- published: 18 Aug 2013
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The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, which was the second longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. Before the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.
The Mikado remains the most frequently performed Savoy Opera, and it is especially popular with amateur and school productions. The work has been translated into numerous languages and is one of the most frequently played musical theatre pieces in history.
Setting the opera in Japan, an exotic locale far away from Britain, allowed Gilbert to satirise British politics and institutions more freely by disguising them as Japanese. Gilbert used foreign or fictional locales in several operas, including The Mikado, Princess Ida, The Gondoliers, Utopia, Limited and The Grand Duke, to soften the impact of his pointed satire of British institutions.
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.
Gilbert, who wrote the words, created fanciful "topsy-turvy" worlds for these operas where each absurdity is taken to its logical conclusion—fairies rub elbows with British lords, flirting is a capital offence, gondoliers ascend to the monarchy, and pirates turn out to be noblemen who have gone wrong. Sullivan, six years Gilbert's junior, composed the music, contributing memorable melodies that could convey both humour and pathos.
Their operas have enjoyed broad and enduring international success and are still performed frequently throughout the English-speaking world. Gilbert and Sullivan introduced innovations in content and form that directly influenced the development of musical theatre through the 20th century. The operas have also influenced political discourse, literature, film and television and have been widely parodied and pastiched by humourists. Producer Richard D'Oyly Carte brought Gilbert and Sullivan together and nurtured their collaboration. He built the Savoy Theatre in 1881 to present their joint works (which came to be known as the Savoy Operas) and founded the D'Oyly Carte Opera Company, which performed and promoted Gilbert and Sullivan's works for over a century.
Opera Australia is the principal opera company in Australia. Based in Sydney, its performance season at the Sydney Opera House accompanied by the Australian Opera and Ballet Orchestra runs for approximately eight months of the year, with the remainder of its time spent in the Arts Centre Melbourne, where it is accompanied by Orchestra Victoria. In 2004, the company gave 226 performances in its subscription seasons in Sydney and Melbourne, attended by more than 294,000 people.
Like most opera companies, it is funded by a combination of government money, corporate sponsorship, private philanthropy, and ticket sales. The proportion of its revenue from ticket sales is considerably higher than that of most companies, approximately 75 per cent. The company is perhaps best known internationally for its association with Dame Joan Sutherland, and for Baz Luhrmann's production of Puccini's La bohème in the early 1990s.
By the end of 2004, Opera Australia provided employment to approximately 1,300 Australians. Oz Opera (Opera Australia's education, access and development arm) presented the La bohème production in Victoria, Northern Territory and Western Australia, attended by 13,350 people, while OzOpera's Schools Company performed to over 63,500 primary age children in more than 360 performances in urban and regional New South Wales and Victoria. Many thousands of Australians also experienced the work of their national opera company through television, radio, video, compact disc, DVD, and the annual free performance of opera in the Domain in Sydney.
Alone may refer to:
Alive may refer to:
Katisha's recitative and aria from Act II of 'The Mikado' by Gilbert & Sullivan Sung by Angharad Little (mezzo-soprano), accompanied at the piano by Peter Jenkin
Jacqueline Dark sings 'Alone and Yet Alive' from The Mikado Recorded live at State Theatre, Victorian Arts Centre, 2011. Conductor: Brian Castles-Onion Director: Stuart Maunder Footage available by kind permission of Opera Australia. Complete DVD and CD of this performance available at http://opera.org.au/buytickets/shop
From Marcelyn Lebovitz's Sophomore Recital (given February 13, 2015)
Contralto: Julie Bélanger Roy Piano: Bernadette Lo
Contralto ALISSA ANDERSON sings "Alone, and yet Alive" from G&S; The Mikado www.ada-artists.com
Featuring Bev Shean from the Gilbert & Sullivan classic The Mikado.
Cáitlín Burke sings "Alone and Yet Alive" from The Mikado with The New York Gilbert and Sullivan Players. Cerritos Center for the Performing Arts 2011, Cerritos, CA.
Filmed in a double-billing with HMS Pinafore at the Opera Australia at the Melbourne Arts Centre in 2005, this production of Trial by Jury by Sir Arthur Sullivan and W. S. Gilbert combines a luminous cast and impeccable orchestra with spirited direction and plenty of good fun. The Learned Judge -- Anthony Warlow The Plaintiff -- Ali McGregor The Defendant -- David Hobson Counsel for the Plaintiff -- John Bolton Wood Usher -- Richard Alexander Foreman of the Jury -- Andrew Jones The Opera Australia Melbourne Chorus Orchestra Victoria Conducted by Andrew Greene Directed by Stuart Maunder
Åsa Junesjö sings Alone and Yet Alive from the Mikado by Gilbert and Sullivan in Madamiva's production of the Mikado
Katisha's recitative and aria from Act II of 'The Mikado' by Gilbert & Sullivan Sung by Angharad Little (mezzo-soprano), accompanied at the piano by Peter Jenkin
Jacqueline Dark sings 'Alone and Yet Alive' from The Mikado Recorded live at State Theatre, Victorian Arts Centre, 2011. Conductor: Brian Castles-Onion Director: Stuart Maunder Footage available by kind permission of Opera Australia. Complete DVD and CD of this performance available at http://opera.org.au/buytickets/shop
From Marcelyn Lebovitz's Sophomore Recital (given February 13, 2015)
Contralto: Julie Bélanger Roy Piano: Bernadette Lo
Contralto ALISSA ANDERSON sings "Alone, and yet Alive" from G&S; The Mikado www.ada-artists.com
Featuring Bev Shean from the Gilbert & Sullivan classic The Mikado.
Cáitlín Burke sings "Alone and Yet Alive" from The Mikado with The New York Gilbert and Sullivan Players. Cerritos Center for the Performing Arts 2011, Cerritos, CA.
Filmed in a double-billing with HMS Pinafore at the Opera Australia at the Melbourne Arts Centre in 2005, this production of Trial by Jury by Sir Arthur Sullivan and W. S. Gilbert combines a luminous cast and impeccable orchestra with spirited direction and plenty of good fun. The Learned Judge -- Anthony Warlow The Plaintiff -- Ali McGregor The Defendant -- David Hobson Counsel for the Plaintiff -- John Bolton Wood Usher -- Richard Alexander Foreman of the Jury -- Andrew Jones The Opera Australia Melbourne Chorus Orchestra Victoria Conducted by Andrew Greene Directed by Stuart Maunder
Åsa Junesjö sings Alone and Yet Alive from the Mikado by Gilbert and Sullivan in Madamiva's production of the Mikado
Alone, and yet alive! Oh, sepulchre!
My soul is still my body's prisoner!
Remote the peace that Death alone can give--
My doom, to wait! my punishment, to live!
SONG.
Hearts do not break!
They sting and ache
For old love's sake,
But do not die,
Though with each breath
They long for death
As witnesseth
The living I!
Oh, living I!
Come, tell me why,
When hope is gone,
Dost thou stay on?
Why linger here,
Where all is drear?
Oh, living I!
Come, tell me why,
When hope is gone,
Dost thou stay on?