- published: 11 Feb 2014
- views: 460895
In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
People is the title of Barbra Streisand's fourth solo studio album which was released in September 1964. The title track was a newly recorded version of the hit song from the Broadway musical Funny Girl in which Streisand starred.
The album became the first of Streisand's albums to hit #1 on the Billboard album chart, spending five weeks in the top spot; it was also certified Platinum. It was re-released in the UK on the CBS Hallmark Series label in 1966 with different artwork.
Side One
Side Two
The Sunday People is a British tabloid Sunday newspaper, founded as The People on 16 October 1881.
It is published by the Trinity Mirror Group, and shares a website with the Mirror papers. In July 2011 it had an average Sunday circulation of 806,544. By January 2014 the circulation had shrunk to 374,820. Despite its tagline claim to be a "truly independent" newspaper, The People endorsed the Labour Party at the 2015 general election on the recommendation of polling data from its readers.
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."
"Radio" is a song by British pop singer Robbie Williams. It was the first single from his hits compilation Greatest Hits, released in 2004. The video includes tattooed cheerleaders in masks doing flips, Williams being fawned over as a snake emerges from his trousers, and Williams' eyes morphing into lizard eyes. The song also features robo-type music.
"Radio" became Williams' sixth number one single in the UK Singles Chart, selling 41,734 in its first week. To date the song has sold 100,000 copies in the UK. The song also topped the charts in Portugal and Denmark and reached the top ten across Europe and Latin America. In Australia, the single charted at number-twelve and after seven weeks on the charts, the single was certified Gold.
The song was Williams's last UK number-one for eight years until "Candy" took the top spot in November 2012.
"Naive Song" Music Video by Jean Baptiste Mondino. 1st electro track with autotune Fx on Vocals - Released in 2001 for Mirwais' album PRODUCTION Stream the album: https://spoti.fi/3jx5Si1 / http://bit.ly/Mirwais_Apple Subscribe to my channel: http://bit.ly/Mirwais_Subscribe Watch the last Music videos:http://bit.ly/Mirwais_MusicVideos - - - - - - - - - - - - - - - - - - - - - - - Follow Mirwais: https://www.facebook.com/mirwaisofficial https://instagram.com/mirwais.official/ https://soundcloud.com/mirwais-official
"Disco Science" is the song used for the "Dog vs Rabbit" scene from Guy Ritchie's cult movie "Snatch" (2001) From Mirwais' album PRODUCTION iTunes: https://itun.es/fr/e4djE Deezer: http://www.deezer.com/album/1566278 Spotify: https://open.spotify.com/album/10M1PDsAqW6hDKmWusGEos - - - - - - - - - - - - - - - - - - - - - - - Follow Mirwais: https://www.facebook.com/mirwaisofficial https://instagram.com/mirwais.official/ https://soundcloud.com/mirwais-official
Taken from the album "Production" by Mirwais Stream the album: https://spoti.fi/3jx5Si1 / http://bit.ly/Mirwais_Apple Subscribe to my channel: http://bit.ly/Mirwais_Subscribe Watch the last Music videos:http://bit.ly/Mirwais_MusicVideos Listen to the full album on YouTube: http://bit.ly/Mirwais_Production Follow Mirwais: https://www.facebook.com/mirwaisofficial https://instagram.com/mirwais.official/ https://soundcloud.com/mirwais-official
Follow Mirwais: https://linktr.ee/mirwais Stream/Download : https://lnk.to/Mirwais2016MyGeneration #Mirwais #Newmusic #Newmusicvideo #TheRetrofuture #2016MyGeneration My Generation, My Generation Money and power My Generation, My Generation Politics and Prostitutes My Generation, My Generation Money and power We want the world Music Video : Co - produced by Les Productions 50/50 & H5.fr Directed by Ludovic Houplain/ H5 based on an original idea from Mirwais Music : Composed, performed, arranged and produced by Mirwais Mixed by Mirwais Mastered by Paul Mac for The Exchange Vinyl. P&C; 2021 Les Productions 50/50 Published by Mirwais EDT Music Video Credits: Vehicules Sound Design Sébastien Noiré Line Production Maxime Vandenabeele Federico Matarazzo H5 Designer Ludovic Houplain ...
