- published: 12 Nov 2013
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Vsevolod Illarionovich Pudovkin (Russian: Все́волод Илларио́нович Пудо́вкин) (16 February 1893 – 30 June 1953) was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage. Pudovkin's masterpieces are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals.
A student of engineering at Moscow University, Pudovkin saw active duty during World War I, being captured by the Germans. After the war, he abandoned his professional activity and joined the world of cinema, first as a screenwriter, actor and art director, and then as an assistant director to Lev Kuleshov.
After a few tries with advertising cinema, he directed in 1926 that which will be considered one of the masterpieces of silent movies: Mother, where he developed several montage theories that would make him famous.
Breve Storia del Cinema - La scuola del montaggio sovietico: http://www.brevestoriadelcinema.org/11-1.html Storm Over Asia (Russian: Потомок Чингисхана, Potomok Chingiskhana, "Heir to Genghis Khan") is a 1928 Russian film directed by Vsevolod Pudovkin, written by Osip Brik and Ivan Novokshonov, and starring Valéry Inkijinoff. It forms part of Pudovkin's "revolutionary trilogy", alongside Mother (1926) and The End of St. Petersburg (1927). In 1918 a young and simple Mongol herdsman and trapper is cheated out of a valuable fox fur by a European capitalist fur trader. Ostracized from the trading post, he escapes to the hills after brawling with the trader who cheated him. In 1920 he becomes a Soviet partisan, and helps the partisans fight for the Soviets against the occupying British army. Ho...
Breve Storia del Cinema - La scuola del montaggio sovietico: http://www.brevestoriadelcinema.org/11-1.html Mother (Russian: Мать, Mat) is a 1926 Soviet film directed by Vsevolod Pudovkin depicting one woman's struggle against Tsarist rule during the Russian Revolution of 1905. The film is based on a novel of the same title by Maxim Gorky. In this film, the mother of Pavel Vlasov is pulled into the revolutionary conflict when her husband and son find themselves on opposite sides during a worker's strike. After her husband dies during the failed strike, she betrays her son's ideology in order to try, in vain, to save his life. He is arrested, tried in what amounts to a judicial farce, and sentenced to heavy labor in a prison camp. During his incarceration, his mother aligns herself with him...
Breve Storia del Cinema - La scuola del montaggio sovietico: http://www.brevestoriadelcinema.org/11-1.html The End of St. Petersburg (Russian: Конец Санкт-Петербурга, translit. Konets Sankt-Peterburga) is a 1927 silent film directed by Vsevolod Pudovkin and produced by Mezhrabpom. Commissioned to commemorate the tenth anniversary of the October Revolution, The End of St Petersburg was to be Pudovkin's most famous film and secured his place as one of the foremost Soviet montage film directors. The film forms part of Pudovkin's 'revolutionary trilogy', alongside Mother (1926) and Storm Over Asia (1928). http://en.wikipedia.org/wiki/The_End_of_St._Petersburg
Chess Fever (Shakhmatnaya goryachka) - directed by Vsevolod Pudovkin & Nikolai Shpikovsky, 1925. José Raúl Capablanca (The World Champion), Vladimir Fogel (The Hero), Anna Zemtsova (The Heroine), Yakov Protazanov (The Chemist).
Un verdadero clasico de todos los tiempos. Con esta adaptacion de la novela de Maximo Gorky (el gran escritor ruso), Pudovkin (su director), nos situa en las revueltas obreras de 1905 y logra escenificar con total y maxima crudeza y rigor la toma de conciencia de clase de una madre y de todo un movimiento social en el marco de una revuelta de los obreros quienes se encontraban sometidos a una total servidumbre y alienacion absoluta. Realmente Imperdible y unica en su genero.
Режиссёр, продюсер и актёр Эван Ричардс опубликовал видео, которое наглядно демонстрирует вклад Всеволода Пудовкина в искусство монтажа. Пять основных принципов монтажа, сформулированных Пудовкиным, использовались режиссёрами таких фильмов, как «Крёстный отец», «Молчание ягнят», «Психо», «Лоуренс Аравийский» и «Хранитель времени». A brief look at some of Vsevolod Pudovkin's theories on editing as well as some examples from more recent movies. If you're interested in reading some of Pudovkin's writings, his book "Film technique and Film acting: The Cinema Writings of V.I. Pudovkin" is available for free in PDF, Kindle, or EPUB format at the link below. © Evan Richards
Vsevolod Pudovkin - 1928 - Storm over Asia This is one of the stronger rhythmic montage sequences in the film.
