- published: 02 Oct 2015
- views: 714437
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Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
http://www.youtube.com/user/soccerplyr07835?feature=mhum
Visit my channel!
Minuet in G Major (from the Notebook for Anna Magdalena Bach)
The composer in unknown. I play Minuet in G Major on the piano!
- published: 16 Mar 2011
- views: 1289
Simca Heled, violoncello.
Edward Brewer, harpsichord.
Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccles.
He was employed by the Duke d'Aumont, an ambassador, in 1713 and returned with him to France. There he published his first book of sonatas in 1720. These were dedicated to "Monsieur le Chevalier Gage, Gentilhomme Anglois" -presumably Sir William Gage, baronet of Firle, Sussex. What other patrons Eccles had are unknown. Henry published a second set in 1723. Not much else is known about him except that he had a brother Thomas (c.1672-1745) who also played the violin and was notable for his problems with alcoholism.
The first book of sonatas, on the other hand, are quite interesting. During the early Eighteenth Century, there were no copyright protections. Eccles seems to have had no moral qualms about publishing other composers' work as his own. Out of 40 movements in this book of sonatas, 19 are known to be by other authors. Eighteen were written by the Italian composer Giuseppe Valentini (1681-1753). Valentini was a student of G.B. Bononcini and was well known in Rome during the first half of the Eighteenth Century. The borrowings are all from his Allettamenti da camera, Op. 8 (1714). Eccles must have had a fondness for these works, as he lifted them note for note in most cases. In what was to become his Sonata prima, Eccles lowered each movement by a half step (semitone); perhaps in order to put them in an easier key to play. Usually, he just reproduced the movements verbatim, but he did cut the final 16 measures from the Presto in Sonata quarta.
The other theft is from Francesco Bonporti's (1672 -1749) Invenzione a violino solo, e basso continuo, Op. 10. From this enigmatic set, Eccles only borrowed one movement and changed it from Presto to Allegro. He also added a few double stops, but not nearly as many as were added by Twentieth Century editor Joseph Salmon. This movement is the second in Eccles's Sonata #11, by far his most famous work.
- published: 25 Dec 2011
- views: 47326
Johann Joachim Quantz (1697 - 1773)
6 flute sonatas: No 6 in G major - without Qv no
6 flöjtsonater: Nr 6 i G dur - utan Qv nummer
Flute / Flöjt: Jean-Pierre Rampal
Harpsichord / Cembalo: Robert Veyron-Lacroix
Album: "La flûte à la cour de Frédéric II et de Louis XV "
Movements / Satser:
00:00 I. Grave. Andante
02:23 II. Allemande
03:55 III. Larghetto
05:30 IV. Presto
- published: 26 Sep 2014
- views: 835
Directed, shot and edited by Michele Sartor.
Performed by Claudio Ronco and Emanuela Vozza.
Filmed at Ca’ Pier (Venice) on December 22, 2015.
[00:25] 1. Brillante
[03:52] 2. Adagio
[06:46] 3. Rondò
[11:04] The Gaze of Music project
***
For commercial use of this video please contact: licensing@sartor.it
Visit www.sartor.it if you are interested in making your own music video.
***
After more than ten years of giving concerts together, we have decided to undertake a series of recordings played on period instruments.
We are beginning with a selection of twenty-six sonatas composed by virtuoso cellists of the eighteenth century. Some are already part of the modern repertoire, and others have never been recorded or performed in our time.
Scan the list of composers we have chosen for our project, and you will find two names that are still famous, those of Luigi Boccherini and Jean-Baptiste Bréval. However, there are also others of the same quality who are almost unknown today.
Among these are James Cervetto Jr., Giovanni Battista Cirri, Salvatore Lanzetti, Martin Berteau and Jean Zewalt Triemer, all extraordinary musicians, accustomed to the stages of the great theaters of their time and holding positions of prestige in the aristocratic courts of Europe.
The twenty-six compositions brought together on the first five CDs are a portion of a larger work in progress, entitled "Lo Sguardo della Musica" (The Gaze of Music).
We gave our project this title because we wanted to suggest the idea of “seeing” this music as though it were the visual realization of a rare melody, one beyond time and history, a female gazing at us through a crack in a half-closed door.
Beyond that door there is a world not yet born, yet it is suggested by the arts of an era that through them left us a legacy of its dream.
By sharing it we search for beauty in the arts as a means of recapturing paradise lost, of recovering a heaven in which we can find a new and more harmonious way of living.
***
Lo Sguardo della Musica is an indipendent musical project by Claudio Ronco and Emanuela Vozza, created in collaboration
with Michele Sartor and PaRDes, a Contemporary Art Research Workshop, based in Mirano, Venice.
Our thanks to Carlo, Luigi and Loana Checchini of Ca’ Pier cultural events in Venice, and to Rita and Giuseppe Cuccodoro
for giving us the splendid ancient cellos we are playing in this recording.
***
This record is available on Compact Disc and High Definition files on www.losguardodellamusica.it
- published: 04 Feb 2016
- views: 696
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro
Gerrit Zitterbart - piano
---
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as "the London Bach" or "the English Bach", due to his time spent living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart.
---
THIS INCREDIBLE PERFORMANCE, NOT LOST FOREVER - THANKS TO ME !!!
- published: 04 Jan 2016
- views: 178
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum
I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano player!
- published: 17 Mar 2011
- views: 515
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown)
Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German: [?jo?z?f ?ha?d?n] ( listen); 31 March 1732 -- 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form. A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
- published: 16 Nov 2013
- views: 153
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debussy. Youthful chamber music.
"They're an effortless partnership, making make much of the work's smoochy, romantic leanings, the high beauty of many of its passages, and its light, clear textures." - Charlotte Gardner, BBC Review.
Please support artists and buy their music!
- published: 29 Apr 2014
- views: 70938
Eccles
Eccles may refer to:
Places
England
- Eccles (UK Parliament constituency) — an electoral division represented in the House of Commons of the United Kingdom
Scotland
France
United States
People
See Eccles (surname)
Transport
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Eccles
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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2:51G MINOR BACH - Piano Tiles 2
G MINOR BACH - Piano Tiles 2G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado". -
1:51Minuet in G Major (Unknown Composer)
Minuet in G Major (Unknown Composer)Minuet in G Major (Unknown Composer)
http://www.youtube.com/user/soccerplyr07835?feature=mhum Visit my channel! Minuet in G Major (from the Notebook for Anna Magdalena Bach) The composer in unknown. I play Minuet in G Major on the piano! -
7:24Henry Eccles - Sonata in G Minor for Violoncello and Continuo
Henry Eccles - Sonata in G Minor for Violoncello and ContinuoHenry Eccles - Sonata in G Minor for Violoncello and Continuo
Simca Heled, violoncello. Edward Brewer, harpsichord. Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccles. He was employed by the Duke d'Aumont, an ambassador, in 1713 and returned with him to France. There he published his first book of sonatas in 1720. These were dedicated to "Monsieur le Chevalier Gage, Gentilhomme Anglois" -presumably Sir William Gage, baronet of Firle, Sussex. What other patrons Eccles had are unknown. Henry published a second set in 1723. Not much else is known about him except that he had a brother Thomas (c.1672-1745) who also played the violin and was notable for his problems with alcoholism. The first book of sonatas, on the other hand, are quite interesting. During the early Eighteenth Century, there were no copyright protections. Eccles seems to have had no moral qualms about publishing other composers' work as his own. Out of 40 movements in this book of sonatas, 19 are known to be by other authors. Eighteen were written by the Italian composer Giuseppe Valentini (1681-1753). Valentini was a student of G.B. Bononcini and was well known in Rome during the first half of the Eighteenth Century. The borrowings are all from his Allettamenti da camera, Op. 8 (1714). Eccles must have had a fondness for these works, as he lifted them note for note in most cases. In what was to become his Sonata prima, Eccles lowered each movement by a half step (semitone); perhaps in order to put them in an easier key to play. Usually, he just reproduced the movements verbatim, but he did cut the final 16 measures from the Presto in Sonata quarta. The other theft is from Francesco Bonporti's (1672 -1749) Invenzione a violino solo, e basso continuo, Op. 10. From this enigmatic set, Eccles only borrowed one movement and changed it from Presto to Allegro. He also added a few double stops, but not nearly as many as were added by Twentieth Century editor Joseph Salmon. This movement is the second in Eccles's Sonata #11, by far his most famous work. -
7:32Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G majorJohann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
Johann Joachim Quantz (1697 - 1773) 6 flute sonatas: No 6 in G major - without Qv no 6 flöjtsonater: Nr 6 i G dur - utan Qv nummer Flute / Flöjt: Jean-Pierre Rampal Harpsichord / Cembalo: Robert Veyron-Lacroix Album: "La flûte à la cour de Frédéric II et de Louis XV " Movements / Satser: 00:00 I. Grave. Andante 02:23 II. Allemande 03:55 III. Larghetto 05:30 IV. Presto -
13:16J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
Directed, shot and edited by Michele Sartor. Performed by Claudio Ronco and Emanuela Vozza. Filmed at Ca’ Pier (Venice) on December 22, 2015. [00:25] 1. Brillante [03:52] 2. Adagio [06:46] 3. Rondò [11:04] The Gaze of Music project *** For commercial use of this video please contact: licensing@sartor.it Visit www.sartor.it if you are interested in making your own music video. *** After more than ten years of giving concerts together, we have decided to undertake a series of recordings played on period instruments. We are beginning with a selection of twenty-six sonatas composed by virtuoso cellists of the eighteenth century. Some are already part of the modern repertoire, and others have never been recorded or performed in our time. Scan the list of composers we have chosen for our project, and you will find two names that are still famous, those of Luigi Boccherini and Jean-Baptiste Bréval. However, there are also others of the same quality who are almost unknown today. Among these are James Cervetto Jr., Giovanni Battista Cirri, Salvatore Lanzetti, Martin Berteau and Jean Zewalt Triemer, all extraordinary musicians, accustomed to the stages of the great theaters of their time and holding positions of prestige in the aristocratic courts of Europe. The twenty-six compositions brought together on the first five CDs are a portion of a larger work in progress, entitled "Lo Sguardo della Musica" (The Gaze of Music). We gave our project this title because we wanted to suggest the idea of “seeing” this music as though it were the visual realization of a rare melody, one beyond time and history, a female gazing at us through a crack in a half-closed door. Beyond that door there is a world not yet born, yet it is suggested by the arts of an era that through them left us a legacy of its dream. By sharing it we search for beauty in the arts as a means of recapturing paradise lost, of recovering a heaven in which we can find a new and more harmonious way of living. *** Lo Sguardo della Musica is an indipendent musical project by Claudio Ronco and Emanuela Vozza, created in collaboration with Michele Sartor and PaRDes, a Contemporary Art Research Workshop, based in Mirano, Venice. Our thanks to Carlo, Luigi and Loana Checchini of Ca’ Pier cultural events in Venice, and to Rita and Giuseppe Cuccodoro for giving us the splendid ancient cellos we are playing in this recording. *** This record is available on Compact Disc and High Definition files on www.losguardodellamusica.it -
2:50Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation) -
4:22J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro Gerrit Zitterbart - piano --- Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as "the London Bach" or "the English Bach", due to his time spent living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart. --- THIS INCREDIBLE PERFORMANCE, NOT LOST FOREVER - THANKS TO ME !!! -
3:59Sonatina in G Major + Romanze (Ludwig van Beethoven)
Sonatina in G Major + Romanze (Ludwig van Beethoven)Sonatina in G Major + Romanze (Ludwig van Beethoven)
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano player! -
6:08Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown) Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German: [?jo?z?f ?ha?d?n] ( listen); 31 March 1732 -- 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form. A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven. -
21:31Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debussy. Youthful chamber music. "They're an effortless partnership, making make much of the work's smoochy, romantic leanings, the high beauty of many of its passages, and its light, clear textures." - Charlotte Gardner, BBC Review. Please support artists and buy their music!
