Big means large or of great size.
Big or BIG may also refer to:
Big is the fourth studio album by American singer and songwriter Macy Gray, released on March 21, 2007 by Geffen Records. It is Gray's first studio album in four years. The album debuted at number 39 on the US Billboard 200, selling 23,000 copies in its first week.
Three singles were released from the album: "Finally Made Me Happy" (a collaboration with Natalie Cole), "Shoo Be Doo", and "What I Gotta Do". The latter was included on the Shrek the Third soundtrack. Music from this album was also featured in the I Love New York season one reunion. The album's cover art was widely illustrated on iPhone ads and featured on the first boxes of the iPod Touch.
Big Two (also known as Deuces and other names, see below; Mandarin: 大老二; pinyin: dà lǎo èr; Cantonese: 鋤大D; jyutping: co4 daai6 di2) is a card game similar to the game of Asshole, Crazy Eights, Bullshit, Winner, and other shedding games. It is sometimes called "Chinese poker" because of its Chinese origin and its use of poker hands, though there is actually a different game by that name of an entirely different nature. In Malta it is often referred to as Giappuniza or Ciniza due to its Asian origin.
This card game has many names, including Big Deuce, Big Two, Top Dog, "The Hannah Game" (used in Canada), Da Lao Er (Mandarin Chinese), Sho Tai Ti, Chor Dai Di, Dai Di (Cantonese), Cap Sa (Hokkien, used in Indonesia), and Pusoy Dos ( Chikicha or Sikitcha in other dialects, a Philippine variant of the game). A common mistake is to confuse this game with Tien Len or Thirteen or 13 because these two games are actually different in the sense that Big Two involves poker hands but Tien Len does not.
"Hair" is a song recorded by American singer Lady Gaga for her second studio album, Born This Way (2011). Written and produced by Gaga and RedOne, "Hair" was released worldwide digitally on May 16, 2011, as a promotional single from the album, as part of the iTunes Store's "Countdown to Born This Way" release. This was after the previous promotional release, "The Edge of Glory", was made the third single from the album. Nevertheless, Gaga explained that "Hair" was not planned to be a single, but may be released as one if it sells well at the iTunes Store, like "The Edge of Glory".
According to Lady Gaga, the melody of "Hair" resembles the work of metal bands Kiss and Iron Maiden, and is also influenced by Bruce Springsteen. The song is an uptempo club record inspired by Gaga's experience as a teenager, when her parents forced her to dress in a certain way. Gaga found that the only way to express herself was through her hair, and she described it as a song about liberation and her ability to change her ways. The lyrics talk about embracing one's hairstyle as their ultimate expression of freedom. "Hair" was recorded while Gaga was on tour with The Monster Ball throughout Europe. The song features a saxophone solo performed by saxophonist Clarence Clemons, a prominent member of The E Street Band. She personally wanted Clemons to play saxophone on the song, which he did by recording his part at a Manhattan studio at midnight, after he had just flown there from his home in Florida.
A hair's breadth, or the width of human hair, is used as an informal unit of a very short length. It connotes "a very small margin" or the narrowest degree in many contexts.
Until the middle of the 20th century, the highest resolution of measurement was considered to be the same order of magnitude, around 10−5metres, as the diameter of a human hair. A "hair's breadth" was, and still is, informally, a very small measurement.
This measurement is not a precise one. Human hair varies in diameter, ranging anywhere from 30 μm to 100 μm. One nominal value often chosen is 75 μm, but this – like other measures based upon such highly variant natural objects, including the barleycorn – is subject to a fair degree of imprecision.
Such measures can be found in many cultures. The English "hair's breadth" has a direct analogue in the formal Burmese system of Long Measure. A "tshan khyee", the smallest unit in the system, is literally a "hair's breadth". 10 "tshan khyee" form a "hnan" (a Sesamum seed), 60 (6 hnan) form a mooyau (a species of grain), and 240 (4 mooyau) form an "atheet" (literally, a "finger's breadth").
