- published: 12 Jul 2014
- views: 41756510
In combat sports and hand-to-hand combat, a kick is a physical strike using the foot, leg, or knee (the latter is also known as a knee strike). This type of attack is used frequently, especially in stand-up fighting. Kicks play a significant role in many forms of martial arts, such as Taekwondo, Karate, Pankration, Kung fu, Vovinam, Kickboxing, Muay Thai, Capoeira, Silat, and Kalarippayattu.
The English verb to kick appears only in the late 14th century, apparently as a loan from Old Norse, originally in the sense of a hooved animal delivering strikes with his hind legs; the oldest use is Biblical, in the metaphor of an ox kicking against the pricks.
The act of kicking in general is a universal form of human aggression. The same movement is also used in non-offensive contexts, e.g. a kick to propel an object such as a ball, or a kicking movement without touching anything, e.g. as a dance move.
Kicks as a form of attack are more typically directed against helpless or downed targets, because using a kick in a combat situation bears the significant disadvantage of losing stability of one's stance, as delivering a kick obviously requires lifting at least one foot off the ground.
At the Hotel is a Canadian drama-comedy-musical mini-series concerning the goings-on at an illustrious Montreal hotel, known for its favourable treatment of struggling artists. Created by Ken Finkleman and produced by One Hundred Percent Television, the series aired on CBC Television in 2006. The music is composed by Robert Carli. This is the only Ken Finkleman production in which he did not cast himself as a character. He does however make a very brief on-screen appearance as a member of the crew shooting a music video in the hotel.
At The Hotel is a six-episode miniseries created, co-written, and produced by Ken Finkleman, which aired on CBC Television in 2006. Like Finkleman's The Newsroom, the miniseries was notable for its use of surreal plot devices and unique use of music.
At first glance, the story appears to be a series of unconnected vignettes, woven against a mystery in the past which may be the reason behind a murder in the present day. Each episode opens with a short flashback to that critical night during a party back in 1961, during which a nameless chambermaid died. In the fifth episode, the audience discovers that everything they have just been told may lie solely in the imagination of a writer who is also a character in the miniseries. The end of the miniseries winds up the end of the novel, which pays for the writer's bar tab at the hotel; but the hotel hallways still have closed doors and the audience is left knowing nothing more about the hotel than when the miniseries began.
A hotel is an establishment that provides lodging paid on a short-term basis. The provision of basic accommodation, in times past, consisting only of a room with a bed, a cupboard, a small table and a washstand has largely been replaced by rooms with modern facilities, including en-suite bathrooms and air conditioning or climate control. Additional common features found in hotel rooms are a telephone, an alarm clock, a television, a safe, a mini-bar with snack foods and drinks, and facilities for making tea and coffee. Luxury features include bathrobes and slippers, a pillow menu, twin-sink vanities, and jacuzzi bathtubs. Larger hotels may provide additional guest facilities such as a swimming pool, fitness center, business center, childcare, conference facilities and social function services
Hotel rooms are usually numbered (or named in some smaller hotels and B&Bs) to allow guests to identify their room. Some hotels offer meals as part of a room and board arrangement. In the United Kingdom, a hotel is required by law to serve food and drinks to all guests within certain stated hours. In Japan, capsule hotels provide a minimized amount of room space and shared facilities.
Who was it who asked about the last mile being the hardest mile
Trying not to spend more time looking back
There's still a bit more to go
Can't stop measuring strike outs to home runs
Trying to justify these compromises that have piled up and dulled my blade
Maybe we stayed too long didn't say enough, swing hard enough
The years just sort of ran away
And the ones that follow won't be as fun
I'll never love anything else the way that I loved this
So you know its not gonna be easy
To just let go
But the credits they will roll
It's getting harder and harder
To give too much of my body and soul to a mess overrun by morons and thugs
Who's only purpose is to break this, not hard enough to make it
Fighting on their own
We stand bound and gagged as they pee on our rug
The end result of not a single motherfucker willing to take the hard road
Makes it easier to watch as the door swings slowly shut
Then there are those I'll carry with me forever, live deep in my chest
Watched as you took your last breath on that floor in Wilkes-Barre
The room loved you so deeply our hearts broke as you faded
And i can never repay the lesson you left me as we rolled outta town that night
Not a thought in my head of beginnings or endings
Make the most of these days while they are still unfolding
Keep right on dancing while that curtain is closing