-
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado". -
Minuet in G Major (Unknown Composer)
http://www.youtube.com/user/soccerplyr07835?feature=mhum Visit my channel! Minuet in G Major (from the Notebook for Anna Magdalena Bach) The composer in unknown. I play Minuet in G Major on the piano! -
Henry Eccles - Sonata in G Minor for Violoncello and Continuo
Simca Heled, violoncello. Edward Brewer, harpsichord. Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccles. He was employed by the Duke d'Aumont, an ambassador, in 1713 and returned with him to France. There he published his first book of sonatas in 1720. These were dedicated to "Monsieur le Chevalier Gage, Gentilhomme Anglois" -presumably Sir William Gage, baronet of Firle, Sussex. What other patrons Eccles had are unknown. Henry published a second set in 1723. Not much else is known about him except that he had a brother Thomas (c.1672-1745) who also played the violin and was notable for his problems with alcoholism. The first book of sonatas, on the other hand, are quite interesting. During the early Eighteenth Century, there were ... -
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
Johann Joachim Quantz (1697 - 1773) 6 flute sonatas: No 6 in G major - without Qv no 6 flöjtsonater: Nr 6 i G dur - utan Qv nummer Flute / Flöjt: Jean-Pierre Rampal Harpsichord / Cembalo: Robert Veyron-Lacroix Album: "La flûte à la cour de Frédéric II et de Louis XV " Movements / Satser: 00:00 I. Grave. Andante 02:23 II. Allemande 03:55 III. Larghetto 05:30 IV. Presto -
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
Directed, shot and edited by Michele Sartor. Performed by Claudio Ronco and Emanuela Vozza. Filmed at Ca’ Pier (Venice) on December 22, 2015. [00:25] 1. Brillante [03:52] 2. Adagio [06:46] 3. Rondò [11:04] The Gaze of Music project *** For commercial use of this video please contact: licensing@sartor.it Visit www.sartor.it if you are interested in making your own music video. *** After more than ten years of giving concerts together, we have decided to undertake a series of recordings played on period instruments. We are beginning with a selection of twenty-six sonatas composed by virtuoso cellists of the eighteenth century. Some are already part of the modern repertoire, and others have never been recorded or performed in our time. Scan the list of composers we have chosen f... -
-
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro Gerrit Zitterbart - piano --- Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as "the London Bach" or "the English Bach", due to his time spent living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart. --- THIS INCREDIBLE PERFORMANCE, NOT LOST FOREVER - THANKS TO ME !!! -
Sonatina in G Major + Romanze (Ludwig van Beethoven)
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano player! -
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown) Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German: [?jo?z?f ?ha?d?n] ( listen); 31 March 1732 -- 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form. A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life,... -
Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debussy. Youthful chamber music. "They're an effortless partnership, making make much of the work's smoochy, romantic leanings, the high beauty of many of its passages, and its light, clear textures." - Charlotte Gardner, BBC Review. Please support artists and buy their music!
G MINOR BACH - Piano Tiles 2
- Order: Reorder
- Duration: 2:51
- Updated: 02 Oct 2015
- views: 714437
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4...
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
wn.com/G Minor Bach Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descargar partitura PDF: https://drive.google.com/file/d/0BwLmcZnUUOzEZ0NrSmg4enVQams
Descargar audio MIDI: https://drive.google.com/file/d/0BwLmcZnUUOzENkpWXzJxQy1Kb0k/view
Del autor sé que es de Wuhan (China) y nombró el tema como "g minor de Bach". Actualmente debería tener 25 años. Estudió en un conservatorio de música. En el 2010 compartió esta canción en un foro musical utilizando un nickname y escribió al pie de la publicación lo siguiente: "Dedicado al gran Bach, aunque no sé si hubiese sido de su agrado".
- published: 02 Oct 2015
- views: 714437
Minuet in G Major (Unknown Composer)
- Order: Reorder
- Duration: 1:51
- Updated: 16 Mar 2011
- views: 1289
http://www.youtube.com/user/soccerplyr07835?feature=mhum
Visit my channel!
Minuet in G Major (from the Notebook for Anna Magdalena Bach)
The composer in un...
http://www.youtube.com/user/soccerplyr07835?feature=mhum
Visit my channel!
Minuet in G Major (from the Notebook for Anna Magdalena Bach)
The composer in unknown. I play Minuet in G Major on the piano!
wn.com/Minuet In G Major (Unknown Composer)
http://www.youtube.com/user/soccerplyr07835?feature=mhum
Visit my channel!
Minuet in G Major (from the Notebook for Anna Magdalena Bach)
The composer in unknown. I play Minuet in G Major on the piano!
- published: 16 Mar 2011
- views: 1289
Henry Eccles - Sonata in G Minor for Violoncello and Continuo
- Order: Reorder
- Duration: 7:24
- Updated: 25 Dec 2011
- views: 47326
Simca Heled, violoncello.
Edward Brewer, harpsichord.
Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccle...
Simca Heled, violoncello.
Edward Brewer, harpsichord.
Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccles.
He was employed by the Duke d'Aumont, an ambassador, in 1713 and returned with him to France. There he published his first book of sonatas in 1720. These were dedicated to "Monsieur le Chevalier Gage, Gentilhomme Anglois" -presumably Sir William Gage, baronet of Firle, Sussex. What other patrons Eccles had are unknown. Henry published a second set in 1723. Not much else is known about him except that he had a brother Thomas (c.1672-1745) who also played the violin and was notable for his problems with alcoholism.
The first book of sonatas, on the other hand, are quite interesting. During the early Eighteenth Century, there were no copyright protections. Eccles seems to have had no moral qualms about publishing other composers' work as his own. Out of 40 movements in this book of sonatas, 19 are known to be by other authors. Eighteen were written by the Italian composer Giuseppe Valentini (1681-1753). Valentini was a student of G.B. Bononcini and was well known in Rome during the first half of the Eighteenth Century. The borrowings are all from his Allettamenti da camera, Op. 8 (1714). Eccles must have had a fondness for these works, as he lifted them note for note in most cases. In what was to become his Sonata prima, Eccles lowered each movement by a half step (semitone); perhaps in order to put them in an easier key to play. Usually, he just reproduced the movements verbatim, but he did cut the final 16 measures from the Presto in Sonata quarta.
The other theft is from Francesco Bonporti's (1672 -1749) Invenzione a violino solo, e basso continuo, Op. 10. From this enigmatic set, Eccles only borrowed one movement and changed it from Presto to Allegro. He also added a few double stops, but not nearly as many as were added by Twentieth Century editor Joseph Salmon. This movement is the second in Eccles's Sonata #11, by far his most famous work.
wn.com/Henry Eccles Sonata In G Minor For Violoncello And Continuo
Simca Heled, violoncello.
Edward Brewer, harpsichord.
Henry Eccles (c.1670-1742) was a violinist from Great Britain of possible relation to composer John Eccles.
He was employed by the Duke d'Aumont, an ambassador, in 1713 and returned with him to France. There he published his first book of sonatas in 1720. These were dedicated to "Monsieur le Chevalier Gage, Gentilhomme Anglois" -presumably Sir William Gage, baronet of Firle, Sussex. What other patrons Eccles had are unknown. Henry published a second set in 1723. Not much else is known about him except that he had a brother Thomas (c.1672-1745) who also played the violin and was notable for his problems with alcoholism.
The first book of sonatas, on the other hand, are quite interesting. During the early Eighteenth Century, there were no copyright protections. Eccles seems to have had no moral qualms about publishing other composers' work as his own. Out of 40 movements in this book of sonatas, 19 are known to be by other authors. Eighteen were written by the Italian composer Giuseppe Valentini (1681-1753). Valentini was a student of G.B. Bononcini and was well known in Rome during the first half of the Eighteenth Century. The borrowings are all from his Allettamenti da camera, Op. 8 (1714). Eccles must have had a fondness for these works, as he lifted them note for note in most cases. In what was to become his Sonata prima, Eccles lowered each movement by a half step (semitone); perhaps in order to put them in an easier key to play. Usually, he just reproduced the movements verbatim, but he did cut the final 16 measures from the Presto in Sonata quarta.
The other theft is from Francesco Bonporti's (1672 -1749) Invenzione a violino solo, e basso continuo, Op. 10. From this enigmatic set, Eccles only borrowed one movement and changed it from Presto to Allegro. He also added a few double stops, but not nearly as many as were added by Twentieth Century editor Joseph Salmon. This movement is the second in Eccles's Sonata #11, by far his most famous work.
