- published: 17 Sep 2014
- views: 13823
Caro may refer to:
Julio Caro Baroja (1914–1995) was a world-renowned Basque Spanish anthropologist, historian, linguist and essayist. He was known for his special interest in Basque culture, Basque history and Basque society. Of Basque ancestry, he was the nephew of the renowned writer Pio Baroja and his brother, painter, writer and engraver Ricardo Baroja. He is buried at the family's home, Itzea, in Bera, Navarre.
Julio was the eldest son of the editor Rafael Caro Raggio, who founded the publishing house Editorial Caro Raggio Madrid in 1917. His mother was Carmen Baroja, a Spanish writer and ethnologist who wrote under the pseudonym Vera Alzate.
As a child, he moved to the Navarrese town of Bera, where he spent much time with his uncle Pio Baroja. Pio took great interest and had a very important influence on his education. His early schooling was at the Instituto-Escuela de Madrid from 1921–1931. Later, he was attending the University of Madrid when the Spanish Civil War broke out. Taken by surprise, he returned to Bera. His father remained in Madrid and lost his printing press when his publishing headquarters were destroyed during a bombing raid.
Julio de Caro (December 11, 1899 – March 11, 1980) was an Argentine composer, musician and conductor prominent in the Tango genre.
His father opened a conservatory in the San Telmo district, in 1913, soon becoming one of the city's best known sources for music, instruments, parts, and lessons. He and his brother, Francisco, were both taught the piano and violin, respectively; though their father ultimately granted them their wish to exchange instruments (a third brother, Emilio, learned the violin). Against his father's wishes, Julio obtained a spot as a second violinist at the Lorea Theatre for a 1915 performance of a zarzuela. Despite his father's punishment and objections, the brothers began attending Buenos Aires' popular tango recitals. Some of these early influences included bandleaders Eduardo Arolas, Juan Carlos Cobián, and Roberto Firpo.
At his friends' prompting, de Caro rose to the stage during a tango performance at the Palais de Glace, an elegant multi-purpose venue, in 1917. Granted an instrument by Firpo's violinist, de Caro's performance eleicited a standing ovation, as well as Eduardo Arolas' offer for a permanent spot in his orchestra. The elder de Caro (who disdained popular music generally) resisted it, and the talented young musician resorted to stealth to join Arolas' orchestra, for which he wrote his first tango, Mon beguin.
01 Derecho viejo 02 Mosca brava 03 La Plegaria 04 Guardia Vieja 05 Recuerdo 06 Farolito de mi barrio 07 Quejas de bandoneon 08 Amurado 09 Tierra querida 10 Mala Junta 11 Gallo Ciego 12 Color de rosa 13 Maipo 14 Amarguras 15 El Monito 16 La ultima curda 17 Acordate gil 18 Carro viejo 19 Adios Pueblo 20 Mala pinta 21 Mal de amores 22 Pobre cantor 23 Maliciosa 24 Candilejas 25 Boedo
Julio Caro Baroja - entrevista en A Fondo TVE Soler Serrano - 1
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20 aniversario de las orquestas Irubide y Julio Caro Baroja
LipDub sobre la igualdad. Hecho por lo alumnos de 1ºB de Bachiller del IES JULIO CARO BAROJA (Pamplona).