- published: 20 Mar 2015
- views: 9321
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PIER FRANCESCO CAVALLI (1602-1676)
Missa pro Defunctis, Mottetti sacri e Sonate
================================
(1) Sonata a otto 4:49
(2) Requiem Aeternam 3:57
(3) Kyrie Eleison, Christe Eleison 3:13
(4) Graduale: Requiem Aeternam (gregoriano) 5:01
(5) Tractus: Absolve Domine (gregoriano) 3:08
(6) Dies Irae 14:45
(7) Offertorium: Domine Jesu Christe 3:58
(8) Sonata a quattro 4:42
(9) Sanctus, Benedictus 2:43
(10) Agnus Dei 3:13
(11) Communio: Lux Aeterna (gregoriano) 2:11
(12) Sonata a sei 5:24
(13) Responsorium: Libera Me Domine 6:06
(14) Mottetto a voce sola e b.c.: Cantate Domino et Exultate* 4:16
(15) Mottetto a due voci e b.c.: O bone Jesu, O Jesu amabilis** 5:15
(16) Mottetto a voce sola e b.c.: O Quam Suavis et decora* 4:06
================================
Solisti
Florin Cezar Ouatu** (sopranista)
Roberto Quintarelli** (alto)
Michael Paumgarten (tenore)
Gianluca Buratto (basso)
Yetzabel Arias Fernandez* (soprano)
Cantori Gregoriani (direttore : Fulvio Rampi)
Enrico De Capitani
Giorgio Merli
Alessandro Riganti
Fulvio Rampi
Quoniam (consort di fagotti rinascimentali)
Paolo Tognon : fagotto soprano e fagotto chorista
Claudio Vehr : fagotto contralto
Dante Bernardi : fagotto tenore e fagotto chorista
Ermes Giussani : trombone tenore
Accademia Dià.Pason (consort di viole da gamba)
Cristiano Contadin : viola soprano e basso
Rodney Prada : viola soprano
Rosita Ippolito : viola tenore
Teresina Croce : viola basso
Claudio Gasparoni : violone
Pietro Pasquini: organo
Cristiano Contadin: viola da gamba (continuo nei mottetti)
----------------------------------------------------------
Coro “C. Monteverdi” di Crema
Direttore Bruno Gini
Primo Coro:
Laura Bossi, Elena Garbelli, Mariuccia Morbini (soprano)
Francesca Cella, Florin Cezar Ouatu, Roberto Quintarelli (contralti)
Nelson Contreras, Igor Denti, Michael Paumgarten (tenori)
Fiorenzo Bano, Alberto Dossena, Giampietro Spoldi (bassi)
Secondo Coro:
Mara Fontanella, Manuela Monfredini, Giulia Spoldi (soprani)
Antonella Gallino, Claudia Godi, Simona Feraboli (contralti)
Andrea Canidio, Tarcisio Fossati, Alberto Rocco (tenori)
Gianluca Buratto, Fortunato Marzagalli, Marcello Palmieri (bassi)
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you!
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
Francesco CAVALLI
00:00 Sinfonia (from Il Glasone)
03:29 O quam suavis
07:08 Piante ombrose (from Calisto)
10:22 Verginella io morir vo (from Calisto)
14:06 Canzona 3 (from Musiche sacre)
17:40 Piangeti, occhi dolenti (from Egisto)
25:27 Non è maggior piacere (from La Calisto)
30:21 Restino imbalsamate (from La Calisto)
Maurizio CAZZATI
34:31 Ciaccona
Francesco CAVALLI
38:42 Vieni, vieni in questo seno (from Rosinda)
43:03 Affliggetemi, quai dolenti (from L'Artemisia)
45:59 Che città (from Ormindo)
49:44 Sinfonia (fom Ellogabalo)
52:02 Dammi morte (from L'Artemisia)
55:47 L'alma fiacca svanì (from Didone)
1:00:09 Alle ruine del mio regno adunque (Ecuba's lament from Didone)
LYRICS & INFORMATION:
http://www.ndr.de/orchester_chor/das_alte_werk/programmheft565.pdf
PICTURES:
L'Arpeggiata on Facebook
Arcangelo Corelli (artist unknown)
Nuria Rial © Stéphane Barbier
Giovanni Battista Salvi: Il Sassoferrato (Virgin in prayer)
Artist unknown: Jesus at the wedding
Starsandoceans (deviant art): Burning landscape
Artist unknown: Jesus at Saint Catherine's Monastery at Mount Sinai (detail)
Artemisia Gentileschi: Susanna and the Elders
Bonaventura Lamberti (Il Bolognese): Susanna and the Elders
Abraham Janssens: Hercules kicking Faunus out of Omfale's bed
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: Sculpture (detail)
Angelo von Courten: The Goddess Diana with a Lion (detail)
Giuseppe Cesari: Diana and Acteon
Master of the Fontainebleau School: Huntress Diana
Dante Gabriel Rossetti: Sancta Lilias
George Frederic Watts: Choosing
Vase (artist unknown): Hera suckling Herakles (detail)
Artist unknown: Francesco Cavalli
Ary Scheffer: Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil
Henri de Toulouse-Lautrec: At the Moulin Rouge
Jan van Bylert (Werkstatt): A courtesan pulling a cat's ear
Gerrit van Honthorst: Smiling girl, a courtesan, holding an obscene image (detail)
Jacob Adriaensz Backer: The Hearing
Adriaen van Utrecht: Vanitas
Gustave Courbet: Portrait of the Artist's Sister
William Blake: The Night of Enitharmon's Joy
- published: 01 Mar 2014
- views: 57498
avril 2014
ELENA
Dramma per musica en un prologue et trois actes.
Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Teatro San Cassiano de Venise.
=====================================
Direction musicale Leonardo García Alarcón
Mise en scène Jean-Yves Ruf
Décors Laure Pichat
Costumes Claudia Jenatsch
Lumières Christian Dubet
Assistant à la mise en scène Anaïs de Courson
Assistant musical, clavecin Ariel Rychter
-------------------------------------------------------------------
Erena, Venere Giulia Semenzato (soprano)
Menelao Kangmin Justin Kim (contre-ténor)
Teseo David Szigetvàri (ténor)
Ippolita, Pallade Giuseppina Bridelli (mezzo-soprano)
Peritoo Rodrigo Ferreira (contre-ténor)
Iro Zachary Wilder (ténor)
Menesteo, La Pace Anna Reinhold (mezzo-soprano)
Tindaro, Nettuno Krzysztof Baczyk (basse)
Astianassa, Giunone, Castore Mariana Flores (soprano)
Eurite, La Verita Majdouline Zerari (mezzo-soprano)
Diomede, Creonte Brendan Tuohy (ténor)
Euripilo, La Discordia, Polluce Jake Arditti (contre-ténor)
Antiloco Job Tomé (baryton)
Ensemble Cappella Mediterranea
-------------------------------------------------------------------
CAPPELLA MEDITERRANEA
Orchestre
Viole de gambe / lirone
François Joubert Caillet
Viole de gambe
Margaux Blanchard
Théorbe / archiluth / guitare
Josep Maria Marti Duran
Théorbe / guitare / percussions
Quito Gato
Violone
Éric Mathot
Cornets / Flûtes
Rodrigo Calveyra
Jean-Pierre Canihac
Violons
Anne Millischer
Naomi Burrell
Clavecin / orgue
Ariel Rychter
Clavecin / luth-clavecin
Leonardo García Alarcón
- published: 22 Feb 2015
- views: 6471
L'Arpeggiata - Christina Pluhar
Nuria Rial - soprano
Hana Blažíková – soprano
Christina Pluhar – theorbo
Doron Sherwin – cornetto
Veronika Skuplik – baroque violin
Judith Steenbrink – baroque violin
Lixsania Fernandes- viola da gamba
Rodney Prada – viola da gamba
Josetxu Obregon – baroque cello
Paulina van Laarhoven – lirone
Rüdiger Kurz –violone
Margit Übellacker – psaltery
Eero Palviainen – archlute
Sarah Ridy– baroque harp
Haru Kitamika – organ
Film by: Olivier Simonnet
Camera: Ludovic Plourde & Antoine Planchot
Editing: Damien Duflos de Saint-Amand
Sound: Hugues Deschaux, Mireille Faure
- published: 08 Sep 2015
- views: 5928
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I
Silvia Tro Santafé (Eliogabalo)
Giorgia Milanesi (Alessandro)
Lawrence Zazzo (Giuliano)
Annette Dasch (Flavia Gemmira)
Nuria Rial (Eritea)
Céline Sheen (Atilia)
Mario Zeffiri (Lenia)
Jeffrey Thompson (Zotico)
Sergio Foresti (Nerbulone)
Joao Fernandes (Tiferne)
Mario Zeffiri, Jeffrey Thompson (Due Consoli)
Concerto Vocale
dir. René Jacobs
(es. dal vivo )
- published: 23 May 2011
- views: 19407
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses.
Giasone was the most popular opera of its day, but Francesco Cavalli's masterpiece later sank unjustly into obscurity. Until today. The director Mariame Clément brings this sparkling tragicomedy back to life with Federico Maria Sardelli as musical director.
Venice 1648/1649. Cavalli composed his successful opera Giasone for the carnival celebrations and the first public opera house in the city. It proved to be the single most popular Venetian opera of the 17th century. Audiences simply could not get enough of the amorous escapades of the young hero, Jason. The plot is loosely based on The Voyage of the Argo by Apollonius of Rhodes and is the gripping story of the handsome, mythical figure of Jason (Christophe Dumaux). Together with a group of friends, he sets off on a seemingly impossible mission: to steal the Golden Fleece. However, it soon appears that Jason is not as brave as he always claims to be and that he has a great weakness for feminine beauty. He first falls for the charms of the beautiful, tragic Isifile (Robin Johannsen) and afterwards, in the arms of the mysterious Medea (Katarina Bradić), forgets why he has travelled across the world. Nor is he a heroic and invincible figure, as he needs Medea's magic powers to fulfil his mission; indeed, his love life is a hopeless mess until the two rivals decide to sort things out. Add to this various subplots with admirers, murderous plans, dissenting gods and one stuttering servant and things really start to get out of hand.
Cavalli and his librettist Gicognini have turned this lively subject into a brilliant opera in which comedy, tragedy and fantasy are seamlessly interwoven. Cavalli maintains a sort of anarchy in both the music and the structure of the work. The classical unity of time and place no longer holds. This is the first time that all the social classes are represented in an opera.
- published: 26 Mar 2012
- views: 18482
Salve Regina
Sacred motet for 4 voices (ATTB)
Music: Francesco Cavalli (16021676)
In this recording:
The Choir of Westminster Cathedral,
Stephen Cleobury, conductor
Andrew Wright, organ
Recording Date: June 1982
Score (Ed. Jorge Luis Gaete Calderon):
http://www.cpdl.org/wiki/images/sheet/cava-sal.pdf
Latin Text:
Salve Regina, Mater Misericordiae,
Vita, dulcedo, et spes nostra, Salve!
Ad te clamamus, exsules filii [H]evae,
Ad te suspiramus, gementes et flentes,
In hac lacrimarum valle.
Eja ergo, Advocata nostra,
Illos tuos misericordes oculos ad nos converte
Et Jesum, benedictum fructum ventris tui,
Nobis, post hoc exilium, ostende,
O clemens, O pia, O dulcis Virgo Maria.
- published: 07 Nov 2009
- views: 18679
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a concert that was kindly recorded by the NDR in Hamburg in 2013.
0:00 „Dammi morte“, Oronta’s aria from „L’Artemisia“ (1657)
3:45 Canzon a 3 from „Musiche sacre“ (1656)
9:06 „Restino imbalsamente“, Calisto’s aria from „La Calisto“ (1651)
15:33 „L’Alma fiacca svani“, Cassandra’s aria from „Didone“ (1641)
19:45 „Alle mie ruine“, Ecuba’s Lamento from „Didone“
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
- published: 09 Oct 2013
- views: 26264
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
- published: 03 Sep 2011
- views: 5792
Francesco Cavalli (14 February 1602 – 14 January 1676) was an Italian composer of the early Baroque period. His real name was Pietro Francesco Caletti-Bruni, but he is better known by that of Cavalli, the name of his patron Federico Cavalli, a Venetian nobleman.
Cavalli was born at Crema, Lombardy. He became a singer at St Mark's Basilica in Venice in 1616, second organist in 1639, first organist in 1665, and in 1668 maestro di cappella. He is chiefly remembered for his operas. He began to write for the stage in 1639 (Le nozze di Teti e di Peleo) soon after the first public opera house opened in Venice, the Teatro San Cassiano. He established so great a reputation that he was summoned to Paris from 1660 (he revived his opera Xerse) until 1662, producing his Ercole amante. He died in Venice at the age of 73.
Cavalli was the most influential composer in the rising genre of public opera in mid-17th century Venice. Unlike Monteverdi's early operas, scored for the extravagant court orchestra of Mantua, Cavalli's operas make use of a small orchestra of strings and basso continuo to meet the limitations of public opera houses.
