The Seaside

The Seaside may refer to:

See also

The Seaside (Waterford, Connecticut)

The Seaside is a historic medical facility at 36 Shore Road in Waterford, Connecticut. It is nationally significant as the first institution designed for heliotropic treatment of children suffering from tuberculosis. Its buildings "comprise an exceptional collection of fully realized and generally well-preserved Tudor Revival-style institutional architecture", which were designed by Cass Gilbert. The property was listed on the National Register of Historic Places in 1995.

History

Originally built to treat kids with tuberculosis but used as an elderly home, medical hospital, and a facility to treat the mentally disabled. In the 1930s it opened for children with tuberculosis. Then in 1958 it was used as an elderly home for 3 years, it was then used to treat the mentally challenged until the 1970s. During the period in which they treated tuberculosis it was called Seaside Sanatorium. When it housed the elderly it was called Seaside Geriatric Hospital. Then when reopened again it was called Seaside Regional Center for the Mentally Retarded.

Vibe

Vibe is short for vibration, alternatively an emotional reaction to the aura felt to belong to a person, place or thing

(The) Vibe or VIBE may also refer to:

People

Media

Music

Television

Radio

The Madcap Laughs

The Madcap Laughs is the debut solo album by the English singer-songwriter Syd Barrett. It was recorded after Barrett had left Pink Floyd in April 1968. The album had a chequered recording history, with work beginning in mid-1968, but the bulk of the sessions taking place between April and July 1969, for which five different producers were credited − including Barrett, Peter Jenner (1968 sessions), Malcolm Jones (early-to-mid-1969 sessions), and fellow Pink Floyd members David Gilmour and Roger Waters (mid-1969 sessions). Among the guest musicians are Willie Wilson from (Gilmour's old band) Jokers Wild and Robert Wyatt of the band Soft Machine.

The Madcap Laughs, released in January 1970 on Harvest in the UK, and on Capitol Records in the US, enjoyed minimal commercial success on release, reaching number 40 on the UK's official albums chart, while failing to hit the US charts. It was re-released in 1974 as part of Syd Barrett (which contained The Madcap Laughs and Barrett). The album was remastered and reissued in 1993, along with Barrett's other albums, Barrett (1970) and Opel (1988), independently and as part of the Crazy Diamond box set. A newly remastered version was released in 2010.

Feel (Feel album)

Feel is first album released by a Polish pop rock band Feel. The album has earned Diamond certification in Poland.

Track listing

References

Feel (Kumi Koda song)

"Feel" (stylized as feel) is a smooth R&B song by Japanese singer and songwriter Kumi Koda. For the song, she worked closely with composer Hitoshi Shimono, who had composed the instrumental. The single is Kumi's sixth single in her 12 Singles Collection and charted at #1 on Oricon with 39,110 copies sold within the first week. As with some of the other singles released in the collection, feel was limited to 50,000 copies.

The song also became Koda Kumi's second song to have a chorus completely in English (first being 24, which was also written and composed by Hitoshi Shimono).

The music video for the single tied into the four others in the storyline: Candy feat. Mr. Blistah, you, Lies and Someday/Boys♥Girls.

The love interest in the music video was played by Shugo Oshinari. Shugo Oshinari is best known for his portrayals of Teru Mikami in the Death Note TV series and Takuma Aoi in Battle Royale II: Requiem.

Cover

As with the other 11 singles in this collection, this single cover represents a stylized version of a traditional dress from a culture; this time it draws its inspiration from Spain and the costume of matadors.

Photo (American magazine)

PHOTO was the name of an American photographic magazine geared towards men. It was published monthly by the Official Magazine Corporation beginning in June 1952. The magazine mainly featured photographs of scantily-clad women, although there were also exposés, featured articles, and examples of photojournalism.

See also

References