Marcus, Markus, or Márkus may refer to:
Marcus (abbreviated M.) is a masculine given name of Ancient Roman pre-Christian origin derived either from Etruscan Marce of unknown meaning (possibly from the Etruscan "mar" which means "to harvest"), or referring to the god Mars. Because Mars was identified as the Roman god of War, the name 'Marcus' can by extension be taken to refer to Ares in the Greek pantheon.
The name is popular in Europe, particularly in Sweden, Norway, Italy and Germany, and increasingly, in the Netherlands. It is also popular in English language countries, although less common than the shortened variation 'Mark', associated with the Gospel writer Mark the Evangelist (Μάρκος). There are other variants. Marcus ranks in the top 100 most popular boy names in Australia, Canada, England, Scotland, Sweden, and Wales since the 1990s, as well as, the top 200 most popular boy names in the US since the 1960s.
Marcus developed as a patronymic or toponymic surname in Italy, southern France, and Spain around 1000 A.D., attributable to religious monasteries and sanctuaries named Sanctus Marcus (or its many variants). The surname was used as an identifier for area of origin. The first historical record of the surname was in the year 1390 in Biberach an der Riß, Germany.
Marcus (died 407) was a Roman usurper emperor (406–407) in Roman Britain.
Marcus was a soldier in Roman Britain who was proclaimed Emperor by the army there some time in 406. He may have risen to power as a reaction to the increasing raids from abroad at a time when the Empire was withdrawing troops from its distant provinces like Britain to protect its heartland. There were too few troops capable of defending Britain at the time, as raiders such as the Irish, and records of raiders like Niall of the Nine Hostages show. Local troops, with ties to their home garrisons, are likely to have resisted being redeployed to Italy at a time of such instability in Britain; Marcus' elevation may have been a result of this or some other, unrecorded crisis. It has been conjectured that the revolt in Britain was aimed principally at Stilicho, the Emperor Honorius’s magister militum, who responded by allowing the Vandals and other Germanic tribes to cross the Rhine frontier in December 406.
A madrigal is a secular vocal music composition, usually a partsong, of the Renaissance and early Baroque eras. Traditionally, polyphonic madrigals are unaccompanied; the number of voices varies from two to eight, and most frequently from three to six. It is quite distinct from the Italian Trecento madrigal of the late 13th and 14th centuries, with which it shares only the name.
Madrigals originated in Italy during the 1520s. Unlike many strophic forms of the time, most madrigals were through-composed. In the madrigal, the composer attempted to express the emotion contained in each line, and sometimes individual words, of a celebrated poem.
The madrigal originated in part from the frottola, in part from the resurgence in interest in vernacular Italian poetry, and also from the influence of the French chanson and polyphonic style of the motet as written by the Franco-Flemish composers who had naturalized in Italy during the period. A frottola generally would consist of music set to stanzas of text, while madrigals were through-composed. However, some of the same poems were used for both frottola and madrigals. The poetry of Petrarch in particular shows up in a wide variety of genres.
The Ensemble Madrigal (Moscow) is an early music group. It was formed in 1965 by the Russian composer and harpsichord player Andrey Volkonsky to perform Russian and Western sacred music of the Middle Ages, Renaissance, and Baroque eras.
Its members were featured soloists of the Moscow State Philharmonic Society. In the intervening years, the 12-member group has expanded its repertoire to include a broad range of sacred and secular vocal and instrumental works of the 16th-18th centuries from across Europe. After the emigration of Andrey Volkonsky to the West, the ensemble was directed by the organist Oleg Yanchenko, and since 1993 by the singer Lydia Davydova.
As the name suggests, the ensemble specializes in madrigals and other secular genres of Renaissance and Baroque. The group has recorded more than 30 vinyl disks and has given more than 4000 performances in Russia, Germany, Italy, Belgium, Hungary, Poland, and elsewhere. The Ensemble Madrigal enjoys a permanent relationship with the Tchaikovsky Concert Hall in Moscow.
"Madrigal" is the second episode of the fifth season of the American television drama series Breaking Bad, and the 48th overall episode of the series. Written by series creator Vince Gilligan and directed by Michelle MacLaren, it originally aired on AMC in the United States on July 22, 2012.
In Hanover, Germany, Peter Schuler, an executive for Madrigal Electromotive GmbH the parent company of Los Pollos Hermanos kills himself with a portable defibrillator after local police arrive to question him about his longstanding relationship with Gus Fring (Giancarlo Esposito).
Back in Albuquerque, Jesse (Aaron Paul) panics over the missing ricin cigarette, worried that someone will find it and poison themselves. Walt (Bryan Cranston) hides the vial of ricin behind an electrical outlet cover in his house and creates a fake one, planting it in Jesse's Roomba when he helps search Jesse's house for it. Jesse finds the fake ricin cigarette in his Roomba. Jesse tearfully laments what he believes is his own stupidity and apologizes to Walt for suspecting him of poisoning Brock. Walt and Jesse later meet with Mike (Jonathan Banks), and Walt offers him an equal, three-way partnership in a new meth operation. Mike coldly refuses, explaining that Walt is a dangerous "time bomb."