Mirwais - Naive Song (Official Video - Hi-Definition) Directed By Jean Baptiste Mondino Year 2000. Stream the album: https://spoti.fi/3jx5Si1 / http://bit.ly/Mirwais_Apple Subscribe to my channel: http://bit.ly/Mirwais_Subscribe Watch the last Music videos:http://bit.ly/Mirwais_MusicVideos - - - - - - - - - - - - - - - - - - - - - - - Follow Mirwais: https://www.facebook.com/mirwaisofficial https://instagram.com/mirwais.official/ https://soundcloud.com/mirwais-official
Le producteur et musicien Mirwais est l'invité de Léa Salamé. Il publie "Taxi-Girl 1978-1981" (Séguier), premier tome de sa trilogie mémorielle.
Mirwais - MISS YOU feat . Craig Wedren Directed by Christophe Navarre From Mirwais' album PRODUCTION (2001) Stream the album: https://spoti.fi/3jx5Si1 / http://bit.ly/Mirwais_Apple Subscribe to my channel: http://bit.ly/Mirwais_Subscribe Watch the last Music videos:http://bit.ly/Mirwais_MusicVideos - - - - - - - - - - - - - - - - - - - - - - - https://www.facebook.com/mirwaisofficial https://instagram.com/mirwais.official/ https://soundcloud.com/mirwais-official
Hare coursing/Tyrone's interrogation from 'Snatch'
Mirwais - Disco Science clips from 'Snatch' was on my other accout that was taken down (poy41) Fair Use: "Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use."
Track List: 1-4 1. Barbra Streisand - Absent Minded Me (0:00) 2. Barbra Streisand - When In Rome (I Do As The Romans Do) (3:08) 3. Barbra Streisand - Fine And Dandy (6:08) 4. Barbra Streisand - Supper Time (9:00) Part 1. https://www.youtube.com/watch?v=EYlJ77w1PJI Part 2. https://www.youtube.com/watch?v=f-OhVLEaKLg Part 3. https://www.youtube.com/watch?v=4ZC0CbTV2p8 People is Barbra Streisand's fourth solo studio album, released in September 1964. The title track was a newly recorded version of the hit song from the Broadway musical Funny Girl in which Streisand starred. The album became the first of Streisand's albums to hit #1 on the Billboard album chart, spending five weeks in the top spot; it was also certified Platinum. After hitting #1 on the charts, Barbra received a commemora...
Barbra Streisand's signature song, "People," with pictures from the film FUNNY GIRL.
Provided to YouTube by Columbia People · Barbra Streisand People ℗ Originally released 1964. All rights reserved by Sony Music Entertainment Released on: 1964-09-01 Conductor, Arranger: Peter Matz Composer, Lyricist: Jule Styne Producer: Mike Berniker Composer, Lyricist: Bob Merrill Auto-generated by YouTube.
Provided to YouTube by Columbia People · Barbra Streisand Funny Girl - Original Soundtrack Recording ℗ Originally Released 1968 SONY BMG MUSIC ENTERTAINMENT Released on: 1968-09-01 Composer, Lyricist: Jule Styne Composer, Lyricist: B. Merrill Conductor: Herbert Ross Conductor: JULE STYNE Associated Performer: HERBERT ROSS AND HIS ORCHESTRA Producer: Jack Gold Auto-generated by YouTube.
Preorder “Partners” now at Amazon: http://smarturl.it/barbrapartners Preorder “Partners” now at iTunes: http://smarturl.it/barbrapartnersitunes Music video by Barbra Streisand performing People with Stevie Wonder. (C) 2014 Columbia Records, a Division of Sony Music Entertainment
Provided to YouTube by Columbia People · Barbra Streisand · Stevie Wonder Partners ℗ 2014 Columbia Records, a Division of Sony Music Entertainment Released on: 2014-09-12 Associated Performer: Barbra Streisand with Stevie Wonder Composer: Jule Styne Lyricist: Bob Merrill Associated Performer, Piano, Programmer, Synthesizer, Producer: Walter Afanasieff Associated Performer, Conductor: William Ross Drums: Teddy Campbell Guitar: Michael Ripoll Background Vocal: Babyface Associated Performer: Larry Mah Associated Performer: Kevin Globerman Associated Performer: Cristian F. Perez Producer: Kenny "Babyface" Edmonds Executive Producer: Jay Landers Unknown, Engineer, Mixing Engineer: David Reitzas Engineer: Tyler Gordon Engineer: Paul Boutin Assistant Engineer: Aleks von Korff Recor...