This page contains text from Wikipedia, the Free Encyclopedia -
http://en.wikipedia.org/wiki/Francesco_Cavalli
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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77:06Francesco Cavalli (1602-1676) - Missa pro Defunctis
Francesco Cavalli (1602-1676) - Missa pro DefunctisFrancesco Cavalli (1602-1676) - Missa pro Defunctis
PIER FRANCESCO CAVALLI (1602-1676) Missa pro Defunctis, Mottetti sacri e Sonate ================================ (1) Sonata a otto 4:49 (2) Requiem Aeternam 3:57 (3) Kyrie Eleison, Christe Eleison 3:13 (4) Graduale: Requiem Aeternam (gregoriano) 5:01 (5) Tractus: Absolve Domine (gregoriano) 3:08 (6) Dies Irae 14:45 (7) Offertorium: Domine Jesu Christe 3:58 (8) Sonata a quattro 4:42 (9) Sanctus, Benedictus 2:43 (10) Agnus Dei 3:13 (11) Communio: Lux Aeterna (gregoriano) 2:11 (12) Sonata a sei 5:24 (13) Responsorium: Libera Me Domine 6:06 (14) Mottetto a voce sola e b.c.: Cantate Domino et Exultate* 4:16 (15) Mottetto a due voci e b.c.: O bone Jesu, O Jesu amabilis** 5:15 (16) Mottetto a voce sola e b.c.: O Quam Suavis et decora* 4:06 ================================ Solisti Florin Cezar Ouatu** (sopranista) Roberto Quintarelli** (alto) Michael Paumgarten (tenore) Gianluca Buratto (basso) Yetzabel Arias Fernandez* (soprano) Cantori Gregoriani (direttore : Fulvio Rampi) Enrico De Capitani Giorgio Merli Alessandro Riganti Fulvio Rampi Quoniam (consort di fagotti rinascimentali) Paolo Tognon : fagotto soprano e fagotto chorista Claudio Vehr : fagotto contralto Dante Bernardi : fagotto tenore e fagotto chorista Ermes Giussani : trombone tenore Accademia Dià.Pason (consort di viole da gamba) Cristiano Contadin : viola soprano e basso Rodney Prada : viola soprano Rosita Ippolito : viola tenore Teresina Croce : viola basso Claudio Gasparoni : violone Pietro Pasquini: organo Cristiano Contadin: viola da gamba (continuo nei mottetti) ---------------------------------------------------------- Coro “C. Monteverdi” di Crema Direttore Bruno Gini Primo Coro: Laura Bossi, Elena Garbelli, Mariuccia Morbini (soprano) Francesca Cella, Florin Cezar Ouatu, Roberto Quintarelli (contralti) Nelson Contreras, Igor Denti, Michael Paumgarten (tenori) Fiorenzo Bano, Alberto Dossena, Giampietro Spoldi (bassi) Secondo Coro: Mara Fontanella, Manuela Monfredini, Giulia Spoldi (soprani) Antonella Gallino, Claudia Godi, Simona Feraboli (contralti) Andrea Canidio, Tarcisio Fossati, Alberto Rocco (tenori) Gianluca Buratto, Fortunato Marzagalli, Marcello Palmieri (bassi) -
67:58Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! Núria Rial - Soprano L'Arpeggiata: Christina Pluhar - Direction Veronika Skuplik - Violin Doron Sherwin - Cornetto Margit Übellacker - Psalterion Eero Palviainen - Lute Sarah Ridy - Harp Rodney Prada - Viola da gamba & Lirone Josetxu Obrgegon - Cello David Mayoral - Percussion Haru Kitamika - Harpsichord & Organ Francesco CAVALLI 00:00 Sinfonia (from Il Glasone) 03:29 O quam suavis 07:08 Piante ombrose (from Calisto) 10:22 Verginella io morir vo (from Calisto) 14:06 Canzona 3 (from Musiche sacre) 17:40 Piangeti, occhi dolenti (from Egisto) 25:27 Non è maggior piacere (from La Calisto) 30:21 Restino imbalsamate (from La Calisto) Maurizio CAZZATI 34:31 Ciaccona Francesco CAVALLI 38:42 Vieni, vieni in questo seno (from Rosinda) 43:03 Affliggetemi, quai dolenti (from L'Artemisia) 45:59 Che città (from Ormindo) 49:44 Sinfonia (fom Ellogabalo) 52:02 Dammi morte (from L'Artemisia) 55:47 L'alma fiacca svanì (from Didone) 1:00:09 Alle ruine del mio regno adunque (Ecuba's lament from Didone) LYRICS & INFORMATION: http://www.ndr.de/orchester_chor/das_alte_werk/programmheft565.pdf PICTURES: L'Arpeggiata on Facebook Arcangelo Corelli (artist unknown) Nuria Rial © Stéphane Barbier Giovanni Battista Salvi: Il Sassoferrato (Virgin in prayer) Artist unknown: Jesus at the wedding Starsandoceans (deviant art): Burning landscape Artist unknown: Jesus at Saint Catherine's Monastery at Mount Sinai (detail) Artemisia Gentileschi: Susanna and the Elders Bonaventura Lamberti (Il Bolognese): Susanna and the Elders Abraham Janssens: Hercules kicking Faunus out of Omfale's bed Camille Claudel: L'Âge mûr (detail) Camille Claudel: L'Âge mûr (detail) Camille Claudel: Sculpture (detail) Angelo von Courten: The Goddess Diana with a Lion (detail) Giuseppe Cesari: Diana and Acteon Master of the Fontainebleau School: Huntress Diana Dante Gabriel Rossetti: Sancta Lilias George Frederic Watts: Choosing Vase (artist unknown): Hera suckling Herakles (detail) Artist unknown: Francesco Cavalli Ary Scheffer: Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil Henri de Toulouse-Lautrec: At the Moulin Rouge Jan van Bylert (Werkstatt): A courtesan pulling a cat's ear Gerrit van Honthorst: Smiling girl, a courtesan, holding an obscene image (detail) Jacob Adriaensz Backer: The Hearing Adriaen van Utrecht: Vanitas Gustave Courbet: Portrait of the Artist's Sister William Blake: The Night of Enitharmon's Joy -
177:36Francesco Cavalli - Elena (1659)
Francesco Cavalli - Elena (1659)Francesco Cavalli - Elena (1659)
avril 2014 ELENA Dramma per musica en un prologue et trois actes. Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Teatro San Cassiano de Venise. ===================================== Direction musicale Leonardo García Alarcón Mise en scène Jean-Yves Ruf Décors Laure Pichat Costumes Claudia Jenatsch Lumières Christian Dubet Assistant à la mise en scène Anaïs de Courson Assistant musical, clavecin Ariel Rychter ------------------------------------------------------------------- Erena, Venere Giulia Semenzato (soprano) Menelao Kangmin Justin Kim (contre-ténor) Teseo David Szigetvàri (ténor) Ippolita, Pallade Giuseppina Bridelli (mezzo-soprano) Peritoo Rodrigo Ferreira (contre-ténor) Iro Zachary Wilder (ténor) Menesteo, La Pace Anna Reinhold (mezzo-soprano) Tindaro, Nettuno Krzysztof Baczyk (basse) Astianassa, Giunone, Castore Mariana Flores (soprano) Eurite, La Verita Majdouline Zerari (mezzo-soprano) Diomede, Creonte Brendan Tuohy (ténor) Euripilo, La Discordia, Polluce Jake Arditti (contre-ténor) Antiloco Job Tomé (baryton) Ensemble Cappella Mediterranea ------------------------------------------------------------------- CAPPELLA MEDITERRANEA Orchestre Viole de gambe / lirone François Joubert Caillet Viole de gambe Margaux Blanchard Théorbe / archiluth / guitare Josep Maria Marti Duran Théorbe / guitare / percussions Quito Gato Violone Éric Mathot Cornets / Flûtes Rodrigo Calveyra Jean-Pierre Canihac Violons Anne Millischer Naomi Burrell Clavecin / orgue Ariel Rychter Clavecin / luth-clavecin Leonardo García Alarcón -
5:46Francesco CAVALLI - L'Amore innamorato
Francesco CAVALLI - L'Amore innamoratoFrancesco CAVALLI - L'Amore innamorato
L'Arpeggiata - Christina Pluhar Nuria Rial - soprano Hana Blažíková – soprano Christina Pluhar – theorbo Doron Sherwin – cornetto Veronika Skuplik – baroque violin Judith Steenbrink – baroque violin Lixsania Fernandes- viola da gamba Rodney Prada – viola da gamba Josetxu Obregon – baroque cello Paulina van Laarhoven – lirone Rüdiger Kurz –violone Margit Übellacker – psaltery Eero Palviainen – archlute Sarah Ridy– baroque harp Haru Kitamika – organ Film by: Olivier Simonnet Camera: Ludovic Plourde & Antoine Planchot Editing: Damien Duflos de Saint-Amand Sound: Hugues Deschaux, Mireille Faure -
64:21Francesco Cavalli : Eliogabalo, opera - Atto I
Francesco Cavalli : Eliogabalo, opera - Atto IFrancesco Cavalli : Eliogabalo, opera - Atto I
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I Silvia Tro Santafé (Eliogabalo) Giorgia Milanesi (Alessandro) Lawrence Zazzo (Giuliano) Annette Dasch (Flavia Gemmira) Nuria Rial (Eritea) Céline Sheen (Atilia) Mario Zeffiri (Lenia) Jeffrey Thompson (Zotico) Sergio Foresti (Nerbulone) Joao Fernandes (Tiferne) Mario Zeffiri, Jeffrey Thompson (Due Consoli) Concerto Vocale dir. René Jacobs (es. dal vivo ) -
6:28"IL GIASONE" by FRANCESCO CAVALLI
"IL GIASONE" by FRANCESCO CAVALLI"IL GIASONE" by FRANCESCO CAVALLI
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses. Giasone was the most popular opera of its day, but Francesco Cavalli's masterpiece later sank unjustly into obscurity. Until today. The director Mariame Clément brings this sparkling tragicomedy back to life with Federico Maria Sardelli as musical director. Venice 1648/1649. Cavalli composed his successful opera Giasone for the carnival celebrations and the first public opera house in the city. It proved to be the single most popular Venetian opera of the 17th century. Audiences simply could not get enough of the amorous escapades of the young hero, Jason. The plot is loosely based on The Voyage of the Argo by Apollonius of Rhodes and is the gripping story of the handsome, mythical figure of Jason (Christophe Dumaux). Together with a group of friends, he sets off on a seemingly impossible mission: to steal the Golden Fleece. However, it soon appears that Jason is not as brave as he always claims to be and that he has a great weakness for feminine beauty. He first falls for the charms of the beautiful, tragic Isifile (Robin Johannsen) and afterwards, in the arms of the mysterious Medea (Katarina Bradić), forgets why he has travelled across the world. Nor is he a heroic and invincible figure, as he needs Medea's magic powers to fulfil his mission; indeed, his love life is a hopeless mess until the two rivals decide to sort things out. Add to this various subplots with admirers, murderous plans, dissenting gods and one stuttering servant and things really start to get out of hand. Cavalli and his librettist Gicognini have turned this lively subject into a brilliant opera in which comedy, tragedy and fantasy are seamlessly interwoven. Cavalli maintains a sort of anarchy in both the music and the structure of the work. The classical unity of time and place no longer holds. This is the first time that all the social classes are represented in an opera. -
7:40Cavalli: Salve Regina - Cleobury
Cavalli: Salve Regina - CleoburyCavalli: Salve Regina - Cleobury
Salve Regina Sacred motet for 4 voices (ATTB) Music: Francesco Cavalli (16021676) In this recording: The Choir of Westminster Cathedral, Stephen Cleobury, conductor Andrew Wright, organ Recording Date: June 1982 Score (Ed. Jorge Luis Gaete Calderon): http://www.cpdl.org/wiki/images/sheet/cava-sal.pdf Latin Text: Salve Regina, Mater Misericordiae, Vita, dulcedo, et spes nostra, Salve! Ad te clamamus, exsules filii [H]evae, Ad te suspiramus, gementes et flentes, In hac lacrimarum valle. Eja ergo, Advocata nostra, Illos tuos misericordes oculos ad nos converte Et Jesum, benedictum fructum ventris tui, Nobis, post hoc exilium, ostende, O clemens, O pia, O dulcis Virgo Maria. -
27:04Nuria Rial & L'Arpeggiata - Francesco Cavalli
Nuria Rial & L'Arpeggiata - Francesco CavalliNuria Rial & L'Arpeggiata - Francesco Cavalli
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a concert that was kindly recorded by the NDR in Hamburg in 2013. 0:00 „Dammi morte“, Oronta’s aria from „L’Artemisia“ (1657) 3:45 Canzon a 3 from „Musiche sacre“ (1656) 9:06 „Restino imbalsamente“, Calisto’s aria from „La Calisto“ (1651) 15:33 „L’Alma fiacca svani“, Cassandra’s aria from „Didone“ (1641) 19:45 „Alle mie ruine“, Ecuba’s Lamento from „Didone“ Núria Rial - Soprano L'Arpeggiata: Christina Pluhar - Direction Veronika Skuplik - Violin Doron Sherwin - Cornetto Margit Übellacker - Psalterion Eero Palviainen - Lute Sarah Ridy - Harp Rodney Prada - Viola da gamba & Lirone Josetxu Obrgegon - Cello David Mayoral - Percussion Haru Kitamika - Harpsichord & Organ -
11:42Francesco Cavalli - Nisi Dominus
Francesco Cavalli - Nisi Dominus -
4:37Philippe Jaroussky - O quam suavis (Francesco Cavalli)
Philippe Jaroussky - O quam suavis (Francesco Cavalli)Philippe Jaroussky - O quam suavis (Francesco Cavalli)
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
- Antiphon
- Antonio Cesti
- Artemisia (opera)
- Baroque music
- Basso continuo
- Biblioteca Marciana
- Blessed Virgin Mary
- Ciro
- Claudio Monteverdi
- Crema, Lombardy
- Cristoforo Ivanovich
- Didone (opera)
- Doriclea
- Egisto (opera)
- Elena (opera)
- Eliogabalo
- Ercole amante
- Erismena
- Eritrea (opera)
- Florence
- Francesco Cavalli
- Giasone
- Giovanni Faustini
- Hipermestra
- Jane Glover
- Jean-Baptiste Lully
- Kapellmeister
- La Calisto
- Libretto
- Magnificat
- Manfred Bukofzer
- Mantua
- Milan
- Music of Venice
- Mutio Scevola
- Naples
- Nicolò Minato
- Opera
- Opera house
- Orimonte
- Orione (opera)
- Oristeo
- Ormindo
- Paris
- Piacenza
- Pompeo Magno
- Public domain
- Requiem
- Rosinda
- SATB
- Scipione affricano
- St Mark's Basilica
- Strozzi family
- Teatro San Cassiano
- Teatro San Moisè
- Teatro San Samuele
- The New Yorker
- Tuileries Palace
- Venice
- Veremonda
- Wikipedia Persondata
- Xerse
Francesco Cavalli
ALBUMS
- 5 magnificat and Other Sacred Works released: 2009
- La Calisto (Concerto Vocale feat. conductor: René Jacobs) released: 2003
- Giasone (Concerto Vocale feat. conductor: René Jacobs) released: 2000
- Xerse (Concerto Vocale feat. conductor: René Jacobs) released: 2000
- Ercole amante (English Bach Festival Chorus & Baroque Orchestra feat. conductor: Michel Corboz) released: 1999
- La Didone (Balthasar-Neumann-Ensemble feat. conductor: Thomas Hengelbrock) released: 1998
- BBC Music, Volume 5, Number 3: La Calisto released: 1996
- Vespro della beata Vergine (Concerto Palatino feat. conductor: Bruce Dickey & Charles Toet) released: 1995
- L'Ormindo (I Virtuosi di Roma feat. conductor: Renato Fasano) released: 1995
- Didone Excerpts (soprano: Nella Anfuso, harp: Elenea Polonska) released: 1987
- Messa Concertata released:
5 magnificat and Other Sacred Works
Released 2009- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Canzona
- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Magnificat
- add to main playlist Play in Full Screen Laetatus sum
- add to main playlist Play in Full Screen Canzona
- add to main playlist Play in Full Screen Dixit dominus
La Calisto (Concerto Vocale feat. conductor: René Jacobs)
Released 2003- add to main playlist Play in Full Screen La Calisto: Act III, Scene 1. "Restino imbalsamate"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 2. "Da le sponde"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 2. "Ma si fa gelo il sangue"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 3. "Racconsolata e paga"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 4. "Perfide, ancora osate"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 4. "O re de l'universo"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 4. "Mio foco fatale" / "Beata mi sento"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 5. "Che non l'ami volete?" / Scene 6 / Scene 7. "Ti segua questo dardo"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 7. "Vivo per te pietosa"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 7. "Tanto, dunque, tu m'ami?"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 7. "Dolcissimi baci"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 8. Sinfonia
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 8. "Le stelle più belle"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 8. "Mio tonante" / "Vaga amante"
- add to main playlist Play in Full Screen La Calisto: Act III, Scene 8. Ciacona
Giasone (Concerto Vocale feat. conductor: René Jacobs)
Released 2000- add to main playlist Play in Full Screen Giasone: Sinfonia avanti il Prologo
- add to main playlist Play in Full Screen Giasone: Prologo
- add to main playlist Play in Full Screen Giasone: Act I, Scene 1. (Ercole, Besso)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 2. "Delizie, contenti" (Giasone, Ercole)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 2. "E così prepari alla pugna" (Ercole)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 3. "Se dardo pungente" (Medea)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 4 (Egeo, Medea)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 5. "Fiero amor l'alma tormenta" (Oreste)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 6 (Demo, Oreste)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 7. "Voli il tempo, se sa" (Delfa)
- add to main playlist Play in Full Screen Giasone: Act I, Scenes 8 & 9 (Medea, Delfa, Giasone)
- add to main playlist Play in Full Screen Giasone: Act I, Scenes 10 & 11 (Giasone, Medea, Delfa)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 11. "O mio core" (Medea, Giasone)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 12. "Godi, bella coppia" (Delfa)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 13. "Lassa, che fer degg'io" (Isifile)
- add to main playlist Play in Full Screen Giasone: Act I, Scene 14. Stanza degli incanti di Medea "Dell'antro magico" (Medea, Coro di Spiriti, Volano)
Xerse (Concerto Vocale feat. conductor: René Jacobs)
Released 2000- add to main playlist Play in Full Screen Xerse: Acte II, Scènes 12-14
- add to main playlist Play in Full Screen Xerse: Acte II, Scène 15
