pop Album category.

Track listing

Sales and certifications

References

External links

Hey! (Jullie album)

Hey! is the debut studio album by Brazilian recording artist Jullie. It was released on September 22, 2009 by Deckdisc. After writing songs for several established acts, Jullie released this album. The main theme of the songs is girl power. The songs are mostly inspired by Jullie's love of youth, rebellion, and discover who you are in 4.modern lifestyle. Musically, the album drew inspiration from pop and pop rock influenced by singers like Lily Allen, Madonna, Alanis Morissette, and its main reference, Katy Perry, directed to a feminist position. The album was praised by the young, calling Jullie as "Brazilian Katy Perry" for his music style and way of dressing. The first single "Alice" was released in April and the second single "Hey!" was released in November, 2009.

Track listing

References

External links

Destiny

Destiny or Fate is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual.

Fate

Although often used interchangeably, the words "fate" and "destiny" have distinct connotations.

Fate (disambiguation)

Fate commonly refers to destiny, a predetermined course of events.

Fate may also refer to:

Film and television

Literature

Destiny (Janáček)

Destiny (also known as Fate, Czech: Osud) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, Kamila, where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.

Janáček submitted the opera to the Brno Theatre in 1906, and to the Vinohrady Theatre in Prague in 1907, but both theatres rejected the score. The score stayed with the Vinohrady Theatre even after Janáček had threatened lawsuits against the theatre and after the Brno theatre made offers of a possible production.

The work did not receive a hearing until after Janáček's death, in 1934 on Brno Radio.