Provided to YouTube by Columbia Two People · Barbra Streisand Till I Loved You ℗ 1988 Sony Music Entertainment Inc. Released on: 1988-10-12 Conductor, Arranger: Patrick Williams Acoustic Guitar, Electric Guitar: Dann Huff Composer: M. Bergman Piano: RANDY WALDMAN Composer: A. Bergman Synthesizer: Robbie Buchanan Synthesizer: Tom Ranier Producer: Phil Ramone Assistant Engineer, Assistant Producer: Debbie Johnson A& R Coordinator: Carol Nelson A& R Coordinator: DIANTE Coordinator: Kim Skalecki Engineer: Bryant Arnett Engineer: Gary Wagner Engineer, Mixing Engineer: John Arrias Engineer: Marnie Riley Engineer: Richard McKernan Assistant Engineer: BRAD SUNDBERG Assistant Engineer: Clark Germain Assistant Engineer: David Glover Assistant Engineer: Laura Schiff Assistant Enginee...
People, people who need people Are the luckiest people in the world We're children needing other children And yet letting our grown-up pride Hide all the need inside Acting more like children than children Lovers are very special people They're the luckiest people in the world With one person, one very special person A feeling deep in your soul Says you WERE half now you're whole No more hunger and thirst But first be a person who needs people People, people who need people Are the luckiest people in the world. With one person, one very special person A feeling deep in your soul Says you WERE half now you're whole No more hunger and thirst But first be a person who needs people People, people who need people Are the luckiest people in the world.
In music, a radio edit is a modification, typically truncated, to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version. However, not all "radio edit" tracks are played on radio.
Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. Another example is B.o.B's song, "Nothin' On You" featuring Bruno Mars, whose radio edit skips the first 5 seconds & starts with the 6th second in which Bruno Mars starts singing the first chorus. The second half of the first chorus is sometimes skipped, along with the last 24 seconds which is the normal fade-out part in which B.o.B says, "Yeah, and that's just how we do it/And I'ma let this ride/B.o.B and Bruno Mars", and the radio edit ends with the fourth and last chorus with an earlier fade-out. A 3rd example would be the song, "The Man" by Aloe Blacc, in which the radio edit skips the "I'm the man/Go ahead & tell everybody/What I'm saying ya all" part & the first 10 seconds. Also, the 3rd chorus of the song is shortened. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse. Another example for this case is Justin Timberlake's "Mirrors", where the radio edit cuts the entire "You are the love of my life" part.
Hey girl, is he everything you wanted in a man
You know I gave you the world
You had me in the palm of your hand
So why your love went away
I just can't seem to understand
Thought it was me and you babe
Me and you until the end
But I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Tell me is this fair?
Is this the way it's really going down?
Is this how we say goodbye?
Should've known better when you came around
That you were gonna make me cry
It's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find...
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
Now girl, I remember everything that you claimed
You said that you were moving on now
And maybe I should do the same
Funny thing about that is
I was ready to give you my name
Thought it was me and you, babe
And now, it's all just a shame
And I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Can you tell me is this fair?
Is this the way its really going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around comes around
Yeah
What goes around comes around
You should know that
What goes around comes around
Yeah
What goes around comes around
You should know that
Don't want to think about it (no)
Don't want to talk about it
I'm just so sick about it
Can't believe it's ending this way
Just so confused about it
Feeling the blues about it (yeah)
I just can't do without ya
Tell me is this fair?
Is this the way things are going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
But that's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
[Comes Around interlude:]
Let me paint this picture for you, baby
You spend your nights alone
And he never comes home
And every time you call him
All you get's a busy tone
I heard you found out
That he's doing to you
What you did to me
Ain't that the way it goes
When You cheated girl
My heart bleeded girl
So it goes without saying that you left me feeling hurt
Just a classic case
A scenario
Tale as old as time
Girl you got what you deserved
And now you want somebody
To cure the lonely nights
You wish you had somebody
That could come and make it right
But girl I ain't somebody with a lot of sympathy
You'll see
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
See?
You should've listened to me, baby
Yeah, yeah, yeah, yeah
Because
(What goes around comes back around)