- add to main playlist Play in Full Screen Xerse: Acte II, Scène 15a
- add to main playlist Play in Full Screen Xerse: Acte II, Scènes 16-18
- add to main playlist Play in Full Screen Xerse: Acte II, Scènes 19-20
- add to main playlist Play in Full Screen Xerse: Acte III, Scènes 1-4
Ercole amante (English Bach Festival Chorus & Baroque Orchestra feat. conductor: Michel Corboz)
Released 1999- add to main playlist Play in Full Screen Ercole amante: Prologue. Sinfonia
- add to main playlist Play in Full Screen Ercole amante: Prologue. Coro "Qual concorso indonivo" (Coro di Fiumi)
- add to main playlist Play in Full Screen Ercole amante: Prologue. "Ah! che mentre la terra" (Il tevere)
- add to main playlist Play in Full Screen Ercole amante: Prologue. Coro "Ai di lei veri accenti" (Coro di Fiumi)
- add to main playlist Play in Full Screen Ercole amante: Prologue. Sinfonia
- add to main playlist Play in Full Screen Ercole amante: Prologue. "Ed ecco, o Gallia invita" (Cinthia)
- add to main playlist Play in Full Screen Ercole amante: Prologue. Coro "Dopo belliche noie" (Coro di Fiumi)
- add to main playlist Play in Full Screen Ercole amante: Prologue. "E poiché qual dopo guerrieri onori" (Cinthia)
- add to main playlist Play in Full Screen Ercole amante: Prologue. Coro "E veda ogn'un" (Coro di Fiumi)
- add to main playlist Play in Full Screen Ercole amante: Prologue. Coro "O Gallia fortunata!" (Coro di Fiumi)
- add to main playlist Play in Full Screen Ercole amante: Act I. Sinfonia
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 1. "Come si beffa amor" (Ercole)
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 2. "Se Ninfa ai pianti" (Venere)
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 2. "Ogn'impero ha ribelli" (Venere)
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 2. "Fugano a vol" (Ercole, Venere)
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 2. "Infelice e disperato" (Ercole)
- add to main playlist Play in Full Screen Ercole amante: Act I Scene 3. "E vuol dunque Ciprigna (Gionone)
- add to main playlist Play in Full Screen Ercole amante: Act II. Sinfonia
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 1. "Amor ardor più rari" (Hyllo, Jole)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 1. "Pure alfine il rispetto di figlio" (Jole)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 2. "D'amore il foco" (Jole, Hyllo)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 3. "E che cos'è quest'Amore" (Il Paggio)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 4. "Buon dì, gentil fanciullo!" (Licco et il Piaggio)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 5. "Misera; ohimé ch'ascolto?" (Dejanira)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 5. "Ah! fu sempre in Amor" (Licco)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 5. "Ah, Denanira! Dunque tu temi?" (Dejanira)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 6. "Mormorate, fiumicelli" (Pasitea)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 6. Coro
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 7. "Sublime Dea" (Pasitea)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 7. "Zelo dell'onor mio a cui (Gianone)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 7. "Le rugiade più preziose" (Tutti)
- add to main playlist Play in Full Screen Ercole amante: Act II Scene 7. "Vanne e fa breve dimora" (Pasitea)
La Didone (Balthasar-Neumann-Ensemble feat. conductor: Thomas Hengelbrock)
Released 1998- add to main playlist Play in Full Screen La Didone: Prologue (Fortuna)
- add to main playlist Play in Full Screen La Didone: Sinfonia
- add to main playlist Play in Full Screen La Didone: Act I, Scene 1 (Creusa, Enea, Ascanio)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 2 (Cassandra, Pirro, Corebo)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 3 (Cassandra)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 4 (Venere, Enea)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 5 (Enea, Anchise, Ascanio, Creusa)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 6 (Ecuba, Cassandra)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 7 (Sinon)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 8 (Enea, Shade of Creusa)
- add to main playlist Play in Full Screen La Didone: Act I, Scene 9 (Venere, Fortuna)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 1 (Giunone, Eolo)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 2 (Nettuno, Chorus of Mermaids)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 3 (Iarba)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 4 (Didone, Iarba)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 5 (Didone, Anna)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 6 (Venere, Amore)
- add to main playlist Play in Full Screen La Didone: Act II, Scene 7 (Enea, Chorus of Trojans)
BBC Music, Volume 5, Number 3: La Calisto
Released 1996- add to main playlist Play in Full Screen La Calisto: Act I: Del foco fulminato
- add to main playlist Play in Full Screen La Calisto: Act I: Pianto ombrose
- add to main playlist Play in Full Screen La Calisto: Act I: Dunque, che far degg'io
- add to main playlist Play in Full Screen La Calisto: Act I: Non e maggior piacere
- add to main playlist Play in Full Screen La Calisto: Act I: Chi non ti crederebbe
- add to main playlist Play in Full Screen La Calisto: Act I: Improvisi stupore
- add to main playlist Play in Full Screen La Calisto: Act I: Ohime, vedo il mio bene
- add to main playlist Play in Full Screen La Calisto: Act I: Piacere maggiore havere non puo
- add to main playlist Play in Full Screen La Calisto: Act I: Piangete, sospirate, luci dolenti
- add to main playlist Play in Full Screen La Calisto: Act I: Interprete mal buona son
- add to main playlist Play in Full Screen La Calisto: Act I: Ninfa bella
- add to main playlist Play in Full Screen La Calisto: Act I: Numi selvatici
- add to main playlist Play in Full Screen La Calisto: Act II: Lucidissima face
- add to main playlist Play in Full Screen La Calisto: Act II: Candidi corridori
- add to main playlist Play in Full Screen La Calisto: Act II: Da le gelose mie cure
- add to main playlist Play in Full Screen La Calisto: Act II: Scorgate, anco scorgate
- add to main playlist Play in Full Screen La Calisto: Act II: Calisto, anima mia?
- add to main playlist Play in Full Screen La Calisto: Act II: Trar da quelle vaghezze
- add to main playlist Play in Full Screen La Calisto: Act II: Ululi, frema, e strida
- add to main playlist Play in Full Screen La Calisto: Act II: Mercurio, chi disfoga
- add to main playlist Play in Full Screen La Calisto: Act II: Se tu nol credi
- add to main playlist Play in Full Screen La Calisto: Act II: Fermati, o mobile
- add to main playlist Play in Full Screen La Calisto: Act III: Restino imbalsamate
- add to main playlist Play in Full Screen La Calisto: Act III: Da le sponde Tartaree
- add to main playlist Play in Full Screen La Calisto: Act III: Racconsolata e paga
- add to main playlist Play in Full Screen La Calisto: Act III: Bella mia
- add to main playlist Play in Full Screen La Calisto: Act III: Cho non l'ami volete?
- add to main playlist Play in Full Screen La Calisto: Act III: Ti segua questo dardo
- add to main playlist Play in Full Screen La Calisto: Act III: Arciera mia, discendi
Vespro della beata Vergine (Concerto Palatino feat. conductor: Bruce Dickey & Charles Toet)
Released 1995- add to main playlist Play in Full Screen Versus. Deus in adjutorium
- add to main playlist Play in Full Screen Responsorium. Domine ad adjuvandum
- add to main playlist Play in Full Screen Antifona. Maria virgo semper letare
- add to main playlist Play in Full Screen Musiche sacre : Dixit Dominus
- add to main playlist Play in Full Screen Musiche sacre : Canzon a 3
- add to main playlist Play in Full Screen Antifona. O quam pulchra es
- add to main playlist Play in Full Screen Musiche sacre : Laudate pueri
- add to main playlist Play in Full Screen Musiche sacre : Canzon a 4
- add to main playlist Play in Full Screen Antifona. Revertere Sulamitis
- add to main playlist Play in Full Screen Musiche sacre : Laetatus sum
- add to main playlist Play in Full Screen Musiche sacre : Sonata a 6
L'Ormindo (I Virtuosi di Roma feat. conductor: Renato Fasano)
Released 1995- add to main playlist Play in Full Screen L'Ormindo: Atto primo. Introduzione
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Miracolo d'amore"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Cari globi di fiamme"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Di palesar concordi"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Quel che creduto"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "O sagace chi sa"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Huat, hanat, Ista"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Perfidissimo amida"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Ammutolite, tacete"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Verginella infelice"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Mai volli ch'il mio petto"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Se nel sen di giovinetti"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Se mi cinge, se mi stringe"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Eccola appunto"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Fronte di pura luce"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Piante fiorite"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Fortunato mio cor"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Già ch'il ciel non consente"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Se'n viene il re"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "O dell'anima mia"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Da'tuoi voleri il mio voler dipende"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Se del Perù le vene"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Vecchi, vecchi insensati"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Aure trecce inanellate"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Dove, mia bella aurora"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "De'tuoi dolci desiri"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "E' bugiarda colei"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Volevo amar anch'io"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Tendi l'arco al tuo voler"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "No, no, non vo' più amar"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Erisbe amata"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "De'nostri abeti"
- add to main playlist Play in Full Screen L'Ormindo: Atto primo. "Mio core respira"
Didone Excerpts (soprano: Nella Anfuso, harp: Elenea Polonska)
Released 1987- add to main playlist Play in Full Screen La Didone: Atto I, Scena 4. "L'alma fiacca svani"
- add to main playlist Play in Full Screen La Didone: Atto I, Scena 7. "Alle ruine del mio regno adunque"
- add to main playlist Play in Full Screen La Didone: Atto III, Scena 1. "Qual violenza interna"
- add to main playlist Play in Full Screen La Didone: Atto III, Scena 7. "Perfido, disleale"
- add to main playlist Play in Full Screen La Didone: Atto III, Scena 11. "Porgetemi la spada"
Born: 1602-02-14
Died: 1676-01-14
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Francesco Cavalli (1602-1676) - Missa pro Defunctis
PIER FRANCESCO CAVALLI (1602-1676) Missa pro Defunctis, Mottetti sacri e Sonate ================================ (1) Sonata a otto 4:49 (2) Requiem Aeternam 3:57 (3) Kyrie Eleison, Christe Eleison 3:13 (4) Graduale: Requiem Aeternam (gregoriano) 5:01 (5) Tractus: Absolve Domine (gregoriano) 3:08 (6) Dies Irae 14:45 (7) Offertorium: Domine Jesu Christe 3:58 (8) Sonata a quattro 4:42 (9) Sanctus, Benedictus 2:43 (10) Agnus Dei 3:13 (11) Communio: Lux Aeterna (gregoriano) 2:11 (12) Sonata a sei 5:24 (13) Responsorium: Libera Me Domine 6:06 (14) Mottetto a voce sola e b.c.: Cantate Domino et Exultate* 4:16 (15) Mottetto a due voci e b.c.: O bone Jesu, O Jesu amabilis** 5:15 (16) Mottetto a voce sola e b.c.: O Quam Suavis et decora* 4:06 ================================ S... -
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! Núria Rial - Soprano L'Arpeggiata: Christina Pluhar - Direction Veronika Skuplik - Violin Doron Sherwin - Cornetto Margit Übellacker - Psalterion Eero Palviainen - Lute Sarah Ridy - Harp Rodney Prada - Viola da gamba & Lirone Josetxu Obrgegon - Cello David Mayoral - Percussion Haru Kitamika - Harpsichord & Organ Francesco CAVALLI 00:00 Sinfonia (from Il Glasone) 03:29 O quam suavis 07:08 Piante ombrose (from Calisto) 10:22 Verginella io morir vo (from Calisto) 14:06 Canzona 3 (from Musiche sacre) 17:40 Piangeti, occhi dolenti (from Egisto) 25:27 Non è maggior piacere (from... -
Francesco Cavalli - Elena (1659)
avril 2014 ELENA Dramma per musica en un prologue et trois actes. Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Teatro San Cassiano de Venise. ===================================== Direction musicale Leonardo García Alarcón Mise en scène Jean-Yves Ruf Décors Laure Pichat Costumes Claudia Jenatsch Lumières Christian Dubet Assistant à la mise en scène Anaïs de Courson Assistant musical, clavecin Ariel Rychter ------------------------------------------------------------------- Erena, Venere Giulia Semenzato (soprano) Menelao Kangmin Justin Kim (contre-ténor) Teseo David Szigetvàri (ténor) Ippolita, Pallade Giuseppina Bridelli (mezzo-soprano) Peritoo Rodrigo Ferreira (contre-ténor) Iro Zachary Wilder (ténor) Menesteo, La Pace Anna Reinhold (m... -
Francesco CAVALLI - L'Amore innamorato
L'Arpeggiata - Christina Pluhar Nuria Rial - soprano Hana Blažíková – soprano Christina Pluhar – theorbo Doron Sherwin – cornetto Veronika Skuplik – baroque violin Judith Steenbrink – baroque violin Lixsania Fernandes- viola da gamba Rodney Prada – viola da gamba Josetxu Obregon – baroque cello Paulina van Laarhoven – lirone Rüdiger Kurz –violone Margit Übellacker – psaltery Eero Palviainen – archlute Sarah Ridy– baroque harp Haru Kitamika – organ Film by: Olivier Simonnet Camera: Ludovic Plourde & Antoine Planchot Editing: Damien Duflos de Saint-Amand Sound: Hugues Deschaux, Mireille Faure -
Francesco Cavalli : Eliogabalo, opera - Atto I
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I Silvia Tro Santafé (Eliogabalo) Giorgia Milanesi (Alessandro) Lawrence Zazzo (Giuliano) Annette Dasch (Flavia Gemmira) Nuria Rial (Eritea) Céline Sheen (Atilia) Mario Zeffiri (Lenia) Jeffrey Thompson (Zotico) Sergio Foresti (Nerbulone) Joao Fernandes (Tiferne) Mario Zeffiri, Jeffrey Thompson (Due Consoli) Concerto Vocale dir. René Jacobs (es. dal vivo ) -
"IL GIASONE" by FRANCESCO CAVALLI
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses. Giasone was the most popular opera of its day, but Francesco Cavalli's masterpiece later sank unjustly into obscurity. Until today. The director Mariame Clément brings this sparkling tragicomedy back to life with Federico Maria Sardelli as musical director. Venice 1648/1649. Cavalli composed his successful opera Giasone for the carnival celebrations and the first public opera house in th... -
Cavalli: Salve Regina - Cleobury
Salve Regina Sacred motet for 4 voices (ATTB) Music: Francesco Cavalli (16021676) In this recording: The Choir of Westminster Cathedral, Stephen Cleobury, conductor Andrew Wright, organ Recording Date: June 1982 Score (Ed. Jorge Luis Gaete Calderon): http://www.cpdl.org/wiki/images/sheet/cava-sal.pdf Latin Text: Salve Regina, Mater Misericordiae, Vita, dulcedo, et spes nostra, Salve! Ad te clamamus, exsules filii [H]evae, Ad te suspiramus, gementes et flentes, In hac lacrimarum valle. Eja ergo, Advocata nostra, Illos tuos misericordes oculos ad nos converte Et Jesum, benedictum fructum ventris tui, Nobis, post hoc exilium, ostende, O clemens, O pia, O dulcis Virgo Maria. -
Nuria Rial & L'Arpeggiata - Francesco Cavalli
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a concert that was kindly recorded by the NDR in Hamburg in 2013. 0:00 „Dammi morte“, Oronta’s aria from „L’Artemisia“ (1657) 3:45 Canzon a 3 from „Musiche sacre“ (1656) 9:06 „Restino imbalsamente“, Calisto’s aria from „La Calisto“ (1651) 15:33 „L’Alma fiacca svani“, Cassandra’s aria from „Didone“ (1641) 19:45 „Alle mie ruine“, Ecuba’s Lamento from „Didone“ Núria Rial - Soprano L'Arpeggiata: Christina Pluhar - Direction Veronika Skuplik - Violin Doron Sherwin - Cornetto Margit Übellacker - Psalterion Eero Palviainen - Lute Sarah Ridy - Harp Rodney Prada - Viola da gamba & Lirone Josetxu Obrgegon - Cello David Mayoral - Percuss... -
-
Philippe Jaroussky - O quam suavis (Francesco Cavalli)
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
Francesco Cavalli (1602-1676) - Missa pro Defunctis
- Order: Reorder
- Duration: 77:06
- Updated: 20 Mar 2015
- views: 9321
PIER FRANCESCO CAVALLI (1602-1676)
Missa pro Defunctis, Mottetti sacri e Sonate
================================
(1) Sonata a otto 4:49
(2) Requiem Aeterna...
