Mario

Mario (Japanese: マリオ, Hepburn: Mario, [ma.ɽi.o]) (English /ˈmɑːrioʊ/; Italian: [ˈmaːrjo]) is a fictional character in the Mario video game franchise, created by Nintendo's Japanese video game designer, Shigeru Miyamoto. Serving as the company's mascot and the eponymous protagonist of the series, Mario has appeared in over 200 video games since his creation. Depicted as a short, pudgy, Italian plumber who resides in the Mushroom Kingdom, his adventures generally center upon rescuing Princess Peach from the Koopa villain Bowser. His younger brother is Luigi.

The Mario franchise is the best-selling video game franchise of all time. Over 210 million units of the overall Mario series of games have been sold. Outside of the Super Mario platform series, other Mario genres include the Mario Kart racing series, sports games such as the Mario Tennis and Mario Golf series, role-playing games such as Super Mario RPG and Paper Mario, and educational games such as Mario Is Missing! and Mario's Time Machine. The franchise has branched into several mediums, including television shows, film, comics and licensed merchandise. Since 1995, Mario has been voiced by Charles Martinet.

Giuseppe Verdi

Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian composer of operas.

Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.

In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).

Un ballo in maschera

Un ballo in maschera (A Masked Ball) is an opera in three acts by Giuseppe Verdi with text by Antonio Somma. However, Somma's libretto was itself based on the five act libretto which playwright Eugène Scribe had written for Daniel Auber's 1833 opera, Gustave III, ou Le bal masqué.

Scribe wrote about the assassination in 1792 of King Gustav III of Sweden who was killed as the result of a political conspiracy against him. He was shot while attending a masked ballroom dance and died 13 days later of his wounds.

It was to take over two years between the time of the commission from Naples and planned for a production there and its premiere performance at the Teatro Apollo in Rome on 17 February 1859. In order to become the Un ballo in maschera which we know today, Verdi's opera (and his libretto) was forced to undergo a significant series of transformations and title changes. Based on the Scribe libretto and begun as Gustavo III set in Sweden, it became Una vendetta in dominò set in Germany, and finally Un ballo, set not in Sweden but in Boston, Massachusetts during the colonial era. These changes were caused by a combination of censorship regulations in both Naples and Rome, as well as by the political situation in France in January 1858. It became one of the most frustrating experiences of Verdi's career.