- published: 21 Aug 2012
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The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Ordinary of the Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the year before his death. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, dating back (in the case of the "Crucifixus") to 1714, but extensively revised. To complete the work, in the late 1740s Bach composed new sections of the Credo such as "Et incarnatus est".
It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was never performed in its entirety during Bach's lifetime; the first documented complete performance took place in 1859. Since the nineteenth century it has been widely hailed as one of the greatest compositions in musical history, and today it is frequently performed and recorded.Carl Philipp Emanuel Bach archived this work as the Great Catholic Mass.
B minor is a minor scale consisting of the pitches B, C♯, D, E, F♯, G, and A. Its key signature consists of two sharps. The harmonic minor raises the note A to A♯. Changes needed for the melodic and harmonic versions of the scale are written with accidentals as necessary.
Its relative major is D major, and its parallel major is B major.
Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his St John Passion. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B minor melodic idea in one of his sketchbooks as a "black key". Brahms, Dvořák, Schubert, Liszt, Chopin, Borodin, and Tchaikovsky all wrote significant works in B minor.
Johann Sebastian Bach (26 September 1748 – 11 September 1778) was a German painter. He was the son of composer Carl Philipp Emanuel Bach and the grandson of composer Johann Sebastian Bach.
Bach was born in Berlin. He studied under Adam Friedrich Oeser in Leipzig. In May 1773, he moved to Dresden, and in February 1776 he moved to Hamburg, where his father was Director of Music. In September 1776 he embarked on a study trip to Rome, where he became seriously ill soon after his arrival in February 1777, and died of this (unknown) ailment in 1778.
Bach created mostly brush drawings of idyllic landscapes, bustling with people. His works show the influence of Solomon Gessner. Towards the end of his life he turned to representations of people and created historical and mythological scenes. He also made vignettes and illustrations of works by Gottlieb Rabener and Christian Felix Weisse.
In his time he was quite renowned as an artist. Collections of his works are in Coburg, Dresden, Hamburg, Leipzig and Vienna.
Sebastian Philip Bierk (born April 3, 1968), known professionally as Sebastian Bach, is a Canadian heavy metal singer who achieved mainstream success as frontman of Skid Row from 1987-96. Since his departure from Skid Row, he has had many television roles, acted in Broadway plays, and leads a solo career.
The members of Kid Wikkid were stationed in Peterborough. Upon hearing of the band and unaware of their ages, 14-year-old Bach auditioned for the group, and was successfully hired by guitar player and band leader, Jason Delorme. Kid Wikkid moved back to Toronto, and Bach's dad eventually allowed Bach to move in with an aunt.
Skid Row initially formed in the mid 1980s with lead singer Matt Fallon. They began playing at various New Jersey clubs. Fallon would soon leave the band in 1987, leaving Skid Row without a singer. Bach was spotted singing at rock photographer Mark Weiss's wedding at the age of 18, and the members asked him to join in early 1987.
Prom 26: Bach -- Mass in B minor Johann Sebastian Bach - Mass in B minor Joélle Harvey soprano Carolyn Sampson soprano Iestyn Davies counter-tenor Ed Lyon tenor Matthew Rose bass Choir of the English Concert The English Concert Harry Bicket conductor Royal Albert Hall 2 August 2012 0:00:07 - Kyrie eleison 0:10:33 - Christe eleison 0:15:20 - Kyrie eleison 0:19:06 - Gloria in excelsis Deo 0:25:35 - Laudamus te 0:29:40 - Gratias agimus tibi
Johann Sebastian Bach (1685 - 1750) Mass in B minor, for soloist, chorus, orchestra & continuo, BWV232 01. Coro: Kyrie eleison 02. Aria (Duetto): Christe eleison 03. Coro: Kyrie eleison 04. Coro: Gloria in excelsis Deo 05. Coro: Et in terra pax hominibus bonae voluntatis 06. Aria: Laudamus te 07. Coro: Gratias agimus tibi propter magnam gloriam tuam 08. Aria (Duetto): Domine Deus, Rex coelestis 09. Coro: Qui tollis peccata mundi 10. Aria: Qui sedes ad dextram Patris, miserere nobis. 11. Aria: Quoniam tu solus sanctus 12. Coro: Cum Sancto Spiritu in gloria Dei Patris, Amen. 13. Coro: Credo in unum Deum 14. Coro: Patrem omnipotentem 15. Aria (Duetto) Et in unum Dominum 16. Coro: Et incarnatus est 17. Coro: Crucifixus etiam pro nobis 18. Coro: Et resurrexit tertia die 19. Aria: Et in spir...
Performer & Album Info - 1:45:55 1. Kyrie eleison - 0:33 2. Christe eleison - 9:38 3. Kyrie eleison - 14:47 4. Gloria in excelsis Deo - 18:38 5. Et in terra pax - 20:22 6. Laudamus te - 25:15 7. Gratias agimus - 29:41 8. Domine Deus - 32:43 9. Qui tollis - 38:29 10. Qui sedes 41:27 11. Quoniam - 46:00 12. Cum Sancto Spirito - 50:14 13. Credo - 54:06 14. Patrem omnipotentem - 56:17 15. Et in unum Dominum - 58:02 16. Et incarnatus est - 1:02:33 17. Crucifixus - 1:05:38 18. Et resurrexit - 1:08:39 19. Et in Spiritum Sanctum - 1:12:32 20. Confiteor unum baptisma - 1:17:32 21. Et expecto resurrectionem - 1:22:05 22. Sanctus 1:24:13 23. Osanna in excelsis - 1:28:36 24. Benedictus - 1:31:14 25. Osanna in excelsis - 1:35:13 26. Agnus Dei - 1:37:37 27. Dona nobis pacem - 1:42:47
Faces of Classical Music http://facesofclassicalmusic.blogspot... • More information: http://facesofclassicalmusic.blogspot.gr/2014/12/johann-sebastian-bach-mass-in-b-minor.html Johann Sebastian Bach (1685-1750) ♪ Mass in B minor, BWV 232 (1749) i. Missa (Kyrie & Gloria) ii. Symbolum Nicenum (Credo) iii. Sanctus iv. Osanna, Benedictus, Agnus Dei, Dona nobis pacem Céline Scheen, soprano I Yetzabel Arias, soprano II Pascal Bertin, countertenor Makoto Sakurada, tenor Stephan MacLeod, bass La Capella Reial de Catalunya Le Concert des Nations Conductor: Jordi Savall Direction: Andy Sommer Recorded at the Abbaye de Fontfroide, Narbonne, July 19, 2011 High definition video with high quality audio (HD 1080p) Uploaded on Youtube for the Blog "Faces of Classical Music" http://facesofcla...