PIER FRANCESCO CAVALLI (1602-1676)
Missa pro Defunctis, Mottetti sacri e Sonate
================================
(1) Sonata a otto 4:49
(2) Requiem Aeternam 3:57
(3) Kyrie Eleison, Christe Eleison 3:13
(4) Graduale: Requiem Aeternam (gregoriano) 5:01
(5) Tractus: Absolve Domine (gregoriano) 3:08
(6) Dies Irae 14:45
(7) Offertorium: Domine Jesu Christe 3:58
(8) Sonata a quattro 4:42
(9) Sanctus, Benedictus 2:43
(10) Agnus Dei 3:13
(11) Communio: Lux Aeterna (gregoriano) 2:11
(12) Sonata a sei 5:24
(13) Responsorium: Libera Me Domine 6:06
(14) Mottetto a voce sola e b.c.: Cantate Domino et Exultate* 4:16
(15) Mottetto a due voci e b.c.: O bone Jesu, O Jesu amabilis** 5:15
(16) Mottetto a voce sola e b.c.: O Quam Suavis et decora* 4:06
================================
Solisti
Florin Cezar Ouatu** (sopranista)
Roberto Quintarelli** (alto)
Michael Paumgarten (tenore)
Gianluca Buratto (basso)
Yetzabel Arias Fernandez* (soprano)
Cantori Gregoriani (direttore : Fulvio Rampi)
Enrico De Capitani
Giorgio Merli
Alessandro Riganti
Fulvio Rampi
Quoniam (consort di fagotti rinascimentali)
Paolo Tognon : fagotto soprano e fagotto chorista
Claudio Vehr : fagotto contralto
Dante Bernardi : fagotto tenore e fagotto chorista
Ermes Giussani : trombone tenore
Accademia Dià.Pason (consort di viole da gamba)
Cristiano Contadin : viola soprano e basso
Rodney Prada : viola soprano
Rosita Ippolito : viola tenore
Teresina Croce : viola basso
Claudio Gasparoni : violone
Pietro Pasquini: organo
Cristiano Contadin: viola da gamba (continuo nei mottetti)
----------------------------------------------------------
Coro “C. Monteverdi” di Crema
Direttore Bruno Gini
Primo Coro:
Laura Bossi, Elena Garbelli, Mariuccia Morbini (soprano)
Francesca Cella, Florin Cezar Ouatu, Roberto Quintarelli (contralti)
Nelson Contreras, Igor Denti, Michael Paumgarten (tenori)
Fiorenzo Bano, Alberto Dossena, Giampietro Spoldi (bassi)
Secondo Coro:
Mara Fontanella, Manuela Monfredini, Giulia Spoldi (soprani)
Antonella Gallino, Claudia Godi, Simona Feraboli (contralti)
Andrea Canidio, Tarcisio Fossati, Alberto Rocco (tenori)
Gianluca Buratto, Fortunato Marzagalli, Marcello Palmieri (bassi)
wn.com/Francesco Cavalli (1602 1676) Missa Pro Defunctis
PIER FRANCESCO CAVALLI (1602-1676)
Missa pro Defunctis, Mottetti sacri e Sonate
================================
(1) Sonata a otto 4:49
(2) Requiem Aeternam 3:57
(3) Kyrie Eleison, Christe Eleison 3:13
(4) Graduale: Requiem Aeternam (gregoriano) 5:01
(5) Tractus: Absolve Domine (gregoriano) 3:08
(6) Dies Irae 14:45
(7) Offertorium: Domine Jesu Christe 3:58
(8) Sonata a quattro 4:42
(9) Sanctus, Benedictus 2:43
(10) Agnus Dei 3:13
(11) Communio: Lux Aeterna (gregoriano) 2:11
(12) Sonata a sei 5:24
(13) Responsorium: Libera Me Domine 6:06
(14) Mottetto a voce sola e b.c.: Cantate Domino et Exultate* 4:16
(15) Mottetto a due voci e b.c.: O bone Jesu, O Jesu amabilis** 5:15
(16) Mottetto a voce sola e b.c.: O Quam Suavis et decora* 4:06
================================
Solisti
Florin Cezar Ouatu** (sopranista)
Roberto Quintarelli** (alto)
Michael Paumgarten (tenore)
Gianluca Buratto (basso)
Yetzabel Arias Fernandez* (soprano)
Cantori Gregoriani (direttore : Fulvio Rampi)
Enrico De Capitani
Giorgio Merli
Alessandro Riganti
Fulvio Rampi
Quoniam (consort di fagotti rinascimentali)
Paolo Tognon : fagotto soprano e fagotto chorista
Claudio Vehr : fagotto contralto
Dante Bernardi : fagotto tenore e fagotto chorista
Ermes Giussani : trombone tenore
Accademia Dià.Pason (consort di viole da gamba)
Cristiano Contadin : viola soprano e basso
Rodney Prada : viola soprano
Rosita Ippolito : viola tenore
Teresina Croce : viola basso
Claudio Gasparoni : violone
Pietro Pasquini: organo
Cristiano Contadin: viola da gamba (continuo nei mottetti)
----------------------------------------------------------
Coro “C. Monteverdi” di Crema
Direttore Bruno Gini
Primo Coro:
Laura Bossi, Elena Garbelli, Mariuccia Morbini (soprano)
Francesca Cella, Florin Cezar Ouatu, Roberto Quintarelli (contralti)
Nelson Contreras, Igor Denti, Michael Paumgarten (tenori)
Fiorenzo Bano, Alberto Dossena, Giampietro Spoldi (bassi)
Secondo Coro:
Mara Fontanella, Manuela Monfredini, Giulia Spoldi (soprani)
Antonella Gallino, Claudia Godi, Simona Feraboli (contralti)
Andrea Canidio, Tarcisio Fossati, Alberto Rocco (tenori)
Gianluca Buratto, Fortunato Marzagalli, Marcello Palmieri (bassi)
- published: 20 Mar 2015
- views: 9321
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
- Order: Reorder
- Duration: 67:58
- Updated: 01 Mar 2014
- views: 57498
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please co...
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you!
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
Francesco CAVALLI
00:00 Sinfonia (from Il Glasone)
03:29 O quam suavis
07:08 Piante ombrose (from Calisto)
10:22 Verginella io morir vo (from Calisto)
14:06 Canzona 3 (from Musiche sacre)
17:40 Piangeti, occhi dolenti (from Egisto)
25:27 Non è maggior piacere (from La Calisto)
30:21 Restino imbalsamate (from La Calisto)
Maurizio CAZZATI
34:31 Ciaccona
Francesco CAVALLI
38:42 Vieni, vieni in questo seno (from Rosinda)
43:03 Affliggetemi, quai dolenti (from L'Artemisia)
45:59 Che città (from Ormindo)
49:44 Sinfonia (fom Ellogabalo)
52:02 Dammi morte (from L'Artemisia)
55:47 L'alma fiacca svanì (from Didone)
1:00:09 Alle ruine del mio regno adunque (Ecuba's lament from Didone)
LYRICS & INFORMATION:
http://www.ndr.de/orchester_chor/das_alte_werk/programmheft565.pdf
PICTURES:
L'Arpeggiata on Facebook
Arcangelo Corelli (artist unknown)
Nuria Rial © Stéphane Barbier
Giovanni Battista Salvi: Il Sassoferrato (Virgin in prayer)
Artist unknown: Jesus at the wedding
Starsandoceans (deviant art): Burning landscape
Artist unknown: Jesus at Saint Catherine's Monastery at Mount Sinai (detail)
Artemisia Gentileschi: Susanna and the Elders
Bonaventura Lamberti (Il Bolognese): Susanna and the Elders
Abraham Janssens: Hercules kicking Faunus out of Omfale's bed
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: Sculpture (detail)
Angelo von Courten: The Goddess Diana with a Lion (detail)
Giuseppe Cesari: Diana and Acteon
Master of the Fontainebleau School: Huntress Diana
Dante Gabriel Rossetti: Sancta Lilias
George Frederic Watts: Choosing
Vase (artist unknown): Hera suckling Herakles (detail)
Artist unknown: Francesco Cavalli
Ary Scheffer: Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil
Henri de Toulouse-Lautrec: At the Moulin Rouge
Jan van Bylert (Werkstatt): A courtesan pulling a cat's ear
Gerrit van Honthorst: Smiling girl, a courtesan, holding an obscene image (detail)
Jacob Adriaensz Backer: The Hearing
Adriaen van Utrecht: Vanitas
Gustave Courbet: Portrait of the Artist's Sister
William Blake: The Night of Enitharmon's Joy
wn.com/Nuria Rial L'Arpeggiata Francesco Cavalli (Live)
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you!
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
Francesco CAVALLI
00:00 Sinfonia (from Il Glasone)
03:29 O quam suavis
07:08 Piante ombrose (from Calisto)
10:22 Verginella io morir vo (from Calisto)
14:06 Canzona 3 (from Musiche sacre)
17:40 Piangeti, occhi dolenti (from Egisto)
25:27 Non è maggior piacere (from La Calisto)
30:21 Restino imbalsamate (from La Calisto)
Maurizio CAZZATI
34:31 Ciaccona
Francesco CAVALLI
38:42 Vieni, vieni in questo seno (from Rosinda)
43:03 Affliggetemi, quai dolenti (from L'Artemisia)
45:59 Che città (from Ormindo)
49:44 Sinfonia (fom Ellogabalo)
52:02 Dammi morte (from L'Artemisia)
55:47 L'alma fiacca svanì (from Didone)
1:00:09 Alle ruine del mio regno adunque (Ecuba's lament from Didone)
LYRICS & INFORMATION:
http://www.ndr.de/orchester_chor/das_alte_werk/programmheft565.pdf
PICTURES:
L'Arpeggiata on Facebook
Arcangelo Corelli (artist unknown)
Nuria Rial © Stéphane Barbier
Giovanni Battista Salvi: Il Sassoferrato (Virgin in prayer)
Artist unknown: Jesus at the wedding
Starsandoceans (deviant art): Burning landscape
Artist unknown: Jesus at Saint Catherine's Monastery at Mount Sinai (detail)
Artemisia Gentileschi: Susanna and the Elders
Bonaventura Lamberti (Il Bolognese): Susanna and the Elders
Abraham Janssens: Hercules kicking Faunus out of Omfale's bed
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: L'Âge mûr (detail)
Camille Claudel: Sculpture (detail)
Angelo von Courten: The Goddess Diana with a Lion (detail)
Giuseppe Cesari: Diana and Acteon
Master of the Fontainebleau School: Huntress Diana
Dante Gabriel Rossetti: Sancta Lilias
George Frederic Watts: Choosing
Vase (artist unknown): Hera suckling Herakles (detail)
Artist unknown: Francesco Cavalli
Ary Scheffer: Francesca da Rimini and Paolo Malatesta appraised by Dante and Virgil
Henri de Toulouse-Lautrec: At the Moulin Rouge
Jan van Bylert (Werkstatt): A courtesan pulling a cat's ear
Gerrit van Honthorst: Smiling girl, a courtesan, holding an obscene image (detail)
Jacob Adriaensz Backer: The Hearing
Adriaen van Utrecht: Vanitas
Gustave Courbet: Portrait of the Artist's Sister
William Blake: The Night of Enitharmon's Joy
- published: 01 Mar 2014
- views: 57498
Francesco Cavalli - Elena (1659)
- Order: Reorder
- Duration: 177:36
- Updated: 22 Feb 2015
- views: 6471
avril 2014
ELENA
Dramma per musica en un prologue et trois actes.
Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Tea...
avril 2014
ELENA
Dramma per musica en un prologue et trois actes.
Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Teatro San Cassiano de Venise.
=====================================
Direction musicale Leonardo García Alarcón
Mise en scène Jean-Yves Ruf
Décors Laure Pichat
Costumes Claudia Jenatsch
Lumières Christian Dubet
Assistant à la mise en scène Anaïs de Courson
Assistant musical, clavecin Ariel Rychter
-------------------------------------------------------------------
Erena, Venere Giulia Semenzato (soprano)
Menelao Kangmin Justin Kim (contre-ténor)
Teseo David Szigetvàri (ténor)
Ippolita, Pallade Giuseppina Bridelli (mezzo-soprano)
Peritoo Rodrigo Ferreira (contre-ténor)
Iro Zachary Wilder (ténor)
Menesteo, La Pace Anna Reinhold (mezzo-soprano)
Tindaro, Nettuno Krzysztof Baczyk (basse)
Astianassa, Giunone, Castore Mariana Flores (soprano)
Eurite, La Verita Majdouline Zerari (mezzo-soprano)
Diomede, Creonte Brendan Tuohy (ténor)
Euripilo, La Discordia, Polluce Jake Arditti (contre-ténor)
Antiloco Job Tomé (baryton)
Ensemble Cappella Mediterranea
-------------------------------------------------------------------
CAPPELLA MEDITERRANEA
Orchestre
Viole de gambe / lirone
François Joubert Caillet
Viole de gambe
Margaux Blanchard
Théorbe / archiluth / guitare
Josep Maria Marti Duran
Théorbe / guitare / percussions
Quito Gato
Violone
Éric Mathot
Cornets / Flûtes
Rodrigo Calveyra
Jean-Pierre Canihac
Violons
Anne Millischer
Naomi Burrell
Clavecin / orgue
Ariel Rychter
Clavecin / luth-clavecin
Leonardo García Alarcón
wn.com/Francesco Cavalli Elena (1659)
avril 2014
ELENA
Dramma per musica en un prologue et trois actes.
Livret de Nicolò Minato sur un argument de Giovanni Faustini. Créé le 26 décembre 1659 au Teatro San Cassiano de Venise.