- published: 25 Dec 2011
- views: 47326
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
- Order: Reorder
- Duration: 7:32
- Updated: 26 Sep 2014
- views: 835
Johann Joachim Quantz (1697 - 1773)
6 flute sonatas: No 6 in G major - without Qv no
6 flöjtsonater: Nr 6 i G dur - utan Qv nummer
Flute / Flöjt: Jean-Pierre ...
Johann Joachim Quantz (1697 - 1773)
6 flute sonatas: No 6 in G major - without Qv no
6 flöjtsonater: Nr 6 i G dur - utan Qv nummer
Flute / Flöjt: Jean-Pierre Rampal
Harpsichord / Cembalo: Robert Veyron-Lacroix
Album: "La flûte à la cour de Frédéric II et de Louis XV "
Movements / Satser:
00:00 I. Grave. Andante
02:23 II. Allemande
03:55 III. Larghetto
05:30 IV. Presto
wn.com/Johann Joachim Quantz Unknown Qv No 6 Flute Sonatas No 6 In G Major
Johann Joachim Quantz (1697 - 1773)
6 flute sonatas: No 6 in G major - without Qv no
6 flöjtsonater: Nr 6 i G dur - utan Qv nummer
Flute / Flöjt: Jean-Pierre Rampal
Harpsichord / Cembalo: Robert Veyron-Lacroix
Album: "La flûte à la cour de Frédéric II et de Louis XV "
Movements / Satser:
00:00 I. Grave. Andante
02:23 II. Allemande
03:55 III. Larghetto
05:30 IV. Presto
- published: 26 Sep 2014
- views: 835
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
- Order: Reorder
- Duration: 13:16
- Updated: 04 Feb 2016
- views: 696
Directed, shot and edited by Michele Sartor.
Performed by Claudio Ronco and Emanuela Vozza.
Filmed at Ca’ Pier (Venice) on December 22, 2015.
[00:25] 1. Bri...
Directed, shot and edited by Michele Sartor.
Performed by Claudio Ronco and Emanuela Vozza.
Filmed at Ca’ Pier (Venice) on December 22, 2015.
[00:25] 1. Brillante
[03:52] 2. Adagio
[06:46] 3. Rondò
[11:04] The Gaze of Music project
***
For commercial use of this video please contact: licensing@sartor.it
Visit www.sartor.it if you are interested in making your own music video.
***
After more than ten years of giving concerts together, we have decided to undertake a series of recordings played on period instruments.
We are beginning with a selection of twenty-six sonatas composed by virtuoso cellists of the eighteenth century. Some are already part of the modern repertoire, and others have never been recorded or performed in our time.
Scan the list of composers we have chosen for our project, and you will find two names that are still famous, those of Luigi Boccherini and Jean-Baptiste Bréval. However, there are also others of the same quality who are almost unknown today.
Among these are James Cervetto Jr., Giovanni Battista Cirri, Salvatore Lanzetti, Martin Berteau and Jean Zewalt Triemer, all extraordinary musicians, accustomed to the stages of the great theaters of their time and holding positions of prestige in the aristocratic courts of Europe.
The twenty-six compositions brought together on the first five CDs are a portion of a larger work in progress, entitled "Lo Sguardo della Musica" (The Gaze of Music).
We gave our project this title because we wanted to suggest the idea of “seeing” this music as though it were the visual realization of a rare melody, one beyond time and history, a female gazing at us through a crack in a half-closed door.
Beyond that door there is a world not yet born, yet it is suggested by the arts of an era that through them left us a legacy of its dream.
By sharing it we search for beauty in the arts as a means of recapturing paradise lost, of recovering a heaven in which we can find a new and more harmonious way of living.
***
Lo Sguardo della Musica is an indipendent musical project by Claudio Ronco and Emanuela Vozza, created in collaboration
with Michele Sartor and PaRDes, a Contemporary Art Research Workshop, based in Mirano, Venice.
Our thanks to Carlo, Luigi and Loana Checchini of Ca’ Pier cultural events in Venice, and to Rita and Giuseppe Cuccodoro
for giving us the splendid ancient cellos we are playing in this recording.
***
This record is available on Compact Disc and High Definition files on www.losguardodellamusica.it
wn.com/J.B. Bréval, Sonata No. 5 In G Major, Op. 12 (From Lo Sguardo Della Musica The Gaze Of Music)
Directed, shot and edited by Michele Sartor.
Performed by Claudio Ronco and Emanuela Vozza.
Filmed at Ca’ Pier (Venice) on December 22, 2015.
[00:25] 1. Brillante
[03:52] 2. Adagio
[06:46] 3. Rondò
[11:04] The Gaze of Music project
***
For commercial use of this video please contact: licensing@sartor.it
Visit www.sartor.it if you are interested in making your own music video.
***
After more than ten years of giving concerts together, we have decided to undertake a series of recordings played on period instruments.
We are beginning with a selection of twenty-six sonatas composed by virtuoso cellists of the eighteenth century. Some are already part of the modern repertoire, and others have never been recorded or performed in our time.
Scan the list of composers we have chosen for our project, and you will find two names that are still famous, those of Luigi Boccherini and Jean-Baptiste Bréval. However, there are also others of the same quality who are almost unknown today.
Among these are James Cervetto Jr., Giovanni Battista Cirri, Salvatore Lanzetti, Martin Berteau and Jean Zewalt Triemer, all extraordinary musicians, accustomed to the stages of the great theaters of their time and holding positions of prestige in the aristocratic courts of Europe.
The twenty-six compositions brought together on the first five CDs are a portion of a larger work in progress, entitled "Lo Sguardo della Musica" (The Gaze of Music).
We gave our project this title because we wanted to suggest the idea of “seeing” this music as though it were the visual realization of a rare melody, one beyond time and history, a female gazing at us through a crack in a half-closed door.
Beyond that door there is a world not yet born, yet it is suggested by the arts of an era that through them left us a legacy of its dream.
By sharing it we search for beauty in the arts as a means of recapturing paradise lost, of recovering a heaven in which we can find a new and more harmonious way of living.
***
Lo Sguardo della Musica is an indipendent musical project by Claudio Ronco and Emanuela Vozza, created in collaboration
with Michele Sartor and PaRDes, a Contemporary Art Research Workshop, based in Mirano, Venice.
Our thanks to Carlo, Luigi and Loana Checchini of Ca’ Pier cultural events in Venice, and to Rita and Giuseppe Cuccodoro
for giving us the splendid ancient cellos we are playing in this recording.
***
This record is available on Compact Disc and High Definition files on www.losguardodellamusica.it
- published: 04 Feb 2016
- views: 696
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
- Order: Reorder
- Duration: 2:50
- Updated: 16 Oct 2012
- views: 683
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
- Order: Reorder
- Duration: 4:22
- Updated: 04 Jan 2016
- views: 178
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro
Gerrit Zitterbart - piano
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Johann Christian Bach (September 5, 1735 –...
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro
Gerrit Zitterbart - piano
---
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as "the London Bach" or "the English Bach", due to his time spent living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart.
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THIS INCREDIBLE PERFORMANCE, NOT LOST FOREVER - THANKS TO ME !!!
wn.com/J.C. Bach Sonata Gerrit Zitterbart Piano ~ Unknown Artist Floor 1 27 1
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro
Gerrit Zitterbart - piano
---
Johann Christian Bach (September 5, 1735 – January 1, 1782) was a composer of the Classical era, the eleventh surviving child and youngest son of Johann Sebastian Bach. He is sometimes referred to as "the London Bach" or "the English Bach", due to his time spent living in the British capital, where he came to be known as John Bach. He is noted for influencing the concerto style of Mozart.
---
THIS INCREDIBLE PERFORMANCE, NOT LOST FOREVER - THANKS TO ME !!!
- published: 04 Jan 2016
- views: 178
Sonatina in G Major + Romanze (Ludwig van Beethoven)
- Order: Reorder
- Duration: 3:59
- Updated: 17 Mar 2011
- views: 515
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum
I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano p...
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum
I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano player!
wn.com/Sonatina In G Major Romanze (Ludwig Van Beethoven)
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum
I play Sonatina in G Major, a song by Ludwig van Beethoven. He was a great piano player!
- published: 17 Mar 2011
- views: 515
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
- Order: Reorder
- Duration: 6:08
- Updated: 16 Nov 2013
- views: 153
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown)
Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German...
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown)
Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German: [?jo?z?f ?ha?d?n] ( listen); 31 March 1732 -- 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form. A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
wn.com/Haydn Symphony No.94 In G Major Surprise Iv. Finale...
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto (performed by unknown)
Franz Joseph Haydn (/?d?o?z?f ?ha?d?n/; German: [?jo?z?f ?ha?d?n] ( listen); 31 March 1732 -- 31 May 1809), known as Joseph Haydn, was an Austrian composer, one of the most prolific and prominent of the Classical period. He is often called the "Father of the Symphony" and "Father of the String Quartet" because of his important contributions to these forms. He was also instrumental in the development of the piano trio and in the evolution of sonata form. A lifelong resident of Austria, Haydn spent much of his career as a court musician for the wealthy Esterházy family on their remote estate. Isolated from other composers and trends in music until the later part of his long life, he was, as he put it, "forced to become original". At the time of his death, he was one of the most celebrated composers in Europe. Joseph Haydn was the brother of Michael Haydn, himself a highly regarded composer, and Johann Evangelist Haydn, a tenor. He was also a close friend of Wolfgang Amadeus Mozart and a teacher of Ludwig van Beethoven.
- published: 16 Nov 2013
- views: 153
Claude Debussy - Piano Trio in G major (1879)
- Order: Reorder
- Duration: 21:31
- Updated: 29 Apr 2014
- views: 70938
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debu...
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debussy. Youthful chamber music.
"They're an effortless partnership, making make much of the work's smoochy, romantic leanings, the high beauty of many of its passages, and its light, clear textures." - Charlotte Gardner, BBC Review.
Please support artists and buy their music!
wn.com/Claude Debussy Piano Trio In G Major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fantastic set of musicians plays quite unknown piece by Claude Achille Debussy. Youthful chamber music.