Mother, 1926, directed by Vsevolod Pudovkin. This is a great silent film from the early days of Russian communism. It is the story of one mothers personal revolution against the Tsar and has one of the moist rousing ending in movie history. YTou will want to rise up yourself. In this film, the mother of Pavel Vlasov is drawn into the revolutionary conflict when her husband and son find themselves on opposite sides during a worker's strike. After her husband dies during the failed strike, she betrays her son's ideology in order to try, in vain, to save his life. He is arrested, tried in what amounts to a judicial farce, and sentenced to heavy labour in a prison camp. During his incarceration, his mother aligns herself with him and his ideology and joins the revolutionaries. In the climax ...
"La madre" Es una película del cine mudo soviético que se estreno en 1926 bajo la dirección de Vsevolod Pudovkin. La película, al igual que la novela, narra la historia del joven obrero que se vuelve socialista y participa en el movimiento obrero-campesino de 1905. En su momento la novela fue creada por Gorki como una guía y, usando a su protagonista Pavel, como un ejemplo que los demás jóvenes debían que seguir. Ya que Pavel formaba parte de un grupo socialista y era el líder obrero de la fabrica en donde trabajaba. La madre de Pavel termina por volverse activa en el movimiento. Pasa de ser una simple mujer que era golpeada por su marido para convertirse en una mujer que toma conciencia de la propia situación social.
Mother (1926) [film based on Maxim Gorky's famous novel] Director: Vsevolod Pudovkin Cast: Vera Baranovskaya, Nikolai Batalov Country: SOVIET UNION Notes: Gripping social realist drama, heavy use of montage. Storyline: In this film, the mother of Pavel Vlasov is pulled into the revolutionary conflict when her husband and son find themselves on opposite sides during a worker's strike. After her husband dies during the failed strike, she betrays her son's ideology in order to try, in vain, to save his life. He is arrested, tried in what amounts to a judicial farce, and sentenced to heavy labor in a prison camp. During his incarceration, his mother aligns herself with him and his ideology and joins the revolutionaries. In the climax of the movie, the mother and hundreds of others march ...
Interview Pudovkin for Chinapro Guangzhou April 2009
中文字幕稿:Yao Jee 主持人:這三年來,三個年度最佳歌曲、幾個金曲獎、很多熱門歌曲...... Vitas:你說的有些獎項根本不存在。 主持人:但是,這還不夠,你開始向戲劇和電影進軍:錄製電影原聲帶、拍電影、演話劇等,到底是什麼吸引了你呢? Vitas:我認為,演員是一個多風格的綜合體,任何時候都不應該將自己局限起來,比如說只是唱歌。多方向的發展自己,我試試做畫家、試試做歌唱家、試試做演員......所以我認為這很正常。 主持人:那時裝設計是怎麼回事?聽說已經發布了你的一個時裝收藏,可以具體說說嗎? Vitas:難道我們沒有講述我們那個女性內衣時裝設計的首發式麼? Pudovkin:我的錯,呵呵,我的錯。 主持人:等等,VITAS,為什麼只是女性時裝? Vitas:呃,我想說的是......我愛女人,我為了她們而生存。 主持人:這真是一個很好題材! Vitas:當我開始唱歌,同時開始喊著『女人』這個詞,哈哈! Pudovkin:不,實際上原因還得從兩年前說起,但是VITAS以時裝設計師的身份在克里姆林宮舉辦了個人時裝秀,當時和模特們接觸中談及了整體形象設計等問題,自然而然就產生了一個整體產品的問題,從內衣到外衣......所以,想法就是那時產生的。 主持人:觀眾隨時都在關注你們的創作,祝愿你們創作發展、一切都成功,多拿音樂大獎,多演角色,多發佈時裝,多出寫詩集。 。 Pudovkin:謝謝 來源:YaoJee bolg http://www.vitas.com.ru http://www.youtube.com/vipnews2010 http://www.vitas.com.cn http://blog.sina.com.cn/yaojee
Vitas Off.Homepage http://www.vitas.com Translation Evgenia Azmayparashvili via Paola López Kelly. ...................................In the beginning the presenter introduces Vitas and Pudovkin, saying that Vitas is one of the most charismatic artists on the Russian stage, and Pudovkin is his producer. Then the presenter says that Vitas is not only a singer, but he's also an actor, peacemaker and even a medical man. After this, he asks Vitas what he has been doing for the last few years and where he has been all this time. Vitas answers that they are working 39 hours a day, preparing for new programmes. One of the presenters jokes that probably in China, where Vitas and Pudovkin spend most of their time, a day consists of 39 hours. Meanwhile, Vitas goes on: "We are recording new songs,...