=====================================
Direction musicale Leonardo García Alarcón
Mise en scène Jean-Yves Ruf
Décors Laure Pichat
Costumes Claudia Jenatsch
Lumières Christian Dubet
Assistant à la mise en scène Anaïs de Courson
Assistant musical, clavecin Ariel Rychter
-------------------------------------------------------------------
Erena, Venere Giulia Semenzato (soprano)
Menelao Kangmin Justin Kim (contre-ténor)
Teseo David Szigetvàri (ténor)
Ippolita, Pallade Giuseppina Bridelli (mezzo-soprano)
Peritoo Rodrigo Ferreira (contre-ténor)
Iro Zachary Wilder (ténor)
Menesteo, La Pace Anna Reinhold (mezzo-soprano)
Tindaro, Nettuno Krzysztof Baczyk (basse)
Astianassa, Giunone, Castore Mariana Flores (soprano)
Eurite, La Verita Majdouline Zerari (mezzo-soprano)
Diomede, Creonte Brendan Tuohy (ténor)
Euripilo, La Discordia, Polluce Jake Arditti (contre-ténor)
Antiloco Job Tomé (baryton)
Ensemble Cappella Mediterranea
-------------------------------------------------------------------
CAPPELLA MEDITERRANEA
Orchestre
Viole de gambe / lirone
François Joubert Caillet
Viole de gambe
Margaux Blanchard
Théorbe / archiluth / guitare
Josep Maria Marti Duran
Théorbe / guitare / percussions
Quito Gato
Violone
Éric Mathot
Cornets / Flûtes
Rodrigo Calveyra
Jean-Pierre Canihac
Violons
Anne Millischer
Naomi Burrell
Clavecin / orgue
Ariel Rychter
Clavecin / luth-clavecin
Leonardo García Alarcón
- published: 22 Feb 2015
- views: 6471
Francesco CAVALLI - L'Amore innamorato
- Order: Reorder
- Duration: 5:46
- Updated: 08 Sep 2015
- views: 5928
L'Arpeggiata - Christina Pluhar
Nuria Rial - soprano
Hana Blažíková – soprano
Christina Pluhar – theorbo
Doron Sherwin – cornetto
Veronika Skuplik – baroque v...
L'Arpeggiata - Christina Pluhar
Nuria Rial - soprano
Hana Blažíková – soprano
Christina Pluhar – theorbo
Doron Sherwin – cornetto
Veronika Skuplik – baroque violin
Judith Steenbrink – baroque violin
Lixsania Fernandes- viola da gamba
Rodney Prada – viola da gamba
Josetxu Obregon – baroque cello
Paulina van Laarhoven – lirone
Rüdiger Kurz –violone
Margit Übellacker – psaltery
Eero Palviainen – archlute
Sarah Ridy– baroque harp
Haru Kitamika – organ
Film by: Olivier Simonnet
Camera: Ludovic Plourde & Antoine Planchot
Editing: Damien Duflos de Saint-Amand
Sound: Hugues Deschaux, Mireille Faure
wn.com/Francesco Cavalli L'Amore Innamorato
L'Arpeggiata - Christina Pluhar
Nuria Rial - soprano
Hana Blažíková – soprano
Christina Pluhar – theorbo
Doron Sherwin – cornetto
Veronika Skuplik – baroque violin
Judith Steenbrink – baroque violin
Lixsania Fernandes- viola da gamba
Rodney Prada – viola da gamba
Josetxu Obregon – baroque cello
Paulina van Laarhoven – lirone
Rüdiger Kurz –violone
Margit Übellacker – psaltery
Eero Palviainen – archlute
Sarah Ridy– baroque harp
Haru Kitamika – organ
Film by: Olivier Simonnet
Camera: Ludovic Plourde & Antoine Planchot
Editing: Damien Duflos de Saint-Amand
Sound: Hugues Deschaux, Mireille Faure
- published: 08 Sep 2015
- views: 5928
Francesco Cavalli : Eliogabalo, opera - Atto I
- Order: Reorder
- Duration: 64:21
- Updated: 23 May 2011
- views: 19407
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I
Silvia Tro Santafé (Eliogabalo)
Giorgia Milanesi (Alessandro)
Lawrence Zazzo (Giuliano)
Annette ...
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I
Silvia Tro Santafé (Eliogabalo)
Giorgia Milanesi (Alessandro)
Lawrence Zazzo (Giuliano)
Annette Dasch (Flavia Gemmira)
Nuria Rial (Eritea)
Céline Sheen (Atilia)
Mario Zeffiri (Lenia)
Jeffrey Thompson (Zotico)
Sergio Foresti (Nerbulone)
Joao Fernandes (Tiferne)
Mario Zeffiri, Jeffrey Thompson (Due Consoli)
Concerto Vocale
dir. René Jacobs
(es. dal vivo )
wn.com/Francesco Cavalli Eliogabalo, Opera Atto I
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I
Silvia Tro Santafé (Eliogabalo)
Giorgia Milanesi (Alessandro)
Lawrence Zazzo (Giuliano)
Annette Dasch (Flavia Gemmira)
Nuria Rial (Eritea)
Céline Sheen (Atilia)
Mario Zeffiri (Lenia)
Jeffrey Thompson (Zotico)
Sergio Foresti (Nerbulone)
Joao Fernandes (Tiferne)
Mario Zeffiri, Jeffrey Thompson (Due Consoli)
Concerto Vocale
dir. René Jacobs
(es. dal vivo )
- published: 23 May 2011
- views: 19407
"IL GIASONE" by FRANCESCO CAVALLI
- Order: Reorder
- Duration: 6:28
- Updated: 26 Mar 2012
- views: 18482
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and condu...
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses.
Giasone was the most popular opera of its day, but Francesco Cavalli's masterpiece later sank unjustly into obscurity. Until today. The director Mariame Clément brings this sparkling tragicomedy back to life with Federico Maria Sardelli as musical director.
Venice 1648/1649. Cavalli composed his successful opera Giasone for the carnival celebrations and the first public opera house in the city. It proved to be the single most popular Venetian opera of the 17th century. Audiences simply could not get enough of the amorous escapades of the young hero, Jason. The plot is loosely based on The Voyage of the Argo by Apollonius of Rhodes and is the gripping story of the handsome, mythical figure of Jason (Christophe Dumaux). Together with a group of friends, he sets off on a seemingly impossible mission: to steal the Golden Fleece. However, it soon appears that Jason is not as brave as he always claims to be and that he has a great weakness for feminine beauty. He first falls for the charms of the beautiful, tragic Isifile (Robin Johannsen) and afterwards, in the arms of the mysterious Medea (Katarina Bradić), forgets why he has travelled across the world. Nor is he a heroic and invincible figure, as he needs Medea's magic powers to fulfil his mission; indeed, his love life is a hopeless mess until the two rivals decide to sort things out. Add to this various subplots with admirers, murderous plans, dissenting gods and one stuttering servant and things really start to get out of hand.
Cavalli and his librettist Gicognini have turned this lively subject into a brilliant opera in which comedy, tragedy and fantasy are seamlessly interwoven. Cavalli maintains a sort of anarchy in both the music and the structure of the work. The classical unity of time and place no longer holds. This is the first time that all the social classes are represented in an opera.
wn.com/Il Giasone By Francesco Cavalli
This new world premiere recording on DVD and Bluray is featuring the promising star Christophe Dumaux in the role of Giasone and has been orchestrated and conducted by the internationally reputed baroque specialist Federico Maria Sardelli. It is directed by the young Frenchwoman Mariame Clément, who is currently making a name for herself with her infectious directing in German and French opera houses.
Giasone was the most popular opera of its day, but Francesco Cavalli's masterpiece later sank unjustly into obscurity. Until today. The director Mariame Clément brings this sparkling tragicomedy back to life with Federico Maria Sardelli as musical director.
Venice 1648/1649. Cavalli composed his successful opera Giasone for the carnival celebrations and the first public opera house in the city. It proved to be the single most popular Venetian opera of the 17th century. Audiences simply could not get enough of the amorous escapades of the young hero, Jason. The plot is loosely based on The Voyage of the Argo by Apollonius of Rhodes and is the gripping story of the handsome, mythical figure of Jason (Christophe Dumaux). Together with a group of friends, he sets off on a seemingly impossible mission: to steal the Golden Fleece. However, it soon appears that Jason is not as brave as he always claims to be and that he has a great weakness for feminine beauty. He first falls for the charms of the beautiful, tragic Isifile (Robin Johannsen) and afterwards, in the arms of the mysterious Medea (Katarina Bradić), forgets why he has travelled across the world. Nor is he a heroic and invincible figure, as he needs Medea's magic powers to fulfil his mission; indeed, his love life is a hopeless mess until the two rivals decide to sort things out. Add to this various subplots with admirers, murderous plans, dissenting gods and one stuttering servant and things really start to get out of hand.
Cavalli and his librettist Gicognini have turned this lively subject into a brilliant opera in which comedy, tragedy and fantasy are seamlessly interwoven. Cavalli maintains a sort of anarchy in both the music and the structure of the work. The classical unity of time and place no longer holds. This is the first time that all the social classes are represented in an opera.
- published: 26 Mar 2012
- views: 18482
Cavalli: Salve Regina - Cleobury
- Order: Reorder
- Duration: 7:40
- Updated: 07 Nov 2009
- views: 18679
Salve Regina
Sacred motet for 4 voices (ATTB)
Music: Francesco Cavalli (16021676)
In this recording:
The Choir of Westminster Cathedral,
Stephen Cl...
Salve Regina
Sacred motet for 4 voices (ATTB)
Music: Francesco Cavalli (16021676)
In this recording:
The Choir of Westminster Cathedral,
Stephen Cleobury, conductor
Andrew Wright, organ
Recording Date: June 1982
Score (Ed. Jorge Luis Gaete Calderon):
http://www.cpdl.org/wiki/images/sheet/cava-sal.pdf
Latin Text:
Salve Regina, Mater Misericordiae,
Vita, dulcedo, et spes nostra, Salve!
Ad te clamamus, exsules filii [H]evae,
Ad te suspiramus, gementes et flentes,
In hac lacrimarum valle.
Eja ergo, Advocata nostra,
Illos tuos misericordes oculos ad nos converte
Et Jesum, benedictum fructum ventris tui,
Nobis, post hoc exilium, ostende,
O clemens, O pia, O dulcis Virgo Maria.
wn.com/Cavalli Salve Regina Cleobury
Salve Regina
Sacred motet for 4 voices (ATTB)
Music: Francesco Cavalli (16021676)
In this recording:
The Choir of Westminster Cathedral,
Stephen Cleobury, conductor
Andrew Wright, organ
Recording Date: June 1982
Score (Ed. Jorge Luis Gaete Calderon):
http://www.cpdl.org/wiki/images/sheet/cava-sal.pdf
Latin Text:
Salve Regina, Mater Misericordiae,
Vita, dulcedo, et spes nostra, Salve!
Ad te clamamus, exsules filii [H]evae,
Ad te suspiramus, gementes et flentes,
In hac lacrimarum valle.
Eja ergo, Advocata nostra,
Illos tuos misericordes oculos ad nos converte
Et Jesum, benedictum fructum ventris tui,
Nobis, post hoc exilium, ostende,
O clemens, O pia, O dulcis Virgo Maria.
- published: 07 Nov 2009
- views: 18679
Nuria Rial & L'Arpeggiata - Francesco Cavalli
- Order: Reorder
- Duration: 27:04
- Updated: 09 Oct 2013
- views: 26264
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a ...
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a concert that was kindly recorded by the NDR in Hamburg in 2013.
0:00 „Dammi morte“, Oronta’s aria from „L’Artemisia“ (1657)
3:45 Canzon a 3 from „Musiche sacre“ (1656)
9:06 „Restino imbalsamente“, Calisto’s aria from „La Calisto“ (1651)
15:33 „L’Alma fiacca svani“, Cassandra’s aria from „Didone“ (1641)
19:45 „Alle mie ruine“, Ecuba’s Lamento from „Didone“
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
wn.com/Nuria Rial L'Arpeggiata Francesco Cavalli
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact me, and I will remove it immediately. Thank you! *** Excerpts from a concert that was kindly recorded by the NDR in Hamburg in 2013.
0:00 „Dammi morte“, Oronta’s aria from „L’Artemisia“ (1657)
3:45 Canzon a 3 from „Musiche sacre“ (1656)
9:06 „Restino imbalsamente“, Calisto’s aria from „La Calisto“ (1651)
15:33 „L’Alma fiacca svani“, Cassandra’s aria from „Didone“ (1641)
19:45 „Alle mie ruine“, Ecuba’s Lamento from „Didone“
Núria Rial - Soprano
L'Arpeggiata: Christina Pluhar - Direction
Veronika Skuplik - Violin
Doron Sherwin - Cornetto
Margit Übellacker - Psalterion
Eero Palviainen - Lute
Sarah Ridy - Harp
Rodney Prada - Viola da gamba & Lirone
Josetxu Obrgegon - Cello
David Mayoral - Percussion
Haru Kitamika - Harpsichord & Organ
- published: 09 Oct 2013
- views: 26264
Francesco Cavalli - Nisi Dominus
- Order: Reorder
- Duration: 11:42
- Updated: 20 Oct 2014
- views: 960
Philippe Jaroussky - O quam suavis (Francesco Cavalli)
- Order: Reorder
- Duration: 4:37
- Updated: 03 Sep 2011
- views: 5792
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
wn.com/Philippe Jaroussky O Quam Suavis (Francesco Cavalli)
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
- published: 03 Sep 2011
- views: 5792
-
ELENA - Opera by Francesco CAVALLI (1602-1676) - Official DVD Trailer
Buy the 2 DVDs here: http://www.outhere-music.com/en/albums/elena-ric-346 Recorded live during the Aix-en-Provence Festival in July 2013, Cavalli's Elena had not been performed for more than 350 years. The international press hailed this rediscovery as one of the major events on the lyric scene. With Jean-Yves Ruf 's imaginative staging, served by an exceptional cast made up of young singers brought together by the Academy of the Aix Festival, this work is also sublimated by the talent of the instrumentalists of the Cappella Mediterranea and the theatrical talent of Leonardo García Alarcón. Elena relates the first adventures of Helen, the most beautiful woman in the world, coveted by numerous men including Menelaus, who disguises himself as an Amazon to approach her, and Theseus, who abdu... -
Francesco Cavalli - Ave Regina Coelorum (Il Seminario Musicale, live 2004)
Francesco Cavalli, 1602 - 1676 Il Seminario Musicale, dir. Gérard Lesne (sorry, I don't have enough information about the concert. ) -
Nuria Rial & L'Arpeggiata Francesco Cavalli live Canzona 3 from Musiche sacre
Description -
Nuria Rial & L'Arpeggiata Francesco Cavalli live Piante ombrose from Calisto
Description -
Arie antiche - Delizie contente - Francesco Cavalli-Alessio Nicolavcich Gioitti video live 2010
Arie antiche Delizie contente Francesco Cavalli Alessio Nicolavcich Gioitti video live 2010 -
Francesco Cavalli, scene of Linfea and Satirino from "La Calisto"
Philippe Jaroussky and Marie-Nicole lemieux Scene of Linfea and Satirino from "La Calisto" by Francesco Cavalli English translation: Fair Nymph, why speak you of a husband? If my appearance pleases you, press me to your breast, in your arms, everything I have I offer you. May Fate preserve me from ever having so rough a husband in my bed! These soft hairs that cover me are tender down and not a prickly mane. A silly fleece does not yet darken my chin. And upon my undefiled cheeks smiling privets are picked with blooming roses; and my mouth , full of honeycomb will pour nectar for you. Depraved wild creature, I see you as you are, there is no need to depict or to beautify yourself. You were certainly born of a she-goat, so go and love goats and live with them. My origins are half divi... -
magzine.it live from #ijf14 - Intervista a Francesco Cavalli
Intervista a Francesco Cavalli, giornalista e co-fondatore del Premio Ilaria Alpi. di Martina Carnovale, Laura Molinari (www.magzine.it)
ELENA - Opera by Francesco CAVALLI (1602-1676) - Official DVD Trailer
- Order: Reorder
- Duration: 3:26
- Updated: 02 Jun 2014
- views: 6242
Buy the 2 DVDs here: http://www.outhere-music.com/en/albums/elena-ric-346
Recorded live during the Aix-en-Provence Festival in July 2013, Cavalli's Elena had n...
