Ariola Records

Ariola Records (also known as Ariola and Ariola-Eurodisc) is a German record label. In the late 1980s, it was a subsidiary label of BMG, which in turn has become a part of the international media conglomerate SME.

Profile

Ariola was founded in 1958 as a music outlet of Bertelsmann. It set up several subsidiaries: Ariola America was founded in 1975 in Los Angeles, best known for Spanish artist—most successfully Rocio Durcal from the late 1980s onward and Mexican artist Marisela starting in the 1990s; Ariola-Athena to release spoken word records; Ariola Benelux was founded in 1970 to cover the Benelux market; Ariola Eurodisc was a Spanish division of Ariola, founded in 1970; Ariola UK the UK based subsidiary of Ariola was founded in 1977; Baccarola; Türküola for the Turkish market; Eurodisc to release disco records in France - most successfully with Amanda Lear, Giorgio Moroder (house producer of Ariola) and Jupiter Records for German schlager music and disco like for instance group Dschinghis Khan.

Thrash metal

Thrash metal is an extreme subgenre of heavy metal music characterized by its fast tempo and overall aggression. The songs usually use fast percussive beats and low-register guitar riffs, overlaid with shredding-style lead work. The lyrics often deal with social issues and reproach for The Establishment, using direct and denunciatory language, an approach which partially overlaps with the hardcore genre.

The genre evolved in the early 1980s from combining the fast drum beats and attitude of hardcore punk with the double bass drumming, heavy and complex guitar style of the New Wave of British Heavy Metal (NWOBHM). It emerged partially as a reaction to the more conventional and widely acceptable glam metal, a less aggressive, pop music-infused heavy metal subgenre which appeared simultaneously. Thrash metal was an inspiration for subsequent extreme genres such as death metal and black metal.

Four American bands, Anthrax, Megadeth, Metallica, and Slayer, are credited with pioneering and popularizing the genre. The Clash of the Titans tour (1990–1991), which featured Megadeth, Slayer, and Anthrax, is considered the genre's pinnacle, after which thrash metal saw a decline in popularity throughout the decade. Thrash metal has seen a resurgence in recent times, with many of the older bands returning to their roots with their new releases. A new generation of thrash metal bands emerged in the early 2000s, drawing lyrical and visual inspiration from the older groups.

Death metal

Death metal is an extreme subgenre of heavy metal music. It typically employs heavily distorted and low-tuned guitars, played with techniques such as palm muting and tremolo picking, deep growling vocals and screams, aggressive, powerful drumming featuring double kick or blast beat techniques, minor keys or atonality, abrupt tempo, key, and time signature changes and chromatic chord progressions. The lyrical themes of death metal may invoke slasher film-stylized violence,religion (sometimes Satanism), occultism, Lovecraftian horror, nature, mysticism, mythology, philosophy, science fiction, and politics, and they may describe extreme acts, including mutilation, dissection, torture, rape, cannibalism, and necrophilia.

Building from the musical structure of thrash metal and early black metal, death metal emerged during the mid-1980s. Bands such as Venom, Celtic Frost, Slayer, and Kreator were important influences on the genre's creation.Possessed and Death, along with bands such as Obituary,Autopsy and Morbid Angel, are often considered pioneers of the genre. In the late 1980s and early 1990s, death metal gained more media attention as popular genre niche record labels like Combat, Earache, and Roadrunner, began to sign death metal bands at a rapid rate.

Gladiator

A gladiator (Latin: gladiator, "swordsman", from gladius, "sword") was an armed combatant who entertained audiences in the Roman Republic and Roman Empire in violent confrontations with other gladiators, wild animals, and condemned criminals. Some gladiators were volunteers who risked their lives and their legal and social standing by appearing in the arena. Most were despised as slaves, schooled under harsh conditions, socially marginalized, and segregated even in death.

Irrespective of their origin, gladiators offered spectators an example of Rome's martial ethics and, in fighting or dying well, they could inspire admiration and popular acclaim. They were celebrated in high and low art, and their value as entertainers was commemorated in precious and commonplace objects throughout the Roman world.

The origin of gladiatorial combat is open to debate. There is evidence of it in funeral rites during the Punic Wars of the 3rd century BC, and thereafter it rapidly became an essential feature of politics and social life in the Roman world. Its popularity led to its use in ever more lavish and costly games.

Ako

Ako or AKO may refer to:

Places

People

Fictional characters

Other

See also

Akko (disambiguation)