Barbershop Harmony Society

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The Barbershop Harmony Society, legally and historically named the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (SPEBSQSA), is the first of several organizations to promote and preserve barbershop music as an art form. Founded by Owen C. Cash and Rupert I. Hall in Tulsa, Oklahoma in 1938, the organization quickly grew, promoting barbershop harmony among men of all ages. As of 2014, just under 23,000 men in the United States and Canada are members of this organization whose focus is on a cappella music. The international headquarters was in Kenosha, Wisconsin for fifty years before moving to Nashville, Tennessee in 2007.

A parallel women's singing organization, Sweet Adelines International (SAI) was founded in 1945. A second women's barbershop harmony organization, Harmony, Inc., broke from SAI in 1959 over an issue of racial exclusion, with SAI (like SPEBSQSA and many other organizations) being white-only at that time. Several international affiliate organizations, in countries around the world, add their own flavor to the signature sound of barbershop harmony.

Society

A society is a group of people involved in persistent social interaction, or a large social grouping sharing the same geographical or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships (social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent members. In the social sciences, a larger society often evinces stratification or dominance patterns in subgroups.

Insofar as it is collaborative, a society can enable its members to benefit in ways that would not otherwise be possible on an individual basis; both individual and social (common) benefits can thus be distinguished, or in many cases found to overlap.

A society can also consist of like-minded people governed by their own norms and values within a dominant, larger society. This is sometimes referred to as a subculture, a term used extensively within criminology.

Close and open harmony

Close harmony is an arrangement of the notes of chords within a narrow range, usually notes that are no more than an octave apart. It is different from open harmony or voicing in that it uses each part on the closest harmonizing note (such as - C4, E4, G4), while the open voicing uses a broader pitch array (like - C3, G3, E4) expanding the harmonic range past the octave. Close harmony or voicing can refer to both instrumental and vocal arrangements. It can follow the standard voice-leading rules of classical harmony, as in string quartets or Bach's Chorales, or proceed in parallel motion with the melody in 3rds or 6ths.

Impressionist composers like Claude Debussy and Maurice Ravel often used close harmony in their works and other intervals, such as 7ths, 9ths, and 11ths may be used, since the chords have 4 or more notes and the harmonies are more complex. In jazz, this influence is reflected in George Gershwin's work.

Vocal

Close harmony singing was especially popular in the 1940s with Pop and R&B groups using the technique quite frequently. Many gospel and soul groups in the 1950s and 60s also used this technique, usually 3- or 4-part SSAA or TTBB harmony with one person (either Bass or Lead) doing a call-and-response type lead. One example of this is The Blind Boys of Alabama, a group that is still recording today. The folk-rock duo Simon & Garfunkel used close harmony, echoing their chosen role-models, the Everly Brothers.The Louvin Brothers were a duo that used close harmony in the genre of country music.