Buy the 2 DVDs here: http://www.outhere-music.com/en/albums/elena-ric-346
Recorded live during the Aix-en-Provence Festival in July 2013, Cavalli's Elena had not been performed for more than 350 years. The international press hailed this rediscovery as one of the major events on the lyric scene. With Jean-Yves Ruf 's imaginative staging, served by an exceptional cast made up of young singers brought together by the Academy of the Aix Festival, this work is also sublimated by the talent of the instrumentalists of the Cappella Mediterranea and the theatrical talent of Leonardo García Alarcón. Elena relates the first adventures of Helen, the most beautiful woman in the world, coveted by numerous men including Menelaus, who disguises himself as an Amazon to approach her, and Theseus, who abducts her and tries to seduce her to the great displeasure of his legitimate fiancée, Hippolyta. Numerous colourful or tragic characters come to complicate the situations in this mythological farce.
Elena,Venere: Emöke Baráth
Menelao: Valer Barna-Sabadus
Teseo: Fernando Guimarães
Ippolita, Pallade: Solenn' Lavanant Linke
Peritoo: Rodrigo Ferreira
Iro: Emiliano Gonzalez Toro
Menesteo, La Pace: Anna Reinhold
Tindaro, Nettuno: Scott Conner
Erginda, Giunone, Castore: Mariana Flores
Eurite, La Verita: Majdouline Zerari
Diomede, Creonte: Brendan Tuohy
Euripilo, La Discordia, Polluce: Christopher Lowrey
Antiloco: Job Tomé
CAPPELLA MEDITERRANEA
Leonardo GARCÍA ALARCÓN: conductor
Jean-Yves Ruf : direction
Directed for Television by Corentin Leconte.
A coproduction Bel Air Media-Festival D'Aix-en-Provence,
with the participation of M-Media, Medici and Arte Concert,
supported by Le Centre National du Cinéma et de l'image animée.
wn.com/Elena Opera By Francesco Cavalli (1602 1676) Official Dvd Trailer
Buy the 2 DVDs here: http://www.outhere-music.com/en/albums/elena-ric-346
Recorded live during the Aix-en-Provence Festival in July 2013, Cavalli's Elena had not been performed for more than 350 years. The international press hailed this rediscovery as one of the major events on the lyric scene. With Jean-Yves Ruf 's imaginative staging, served by an exceptional cast made up of young singers brought together by the Academy of the Aix Festival, this work is also sublimated by the talent of the instrumentalists of the Cappella Mediterranea and the theatrical talent of Leonardo García Alarcón. Elena relates the first adventures of Helen, the most beautiful woman in the world, coveted by numerous men including Menelaus, who disguises himself as an Amazon to approach her, and Theseus, who abducts her and tries to seduce her to the great displeasure of his legitimate fiancée, Hippolyta. Numerous colourful or tragic characters come to complicate the situations in this mythological farce.
Elena,Venere: Emöke Baráth
Menelao: Valer Barna-Sabadus
Teseo: Fernando Guimarães
Ippolita, Pallade: Solenn' Lavanant Linke
Peritoo: Rodrigo Ferreira
Iro: Emiliano Gonzalez Toro
Menesteo, La Pace: Anna Reinhold
Tindaro, Nettuno: Scott Conner
Erginda, Giunone, Castore: Mariana Flores
Eurite, La Verita: Majdouline Zerari
Diomede, Creonte: Brendan Tuohy
Euripilo, La Discordia, Polluce: Christopher Lowrey
Antiloco: Job Tomé
CAPPELLA MEDITERRANEA
Leonardo GARCÍA ALARCÓN: conductor
Jean-Yves Ruf : direction
Directed for Television by Corentin Leconte.
A coproduction Bel Air Media-Festival D'Aix-en-Provence,
with the participation of M-Media, Medici and Arte Concert,
supported by Le Centre National du Cinéma et de l'image animée.
- published: 02 Jun 2014
- views: 6242
Francesco Cavalli - Ave Regina Coelorum (Il Seminario Musicale, live 2004)
- Order: Reorder
- Duration: 5:33
- Updated: 31 Dec 2014
- views: 282
Francesco Cavalli, 1602 - 1676
Il Seminario Musicale, dir. Gérard Lesne
(sorry, I don't have enough information about the concert. )
Francesco Cavalli, 1602 - 1676
Il Seminario Musicale, dir. Gérard Lesne
(sorry, I don't have enough information about the concert. )
wn.com/Francesco Cavalli Ave Regina Coelorum (Il Seminario Musicale, Live 2004)
Francesco Cavalli, 1602 - 1676
Il Seminario Musicale, dir. Gérard Lesne
(sorry, I don't have enough information about the concert. )
- published: 31 Dec 2014
- views: 282
Nuria Rial & L'Arpeggiata Francesco Cavalli live Canzona 3 from Musiche sacre
- Order: Reorder
- Duration: 5:21
- Updated: 07 May 2016
- views: 120
Nuria Rial & L'Arpeggiata Francesco Cavalli live Piante ombrose from Calisto
- Order: Reorder
- Duration: 2:49
- Updated: 07 May 2016
- views: 46
Arie antiche - Delizie contente - Francesco Cavalli-Alessio Nicolavcich Gioitti video live 2010
- Order: Reorder
- Duration: 2:58
- Updated: 29 Apr 2010
- views: 4218
Arie antiche
Delizie contente
Francesco Cavalli
Alessio Nicolavcich Gioitti
video
live 2010
- published: 29 Apr 2010
- views: 4218
Francesco Cavalli, scene of Linfea and Satirino from "La Calisto"
- Order: Reorder
- Duration: 4:55
- Updated: 05 Feb 2013
- views: 63753
Philippe Jaroussky and Marie-Nicole lemieux
Scene of Linfea and Satirino from "La Calisto" by Francesco Cavalli
English translation:
Fair Nymph, why speak you...
Philippe Jaroussky and Marie-Nicole lemieux
Scene of Linfea and Satirino from "La Calisto" by Francesco Cavalli
English translation:
Fair Nymph, why speak you of a husband?
If my appearance pleases you,
press me to your breast, in your arms,
everything I have I offer you.
May Fate preserve me from ever having so rough a husband in my bed!
These soft hairs that cover me are tender down and not a prickly mane.
A silly fleece does not yet darken my chin.
And upon my undefiled cheeks smiling privets are picked
with blooming roses; and my mouth , full of honeycomb will pour nectar for you.
Depraved wild creature, I see you as you are,
there is no need to depict or to beautify yourself.
You were certainly born of a she-goat,
so go and love goats and live with them.
My origins are half divine and noble,
you are the one who is crude and boorish,
born amond the asses or their likes,
I know why your lewdness rejects me.
It is because I am a young boy, not yet inured in the exercises of cupid and of venus,
and my soft tail is small and must still grow.
Go and dispose yourself among the flocks,
you look like an animal, like young he-goat.
Narcissus will receive the favours of my beauty.
Go and disport yourself among the flocks.
wn.com/Francesco Cavalli, Scene Of Linfea And Satirino From La Calisto
Philippe Jaroussky and Marie-Nicole lemieux
Scene of Linfea and Satirino from "La Calisto" by Francesco Cavalli
English translation:
Fair Nymph, why speak you of a husband?
If my appearance pleases you,
press me to your breast, in your arms,
everything I have I offer you.
May Fate preserve me from ever having so rough a husband in my bed!
These soft hairs that cover me are tender down and not a prickly mane.
A silly fleece does not yet darken my chin.
And upon my undefiled cheeks smiling privets are picked
with blooming roses; and my mouth , full of honeycomb will pour nectar for you.
Depraved wild creature, I see you as you are,
there is no need to depict or to beautify yourself.
You were certainly born of a she-goat,
so go and love goats and live with them.
My origins are half divine and noble,
you are the one who is crude and boorish,
born amond the asses or their likes,
I know why your lewdness rejects me.
It is because I am a young boy, not yet inured in the exercises of cupid and of venus,
and my soft tail is small and must still grow.
Go and dispose yourself among the flocks,
you look like an animal, like young he-goat.
Narcissus will receive the favours of my beauty.
Go and disport yourself among the flocks.
- published: 05 Feb 2013
- views: 63753
magzine.it live from #ijf14 - Intervista a Francesco Cavalli
- Order: Reorder
- Duration: 2:48
- Updated: 02 May 2014
- views: 12
Intervista a Francesco Cavalli, giornalista e co-fondatore del Premio Ilaria Alpi.
di Martina Carnovale, Laura Molinari (www.magzine.it)
Intervista a Francesco Cavalli, giornalista e co-fondatore del Premio Ilaria Alpi.
di Martina Carnovale, Laura Molinari (www.magzine.it)
wn.com/Magzine.It Live From Ijf14 Intervista A Francesco Cavalli
Intervista a Francesco Cavalli, giornalista e co-fondatore del Premio Ilaria Alpi.
di Martina Carnovale, Laura Molinari (www.magzine.it)
- published: 02 May 2014
- views: 12
-
F. Cavalli - La Calisto
Francesco Cavalli (1602-1676) - La Calisto, dramma per musica in 1 prologo e 3 atti, per soli, coro e orchestra (1651) Libretto: Giovanni Faustini e sul poema epico "Metamorfosi" di Ovidio Prologo I. Sinfonia II. Alme pure e volanti III. Gran madre, ottima duce Atto I I. Sinfonia: Del foco fulminato II. Piante ombrose III. De l'offese del foco IV. Dunque, Giove immortale - Verginella io morir vo V. Come scherne acerbetta VI. Sinfonia VII. Sien mortali o divini VIII. Non è maggior piacere IX. Chi non ti crederebbe - In ricovro più ombroso - A baciarsi andiam, sì sì X. Va' pur, va'pur, va' seco - Se non giovano XI. Improvisi stupori XII. Serenati, o core - Pavide, sbigottite XIII. Parto, e porto partendo - Non è crudel, ben mio XIV. Come chiude nel petto XV. Piangete XVI. Interprete mal... -
Pier Francesco Cavalli Messa Concertata
설명 -
Francesco CAVALLI SFORZA. Il cibo nell'evoluzione dell'uomo
Francesco CAVALLI SFORZA .Il cibo nell'evoluzione dell'uomo -
Francesco Cavalli Sforza - Geni, Popoli, Lingue
Fondazione Faraggiana Novara Ciclo: Homo Sapiens Conferenza: 2/4 Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano -
Francesco Cavalli Sforza - L'evoluzione continua?
Fondazione Faraggiana Novara Ciclo: Quale futuro? 2 Conferenza: 4/4 Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
F. Cavalli - La Calisto
- Order: Reorder
- Duration: 165:51
- Updated: 23 Sep 2015
- views: 819
Francesco Cavalli (1602-1676) - La Calisto, dramma per musica in 1 prologo e 3 atti, per soli, coro e orchestra (1651)
Libretto: Giovanni Faustini e sul poema ...
Francesco Cavalli (1602-1676) - La Calisto, dramma per musica in 1 prologo e 3 atti, per soli, coro e orchestra (1651)
Libretto: Giovanni Faustini e sul poema epico "Metamorfosi" di Ovidio
Prologo
I. Sinfonia
II. Alme pure e volanti
III. Gran madre, ottima duce
Atto I
I. Sinfonia: Del foco fulminato
II. Piante ombrose
III. De l'offese del foco
IV. Dunque, Giove immortale - Verginella io morir vo
V. Come scherne acerbetta
VI. Sinfonia
VII. Sien mortali o divini
VIII. Non è maggior piacere
IX. Chi non ti crederebbe - In ricovro più ombroso - A baciarsi andiam, sì sì
X. Va' pur, va'pur, va' seco - Se non giovano
XI. Improvisi stupori
XII. Serenati, o core - Pavide, sbigottite
XIII. Parto, e porto partendo - Non è crudel, ben mio
XIV. Come chiude nel petto
XV. Piangete
XVI. Interprete mal buona
XVII. Ninfa bella
XVIII. Numi selvatici
XIX. Ballo degli Orsi: Ciaccona
Atto II
I. Sinfonia: Erme e solinghi cime
II. Candidi corridori
III. Bella quanto crudele - Sinfonia
IV. Alfin la tanto rigida
V. Da le gelose mie cure incessanti
VI. Sporgate anco
VII. Espirmerti non posso
VIII. Calisto, anima mia?
IX. Chi condusse costei
X. Cor mio
XI. Mercurio, chi disfoga
XII. Se tu nol credi - Fermati o mobile
XIII. Oh Dio, così abbandoni
XIV. D'aver un consorte
XV. Combattimento di ninfe e satiri
Atto III
I. Restino imbalsamate
II. Da le sponde
III. Ma si fa gelo il sangue
IV. Racconsolata e paga
V. Perfide, ancora osate
VI. O re de l'universo
VII. Mio foco fatale - Beata mi sento
VIII. Che non l'ami volete - Ti segua questo dardo
IX. Vivo per te pietosa
X. Tanto, dunque, tu m'ami?
XI. Dolcissimi baci
XII. Sinfonia
XIII. Le stelle più belle
XIV. Mio tonante - Vaga amante
XV. Ciaccona
Calisto, Eternità - Maria Bayo, soprano
Diana, Destino - Alessandra Mantovani, soprano
Giunone - Sonia Theodoridou, soprano
Furia - Judith Vindevogel, soprano
Endimione - Graham Pushee, contretenore
Satirino, Furia - Dominique Visse, controtenore
Linfea - Gilles Ragon, tenore
Pane, Natura - Barry Banks, tenore
Giove - Marcello Lippi, baritono
Mercurio - Simon Keenlyside, baritono
Silvano - David Pittsinger, basso
Coro: Menti celesti, Ninfe arciere di Diana
Concerto Vocale
René Jacobs, direttore
wn.com/F. Cavalli La Calisto
Francesco Cavalli (1602-1676) - La Calisto, dramma per musica in 1 prologo e 3 atti, per soli, coro e orchestra (1651)