"They're an effortless partnership, making make much of the work's smoochy, romantic leanings, the high beauty of many of its passages, and its light, clear textures." - Charlotte Gardner, BBC Review.
Please support artists and buy their music!
- published: 29 Apr 2014
- views: 70938
-
Witold Maliszewski - Violin Sonata in G major Op.1 (1900)
An early work by composer Witold Maliszewski (1973-1939),published in 1902. Performed by Stanisław Kawalla (piano) and Aleksandra Kawalla (violin) Painting - Ferdynand Ruszczyc "Nec mergitur" (1904-05) Witold Maliszewski was a founder of conservatory in Odessa, a pupil of Rimsky-Korsakov and a teacher of Lutosławski Personally I like very much Adagio molto. So romantic :) Parts: I - Allegro cantabile II - Adagio molto [08:47] III - Tema con variazioni [16:29] -
Leff Pouishnoff plays Schubert Sonata No. 18 in G major D 894 (1/2)
I. Molto moderato e cantabile II. Andante rec. 1928 Leff Nicolas Pouishnoff (Russian: Лев Николаевич Пышнов, Lev Nikolayevich Pyshnov) (11 October [O.S. 29 September] 1891 -- 28 May 1959) was a Ukrainian-born pianist and composer, who made his home in the United Kingdom and whose career was largely in the West, from the 1920s onwards. He was especially associated with performances of the works of Frédéric Chopin. Pouishnoff, born into an aristocratic Russian family in either Kiev or Odessa, was drawn to the piano as a young child, and, having acquired some aptitude before the age of ten, gave two public concerts. His parents, not wishing him to be exploited, discouraged this, but after his father's death (when Leff was 9), financial constraints led to his accepting concert engage... -
Wim Winters plays new (2016) work by Kostas Papazafeiropoulos
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983) Index of all recordings: http://authenticsound.be/youtube.html This sonata: 0:06 Allegro 7:18 Adagio 15:03 Menuet & trio 18:28 Allegretto (theme & variations) Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier styles... chose the adagio and stop thinking and comparing...! A (maybe not so much) philosophical stand point: I have stressed it before: we today, in general, are not used to new compositions in earlier styles, like the one you might be listening to at this moment. It appears to be a habit we lost in the last century or maybe even never had. I can tell, because I myself did not pay much... -
Great Unknown Liszt-Recordings (5): Stanley Hummel plays the Sonata in B minor
The American pianist Stanley Hummel (1908-2005) was a pupil of Josef and Rosina Lhevinne. He made his New York debut at age 17 and gave a Carnegie Hall recital at age 21. He toured Europe several times, receiving excellent reviews, but was mostly active as a teacher. In the 1950s he made several recordings on the ERSTA label, which was Hummel's own company. It stood for Earle (Stanley's brother, a concert violinist) and Stanley Hummel. This recording (ERSTA 1010) was produced by Peter Bartók, the son of the composer. Many thanks to Ray Edwards for allowing me to use his excellent transfer. -
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in G Major (1927)
Thank you all for the 75000 views! As a token of appreciation, here you have one of my most beloved piano concertos, yet quite unknown by Mario Castelnuovo-Tedesco. Enjoy! / ¡Gracias por las 75 mil visitas! Como recompensa, he aquí uno de los conciertos para piano de Mario Castelnuovo-Tedesco que si bien aún es desconocido, es de mis favoritos. ¡Que lo disfruten! Malmö Symphony Orchestra conducted / Orquesta Sinfónica de Malmö dirigida por Andrew Mogrelia. Piano: Alessandro Marangoni I. Allegro Giusto (0:00) II. Andantino alla Romanza (12:06) III. Vivo e festoso (20:49) Mario Castelnuovo-Tedesco was one of the most promising Italian composers of his generation. A talented musician, he befriended other large musical figures like Ildebrando Pizzetti and Alfredo Casella, who became one of ... -
Beethoven - Sonata for violin and piano in G major op. 30 nr 3 - fortepiano and melodica
Unfortunately, I cannot play the violin. But I can play the melodica, and the fortepiano. So, I can play this nice sonata (composed in 1802) quite alone. The melodica is a good substitute for the violin, because one can make all nuances, articulations, accents, dynamics, etc. There are three movements: 1. Allegro assai 2. Tempo di menuetto, ma molto moderato e grazioso (at 9:06) 3. Allegro vivace (at 19:04) -
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The Best of Rachmaninoff
The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943) Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument. (0:00) Piano Concerto No.2 in Cm Op.18 - I. Moderato (9:19) Piano Concerto No.2 in Cm Op.18 - II. Adagio sostenuto (19:50) Piano Concerto No.3 in Dm Op.30 - I.... -
BACH - Sonata for solo violin in C maj. BWV 1005 - Rodolfo Bonucci, violin
A young Rodolfo Bonucci plays the Sonata in C Major BWV 1005 by J.S.Bach Recorded live in Liepzig (Thomaskirche), year unknown (ab. 1987-1989) 1 - Adagio (00:19) 2 - Fugue (05:46) 3 - Largo (16:32) 4 - Allegro assai (20:23)
Witold Maliszewski - Violin Sonata in G major Op.1 (1900)
- Order: Reorder
- Duration: 35:16
- Updated: 13 Mar 2016
- views: 199
An early work by composer Witold Maliszewski (1973-1939),published in 1902.
Performed by Stanisław Kawalla (piano) and Aleksandra Kawalla (violin)
Painting - ...
An early work by composer Witold Maliszewski (1973-1939),published in 1902.
Performed by Stanisław Kawalla (piano) and Aleksandra Kawalla (violin)
Painting - Ferdynand Ruszczyc "Nec mergitur" (1904-05)
Witold Maliszewski was a founder of conservatory in Odessa, a pupil of Rimsky-Korsakov and a teacher of Lutosławski
Personally I like very much Adagio molto. So romantic :)
Parts:
I - Allegro cantabile
II - Adagio molto [08:47]
III - Tema con variazioni [16:29]
wn.com/Witold Maliszewski Violin Sonata In G Major Op.1 (1900)
An early work by composer Witold Maliszewski (1973-1939),published in 1902.
Performed by Stanisław Kawalla (piano) and Aleksandra Kawalla (violin)
Painting - Ferdynand Ruszczyc "Nec mergitur" (1904-05)
Witold Maliszewski was a founder of conservatory in Odessa, a pupil of Rimsky-Korsakov and a teacher of Lutosławski
Personally I like very much Adagio molto. So romantic :)
Parts:
I - Allegro cantabile
II - Adagio molto [08:47]
III - Tema con variazioni [16:29]
- published: 13 Mar 2016
- views: 199
Leff Pouishnoff plays Schubert Sonata No. 18 in G major D 894 (1/2)
- Order: Reorder
- Duration: 20:08
- Updated: 17 Jan 2011
- views: 1903
I. Molto moderato e cantabile
II. Andante
rec. 1928
Leff Nicolas Pouishnoff (Russian: Лев Николаевич Пышнов, Lev Nikolayevich Pyshnov) (11 October [O.S...
I. Molto moderato e cantabile
II. Andante
rec. 1928
Leff Nicolas Pouishnoff (Russian: Лев Николаевич Пышнов, Lev Nikolayevich Pyshnov) (11 October [O.S. 29 September] 1891 -- 28 May 1959) was a Ukrainian-born pianist and composer, who made his home in the United Kingdom and whose career was largely in the West, from the 1920s onwards. He was especially associated with performances of the works of Frédéric Chopin.
Pouishnoff, born into an aristocratic Russian family in either Kiev or Odessa, was drawn to the piano as a young child, and, having acquired some aptitude before the age of ten, gave two public concerts. His parents, not wishing him to be exploited, discouraged this, but after his father's death (when Leff was 9), financial constraints led to his accepting concert engagements, and he rapidly gained a reputation. Special arrangements were made for his schooling, where he had a particular interest in chemistry. At the age of 14 he joined the State Opera Company orchestra, but a chance meeting with Feodor Chaliapin persuaded him to pursue his piano studies.
[edit] Formal study and trainingHe studied at the St Petersburg Conservatory under Anna Yesipova (piano), with instruction from Rimsky-Korsakov, Liadov and Glazunov (composition) and Nikolai Tcherepnin (conducting). He was one of the most brilliant students of his time, and emerged in 1910 with a first class diploma, a Gold Medal, and a cash prize equivalent to £120 for a voyage to Europe. In that year he competed for the St Petersburg Rubinstein Prize against Arthur Rubinstein, Alexander Borovsky, Julius Isserlis, Edwin Fischer and Alfred Hoehn (the winner). However, instead of embarking at once on a high profile recital career, he chose instead to make a musical tour through various European countries, studying their music and meeting their musicians, which greatly broadened his experience.
Returning to Russia, he made a recital tour with the distinguished Hungarian violinist Leopold Auer, and followed this with a solo tour giving piano recitals, which resulted in many offers of engagements in the major European centres. His international reputation was growing when World War I interrupted his progress. Owing to short-sightedness, he was exempt from military service but, being confined to Russia, he played in military camps and gave a series of concerts for wounded and convalescent men in hospitals.
[edit] Career in the WestHe remained in Russia through the Russian Revolution, suffering considerable want, and in 1919 had the opportunity to make a concert tour in Persia (Iran), the first eminent European pianist to do so. After his successful completion of it he returned and soon afterwards escaped across the Russian frontier and made his way to Paris. In 1920 he moved on to London, where he was unknown, but gave his first and highly acclaimed recital at the Wigmore Hall on 2 February 1921, where he was greatly admired by Ernest Newman. From this point he made his home in Britain.
His career now burst upon the European scene. He made numerous orchestral appearances in Britain, in London at the Queen's Hall and Royal Albert Hall, with the Hallé Orchestra in Manchester and with the Scottish Orchestra. His many compositions for orchestra, violin and piano were still in MS in 1924, but his piano pieces were by then being published. He began to make regular visits to the principal cities of France, Germany, Belgium and the Netherlands, and was in the United States in the seasons of 1924-5 and 1925-6, when he toured major cities. His career eventually became worldwide.
