Hoochie Coochie Man

"Hoochie Coochie Man" (originally titled "I'm Your Hoochie Cooche Man") is a blues standard written by Willie Dixon and first recorded by Muddy Waters in 1954. The song references hoodoo folk magic elements and makes novel use of a stop-time musical arrangement. It became one of Waters' most popular and identifiable songs and helped secure Dixon's role as Chess Records' chief songwriter.

The song is a classic of Chicago blues and one of Waters' first recordings with a full backing band. Dixon's lyrics build on Waters' earlier use of braggadocio and themes of fortune and sex appeal. The stop-time riff was "soon absorbed into the lingua franca of blues, R&B, jazz, and rock and roll", according to musicologist Robert Palmer, and is used in several popular songs. When Bo Diddley adapted it for "I'm a Man", it became one of the most recognizable musical phrases in blues.

After the song's initial success in 1954, Waters recorded several live and new studio versions. The original appears on the 1958 The Best of Muddy Waters album and many compilations. Numerous musicians have recorded "Hoochie Coochie Man" in a variety of styles, making it one of the most interpreted Waters and Dixon songs. The Blues Foundation and the Grammy Hall of Fame recognize the song for its influence in popular music and the US Library of Congress' National Recording Registry selected it for preservation in 2004.

Hoochie coochie

The hoochie coochie was a sexually provocative belly dance term that originated at the Philadelphia Centennial Exhibition in 1876. It became wildly popular during and after the Chicago World's Fair in 1893. Described by the New York Journal in 1893 as "Neither dancing of the head nor the feet", it was a dance performed by women of, or presented as having, an Eastern European gypsy heritage, often as part of travelling sideshows. Gooch, goochie or gootchie was apparently already a term in the American South for a woman's vagina, and hoochie coochie has been suggested as referring directly to sex.

The hoochie coochie replaced the much older can-can as the ribald dance of choice in New York dance halls by the 1890s.

A carnival company recently rented a large open space in a New York town of 5000 population and opened up for business. The most lucrative part of their business is a “girl” show, too foul to write of. The barker in his endeavor to secure customers appeals to all that is opposed to decency, while the three main attractions emphasize his harangue by “hoochie-coochie” dances and other physical contortions.

Muddy Waters

McKinley Morganfield (April 4, 1913 – April 30, 1983), known by his stage name Muddy Waters, was an American blues musician who is often cited as the "father of modern Chicago blues".

Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi and by age seventeen was playing the guitar at parties, emulating local blues artists Son House and Robert Johnson. He was recorded by Alan Lomax there for the Library of Congress in 1941. In 1943, he headed to Chicago with the hope of becoming a full-time professional musician, eventually recording, in 1946, for first Columbia and then Aristocrat Records, a newly formed label run by brothers Leonard and Phil Chess.

In the early 1950s, Muddy and his band, Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elgin Evans on drums and Otis Spann on piano, recorded a series of blues classics, some with bassist/songwriter Willie Dixon, including "Hoochie Coochie Man", "I Just Want to Make Love to You" and "I'm Ready". In 1958, Muddy headed to England, helping to lay the foundations of the subsequent blues boom there, and in 1960 performed at the Newport Jazz Festival, recorded and released as his first live album, At Newport 1960.

Buddy Guy

George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues and has influenced guitarists including Jimi Hendrix, Eric Clapton, Jimmy Page, Keith Richards, Jeff Beck, John Mayer and Stevie Ray Vaughan. In the 1960s, Guy played with Muddy Waters as a house guitarist at Chess Records and began a musical partnership with harmonica player Junior Wells.

Guy was ranked 30th in Rolling Stone magazine's 100 Greatest Guitarists of All Time. His song "Stone Crazy" was ranked 78th in Rolling Stone's list of the 100 Greatest Guitar Songs of All Time. Clapton once described him as "the best guitar player alive".

Guy's autobiography, When I Left Home: My Story, was published in 2012.

Early life

Guy was born and raised in Lettsworth, Louisiana, United States. Guy began learning guitar on a two-string diddley bow he made. Later he was given a Harmony acoustic guitar, which, decades later in Guy's lengthy career was donated to the Rock and Roll Hall of Fame.