Libretto: Giovanni Faustini e sul poema epico "Metamorfosi" di Ovidio
Prologo
I. Sinfonia
II. Alme pure e volanti
III. Gran madre, ottima duce
Atto I
I. Sinfonia: Del foco fulminato
II. Piante ombrose
III. De l'offese del foco
IV. Dunque, Giove immortale - Verginella io morir vo
V. Come scherne acerbetta
VI. Sinfonia
VII. Sien mortali o divini
VIII. Non è maggior piacere
IX. Chi non ti crederebbe - In ricovro più ombroso - A baciarsi andiam, sì sì
X. Va' pur, va'pur, va' seco - Se non giovano
XI. Improvisi stupori
XII. Serenati, o core - Pavide, sbigottite
XIII. Parto, e porto partendo - Non è crudel, ben mio
XIV. Come chiude nel petto
XV. Piangete
XVI. Interprete mal buona
XVII. Ninfa bella
XVIII. Numi selvatici
XIX. Ballo degli Orsi: Ciaccona
Atto II
I. Sinfonia: Erme e solinghi cime
II. Candidi corridori
III. Bella quanto crudele - Sinfonia
IV. Alfin la tanto rigida
V. Da le gelose mie cure incessanti
VI. Sporgate anco
VII. Espirmerti non posso
VIII. Calisto, anima mia?
IX. Chi condusse costei
X. Cor mio
XI. Mercurio, chi disfoga
XII. Se tu nol credi - Fermati o mobile
XIII. Oh Dio, così abbandoni
XIV. D'aver un consorte
XV. Combattimento di ninfe e satiri
Atto III
I. Restino imbalsamate
II. Da le sponde
III. Ma si fa gelo il sangue
IV. Racconsolata e paga
V. Perfide, ancora osate
VI. O re de l'universo
VII. Mio foco fatale - Beata mi sento
VIII. Che non l'ami volete - Ti segua questo dardo
IX. Vivo per te pietosa
X. Tanto, dunque, tu m'ami?
XI. Dolcissimi baci
XII. Sinfonia
XIII. Le stelle più belle
XIV. Mio tonante - Vaga amante
XV. Ciaccona
Calisto, Eternità - Maria Bayo, soprano
Diana, Destino - Alessandra Mantovani, soprano
Giunone - Sonia Theodoridou, soprano
Furia - Judith Vindevogel, soprano
Endimione - Graham Pushee, contretenore
Satirino, Furia - Dominique Visse, controtenore
Linfea - Gilles Ragon, tenore
Pane, Natura - Barry Banks, tenore
Giove - Marcello Lippi, baritono
Mercurio - Simon Keenlyside, baritono
Silvano - David Pittsinger, basso
Coro: Menti celesti, Ninfe arciere di Diana
Concerto Vocale
René Jacobs, direttore
- published: 23 Sep 2015
- views: 819
Pier Francesco Cavalli Messa Concertata
- Order: Reorder
- Duration: 58:34
- Updated: 05 Feb 2016
- views: 257
설명
설명
wn.com/Pier Francesco Cavalli Messa Concertata
설명
- published: 05 Feb 2016
- views: 257
Francesco CAVALLI SFORZA. Il cibo nell'evoluzione dell'uomo
- Order: Reorder
- Duration: 53:46
- Updated: 11 Apr 2014
- views: 2190
Francesco CAVALLI SFORZA .Il cibo nell'evoluzione dell'uomo
Francesco CAVALLI SFORZA .Il cibo nell'evoluzione dell'uomo
wn.com/Francesco Cavalli Sforza. Il Cibo Nell'Evoluzione Dell'Uomo
Francesco Cavalli Sforza - Geni, Popoli, Lingue
- Order: Reorder
- Duration: 99:50
- Updated: 15 Mar 2013
- views: 7084
Fondazione Faraggiana Novara
Ciclo: Homo Sapiens
Conferenza: 2/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
Fondazione Faraggiana Novara
Ciclo: Homo Sapiens
Conferenza: 2/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
wn.com/Francesco Cavalli Sforza Geni, Popoli, Lingue
Fondazione Faraggiana Novara
Ciclo: Homo Sapiens
Conferenza: 2/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
- published: 15 Mar 2013
- views: 7084
Francesco Cavalli Sforza - L'evoluzione continua?
- Order: Reorder
- Duration: 87:37
- Updated: 19 Oct 2013
- views: 5091
Fondazione Faraggiana Novara
Ciclo: Quale futuro? 2
Conferenza: 4/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
Fondazione Faraggiana Novara
Ciclo: Quale futuro? 2
Conferenza: 4/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
wn.com/Francesco Cavalli Sforza L'Evoluzione Continua
Fondazione Faraggiana Novara
Ciclo: Quale futuro? 2
Conferenza: 4/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
- published: 19 Oct 2013
- views: 5091
-
Leonardo García Alarcón INTERVIEW about "Heroines of the Venetian Baroque" CAVALLI
Video direction: Philippe de Magnée Buy here: http://bit.ly/1M8tJBd The opening of Venice’s first opera house, the Teatro di San Cassiano, in 1637, was one of the major events in the history of opera. The protagonists of these new operas henceforth represented all the social categories making up this public and who, in fact, had to be able to find themselves onstage. The gods were no longer the only ones to lay down the law, challenged by the Vices and Virtues who preached in the Prologues. The new heroes are kings, emperors, dictators, courtesans, as well as nurses, valets, soldiers, philosopher, and, above all, lovers. Whoever they might be, we find them sympathetic or antipathetic; all are glorified, all are ridiculed. With his 27 existing operas, Francesco Cavalli gives us a fascinat... -
L'Arpeggiata records Cavalli: l'Amore innamorato (Armonia)
New l'Arpeggiata album out 23 October, 2015. AMAZON: http://smarturl.it/amore-innamorato iTUNES: http://smarturl.it/cavalli In L’Amore innamorato Christina Pluhar's ensemble L'Arpeggiata and sweet-voiced sopranos Nuria Rial and Hana Blažíková offer us a gem, a rarity that cleverly borrows the title of a mysterious opera by Cavalli, thought to have been lost or perhaps never premiered. Bonus DVD included. -
Francesco Cavalli Sforza - C'è anche l'involuzione?
Fondazione Faraggiana Novara Ciclo: Evoluzione/Involuzione Conferenza: 1/4 Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano -
CAVALLI - Heroines of the Venetian Baroque by Mariana FLORES / CAPPELLA MEDITERRANEA
Video direction: Philippe de Magnée Buy the digibook here: http://www.outhere-music.com/en/albums/heroines-of-the-venetian-baroque-ric-359 Francesco CAVALLI Heroines of the Venetian Baroque Mariana FLORES, Anna REINHOLD : sopranos CAPPELLA MEDITERRANEA / Leonardo GARCÍA ALARCÓN L’ouverture du Théâtre public de San Cassiano à Venise en 1637 est l’un des événements majeurs de l’histoire de l’opéra. Les protagonistes de ces nouveaux opéras représentent donc toutes le catégories sociales qui constituent ce public. En fait, ils doivent pouvoir se retrouver sur scène. Les Dieux ne sont plus les seuls à faire la loi, ils sont concurrencés par les Vices et les Vertus qui font la morale dans les Prologues. Les héros sont roi, impératrice, dictateur, courtisane, mais aussi nourrice, valet, soldat...
Leonardo García Alarcón INTERVIEW about "Heroines of the Venetian Baroque" CAVALLI
- Order: Reorder
- Duration: 6:28
- Updated: 17 Sep 2015
- views: 732
Video direction: Philippe de Magnée
Buy here: http://bit.ly/1M8tJBd
The opening of Venice’s first opera house, the Teatro di San Cassiano, in 1637, was one of ...
Video direction: Philippe de Magnée
Buy here: http://bit.ly/1M8tJBd
The opening of Venice’s first opera house, the Teatro di San Cassiano, in 1637, was one of the major events in the history of opera. The protagonists of these new operas henceforth represented all the social categories making up this public and who, in fact, had to be able to find themselves onstage. The gods were no longer the only ones to lay down the law, challenged by the Vices and Virtues who preached in the Prologues. The new heroes are kings, emperors, dictators, courtesans, as well as nurses, valets, soldiers, philosopher, and, above all, lovers. Whoever they might be, we find them sympathetic or antipathetic; all are glorified, all are ridiculed.
With his 27 existing operas, Francesco Cavalli gives us a fascinating version of this theatre of life. A single main thread runs through the excerpts drawn from each of them by Leonardo García Alarcón: the expression of human passions. They are all there, from ingenuousness to ecstasy, joy to anger, passionate love (and its erotic, sensual expression) to despair. This fascinating programme represents a new contribution to the knowledge of Cavalli’s operas and allows for unveiling part of the mystery still surrounding his works.
wn.com/Leonardo García Alarcón Interview About Heroines Of The Venetian Baroque Cavalli
Video direction: Philippe de Magnée
Buy here: http://bit.ly/1M8tJBd
The opening of Venice’s first opera house, the Teatro di San Cassiano, in 1637, was one of the major events in the history of opera. The protagonists of these new operas henceforth represented all the social categories making up this public and who, in fact, had to be able to find themselves onstage. The gods were no longer the only ones to lay down the law, challenged by the Vices and Virtues who preached in the Prologues. The new heroes are kings, emperors, dictators, courtesans, as well as nurses, valets, soldiers, philosopher, and, above all, lovers. Whoever they might be, we find them sympathetic or antipathetic; all are glorified, all are ridiculed.
With his 27 existing operas, Francesco Cavalli gives us a fascinating version of this theatre of life. A single main thread runs through the excerpts drawn from each of them by Leonardo García Alarcón: the expression of human passions. They are all there, from ingenuousness to ecstasy, joy to anger, passionate love (and its erotic, sensual expression) to despair. This fascinating programme represents a new contribution to the knowledge of Cavalli’s operas and allows for unveiling part of the mystery still surrounding his works.
- published: 17 Sep 2015
- views: 732
L'Arpeggiata records Cavalli: l'Amore innamorato (Armonia)
- Order: Reorder
- Duration: 7:57
- Updated: 19 Oct 2015
- views: 20317
New l'Arpeggiata album out 23 October, 2015.
AMAZON: http://smarturl.it/amore-innamorato
iTUNES: http://smarturl.it/cavalli
In L’Amore innamorato Christina Plu...
New l'Arpeggiata album out 23 October, 2015.
AMAZON: http://smarturl.it/amore-innamorato
iTUNES: http://smarturl.it/cavalli
In L’Amore innamorato Christina Pluhar's ensemble L'Arpeggiata and sweet-voiced sopranos Nuria Rial and Hana Blažíková offer us a gem, a rarity that cleverly borrows the title of a mysterious opera by Cavalli, thought to have been lost or perhaps never premiered. Bonus DVD included.
wn.com/L'Arpeggiata Records Cavalli L'Amore Innamorato (Armonia)
New l'Arpeggiata album out 23 October, 2015.
AMAZON: http://smarturl.it/amore-innamorato
iTUNES: http://smarturl.it/cavalli
In L’Amore innamorato Christina Pluhar's ensemble L'Arpeggiata and sweet-voiced sopranos Nuria Rial and Hana Blažíková offer us a gem, a rarity that cleverly borrows the title of a mysterious opera by Cavalli, thought to have been lost or perhaps never premiered. Bonus DVD included.
- published: 19 Oct 2015
- views: 20317
Francesco Cavalli Sforza - C'è anche l'involuzione?
- Order: Reorder
- Duration: 91:36
- Updated: 04 Mar 2015
- views: 2305
Fondazione Faraggiana Novara
Ciclo: Evoluzione/Involuzione
Conferenza: 1/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele ...
Fondazione Faraggiana Novara
Ciclo: Evoluzione/Involuzione
Conferenza: 1/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
wn.com/Francesco Cavalli Sforza C'è Anche L'Involuzione
Fondazione Faraggiana Novara
Ciclo: Evoluzione/Involuzione
Conferenza: 1/4
Relatore: Francesco Cavalli Sforza - Genetica e Antropologia Università San Raffaele Milano
- published: 04 Mar 2015
- views: 2305
CAVALLI - Heroines of the Venetian Baroque by Mariana FLORES / CAPPELLA MEDITERRANEA
- Order: Reorder
- Duration: 3:35
- Updated: 30 Apr 2015
- views: 8343
Video direction: Philippe de Magnée
Buy the digibook here: http://www.outhere-music.com/en/albums/heroines-of-the-venetian-baroque-ric-359
Francesco CAVALLI
He...
Video direction: Philippe de Magnée
Buy the digibook here: http://www.outhere-music.com/en/albums/heroines-of-the-venetian-baroque-ric-359
Francesco CAVALLI
Heroines of the Venetian Baroque
Mariana FLORES, Anna REINHOLD : sopranos
CAPPELLA MEDITERRANEA / Leonardo GARCÍA ALARCÓN
L’ouverture du Théâtre public de San Cassiano à Venise en 1637 est l’un des événements majeurs de l’histoire de l’opéra. Les protagonistes de ces nouveaux opéras représentent donc toutes le catégories sociales qui constituent ce public. En fait, ils doivent pouvoir se retrouver sur scène. Les Dieux ne sont plus les seuls à faire la loi, ils sont concurrencés par les Vices et les Vertus qui font la morale dans les Prologues. Les héros sont roi, impératrice, dictateur, courtisane, mais aussi nourrice, valet, soldat, philosophe, et surtout amants et amantes. Tous, quels qu’ils soient, nous sont sympathiques, ou antipathiques ; tous sont glorifiés, tous sont ridiculisés. Francesco Cavalli, avec ses vingt-sept opéras conservés, nous offre une version passionnante de ce théâtre de la vie. Un seul fil conducteur réunit les extraits puisés par Leonardo García Alarcón dans chacun d’entre eux : l’expression des passions humaines. Elles y sont toutes de la candeur à l’extase, de la joie à la colère, de la passion amoureuse (et son expression érotique et sensuelle) au désespoir. Un programme passionnant qui constitue un apport nouveau dans la connaissance des opéras de Cavalli et qui permet de dévoiler une partie du mystère qui entoure encore ses œuvres.
wn.com/Cavalli Heroines Of The Venetian Baroque By Mariana Flores Cappella Mediterranea
Video direction: Philippe de Magnée
Buy the digibook here: http://www.outhere-music.com/en/albums/heroines-of-the-venetian-baroque-ric-359
Francesco CAVALLI
Heroines of the Venetian Baroque
Mariana FLORES, Anna REINHOLD : sopranos
CAPPELLA MEDITERRANEA / Leonardo GARCÍA ALARCÓN
L’ouverture du Théâtre public de San Cassiano à Venise en 1637 est l’un des événements majeurs de l’histoire de l’opéra. Les protagonistes de ces nouveaux opéras représentent donc toutes le catégories sociales qui constituent ce public. En fait, ils doivent pouvoir se retrouver sur scène. Les Dieux ne sont plus les seuls à faire la loi, ils sont concurrencés par les Vices et les Vertus qui font la morale dans les Prologues. Les héros sont roi, impératrice, dictateur, courtisane, mais aussi nourrice, valet, soldat, philosophe, et surtout amants et amantes. Tous, quels qu’ils soient, nous sont sympathiques, ou antipathiques ; tous sont glorifiés, tous sont ridiculisés. Francesco Cavalli, avec ses vingt-sept opéras conservés, nous offre une version passionnante de ce théâtre de la vie. Un seul fil conducteur réunit les extraits puisés par Leonardo García Alarcón dans chacun d’entre eux : l’expression des passions humaines. Elles y sont toutes de la candeur à l’extase, de la joie à la colère, de la passion amoureuse (et son expression érotique et sensuelle) au désespoir. Un programme passionnant qui constitue un apport nouveau dans la connaissance des opéras de Cavalli et qui permet de dévoiler une partie du mystère qui entoure encore ses œuvres.
