- published: 26 Aug 2015
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Following is a 1999 British neo-noir crime drama film written and directed by Christopher Nolan. It tells the story of a young man who follows strangers around the streets of London and is drawn into a criminal underworld when he fails to keep his distance.
As Christopher Nolan's debut feature, it was designed to be as inexpensive as possible to make. Scenes were heavily rehearsed so that just one or two takes were needed to economise on 16 mm film stock, the production's greatest expense; and for which Nolan was paying from his salary. Unable to afford expensive professional lighting equipment, Nolan mostly used available light. Along with writing, directing, and photographing the film, Nolan also helped in editing and production.
A struggling, unemployed young writer (credited as "The Young Man") takes to following strangers around the streets of London, ostensibly to find inspiration for his first novel. Initially, he sets strict rules for himself regarding whom he should follow and for how long, but he soon discards them as he focuses on a well-groomed, handsome man in a dark suit. The man in the suit, having noticed he is being followed, quickly confronts the Young Man and introduces himself as "Cobb". Cobb reveals that he is a serial burglar and invites the Young Man (who tells Cobb his name is "Bill") to accompany him on various burglaries. The material gains from these crimes seem to be of secondary importance to Cobb. He takes pleasure in rifling through the personal items in his targets' flats and drinking their wine. He explains that his true passion is using the shock of robbery and violation of property to make his victims re-examine their lives. He sums up his attitude thus: "You take it away, and show them what they had."
I think that I'm not sleeping
And I'm standing in the store
Upon my millionth double take
Well, this time it really is you
I stumble 'Hi' on your starred blue eyes
And for this I've waited so long
Your glare agrees touch, "Return we"
And this time stars sing it perfect
You're following now me again
You following me always
You're following now me again
You following me always
I've waited to be in the open
Got it going nowhere
I don't know if this should show
But it doesn't matter not to
Well, ain't it gray out every day
I waited to see nothing
A perfect life when (we're standing eyes?)
And (dragons?) danced forever
You're following now me again
You following me always
You're following now me again
You following me always
You're following now me again
You following me always
You're following now me again