Arcade

Arcade may refer to:

Places

Australia

Italy

United Kingdom

United States

Arcade (Marvel Comics)

Arcade is a fictional supervillain appearing in American comic books published by Marvel Comics. He first appeared in 1978's Marvel Team-Up (vol. 1) #65, created by writer Chris Claremont and writer/artist John Byrne. The character is a combination of evil genius and hitman who carries out his assassinations via various elaborate traps, often referred to as his Murderworld. He was the main villain and driving force behind the 2012-2014 comic book Avengers Arena.

Arcade's first intended victims were Spider-Man and Captain Britain but since Arcade's Murderworld games always leaves the outcome up to chance the duo defeated Arcade and escaped with their lives. Over the years Arcade has targeted a multitude of X-Men and members of X-Factor, X-Force and Excalibur. For a while he used the Crazy Gang as his hired henchmen with limited success. In Avenger Arena Arcade and his associates manage to kidnap 16 super powered teens and force them to fight each other and his latest Murderworld for survival. During the storyline several of the teens were killed but in the end Arcade seemingly dies as S.H.I.E.L.D.. Wolverine, Hank Pym and Captain Britain free the surviving teens. In the follow up series Avengers Undercover it was revealed that Arcade survived and that it was a clone that was killed at the end of the story.

Arcade (architecture)

An arcade is a succession of arches, each counter-thrusting the next, supported by columns, piers, or a covered walkway enclosed by a line of such arches on one or both sides. In warmer or wet climates, exterior arcades provide shelter for pedestrians. The walkway may be lined with stores. A blind arcade superimposes arcading against a solid wall. Blind arcades are a feature of Romanesque architecture that was taken into Gothic architecture.

Etymology

The word "arcade" comes from French arcade from Provençal arcada or Italian arcata, based on Latin arcus, ‘bow’ (see arc and arch).

History

In Gothic architecture, the arcade can be located in the interior, in the lowest part of the wall of the nave, supporting the triforium and the clerestory in a cathedral, or on the exterior, in which they are usually part of the walkways that surround the courtyard and cloisters.

European and North American shopping arcades resemble the bazaars and souks of Asia and North Africa.

One of the earliest examples of a European shopping arcade, the Covered Market, Oxford, England was officially opened on 1 November 1774 and is still active today. The Covered Market was started in response to a general wish to clear "untidy, messy and unsavoury stalls" from the main streets of central Oxford. John Gwynn, the architect of Magdalen Bridge, drew up the plans and designed the High Street front with its four entrances. In 1772, the newly formed Market committee, half of whose members came from the town and half from the university, accepted an estimate of nine hundred and sixteen pounds ten shillings, for the building of twenty butchers' shops. Twenty more soon followed, and after 1773 meat was allowed to be sold only inside the market. From this nucleus the market grew, with stalls for garden produce, pig meat, dairy products and fish.

Untitled (West)

Untitled is an outdoor 1977 stainless steel sculpture by American artist Bruce West, installed in Portland, Oregon, in the United States.

Description

Bruce West's Untitled is installed along Southwest 6th Avenue between Washington and Stark streets in Portland's Transit Mall. It was one of eleven works chosen in 1977 to make the corridor "more people oriented and attractive" as part of the Portland Transit Mall Art Project. The stainless steel sculptures is 7 feet (2.1 m) tall. It was funded by TriMet and the United States Department of Transportation, and is administered by the Regional Arts & Culture Council.

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Untitled (Kelly, 1975)

Untitled is an outdoor 1975 sculpture by Lee Kelly, installed at Louisa Boren Park in Seattle, Washington, in the United States. The abstract, welded Cor-Ten steel piece measures approximately 19 feet (5.8 m) x 14 feet (4.3 m) x 10 feet (3.0 m). It was surveyed and deemed "treatment needed" by the Smithsonian Institution's "Save Outdoor Sculpture!" program in November 1994. The work is part of the Seattle One Percent for Art Collection and administered by the Seattle Arts Commission.

References

Further reading

Untitled (Jeffersonville)

Untitled, is a public artwork by American artist Barney Bright, located at the Jeffersonville Township Public Library in Jeffersonville, Indiana, United States. Untitled was originally surveyed as part of the Smithsonian's Save Outdoor Sculpture! survey in 1993. This abstract sculpture represents the Devonian time period.

Description

The sculpture, which looks like a sea creature, comprises numerous tentacles of varying lengths that stream up and out from a main stem. The stem is mounted on a rectangular base made of Indiana limestone (approx. 83 x 20 x 20 in.) and weighs 400 lbs.

A plaque sits nearby mounted on a piece of driftwood stating:

Information

The sculpture, which cost $7,500, was originally located on a limestone bench fifteen feet from its current location. Between 1977 and early 1978 it was moved and installed on a higher base to help prevent vandalism. The museum was renovated in 2007 and the sculpture was moved inside and placed within one of the many fountains (representing the Falls) that were built.