In summer 1926 he devoted a whole week of recitals to playing over seventy of the principal works of Chopin, and repeated this in 1927 to much acclaim. In recordings he is heard around 1930 as an extremely articulate and intelligent accompanist to Frank Titterton in Schubert song repertoire. He was among the earliest pianists to broadcast from Savoy Hill in 1925, and in 1938 he became the first to be broadcast on television, from Alexandra Palace. During World War II he gave concerts to factory workers, miners and dockers, and made extensive tours among the forces in the Middle East.
Pouishnoff made a substantial number of recordings, especially of Chopin and Liszt. He had a very extensive technique, and a delicacy and sensitivity of nuance without effeminacy which won extremely high praise from some critics. He ended his own life, in London. His widow Dorothy, a former pupil, died only three weeks after he did.
(Wikipedia)
wn.com/Leff Pouishnoff Plays Schubert Sonata No. 18 In G Major D 894 (1 2)
I. Molto moderato e cantabile
II. Andante
rec. 1928
Leff Nicolas Pouishnoff (Russian: Лев Николаевич Пышнов, Lev Nikolayevich Pyshnov) (11 October [O.S. 29 September] 1891 -- 28 May 1959) was a Ukrainian-born pianist and composer, who made his home in the United Kingdom and whose career was largely in the West, from the 1920s onwards. He was especially associated with performances of the works of Frédéric Chopin.
Pouishnoff, born into an aristocratic Russian family in either Kiev or Odessa, was drawn to the piano as a young child, and, having acquired some aptitude before the age of ten, gave two public concerts. His parents, not wishing him to be exploited, discouraged this, but after his father's death (when Leff was 9), financial constraints led to his accepting concert engagements, and he rapidly gained a reputation. Special arrangements were made for his schooling, where he had a particular interest in chemistry. At the age of 14 he joined the State Opera Company orchestra, but a chance meeting with Feodor Chaliapin persuaded him to pursue his piano studies.
[edit] Formal study and trainingHe studied at the St Petersburg Conservatory under Anna Yesipova (piano), with instruction from Rimsky-Korsakov, Liadov and Glazunov (composition) and Nikolai Tcherepnin (conducting). He was one of the most brilliant students of his time, and emerged in 1910 with a first class diploma, a Gold Medal, and a cash prize equivalent to £120 for a voyage to Europe. In that year he competed for the St Petersburg Rubinstein Prize against Arthur Rubinstein, Alexander Borovsky, Julius Isserlis, Edwin Fischer and Alfred Hoehn (the winner). However, instead of embarking at once on a high profile recital career, he chose instead to make a musical tour through various European countries, studying their music and meeting their musicians, which greatly broadened his experience.
Returning to Russia, he made a recital tour with the distinguished Hungarian violinist Leopold Auer, and followed this with a solo tour giving piano recitals, which resulted in many offers of engagements in the major European centres. His international reputation was growing when World War I interrupted his progress. Owing to short-sightedness, he was exempt from military service but, being confined to Russia, he played in military camps and gave a series of concerts for wounded and convalescent men in hospitals.
[edit] Career in the WestHe remained in Russia through the Russian Revolution, suffering considerable want, and in 1919 had the opportunity to make a concert tour in Persia (Iran), the first eminent European pianist to do so. After his successful completion of it he returned and soon afterwards escaped across the Russian frontier and made his way to Paris. In 1920 he moved on to London, where he was unknown, but gave his first and highly acclaimed recital at the Wigmore Hall on 2 February 1921, where he was greatly admired by Ernest Newman. From this point he made his home in Britain.
His career now burst upon the European scene. He made numerous orchestral appearances in Britain, in London at the Queen's Hall and Royal Albert Hall, with the Hallé Orchestra in Manchester and with the Scottish Orchestra. His many compositions for orchestra, violin and piano were still in MS in 1924, but his piano pieces were by then being published. He began to make regular visits to the principal cities of France, Germany, Belgium and the Netherlands, and was in the United States in the seasons of 1924-5 and 1925-6, when he toured major cities. His career eventually became worldwide.
In summer 1926 he devoted a whole week of recitals to playing over seventy of the principal works of Chopin, and repeated this in 1927 to much acclaim. In recordings he is heard around 1930 as an extremely articulate and intelligent accompanist to Frank Titterton in Schubert song repertoire. He was among the earliest pianists to broadcast from Savoy Hill in 1925, and in 1938 he became the first to be broadcast on television, from Alexandra Palace. During World War II he gave concerts to factory workers, miners and dockers, and made extensive tours among the forces in the Middle East.
Pouishnoff made a substantial number of recordings, especially of Chopin and Liszt. He had a very extensive technique, and a delicacy and sensitivity of nuance without effeminacy which won extremely high praise from some critics. He ended his own life, in London. His widow Dorothy, a former pupil, died only three weeks after he did.
(Wikipedia)
- published: 17 Jan 2011
- views: 1903
Wim Winters plays new (2016) work by Kostas Papazafeiropoulos
- Order: Reorder
- Duration: 27:36
- Updated: 10 Apr 2016
- views: 784
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983)
Index of all record...
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983)
Index of all recordings: http://authenticsound.be/youtube.html
This sonata:
0:06 Allegro
7:18 Adagio
15:03 Menuet & trio
18:28 Allegretto (theme & variations)
Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier styles... chose the adagio and stop thinking and comparing...!
A (maybe not so much) philosophical stand point:
I have stressed it before: we today, in general, are not used to new compositions in earlier styles, like the one you might be listening to at this moment. It appears to be a habit we lost in the last century or maybe even never had. I can tell, because I myself did not pay much attention, if any, to works like that. New 'classical' music is really not my cup of tea, since I tend to become an instant music-idiot from the moment where a strong tonica-dominant relationship is left behind. Or sound on itself is centralised. For whatever strange reason that might be.
Anyway, this is the fourth work of Kostas that I'm privileged to record over a period of one year now. So I had the time to ask opinions of friends of all kind of interest and profession. The best friends of course, had to guess what it was they were listening to. I take 3 examples: one is artistic and managing director of a cultural centre with a lot of classical music programmed. The other is a real classic music fan, and my third friend is a civil engineer logistics and computer science (and opera lover).
I took the Sonata in G Major (not this sonata since this obviously is very recent)
https://www.youtube.com/watch?v=96V10Haw3GY&src;_vid=z4AXTySqwmw&annotation;_id=db916e5d-98de-4321-9524-ee1fdba790c4&feature;=cards
Being unknown of the date and name of the composer,
-the first one thought it was music by Müthel.
-the second one hesitated, thought on influences from Haydn
-the engineer thought on a composer that was influenced by Beethoven, but slightly later.
The third one of course had nothing to 'loose'. The first two were very prudent. The music sounded so convincing and yet they were a bit confused not to know the piece, nor the composer.
But all three really applauded the composition.
Then I came up with the name of Kostas and date of composition.
Result:
-no real interest with my first friend any more (no more than 'interesting')
-A diminution of the composition by my second friend, saying that 'I really knew so well how to play that kind of music that made it sound so well'. So, it was all thanks to me.
-The engineer didn't care. He thought it was fantastic music.
This... is so strange.
I am curious what this sonata will accomplish. Again, if only you have time to listen to one part, choose the adagio. It is one of the most suggestive adagios I know. Yes, composers like Kostas have to compete against Beethoven, Mozart, Haydn, ... but don't compare everything to Mozart's highlights ! That kills all initiatives!
Even stop finding names to compare with. That at least is what I had to do when diving into the music of Kostas one year ago. It has its own spot, and it needs to have its own spot, within the framework of the aesthetics of that time. It is the combination of technical mastering, understanding the style AND personality that can make works like this survive. And Kostas has all three.
He deserves, in my mind, a place at the top of today's composers, and honestly, I really don't understand why talents like this is facing so much troubles in standing out.
I really hope you enjoy the recording and his music. And you'll do him a BIG favour by letting him know your reaction in the comment boxes below!
Take care,
Wim
If you like this recording, please consider subscribing to this channel and sharing this video with your friends. It means a lot!
https://www.youtube.com/channel/UC8vR...
Connect with me on:
Facebook
https://www.facebook.com/Authentic-So...
Twitter
https://twitter.com/_WimWinters
Website:
http://www.authenticsound.be
wn.com/Wim Winters Plays New (2016) Work By Kostas Papazafeiropoulos
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the Greek composer Kostas Papazafeiropoulos (b.1983)
Index of all recordings: http://authenticsound.be/youtube.html
This sonata:
0:06 Allegro
7:18 Adagio
15:03 Menuet & trio
18:28 Allegretto (theme & variations)
Note upfront... if you only have time for one part... and are a bit sceptical on new works in earlier styles... chose the adagio and stop thinking and comparing...!
A (maybe not so much) philosophical stand point:
I have stressed it before: we today, in general, are not used to new compositions in earlier styles, like the one you might be listening to at this moment. It appears to be a habit we lost in the last century or maybe even never had. I can tell, because I myself did not pay much attention, if any, to works like that. New 'classical' music is really not my cup of tea, since I tend to become an instant music-idiot from the moment where a strong tonica-dominant relationship is left behind. Or sound on itself is centralised. For whatever strange reason that might be.
Anyway, this is the fourth work of Kostas that I'm privileged to record over a period of one year now. So I had the time to ask opinions of friends of all kind of interest and profession. The best friends of course, had to guess what it was they were listening to. I take 3 examples: one is artistic and managing director of a cultural centre with a lot of classical music programmed. The other is a real classic music fan, and my third friend is a civil engineer logistics and computer science (and opera lover).
I took the Sonata in G Major (not this sonata since this obviously is very recent)
https://www.youtube.com/watch?v=96V10Haw3GY&src;_vid=z4AXTySqwmw&annotation;_id=db916e5d-98de-4321-9524-ee1fdba790c4&feature;=cards
Being unknown of the date and name of the composer,
-the first one thought it was music by Müthel.
-the second one hesitated, thought on influences from Haydn
-the engineer thought on a composer that was influenced by Beethoven, but slightly later.
The third one of course had nothing to 'loose'. The first two were very prudent. The music sounded so convincing and yet they were a bit confused not to know the piece, nor the composer.
But all three really applauded the composition.
Then I came up with the name of Kostas and date of composition.
