- published: 27 Apr 2022
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"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
The first Remix album released by Mushroomhead in 1997. All tracks are remixes except for "Everyone's Got One" (hence the subtitle "Only Mix"). The last portion of "Episode 29 (Hardcore Mix)" was used on the XX album as "Episode 29". The original release of the "Multimedia Remix" also included recordings of Mushroomhead performing "Born of Desire" and "Chancre Sore" at Nautica in Cleveland (now known as The Scene Pavilion) as well as a video for "Simpleton".
Remix: Making Art and Commerce Thrive in the Hybrid Economy is Lawrence Lessig's fifth book. It is available as a free download under a Creative Commons license. It details a hypothesis about the societal effect of the Internet, and how this will affect production and consumption of popular culture.
In Remix Lawrence Lessig, a Harvard law professor and a respected voice in what he deems the "copyright wars", describes the disjuncture between the availability and relative simplicity of remix technologies and copyright law. Lessig insists that copyright law as it stands now is antiquated for digital media since every "time you use a creative work in a digital context, the technology is making a copy" (98). Thus, amateur use and appropriation of digital technology is under unprecedented control that previously extended only to professional use.
Lessig insists that knowledge and manipulation of multi-media technologies is the current generation's form of "literacy"- what reading and writing was to the previous. It is the vernacular of today. The children growing up in a world where these technologies permeate their daily life are unable to comprehend why "remixing" is illegal. Lessig insists that amateur appropriation in the digital age cannot be stopped but only 'criminalized'. Thus most corrosive outcome of this tension is that generations of children are growing up doing what they know is "illegal" and that notion has societal implications that extend far beyond copyright wars. The book is now available as a free download under one of the Creative Commons' licenses.
Jim is a diminutive form of the forename "James". For individuals named Jim, see articles related to the name Jim.
Jim is a comic book series by Jim Woodring. It began in 1980 as a self-published zine and was picked up by Fantagraphics Books in 1986 after cartoonist Gil Kane introduced Woodring to Fantagraphics co-owner Gary Groth. The publisher released four magazine-sized black-and-white issues starting in September 1987. A comic book-sized continuation, Jim Volume II, with some color, began in 1993 and ran for six issues until 1996.
Jim, which Woodring described as an "autojournal", contained comics on a variety of subjects, many based on dreams, as well as surreal drawings and free-form text which resembled Jimantha automatic writing. Besides dreams, the work drew on Woodring's childhood experiences, hallucinations, past alcoholism, and Hindu beliefs. It also included stories of recurring Woodring characters such as Pulque (the embodiment of drunkenness), boyhood friends Chip and Monk, and, in Volume II, his signature creation Frank.
Jim is made up of a variety of short comics, text pieces, and artwork. Most of the works are short comics based on Woodring's dreams. Some of the pieces are surreal parodies of advertisements in the Mad tradition.
Characters from the 28 Days Later series (the films 28 Days Later and 28 Weeks Later and from the graphic novel 28 Days Later: The Aftermath) are listed below.
Jim (played by Cillian Murphy) is a bicycle courier who lived in Deptford, London with his parents. While running a delivery to an address somewhere across the city, a car cut across Jim's bike and caused him to crash, putting him into a coma. 28 days later, Jim woke up and the entire city was empty due to an outbreak of the Rage Virus. Jim survives the film; and, as explained in the 28 Days Later comics, he is remembered as one of the "Manchester Three". It was later revealed that Jim was arrested and scheduled to be shot for the deaths of Major West and his soldiers, although his death is never shown, and some fans have suggested that Jim would probably avoid this execution after the Rage virus spread to France.
Want to hear the instrumental version of your favourite metal track? Comment below with the artist and song name! See upcoming tracks you've requested here: https://www.youtube.com/c/Metaloke/about Remix - Mushroomhead Full album Release date: 4 July 1997 Tracklist: 1. "Bwomp" (Full Length Mix) - 0:00 2. "Elevation" (Skin Mix) - 9:56 3. "2nd Thoughts" (Fuck Like Pigs Mix) - 13:16 4. "Episode 29" (Hardcore Mix) - 17:43 5. "Snap" (Gravy Mix) - 22:08 6. "Mommy" (Malfunction Mix) - 23:22 7. "Everyone's Got One" (Only Mix) - 29:16 8. "The Wrist" (Hand of Solo Mix) - 32:51 #Mushroomhead #Remix #FullAlbum #Instrumental #NoVocals #Lyrics #Metaloke #Karaoke #Metal #YouTubeMusic #Youtube
Pre-order "A Wonderful Life" now: https://smarturl.it/MRH-AWonderfulLife Out June 19 Directed and Produced by Steve Felton Production by Co. SK1 Industries
Pre-order "A Wonderful Life" now: https://smarturl.it/MRH-AWonderfulLife out June 19 For the better part of the past five years, top-charting masked metal machine MUSHROOMHEAD have been crafting the epic follow up to their monumental 2014 full-length album, The Righteous & The Butterfly – waiting ever-so-patiently to drop their next collection of anthems. The Cleveland collective make their prodigious return with the new full-length oeuvre, A Wonderful Life – the eighth release of their benchmark career – out June 19, 2020 via Napalm Records. Available in several enticing formats, A Wonderful Life clocks in at a whopping 70+ minutes with its four bonus tracks – leaving a total of 17 stellar compositions in its wake for fans to devour. A Wonderful Life is accented by the sharp product...