Hair: The American Tribal Love-Rock Musical is a rock musical with a book and lyrics by James Rado and Gerome Ragni and music by Galt MacDermot. A product of the hippie counterculture and sexual revolution of the 1960s, several of its songs became anthems of the anti-Vietnam War peace movement. The musical's profanity, its depiction of the use of illegal drugs, its treatment of sexuality, its irreverence for the American flag, and its nude scene caused much comment and controversy. The musical broke new ground in musical theatre by defining the genre of "rock musical", using a racially integrated cast, and inviting the audience onstage for a "Be-In" finale.
Hair tells the story of the "tribe", a group of politically active, long-haired hippies of the "Age of Aquarius" living a bohemian life in New York City and fighting against conscription into the Vietnam War. Claude, his good friend Berger, their roommate Sheila and their friends struggle to balance their young lives, loves, and the sexual revolution with their rebellion against the war and their conservative parents and society. Ultimately, Claude must decide whether to resist the draft as his friends have done, or to succumb to the pressures of his parents (and conservative America) to serve in Vietnam, compromising his pacifistic principles and risking his life.
"Daddy" is a song by British recording artist and songwriter Emeli Sandé, featuring Naughty Boy. It was released on 27 November 2011 as the second single from her debut album Our Version of Events, which was released on 13 February 2012. In early January 2012, it was made iTunes' song of the week.
A music video to accompany the release of "Daddy" was first released onto YouTube on 21 October 2011 at a total length of three minutes and twenty seconds. The video features Sandé singing, whilst burglars, in which one of them is the person Sandé is singing about, raid a supermarket, and one of them takes the money from the cash machine. In the end, Sandé is in the supermarket, whilst a burglar approaches her. He then takes off his mask. In the end, the burglar finds a folded piece of paper in his fridge.
Lewis Corner of Digital Spy gave the song a very positive review, stating: "My friends keep telling you what he did last night, how many girls he kissed, how many he liked," she insists over haunting church bell chimes as she gives her bezzie a reality check on love; before a mish-mash of thrashing acoustics pound out with more drama than the EastEnders cliffhanger outro. By the time the catchy-as-cholera chorus kicks in, it's obvious that 2012 is Sande's for the taking. At least Cowell's got one thing right this year, eh? Similarly, John Earls of the Daily Star gave the song 9/10, stating "Our fave new soul girl of the year proves Heaven was no fluke with another awesome mix of emotional vocals and modern grooves that make being a pop star seem so easy." Going on to say "The chorus is as huge as her quiff – if Emeli keeps this up, her album, Our Version of Events looks set to be a classic."
How could you know, how could you know'
That those were my eyes
Peepin through the floor, it's like they know
It's like they know I'm looking from the outside
And creeping to the door, it's like they know
And now they coming, yeah, now they coming
Out from the shadows
To take me to the court because they know
That I shut this down, cause they been watching all my windows
They gathered up the cause they-
You understand, they got a plan for us
I bet you didn't know that I was dangerous
It must be fate, I found a place for us
I bet you didn't know someone could love you this much
How could they know, how could they know
What I been thinking'
Like they're right inside my head because they know
Because they know, what I been hidin'
They're right under my bed, they're in control
Here they come, yeah here they come
Out of the shadows
To take me to the club because they know
That I shut this down, cause they been watching all my windows
They gathered up the warrant 'cause they-
And I've gotta get out of here
Sink down, into the dark
Keep on running
And I've gotta get out of here, (keep on running)
Sink down, into the dark
You understand, they got a plan for us
I bet you didn't know that I was dangerous
It must be fate, I found a place for us
I bet you didn't know someone could love you this much
Nobody's listening when we're alone
Nobody's listening, there's nobody listening,
No one can hear us when we're alone,
No one can hear us, no, no one can hear us
And I've gotta get out of here
Sink down, into the dark
Keep on running
And I've gotta get out of here
Keep on running
Sink down, into the dark
You understand, they got a plan for us
I bet you didn't know that I was dangerous
It must be fate, I found a place for us
I bet you didn't know someone could love you this much