J.S. Bach: Mass in B minor, BWV 232 "Agnus Dei" In this video: Andreas Scholl, countertenor Collegium Vocale Gent, Conducted by Philippe Herreweghe Harmonia Mundi In part from Wikipedia, the free encyclopedia: "The Mass in B Minor is a musical setting of the Latin Mass. Although parts of the Mass in B Minor date to 1724, the whole was assembled in its present form in 1749, just before the composer's death in 1750. ... Due to its length--over two hours of music--it was never performed as part of a church liturgy. The first performance seems to have been after Bach's death, when his son Carl Philipp Emanuel Bach performed the Gloria section (but not the entire Mass) in Berlin. Large-scale performances of the entire Mass in B Minor were not staged until the 19th century." Latin Tex...
The 2015 release of Johann Sebastian Bach's Mass in B Minor performed by English Baroque Soloists and the Monteverdi Choir, conducted by John Eliot Gardiner
__ 00:01:48 • Bach: Mass in B minor, BWV 232 __ • Johanette Zomer: soprano • Maarten Engeltjes: countertenor • Thomas Walker: tenor • Peter Harvey: bass Akademie für Alte Musik Berlin Conducted by Daniel Reuss Ensemble website: http://www.akamus.de © Broadcast by Mezzo, 2010 __
J. S. Bach: Mass In B Minor Hana Blažíková, soprano Sophie Harmsen, alto Kristian Adam, tenor Marián Krejčík, bass Collegium 1704, dir. Václav Luks
Misa en B menor (BWV 232), una de las obras mas famosas del compositor alemán barroco Johann Sebastian Bach. Y con esta interpretación que a mi parecer es la mejor de parte del organista y director Karl Richter con el Münchener Bach-Chor y la Münchener Bach-Orchester y como solistas: Hermann Prey (Bajo) Horst R. Laubenthal (Tenor) Gundula Janowitz, (Soprano) Hertha Töppe (Alto) *PIEZAS (PARODIAS) - Kyrie eleison (Chorus) - Christe eleison (S-A) - Kyrie eleison (Chorus) - Gloria in excelsis Deo (Chorus) - Et in terra pax (Chorus) - Laudamus te (A) - Gratias agimus tibi (Chorus) - Domine Deus (S-T) - Qui tollis peccata mundi (Chorus)
JS Bach's Mass in B Minor, Sanctus. Performed by the Bavarian Radio Symphony Orchestra and Bavarian Radio Chorus conducted by Eugen Jochum, 1982
Mass in B minor by Johann Sebastian Bach Maria Stader, Sopran Hertha Töpper, Contralto Ernst Haeflinger, Tenor Dietrich Fischer-Dieskau, Baritone Kieth Engen, Bass Münchner Bach-Chor Münchener Bach Orchester Karl Richter, Conductor
For tickets and more information, please visit us at www.masterchoraleofsouthflorida.org! Please note the album reference number for the recording used in this vide, Soli Deo Gloria SDG722. Many thanks to the Monteverdi Choir for granting us permission to use their recording for this promotional video.
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Composer: Johann Sebastian Bach (1685-1750) Mass in B minor BWV 232 John Eliot Gardiner, Monteverdi Choir, English Baroque Soloists Playlist Tracks [01-03] Missa [04-11] Gloria [12-19] Symbolum Nicenum [20] Sanctus [21-25] Osanna, Benedictus, Agnus Dei, Dona nobis pacem Hannah Morrison, soprano Esther Brazil, mezzo-soprano Meg Bragle, alto Kate Symonds-Joy, alto Peter Davoren, tenor Nick Pritchard, tenor Alex Ashworth, bass David Shipley, bass Recorded in LSO St Luke's, London, on 28-31 March 2015 ℗©Monteverdi Productions Ltd
Johann Sebastian Bach Mass in B minor, BWV 232 Ruth Ziesak, soprano Anna Larsson, alto Christoph Genz, tenor Dietrich Henschel, bass Gewandhausorchester Leipzig Kammerchor Leipzig Herbert Blomstedt
The Mass in B minor (BWV 232) by Johann Sebastian Bach is a musical setting of the complete Latin Mass. The work was one of Bach's last compositions, not completed until 1749, the year before his death. Much of the Mass gave new form to vocal music that Bach had composed throughout his career, dating back (in the case of the "Crucifixus") to 1714, but extensively revised. To complete the work, in the late 1740s Bach composed new sections of the Credo such as "Et incarnatus est". It was unusual for composers working in the Lutheran tradition to compose a Missa tota and Bach's motivations remain a matter of scholarly debate. The Mass was never performed in its entirety during Bach's lifetime; the first documented complete performance took place in 1859. Since the nineteenth century it has b...