Alexander: During the past three years there were three awards "The Song of the Year", a few "Golden Gramophones", "Hundred Percent Hits" and... Vitas: You've mentioned even those awards which don't exist at all... Alexander: Nevertheless, that was not enough for you and further on you turned to theatre, to cinematography, composing soundtracks, film acting, performances... What attracts you there, in that profession? Vitas: You know... I dont' think that an artist... Well, artist is a synthetic genre. It seems to me, one shouldn't limit oneself to singing only... There are different ways... I try painting, I try singing, I try acting... So in my opinion it's quite normal. Alexander: What do you like in fashion? I know that a line... a collection has been launched... hasn't it? It has ...
Original title: Шахматная горячка ( Shakhmatnaya goryachka) Breve Storia del Cinema - La scuola del montaggio sovietico: http://www.brevestoriadelcinema.org/11-1.html Un uomo totalmente ossessionato dal gioco degli scacchi tanto da da trascurare la sua fidanzata che di scacchi proprio non ne vuole sapere almeno finché non incontra il campione del mondo in persona...
第十四屆上海國際汽車工業展覽會 The 14th Shanghai International Automobile Industry Exhibition 演出歌曲: 歌劇 2 / Opera 2 / Опера 2 幸福鳥 / The Bird of Happiness / Птица счастья 車展時間2011.04.21-28 上海 廣告於2011.05.01 在中國各大電視台播放 MERCEDES ADVERTISING CONTRACT On April, 19th Vitas performed at Shanghai International Automobile Exposition 2011 'AUTO SHANGHAI 2011' within the scope of the two-year advertising contract between MERCEDES Company and PUDOVKIN Producer Center. 和奔馳的廣告合約 4月19日維塔斯在上海世界汽車博覽會"2011年上海車展"上的演出是在奔馳公司和普多夫金製作中心之間的兩年廣告合約範圍內進行的。 РЕКЛАМНЫЙ КОНТРАКТ С MERCEDES 19 апреля Витас выступил на Всемирной Автомобильной Ярмарке в Шанхае "AUTO SHANGHAI 2011" в рамках двухлетнего рекламного контракта между компанией MERCEDES и Продюсерским Центром "ПУДОВКИН". http://www.vitas.com.ru http:/...
Vitas & Gh. Zamfir Lie Ciocarlie , Concert Romania, Bucharest 25 Febr, 2009 You may read S. Pudovkin's interview for Journal Kitej-grad here: English translation: http://vitas.ro/kitej_grad/int_eng_S.Pudovkin.doc Romanian: http://i32.tinypic.com/9vjxxv.jpg http://i28.tinypic.com/1539w8x.jpg http://i30.tinypic.com/9s9egn.jpg http://i26.tinypic.com/1yttf5.jpg More about Vitas concert in Romania here: http://vitas.ro/news_09.htm
Vitas Official Homepage http://www.vitas.com.ru Vitas Official Youtube Channel http://www.youtube.com/user/vipnews2010 Translation by Evgenia Azmayparashvili via Paola Lopez. Kelly. The presenter says that Vitas now is healing people with the help of his unusual voice. And at present he has patients in China, Germany...The presenter jokes that Kashpirovskiy and Chumack ( Russian healers) are on the look-out for Vitas, being jealous of him. The other presenter asks Vitas to retell how it (healing) happens in reality. Vitas answers that once he saw people who came to his concert put jars with water near their seats, charging them with his voice. Vitas adds that he is happy to please his viewers not only with his art, songs; but he also helps people to get rid of some physical and moral ...