MUSHROOMHEAD gifts fans with eerie, cinematic video for “A Requiem For Tomorrow” Order "A Wonderful Life" here: https://smarturl.it/MRH-AWonderfulLife MUSHROOMHEAD mastermind Skinny offers about the video: “Dr. F (Ryan Farrell) and the Cleveland Chamber Choir did such an amazing job that I felt compelled to bring it to life a little further. Some of the elements and characters in the video are roughly based on a short story that I’ve been working on for SK1INDUSTRIES. Working under Covid conditions and restrictions certainly has put limitations on things, so I would personally like to thank the band, all of the crew and extras that believed and busted their asses to help me make this happen. Music and art is a privilege after all, and I don’t take any of this for granted…” #Mushroomhea...
Mushroomhead - Qwerty Music video by Mushroomhead performing Qwerty. (C) 2014 Megaforce
Pre-Order Full Length Volume III here: http://a.co/7NZYMR2
Provided to YouTube by Universal Music Group Bwomp (Extended Version) · Mushroomhead XX ℗ A Republic Records Release; ℗ 2001 UMG Recordings, Inc. Released on: 2001-12-04 Producer: Steve Felton Studio Personnel, Recording Engineer: Bill Korecky Studio Personnel, Assistant Mixer: Elliott Blakely Studio Personnel, Mix Engineer: Toby Wright Photographer: Vanessa Solowiow Producer: Mushroomhead Studio Personnel, Asst. Recording Engineer: Pat Lewis Studio Personnel, Mastering Engineer: Steven Marcussen Composer Lyricist: Steve Felton Composer Lyricist: Jeff Hetrick Composer Lyricist: Tom Schmitz Composer Lyricist: John Sekula Composer Lyricist: Jason Popson Composer Lyricist: John Kilcoyne Auto-generated by YouTube.
Music video by Mushroomhead performing Sun Doesn't Rise. (C) 2003 Universal Records, a Division of UMG Recordings, Inc.
If you miss some good staff in 2020 this video maybe be helpful. Its Youtube version - If you want more - check tracklist! In our days not so many true nu metal or oldschool rapcore as we wish, so don’t be surprised when you find not only this styles of metal in this albums. 00:00 Canohead - Silence [Subface] 01:43 Dropout Kings- Virus [GlitchGang] 04:46 Fear No Empire - Revolt [Fear No Empire] 07:18 Fox Lake - Tunnel Vision [Silence & Violence] 11:00 From Ashes to New - Panic [Panic] 14:14 GroundCulture - Take My Breath Away [How Well Do You Really Know Yourself?] 27:51 Into The Void - Shallow Grave [The Way We Are] 22:03 King 810 - Red Queen [AK Concerto No. 47, 11th Movement In G Major] 26:06 Nior - Doomsayer (ft. Kadeem France Of Loathe) [Misfits] 29:17 Ocean Grove - Superstar [Flip ...
Music video by Mushroomhead performing 12 Hundred. (C) 2010 Megaforce Records http://vevo.ly/V6SZW4
"Remix (I Like The)" is a song by American pop group New Kids on the Block from their sixth studio album, 10. The song was released as the album's lead single on January 28, 2013. "Remix (I Like The)" was written by Lars Halvor Jensen, Johannes Jørgensen, and Lemar, and it was produced by Deekay. The song features Donnie Wahlberg and Joey McIntyre on lead vocals.
"Remix (I Like The)" did not enter the Billboard Hot 100 in the United States, becoming their first lead single to fail charting since "Be My Girl" (1986). Instead, the song peaked at number 38 on the Adult Pop Songs chart.
PopCrush gave the song 3.5 stars out of five. In her review Jessica Sager wrote, "The song sounds like an adult contemporary answer to The Wanted mixed with Bruno Mars‘ ‘Locked Out of Heaven.’ It has a danceable beat like many of the British bad boys’ tracks, but is stripped down and raw enough to pass for Mars’ latest radio smash as well." Carl Williott of Idolator commended the song's chorus, but criticized its "liberal use of Auto-Tune" and compared Donnie Wahlberg's vocals to Chad Kroeger.
Bits of other people keep running into me
They say you know just who you are
I am getting pulled into shadows that surround
I see you sitting on your cold star
Help me I'm merging into all
I used to dream I was this tall
My new eye is opening up to black and gold
Everything is turning out the same
Everything is turning out the same
When I'm coming down there are buzzes in my ears
I can feel them floating around
All the walls are shaking
'Cause they were never real
Sweet to see things falling apart
Help me I'm merging into all
I used to dream I was this small
And my new eyes opening up to black and gold
Everything is turning out the same
Same same same same same same same same...
All the walls are shaking
'Cause they were never real
Help me I'm
Same same same same same same same same...