Result:
-no real interest with my first friend any more (no more than 'interesting')
-A diminution of the composition by my second friend, saying that 'I really knew so well how to play that kind of music that made it sound so well'. So, it was all thanks to me.
-The engineer didn't care. He thought it was fantastic music.
This... is so strange.
I am curious what this sonata will accomplish. Again, if only you have time to listen to one part, choose the adagio. It is one of the most suggestive adagios I know. Yes, composers like Kostas have to compete against Beethoven, Mozart, Haydn, ... but don't compare everything to Mozart's highlights ! That kills all initiatives!
Even stop finding names to compare with. That at least is what I had to do when diving into the music of Kostas one year ago. It has its own spot, and it needs to have its own spot, within the framework of the aesthetics of that time. It is the combination of technical mastering, understanding the style AND personality that can make works like this survive. And Kostas has all three.
He deserves, in my mind, a place at the top of today's composers, and honestly, I really don't understand why talents like this is facing so much troubles in standing out.
I really hope you enjoy the recording and his music. And you'll do him a BIG favour by letting him know your reaction in the comment boxes below!
Take care,
Wim
If you like this recording, please consider subscribing to this channel and sharing this video with your friends. It means a lot!
https://www.youtube.com/channel/UC8vR...
Connect with me on:
Facebook
https://www.facebook.com/Authentic-So...
Twitter
https://twitter.com/_WimWinters
Website:
http://www.authenticsound.be
- published: 10 Apr 2016
- views: 784
Great Unknown Liszt-Recordings (5): Stanley Hummel plays the Sonata in B minor
- Order: Reorder
- Duration: 27:06
- Updated: 17 Jul 2015
- views: 702
The American pianist Stanley Hummel (1908-2005) was a pupil of Josef and Rosina Lhevinne. He made his New York debut at age 17 and gave a Carnegie Hall recital ...
The American pianist Stanley Hummel (1908-2005) was a pupil of Josef and Rosina Lhevinne. He made his New York debut at age 17 and gave a Carnegie Hall recital at age 21. He toured Europe several times, receiving excellent reviews, but was mostly active as a teacher. In the 1950s he made several recordings on the ERSTA label, which was Hummel's own company. It stood for Earle (Stanley's brother, a concert violinist) and Stanley Hummel. This recording (ERSTA 1010) was produced by Peter Bartók, the son of the composer.
Many thanks to Ray Edwards for allowing me to use his excellent transfer.
wn.com/Great Unknown Liszt Recordings (5) Stanley Hummel Plays The Sonata In B Minor
The American pianist Stanley Hummel (1908-2005) was a pupil of Josef and Rosina Lhevinne. He made his New York debut at age 17 and gave a Carnegie Hall recital at age 21. He toured Europe several times, receiving excellent reviews, but was mostly active as a teacher. In the 1950s he made several recordings on the ERSTA label, which was Hummel's own company. It stood for Earle (Stanley's brother, a concert violinist) and Stanley Hummel. This recording (ERSTA 1010) was produced by Peter Bartók, the son of the composer.
Many thanks to Ray Edwards for allowing me to use his excellent transfer.
- published: 17 Jul 2015
- views: 702
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in G Major (1927)
- Order: Reorder
- Duration: 29:09
- Updated: 20 Apr 2015
- views: 3842
Thank you all for the 75000 views! As a token of appreciation, here you have one of my most beloved piano concertos, yet quite unknown by Mario Castelnuovo-Tede...
Thank you all for the 75000 views! As a token of appreciation, here you have one of my most beloved piano concertos, yet quite unknown by Mario Castelnuovo-Tedesco. Enjoy! / ¡Gracias por las 75 mil visitas! Como recompensa, he aquí uno de los conciertos para piano de Mario Castelnuovo-Tedesco que si bien aún es desconocido, es de mis favoritos. ¡Que lo disfruten!
Malmö Symphony Orchestra conducted / Orquesta Sinfónica de Malmö dirigida por Andrew Mogrelia. Piano: Alessandro Marangoni
I. Allegro Giusto (0:00)
II. Andantino alla Romanza (12:06)
III. Vivo e festoso (20:49)
Mario Castelnuovo-Tedesco was one of the most promising Italian composers of his generation. A talented musician, he befriended other large musical figures like Ildebrando Pizzetti and Alfredo Casella, who became one of his closest friends; at least until the enforcement of anti-Jewish laws in Fascist Italy, which forced Castelnuovo to flee to the USA, where he worked as a film composer and teacher, instructing no less than film music superstars Henry Mancini, Jerry Goldsmith and John Williams. Castelnuovo-Tedesco was quite an accomplished orchestrator, a well spotted element throughout his orchestral works and concertos. His first piano concerto is a very optimistic and flamboyant work of youth, composed with an everlasting sense of growth and development, culminating in a radiant dance for soloist and orchestra.
Mario Castelnuovo-Tedesco fue uno de los compositores italianos más prometedores de su generación. Músico de gran talento, hizo amistad con otras grandes figuras de la música como Ildebrando Pizzetti y Alfredo Casella, quién se volvió gran amigo suyo; al menos hasta el establecimiento de las leyes anti-judías de la Italia fascista, mismas que obligaron a Castelnuovo a exiliarse en EUA, donde trabajó como compositor para cine y profesor, habiendo instruido nadamás y nadamenos que a Henry Mancini, Jerry Goldsmith y a John Williams, superestrellas de la música fílmica. Castelnuovo-Tedesco fue un orquestador ingenioso, un elemento reconocible en todas sus obras orquestales y conciertos. Su primer concierto para piano es muy optimista y luminoso, compuesto con un sentido perenne de expansión y desarrollo, culminando en una radiante danza para el solista y la orquesta.
Image/ imagen: The Water-carriers at Livorno. / Las aguadoras de Livorno. Giovanni Fattori. 1865.
wn.com/Mario Castelnuovo Tedesco Piano Concerto No. 1 In G Major (1927)
Thank you all for the 75000 views! As a token of appreciation, here you have one of my most beloved piano concertos, yet quite unknown by Mario Castelnuovo-Tedesco. Enjoy! / ¡Gracias por las 75 mil visitas! Como recompensa, he aquí uno de los conciertos para piano de Mario Castelnuovo-Tedesco que si bien aún es desconocido, es de mis favoritos. ¡Que lo disfruten!
Malmö Symphony Orchestra conducted / Orquesta Sinfónica de Malmö dirigida por Andrew Mogrelia. Piano: Alessandro Marangoni
I. Allegro Giusto (0:00)
II. Andantino alla Romanza (12:06)
III. Vivo e festoso (20:49)
Mario Castelnuovo-Tedesco was one of the most promising Italian composers of his generation. A talented musician, he befriended other large musical figures like Ildebrando Pizzetti and Alfredo Casella, who became one of his closest friends; at least until the enforcement of anti-Jewish laws in Fascist Italy, which forced Castelnuovo to flee to the USA, where he worked as a film composer and teacher, instructing no less than film music superstars Henry Mancini, Jerry Goldsmith and John Williams. Castelnuovo-Tedesco was quite an accomplished orchestrator, a well spotted element throughout his orchestral works and concertos. His first piano concerto is a very optimistic and flamboyant work of youth, composed with an everlasting sense of growth and development, culminating in a radiant dance for soloist and orchestra.
Mario Castelnuovo-Tedesco fue uno de los compositores italianos más prometedores de su generación. Músico de gran talento, hizo amistad con otras grandes figuras de la música como Ildebrando Pizzetti y Alfredo Casella, quién se volvió gran amigo suyo; al menos hasta el establecimiento de las leyes anti-judías de la Italia fascista, mismas que obligaron a Castelnuovo a exiliarse en EUA, donde trabajó como compositor para cine y profesor, habiendo instruido nadamás y nadamenos que a Henry Mancini, Jerry Goldsmith y a John Williams, superestrellas de la música fílmica. Castelnuovo-Tedesco fue un orquestador ingenioso, un elemento reconocible en todas sus obras orquestales y conciertos. Su primer concierto para piano es muy optimista y luminoso, compuesto con un sentido perenne de expansión y desarrollo, culminando en una radiante danza para el solista y la orquesta.
Image/ imagen: The Water-carriers at Livorno. / Las aguadoras de Livorno. Giovanni Fattori. 1865.
- published: 20 Apr 2015
- views: 3842
Beethoven - Sonata for violin and piano in G major op. 30 nr 3 - fortepiano and melodica
- Order: Reorder
- Duration: 24:17
- Updated: 09 Jun 2016
- views: 136
Unfortunately, I cannot play the violin. But I can play the melodica, and the fortepiano. So, I can play this nice sonata (composed in 1802) quite alone. The me...
Unfortunately, I cannot play the violin. But I can play the melodica, and the fortepiano. So, I can play this nice sonata (composed in 1802) quite alone. The melodica is a good substitute for the violin, because one can make all nuances, articulations, accents, dynamics, etc.
There are three movements:
1. Allegro assai
2. Tempo di menuetto, ma molto moderato e grazioso (at 9:06)
3. Allegro vivace (at 19:04)
wn.com/Beethoven Sonata For Violin And Piano In G Major Op. 30 Nr 3 Fortepiano And Melodica
Unfortunately, I cannot play the violin. But I can play the melodica, and the fortepiano. So, I can play this nice sonata (composed in 1802) quite alone. The melodica is a good substitute for the violin, because one can make all nuances, articulations, accents, dynamics, etc.
There are three movements:
1. Allegro assai
2. Tempo di menuetto, ma molto moderato e grazioso (at 9:06)
3. Allegro vivace (at 19:04)
- published: 09 Jun 2016
- views: 136
W. A. Mozart - KV deest - Piano Sonata in G minor
- Order: Reorder
- Duration: 21:06
- Updated: 27 Sep 2013
- views: 3492
Fragments completed by Anthony Goldstone and arranged as a sonata:
1. Allegro (after KV 312) (0:00)
2. Larghetto (after KV 569a) (6:35)
3. Allegretto - Adagio -...
Fragments completed by Anthony Goldstone and arranged as a sonata:
1. Allegro (after KV 312) (0:00)
2. Larghetto (after KV 569a) (6:35)
3. Allegretto - Adagio - Allegro (after KV 501) (13:14)
Performer: Anthony Goldstone, piano.
wn.com/W. A. Mozart Kv Deest Piano Sonata In G Minor
The Best of Rachmaninoff
- Order: Reorder
- Duration: 163:58
- Updated: 03 May 2014
- views: 1892338
The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943)
Rachmaninoff is widely considered one of the finest pianists of his...
