Desolation Angels may refer to:
Desolation Angels is the fifth studio album by hard rock band Bad Company. The album was released on March 17, 1979.Paul Rodgers revealed on In the Studio with Redbeard (which devoted an episode to Desolation Angels) that the album's title came from the novel of the same name by Jack Kerouac.
Desolation Angels was recorded at Ridge Farm Studios in Surrey, England in late 1978. It is considered the last strong album by Bad Company, mostly because it contains their last major hit, "Rock 'n' Roll Fantasy," written by Paul Rodgers and inspired by a guitar synthesizer riff that Rodgers had come up with.
"Gone, Gone, Gone", written by bassist Boz Burrell, also received substantial airplay on rock stations. It was the first of only three songs he ever wrote for the band, but is widely revered as one of the band's finest compositions. The album reached No. 3 on the Billboard album charts in 1979 and went Platinum in 1979 and Double Platinum subsequently.
A cover version of "Oh, Atlanta", written by Mick Ralphs, was recorded by Alison Krauss and appears on her 1995 album Now That I've Found You: A Collection. The original version was used in the open to The Nashville Network's 1993 broadcast of the Motorcraft 500 when ABC (which originally had the broadcast) could not find time to air the race, postponed six days by a snowstorm in the Atlanta Motor Speedway.
Desolation Angels is a semi-autobiographical novel written by Beat Generation author Jack Kerouac, which makes up part of his Duluoz Legend. It was published in 1965, but was written years earlier, around the time On the Road was in the process of publication. According to the book's foreword, the opening section of the novel is almost directly taken from the journal he kept when he was a fire lookout on Desolation Peak in the North Cascade mountains of Washington state. Much of the psychological struggle which the novel's protagonist, Jack Duluoz, undergoes in the novel reflects Kerouac's own increasing disenchantment with the Buddhist philosophy with which he had previously been fascinated.
All of Kerouac's Duluoz legend's characters were based on others that were present within his life.
Kerouac was not particularly conscientious about masking the identities of his friends in this work. Partway through Chapter 91, there is the line, "'Who wants to ride freight trains!' -Gregory- 'I dont dig all this crap where you ride freight trains and have to exchange butts with bums-'". Somehow both Kerouac and the editors missed that "Gregory" was not changed to "Raphael". Similarly, the locals of Tangiers call Old Bull Hubbard (Burroughs) "Boorows" in Chapter 52 of Book 2. In Chapter 43, he refers to "...the Sundays in Neal Cassady's writings..." The editors may have ignored this, since it refers to Neal as a writer instead of a friend. In Part 1 of Book 2 the locals are said to call Old Bull Gaines (Garver) "Senor Gahr-va". And in Chapter 80, the discussion of the meanings of Urso and Pomeray's names leads to a less than clear comparison to the name Corso.
I saw the same old streets for far too long
I put the rubber on the road
I left it all behind
And now paid with memories
Those streets are long since gone
Rubber on the road & the blood inside
And I've been around this land of opportunity
The road is hard and it don’t offer up immunity
I've rode this country hard, from sea to shining sea
I've shared a dance with Lady Liberty
I broke down despite my prayers
Full tilt and half the way
The rubber on the road & the blood inside
But I ain’t got far to go
I’ll leave ‘er where she lay
Keep the rubber on the road & the blood inside
Because wealth of matter has never made much sense to
And It’s bought a lot of souls and never has it set one
free
I shed a couple tears but never did I grieve
I walked away and left the keys
And I’ll ketch me the midnight ghost
We’ll roll down that Western Coast
Fields of green
Valleys of wine
St. Theresa, don’t you worry
We’ll make it on time
We’re there before we know
Just watch this Grey Ghost go
Steel on the tracks & the hammer down
Things used to move so slow
These days it’s roll man roll
Steel on the tracks & the hammer down
And it’s bound to take its toll
Out runnin’ wild and livin’ free
And I’ve done some growing up
But I never lost the child in me
We’re tossin’ dice at things
That might not ever be
All just to see what I can see, yea
And I’ll ketch me the midnight ghost
We’ll roll down that Western Coast
Fields of green
Valleys of wine
St. Theresa, don’t you worry
We’ll make it on time
Well I know that it can’t last
Someday this ride will stall
Rubber on the road & the blood inside
'Cause even mighty mountains
Someday might crumble & fall
Keep the rubber on the road & the blood inside
Finding out the hard way
Don’t leave school with much validity
And livin’ hand to mouth
Don’t leave room for much nobility
We know the end is near
But not when it will be
Or is it close enough to see, yea
And I’ll ketch me the midnight ghost
We’ll roll down that Western Coast
Fields of green
Carmel wine
St. Theresa, don’t you worry
St. Theresa, don’t you worry
St. Theresa, don’t you worry