The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943)
Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.
(0:00) Piano Concerto No.2 in Cm Op.18 - I. Moderato
(9:19) Piano Concerto No.2 in Cm Op.18 - II. Adagio sostenuto
(19:50) Piano Concerto No.3 in Dm Op.30 - I. Allegro
(34:46) Piano Concerto No.4 in Gm Op.40 - III. Allegro vivace
(43:26) Rhapsody on a Theme of Paganini Op.43
(1:04:04) Symphony No.1 in Dm Op.13 - I. Grave - Allegro ma non troppo
(1:17:52) Symphony No.2 in Em Op.27 - III. Adagio
(1:33:00) Symphonic Dances Op.45 - I. Non allegro
(1:44:59) Prelude Op.23 No.02 in Bbm - Maestoso
(1:48:41) Prelude Op.23 No.10 in Gbm - Largo
(1:52:49) Morceaux de Salon Op.10 - No.5 in G - Humoresque
(1:59:57) Etudes-tableaux Op.39 - Allegro moderato - Tempo di marcia in D No.9
(2:03:37) Cello Sonata in Gm Op.19 - III. Andante
(2:09:19) The Bells Op.35 - III. Presto
(2:18:10) Vespers Op.37 - Bless the Lord, O my soul
(2:23:03) Francesca da Rimini Op.25 - I. Prologue
wn.com/The Best Of Rachmaninoff
The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943)
Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music.
Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a personal style notable for its song-like melodicism, expressiveness and his use of rich orchestral colors.The piano is featured prominently in Rachmaninoff's compositional output, and through his own skills as a performer he explored the expressive possibilities of the instrument.
(0:00) Piano Concerto No.2 in Cm Op.18 - I. Moderato
(9:19) Piano Concerto No.2 in Cm Op.18 - II. Adagio sostenuto
(19:50) Piano Concerto No.3 in Dm Op.30 - I. Allegro
(34:46) Piano Concerto No.4 in Gm Op.40 - III. Allegro vivace
(43:26) Rhapsody on a Theme of Paganini Op.43
(1:04:04) Symphony No.1 in Dm Op.13 - I. Grave - Allegro ma non troppo
(1:17:52) Symphony No.2 in Em Op.27 - III. Adagio
(1:33:00) Symphonic Dances Op.45 - I. Non allegro
(1:44:59) Prelude Op.23 No.02 in Bbm - Maestoso
(1:48:41) Prelude Op.23 No.10 in Gbm - Largo
(1:52:49) Morceaux de Salon Op.10 - No.5 in G - Humoresque
(1:59:57) Etudes-tableaux Op.39 - Allegro moderato - Tempo di marcia in D No.9
(2:03:37) Cello Sonata in Gm Op.19 - III. Andante
(2:09:19) The Bells Op.35 - III. Presto
(2:18:10) Vespers Op.37 - Bless the Lord, O my soul
(2:23:03) Francesca da Rimini Op.25 - I. Prologue
- published: 03 May 2014
- views: 1892338
BACH - Sonata for solo violin in C maj. BWV 1005 - Rodolfo Bonucci, violin
- Order: Reorder
- Duration: 24:27
- Updated: 01 Aug 2015
- views: 149
A young Rodolfo Bonucci plays the Sonata in C Major BWV 1005 by J.S.Bach
Recorded live in Liepzig (Thomaskirche), year unknown (ab. 1987-1989)
1 - Adagio (00:1...
A young Rodolfo Bonucci plays the Sonata in C Major BWV 1005 by J.S.Bach
Recorded live in Liepzig (Thomaskirche), year unknown (ab. 1987-1989)
1 - Adagio (00:19)
2 - Fugue (05:46)
3 - Largo (16:32)
4 - Allegro assai (20:23)
wn.com/Bach Sonata For Solo Violin In C Maj. Bwv 1005 Rodolfo Bonucci, Violin
A young Rodolfo Bonucci plays the Sonata in C Major BWV 1005 by J.S.Bach
Recorded live in Liepzig (Thomaskirche), year unknown (ab. 1987-1989)
1 - Adagio (00:19)
2 - Fugue (05:46)
3 - Largo (16:32)
4 - Allegro assai (20:23)
- published: 01 Aug 2015
- views: 149
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close fullscreen
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2:51
G MINOR BACH - Piano Tiles 2
Descargar audio MP3: https://drive.google.com/file/d/0BwLmcZnUUOzEVVhRUGxfd1lDd2M
Descarga...
published: 02 Oct 2015
G MINOR BACH - Piano Tiles 2
G MINOR BACH - Piano Tiles 2
- Report rights infringement
- published: 02 Oct 2015
- views: 714437
1:51
Minuet in G Major (Unknown Composer)
http://www.youtube.com/user/soccerplyr07835?feature=mhum
Visit my channel!
Minuet in G...
published: 16 Mar 2011
Minuet in G Major (Unknown Composer)
Minuet in G Major (Unknown Composer)
- Report rights infringement
- published: 16 Mar 2011
- views: 1289
7:24
Henry Eccles - Sonata in G Minor for Violoncello and Continuo
Simca Heled, violoncello.
Edward Brewer, harpsichord.
Henry Eccles (c.1670-1742) was a vi...
published: 25 Dec 2011
Henry Eccles - Sonata in G Minor for Violoncello and Continuo
Henry Eccles - Sonata in G Minor for Violoncello and Continuo
- Report rights infringement
- published: 25 Dec 2011
- views: 47326
7:32
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
Johann Joachim Quantz (1697 - 1773)
6 flute sonatas: No 6 in G major - without Qv no
6 fl...
published: 26 Sep 2014
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
Johann Joachim Quantz - unknown Qv No - 6 flute sonatas: No 6 in G major
- Report rights infringement
- published: 26 Sep 2014
- views: 835
13:16
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
Directed, shot and edited by Michele Sartor.
Performed by Claudio Ronco and Emanuela Vozz...
published: 04 Feb 2016
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
J.B. Bréval, Sonata No. 5 in G major, Op. 12 (from Lo Sguardo della Musica/The Gaze of Music)
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- published: 04 Feb 2016
- views: 696
2:50
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
published: 16 Oct 2012
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
Laura O'Gorman plays Scarlatti Sonata in A Major K24 - L495 (Unknown adaptation)
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- published: 16 Oct 2012
- views: 683
4:22
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
JOHANN CHRISTIAN BACH - Keyboard Sonata in D major, Op. 5, No. 2, W. A2 - I. Allegro
Gerr...
published: 04 Jan 2016
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
J.C. BACH - "SONATA" - GERRIT ZITTERBART - piano ~ UNKNOWN ARTIST - floor - 1-27-1
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- published: 04 Jan 2016
- views: 178
3:59
Sonatina in G Major + Romanze (Ludwig van Beethoven)
Visit my channel! http://www.youtube.com/user/soccerplyr07835?feature=mhum
I play Sonat...
published: 17 Mar 2011
Sonatina in G Major + Romanze (Ludwig van Beethoven)
Sonatina in G Major + Romanze (Ludwig van Beethoven)
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- published: 17 Mar 2011
- views: 515
6:08
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
Joseph Haydn - Haydn - Symphony No.94 in G major - Surprise - IV. Finale Allegro di molto ...
published: 16 Nov 2013
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
Haydn - Symphony No.94 in G major - Surprise - IV. Finale...
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- published: 16 Nov 2013
- views: 153
21:31
Claude Debussy - Piano Trio in G major (1879)
Jean-Efflam Bavouzet (piano), Daniel Rowland (violin) and Jacqueline Thomas (cello). Fanta...
published: 29 Apr 2014
Claude Debussy - Piano Trio in G major (1879)
Claude Debussy - Piano Trio in G major (1879)
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- published: 29 Apr 2014
- views: 70938
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35:16
Witold Maliszewski - Violin Sonata in G major Op.1 (1900)
An early work by composer Witold Maliszewski (1973-1939),published in 1902.
Performed by ...
published: 13 Mar 2016
Witold Maliszewski - Violin Sonata in G major Op.1 (1900)
Witold Maliszewski - Violin Sonata in G major Op.1 (1900)
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- published: 13 Mar 2016
- views: 199
20:08
Leff Pouishnoff plays Schubert Sonata No. 18 in G major D 894 (1/2)
I. Molto moderato e cantabile
II. Andante
rec. 1928
Leff Nicolas Pouishnoff (Russ...
published: 17 Jan 2011
Leff Pouishnoff plays Schubert Sonata No. 18 in G major D 894 (1/2)
Leff Pouishnoff plays Schubert Sonata No. 18 in G major D 894 (1/2)
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- published: 17 Jan 2011
- views: 1903
27:36
Wim Winters plays new (2016) work by Kostas Papazafeiropoulos
Really excited to share this brand new sonata (2016) in F Major, opus 118, composed by the...
published: 10 Apr 2016
Wim Winters plays new (2016) work by Kostas Papazafeiropoulos
Wim Winters plays new (2016) work by Kostas Papazafeiropoulos
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- published: 10 Apr 2016
- views: 784
27:06
Great Unknown Liszt-Recordings (5): Stanley Hummel plays the Sonata in B minor
The American pianist Stanley Hummel (1908-2005) was a pupil of Josef and Rosina Lhevinne. ...
published: 17 Jul 2015
Great Unknown Liszt-Recordings (5): Stanley Hummel plays the Sonata in B minor
Great Unknown Liszt-Recordings (5): Stanley Hummel plays the Sonata in B minor
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- published: 17 Jul 2015
- views: 702
29:09
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in G Major (1927)
Thank you all for the 75000 views! As a token of appreciation, here you have one of my mos...
published: 20 Apr 2015
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in G Major (1927)
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in G Major (1927)
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- published: 20 Apr 2015
- views: 3842
24:17
Beethoven - Sonata for violin and piano in G major op. 30 nr 3 - fortepiano and melodica
Unfortunately, I cannot play the violin. But I can play the melodica, and the fortepiano. ...
published: 09 Jun 2016
Beethoven - Sonata for violin and piano in G major op. 30 nr 3 - fortepiano and melodica
Beethoven - Sonata for violin and piano in G major op. 30 nr 3 - fortepiano and melodica
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- published: 09 Jun 2016
- views: 136
21:06
W. A. Mozart - KV deest - Piano Sonata in G minor
Fragments completed by Anthony Goldstone and arranged as a sonata:
1. Allegro (after KV 31...
published: 27 Sep 2013
W. A. Mozart - KV deest - Piano Sonata in G minor
W. A. Mozart - KV deest - Piano Sonata in G minor
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- published: 27 Sep 2013
- views: 3492
163:58
The Best of Rachmaninoff
The Best of Sergei Vasilievich Rachmaninoff (1 April [O.S. 20 March] 1873 -- 28 March 1943...
published: 03 May 2014
The Best of Rachmaninoff
The Best of Rachmaninoff
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- published: 03 May 2014
- views: 1892338
24:27
BACH - Sonata for solo violin in C maj. BWV 1005 - Rodolfo Bonucci, violin
A young Rodolfo Bonucci plays the Sonata in C Major BWV 1005 by J.S.Bach
Recorded live in ...
published: 01 Aug 2015
BACH - Sonata for solo violin in C maj. BWV 1005 - Rodolfo Bonucci, violin
BACH - Sonata for solo violin in C maj. BWV 1005 - Rodolfo Bonucci, violin
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- published: 01 Aug 2015
- views: 149
Witold Maliszewski - Violin Sonata in G major Op.1...
Leff Pouishnoff plays Schubert Sonata No. 18 in G ...
Wim Winters plays new (2016) work by Kostas Papaza...
Great Unknown Liszt-Recordings (5): Stanley Hummel...
Mario Castelnuovo-Tedesco: Piano Concerto No. 1 in...
Beethoven - Sonata for violin and piano in G major...
W. A. Mozart - KV deest - Piano Sonata in G minor...
The Best of Rachmaninoff...
BACH - Sonata for solo violin in C maj. BWV 1005 ...
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Lyrics list:lyrics
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G Major
G Major
Everyone here's in trouble
The man with the megaphone
Smoke and mirrors and crystal balls and red alerts and all because
Of the king who hides behind the pawns
I can see what's really going on
I can see what's really going on
Everyone here's a bubble
Merrily floating on
Manicured suburban lawns and patriotic country songs
Pledge allegiance, sing along
I can see what's really going on
I can see what's really going on
Everyone here's in trouble
Angels abandon guard
History is cyclical
Crusaders and the biblical
Light the torches bang the gongs
I can see what's really going on
I can see what's really going on
Na na na na-na
Na na na na-na
Na na, na na
Na na, na na
Na na na na-na
Na na na na-na
Na na, na na
photo: U.S. Navy /
U.S. Warship Fires 3 Warning Shots At Iranian Boats In North Arabian Gulf
Edit WorldNews.com 25 Aug 2016
Navy ships and Iranian Revolutionary Guard boats in the Northern Arabian Gulf and resulted in U.S. forces firing three warning shots in the direction of an Iranian boat that was approaching another American ship head-on, The Associated Press reported Thursday ... fired flares.The same Iranian boat that harassed the USS Tempest also crossed in front of the USS Stout three times at a high rate of speed on Wednesday in the same region....
photo: Creative Commons / Gage Skidmore
Hillary Clinton is Spreading Islamist Extremism
Edit Dissident Voice 26 Aug 2016
If the West in general, and the United States in particular, left the Arab and Muslim world alone and in peace, we would most likely never see all those terrorist attacks, which are rocking the world from Indonesia to France ... “In so many parts of the world, the West created an absolutely new religion ... And in Bahrain, the Shi’a majority was literally raped by Saudi Arabia and its own ruthless rulers, with British advisors standing by....
photo: Creative Commons / Jean-Pol GRANDMONT
Explosion Rocks Sports Center in Belgium
Edit WorldNews.com 26 Aug 2016
A blast has destroyed half a sports center in Chimay, Belgium on Thursday night according to The Guardian ... There was only a small amount of people in the people but the town 120 km south of Brussels has a population of 10,000 ... A large section of the building had collapsed and it was unknown just how many people were or could be trapped in the rubble still....
photo: US DoS
Why US, Britain are key to ending Yemen horror
Edit CNN 26 Aug 2016
(CNN)US Secretary of State John Kerry was in the Saudi city of Jeddah this week, with Yemen's brutal civil war high on the agenda as he met officials from Britain, Saudi Arabia and the UAE. Yemen's warring parties are in the midst of a bloody stalemate ... The meeting in Saudi Arabia could have ended differently, however ... For all that they would have us believe otherwise UK and US are not mere bystanders in this....
photo: WN / Ahmed Deeb
Archaeologists Have Discovered A Brand New Ancient God
Edit IFL Science 25 Aug 2016
Researchers in Italy have spent the last several months translating an ancient text recovered from a 2,500-year-old Etruscan temple, and believe they may have stumbled upon the name of a previously unheard of goddess ... Occupying much of northern Italy from 400 to 800 BCE, the Etruscans are attributed with establishing many of the major cities that later become prominent centers of activity during the Roman Empire....
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Property offences No 1 in police's priority list
Edit The Times of India 26 Aug 2016
The newly appointed police commissioner of Nashik, Ravindra Singhal, has instructed his subordinates to take strict measures to curb the rising instances of property offences in the city. Crimes like house break-ins, chain snatchings, vehicle thefts, dacoities and thefts have become a regular feature on city streets and local newspapers ... Currently, he is in police custody till August 29....
EPRDF versus rudderless populism
Edit Topix 26 Aug 2016
This week two recent news items from Ethiopia had captured my attention. Both contained prescriptions for the ongoing standoff between the EPRDF government and a rudderless populist movement which, by the look of it, is hell-bent on trying to mug the nation's developmental democratic system by resorting to unauthorised street demonstrations, strikes and sit-ins ... ....
Apple issues urgent software patch for iPhones, iPads
Edit The Times of India 26 Aug 2016
Apple issued a patch on Thursday to fix a dangerous security hole in iPhones and iPads after researchers discovered that a prominent United Arab Emirates dissident's phone had been targeted with a previously unknown method of hacking ... Blass had tweeted that the iPhone 7 would be hitting the markets in the third week of September ... Apple hits the 1-billion mark in iPhone sales....
Backpage demands that appeals court block US Senate sex-trafficking subpoena
Edit Ars Technica 26 Aug 2016
Backpage demanded Wednesday that a federal appeals court continue blocking the online classified ad portal from having to comply with a Senate investigation and subpoena into how Backpage conducts its business, including providing the government with documents about the ins and outs of its editorial business model....
10 Things to Know for Friday
Edit The Roanoke Times 26 Aug 2016
WHAT'S BEING ASKED IN AFTERMATH OF DEADLY EARTHQUAKE ... The billionaire businessman defeated 16 rivals in the GOP primary by being the most anti-immigrant of them all — but now he's sounding a lot like the people he defeated ... WHY TURKEY IS RAMPING UP MILITARY PRESENCE IN SYRIA ... The move follows a botched attempt to break into the phone of an Arab activist in the Mideast using hitherto unknown espionage software....
NMSU filmmakers host fundraiser for their film 'Yochi'
Edit The Oklahoman 26 Aug 2016
LAS CRUCES - A celebratory fundraiser in support of the film "Yochi," by Ilana Lapid, an award-winning filmmaker, and New Mexico State University assistant professor, will be at 5 p.m. Wednesday in Mesilla ... In the film, Itza returns and strives to win back Yochi's trust ... Filmmakers are trying to raise $10,000 to pay for post-production expenses, enabling the team to complete the film in time for submission to major film festivals....
Why iPhone users need to update software -- now; Mississippi nuns killed (10 Things to ...
Edit The Times Picayune 26 Aug 2016
APPLE BOOSTS IPHONE SECURITY AFTER BREAK-IN TRY. A botched attempt to break into the iPhone of an Arab activist using hitherto unknown espionage software has trigged a global upgrade of Apple's mobile operating system, researchers said Thursday. The spyware took advantage of three previously undisclosed weaknesses in Apple's iPhone to take complete control of the devices, according to reports published Thursday....
Sodalicious files counterclaim in 'dirty' soda feud with Swig
Edit Deseret News 26 Aug 2016
SALT LAKE CITY — Sodalicious has filed a counterclaim against Swig in the ongoing legal battle between the two soda shops, contending Swig's initial lawsuit was filed in "bad faith" and demanding that its trademark of the term "dirty" be canceled, according to recently filed court documents. The counterclaim, submitted in U.S ... In May, Swig added Sodalicious' five co-owners as individual defendants in the case....
Apple boosts iPhone security
Edit Times Union 26 Aug 2016
A botched attempt to break into the iPhone of an Arab activist using hitherto unknown espionage software has triggered a global upgrade of Apple's mobile operating system, researchers said Thursday ... Promising to reveal details about torture in the United Arab Emirates' prisons, the unknown sender included a suspicious-looking link at the bottom of the message....
Stop Your Pet's Back-to-School Blues (City of Bellflower, CA)
Edit Public Technologies 26 Aug 2016
(Source. City of Bellflower, CA). SEAACA Provides Tips for Pet Owners. Dogs, cats, and other pets can suffer from separation anxiety, especially during the fall ... These behaviors may include.. • Excessive pacing, barking/meowing. • Urinating or defecating in the home or in unapproved areas. • Escape attempts ... pheromone aroma wall plug-ins, specially created CDs or stress relief garments available online or at local pet store) ... (noodl....
Death toll in attack on US school in Kabul rises to 16
Edit Arabnews 26 Aug 2016
The attack, apparently the first major militant assault on a prominent university in Afghanistan, has cast a pall on the education sector, seen as a rare symbol of hope for the country’s burgeoning youth at a time of rising insecurity ... Their whereabouts are still unknown and no group so far has publicly claimed responsibility for the abductions, the latest in a series of kidnappings of foreigners....
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