- published: 30 Apr 2015
- views: 8343
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77:06
Francesco Cavalli (1602-1676) - Missa pro Defunctis
PIER FRANCESCO CAVALLI (1602-1676)
Missa pro Defunctis, Mottetti sacri e Sonate
=======...
published: 20 Mar 2015
Francesco Cavalli (1602-1676) - Missa pro Defunctis
Francesco Cavalli (1602-1676) - Missa pro Defunctis
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- published: 20 Mar 2015
- views: 9321
67:58
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
From a concert that was kindly recorded by the NDR in Hamburg in 2013. *** Dear COPYRIGHT ...
published: 01 Mar 2014
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
Nuria Rial & L'Arpeggiata - Francesco Cavalli (live)
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- published: 01 Mar 2014
- views: 57498
177:36
Francesco Cavalli - Elena (1659)
avril 2014
ELENA
Dramma per musica en un prologue et trois actes.
Livret de Nicolò Minato...
published: 22 Feb 2015
Francesco Cavalli - Elena (1659)
Francesco Cavalli - Elena (1659)
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- published: 22 Feb 2015
- views: 6471
5:46
Francesco CAVALLI - L'Amore innamorato
L'Arpeggiata - Christina Pluhar
Nuria Rial - soprano
Hana Blažíková – soprano
Christina P...
published: 08 Sep 2015
Francesco CAVALLI - L'Amore innamorato
Francesco CAVALLI - L'Amore innamorato
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- published: 08 Sep 2015
- views: 5928
64:21
Francesco Cavalli : Eliogabalo, opera - Atto I
Francesco Cavalli (1602-1676) : Eliogabalo, opera - Atto I
Silvia Tro Santafé (Eliogabal...
published: 23 May 2011
Francesco Cavalli : Eliogabalo, opera - Atto I
Francesco Cavalli : Eliogabalo, opera - Atto I
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- published: 23 May 2011
- views: 19407
6:28
"IL GIASONE" by FRANCESCO CAVALLI
This new world premiere recording on DVD and Bluray is featuring the promising star Christ...
published: 26 Mar 2012
"IL GIASONE" by FRANCESCO CAVALLI
"IL GIASONE" by FRANCESCO CAVALLI
- Report rights infringement
- published: 26 Mar 2012
- views: 18482
7:40
Cavalli: Salve Regina - Cleobury
Salve Regina
Sacred motet for 4 voices (ATTB)
Music: Francesco Cavalli (16021676)
...
published: 07 Nov 2009
Cavalli: Salve Regina - Cleobury
Cavalli: Salve Regina - Cleobury
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- published: 07 Nov 2009
- views: 18679
27:04
Nuria Rial & L'Arpeggiata - Francesco Cavalli
DEAR COPYRIGHT HOLDER, if you have any problems with this being on YouTube, please contact...
published: 09 Oct 2013
Nuria Rial & L'Arpeggiata - Francesco Cavalli
Nuria Rial & L'Arpeggiata - Francesco Cavalli
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- published: 09 Oct 2013
- views: 26264
11:42
Francesco Cavalli - Nisi Dominus
Francesco Cavalli - Nisi Dominus
published: 20 Oct 2014
Francesco Cavalli - Nisi Dominus
Francesco Cavalli - Nisi Dominus
- Report rights infringement
- published: 20 Oct 2014
- views: 960
4:37
Philippe Jaroussky - O quam suavis (Francesco Cavalli)
Philoppe Jaroussky-Beata Vergine-(03) [Francesco Cavalli (1602-1676)] O quam suavis
published: 03 Sep 2011
Philippe Jaroussky - O quam suavis (Francesco Cavalli)
Philippe Jaroussky - O quam suavis (Francesco Cavalli)
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- published: 03 Sep 2011
- views: 5792
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3:26
ELENA - Opera by Francesco CAVALLI (1602-1676) - Official DVD Trailer
Buy the 2 DVDs here: http://www.outhere-music.com/en/albums/elena-ric-346
Recorded live d...
published: 02 Jun 2014
ELENA - Opera by Francesco CAVALLI (1602-1676) - Official DVD Trailer
ELENA - Opera by Francesco CAVALLI (1602-1676) - Official DVD Trailer
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- published: 02 Jun 2014
- views: 6242
5:33
Francesco Cavalli - Ave Regina Coelorum (Il Seminario Musicale, live 2004)
Francesco Cavalli, 1602 - 1676
Il Seminario Musicale, dir. Gérard Lesne
(sorry, I don't ...
published: 31 Dec 2014
Francesco Cavalli - Ave Regina Coelorum (Il Seminario Musicale, live 2004)
Francesco Cavalli - Ave Regina Coelorum (Il Seminario Musicale, live 2004)
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- published: 31 Dec 2014
- views: 282
5:21
Nuria Rial & L'Arpeggiata Francesco Cavalli live Canzona 3 from Musiche sacre
Description
published: 07 May 2016
Nuria Rial & L'Arpeggiata Francesco Cavalli live Canzona 3 from Musiche sacre
Nuria Rial & L'Arpeggiata Francesco Cavalli live Canzona 3 from Musiche sacre
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- published: 07 May 2016
- views: 120
2:49
Nuria Rial & L'Arpeggiata Francesco Cavalli live Piante ombrose from Calisto
Description
published: 07 May 2016
Nuria Rial & L'Arpeggiata Francesco Cavalli live Piante ombrose from Calisto
Nuria Rial & L'Arpeggiata Francesco Cavalli live Piante ombrose from Calisto
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- published: 07 May 2016
- views: 46
2:58
Arie antiche - Delizie contente - Francesco Cavalli-Alessio Nicolavcich Gioitti video live 2010
Arie antiche
Delizie contente
Francesco Cavalli
Alessio Nicolavcich Gioitti
video
liv...
published: 29 Apr 2010
Arie antiche - Delizie contente - Francesco Cavalli-Alessio Nicolavcich Gioitti video live 2010
Arie antiche - Delizie contente - Francesco Cavalli-Alessio Nicolavcich Gioitti video live 2010
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- published: 29 Apr 2010
- views: 4218
4:55
Francesco Cavalli, scene of Linfea and Satirino from "La Calisto"
Philippe Jaroussky and Marie-Nicole lemieux
Scene of Linfea and Satirino from "La Calisto"...
published: 05 Feb 2013
Francesco Cavalli, scene of Linfea and Satirino from "La Calisto"
Francesco Cavalli, scene of Linfea and Satirino from "La Calisto"
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- published: 05 Feb 2013
- views: 63753
2:48
magzine.it live from #ijf14 - Intervista a Francesco Cavalli
Intervista a Francesco Cavalli, giornalista e co-fondatore del Premio Ilaria Alpi.
di Mar...
published: 02 May 2014
magzine.it live from #ijf14 - Intervista a Francesco Cavalli
magzine.it live from #ijf14 - Intervista a Francesco Cavalli
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- published: 02 May 2014
- views: 12
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165:51
F. Cavalli - La Calisto
Francesco Cavalli (1602-1676) - La Calisto, dramma per musica in 1 prologo e 3 atti, per s...
published: 23 Sep 2015
F. Cavalli - La Calisto
F. Cavalli - La Calisto
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- published: 23 Sep 2015
- views: 819
58:34
Pier Francesco Cavalli Messa Concertata
설명
published: 05 Feb 2016
Pier Francesco Cavalli Messa Concertata
Pier Francesco Cavalli Messa Concertata
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- published: 05 Feb 2016
- views: 257
53:46
Francesco CAVALLI SFORZA. Il cibo nell'evoluzione dell'uomo
Francesco CAVALLI SFORZA .Il cibo nell'evoluzione dell'uomo
published: 11 Apr 2014
Francesco CAVALLI SFORZA. Il cibo nell'evoluzione dell'uomo
Francesco CAVALLI SFORZA. Il cibo nell'evoluzione dell'uomo
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- published: 11 Apr 2014
- views: 2190
99:50
Francesco Cavalli Sforza - Geni, Popoli, Lingue
Fondazione Faraggiana Novara
Ciclo: Homo Sapiens
Conferenza: 2/4
Relatore: Francesco Caval...
published: 15 Mar 2013
Francesco Cavalli Sforza - Geni, Popoli, Lingue
Francesco Cavalli Sforza - Geni, Popoli, Lingue
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- published: 15 Mar 2013
- views: 7084
87:37
Francesco Cavalli Sforza - L'evoluzione continua?
Fondazione Faraggiana Novara
Ciclo: Quale futuro? 2
Conferenza: 4/4
Relatore: Francesco Ca...
published: 19 Oct 2013
Francesco Cavalli Sforza - L'evoluzione continua?
Francesco Cavalli Sforza - L'evoluzione continua?
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- published: 19 Oct 2013
- views: 5091
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6:28
Leonardo García Alarcón INTERVIEW about "Heroines of the Venetian Baroque" CAVALLI
Video direction: Philippe de Magnée
Buy here: http://bit.ly/1M8tJBd
The opening of Venice...
published: 17 Sep 2015
Leonardo García Alarcón INTERVIEW about "Heroines of the Venetian Baroque" CAVALLI
Leonardo García Alarcón INTERVIEW about "Heroines of the Venetian Baroque" CAVALLI
- Report rights infringement
- published: 17 Sep 2015
- views: 732
7:57
L'Arpeggiata records Cavalli: l'Amore innamorato (Armonia)
New l'Arpeggiata album out 23 October, 2015.
AMAZON: http://smarturl.it/amore-innamorato
i...
published: 19 Oct 2015
L'Arpeggiata records Cavalli: l'Amore innamorato (Armonia)
L'Arpeggiata records Cavalli: l'Amore innamorato (Armonia)
- Report rights infringement
- published: 19 Oct 2015
- views: 20317
91:36
Francesco Cavalli Sforza - C'è anche l'involuzione?
Fondazione Faraggiana Novara
Ciclo: Evoluzione/Involuzione
Conferenza: 1/4
Relatore: Franc...
published: 04 Mar 2015
Francesco Cavalli Sforza - C'è anche l'involuzione?
Francesco Cavalli Sforza - C'è anche l'involuzione?
- Report rights infringement
- published: 04 Mar 2015
- views: 2305
3:35
CAVALLI - Heroines of the Venetian Baroque by Mariana FLORES / CAPPELLA MEDITERRANEA
Video direction: Philippe de Magnée
Buy the digibook here: http://www.outhere-music.com/en...
published: 30 Apr 2015
CAVALLI - Heroines of the Venetian Baroque by Mariana FLORES / CAPPELLA MEDITERRANEA
CAVALLI - Heroines of the Venetian Baroque by Mariana FLORES / CAPPELLA MEDITERRANEA
- Report rights infringement
- published: 30 Apr 2015
- views: 8343
Leonardo García Alarcón INTERVIEW about "Heroines ...
L'Arpeggiata records Cavalli: l'Amore innamorato (...
Francesco Cavalli Sforza - C'è anche l'involuzione...
CAVALLI - Heroines of the Venetian Baroque by Mari...
photo: AP / Kamil Zihnioglu)
Disgruntled Worker Uploads Personal Data On French Police
Edit WorldNews.com 27 Jun 2016
The security breach comes two weeks after a police commander and his partner were stabbed to death at their home near Paris.The couple’s young child survived the attack by Larossi Abballa, who said he was acting on a call from so-called Islamic State (IS) to "kill infidels,” the report said ... A spokesman for the French police union, Nicolas Conte, told RTL the incident was "extremely worrying.”– WN.com, Jack Durschlag....
photo: AP / Danny Moloshok
No Brexit Strategy For Sanders, But Should Clinton And Trump Have One?
Edit WorldNews.com 27 Jun 2016
Article by WN.com Correspondent Dallas DarlingUnlike Brexit, or Britain’s exit strategy concerning the European Union (EU), Sen. Bernie Sanders has no plans to exit the race as a viable contender and to reform the Democratic Party and America’s waning political system ... From Speeches to Op-Eds, No BerxitLast week, for instance, in a lengthy speech “Where Do We Go From Here?” Sanders described his vision....
photo: Creative Commons / Gage Skidmore
Stephen Miller: Hillary Clinton a Corrupt ‘Economic Globalist’ Who Enriches Herself by ‘Selling Out America’
Edit Breitbart 27 Jun 2016
Trump Senior Policy Advisor Stephen Miller tells Breitbart News Sunday that “Hillary Clinton is not only a globalist, she’s also involved in global international corruption. It’s one thing to be an economic globalist and pursue policies to the detriment of the American people. It’s a whole other thing to be engaged in a scheme of international global corruption to personally and financially profit from selling out America.” ... ....
photo: AP / Juliet Linderman
Snowden Denied Anti-Extradition Lawsuit Preventing A Possible Norway Visit
Edit WorldNews.com 27 Jun 2016
A Norwegian court on Monday denied U.S. National Security Agency (NSA) whistleblower Edward Snowden the right to free passage to visit the country as a guest of the Norwegian branch of the PEN Club, the Inquisitr reported.Snowden was invited by the literary rights group to come and collect the Ossietzky prize for freedom of expression on Nov. 18. The award recognizes Snowden’s “outstanding contributions to freedom of expression.”....
photo: RB PHOTO
Brexit: France and Germany 'in agreement' over UK's EU exit
Edit BBC News 27 Jun 2016
Share. Share this with. Copy this link http.//www.bbc.co.uk/news/world-europe-36637232. German Chancellor Angela Merkel and French President Francois Hollande have said they are in "full agreement" on how to handle the fallout from the UK's decision to leave the European Union. Mr Hollande warned that "separated, we run the risk of divisions, dissension and quarrels" ... In other developments. ... Share this story About sharing. ....
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Cavalli: Opera Duets and Arias CD review – a rich glimpse of hidden treasures
Edit The Guardian 18 May 2016
Alongside their outstanding surveys of the madrigals of Gesualdo, Monteverdi and their contemporaries, Claudio Cavina and his superb group have also begun to explore the music of Francesco Cavalli ... In turn, Cavalli’s own innovations would provide a starting point for later opera composers, from Lully, Purcell and Rameau through to Mozart and beyond....
Haymarket Opera shines in Chicago stage premiere of 'La Calisto'
Edit Chicago Tribune 07 May 2016
Simply surviving from one season to another can be a dicey proposition for early music groups in Chicago, and a telling reminder of that emerged over the weekend. On Friday, the same day that the thriving Haymarket Opera Company opened its delightful production of Francesco Cavalli's 1651 Baroque... ....
Monteverdi: Messa a Quattro Voci et Salmi of 1650 CD review – first-rate, unfussy and direct
Edit The Guardian 24 Mar 2016
Seven years after his death, the publisher Vincenti, with help from Monteverdi’s pupil Francesco Cavalli, put together another volume, the Messa et Salmi, consisting mostly, it seems, of pieces discovered among the composer’s own manuscripts, along with a Magnificat of Cavalli’s own....
STK1000 Entry List Revealed! (SBK - Superbike World Championship)
Edit Public Technologies 15 Mar 2016
(Source. SBK - Superbike World Championship) Tuesday, 15 March 2016 10.00. As the WorldSBK paddock heads back to Europe, the full line up for the Stock 1000 Cup has been released. With reigning Champion Lorenzo Savadori having moved up to WorldSBK on an Aprilia, it's all to play for in 2016. This is the provisional list, to see more . ... 35 - 99 Francesco Cavalli / ITA / Kawasaki ZX-10R / PUNTO MOTO Corse by Clasitaly ... Original Document....
STK1000 Starterliste veröffentlicht! (SBK - Superbike World Championship)
Edit Public Technologies 15 Mar 2016
(Source. SBK - Superbike World Championship) Tuesday, 15 March 2016 10.00. Während das WorldSBK Fahrerlager nach Europa zurückkehrt, wurde die komplette Aufstellung des Stock 1000 Cups bekannt gegeben. Der amtierende Champion Lorenzo Savadori stieg mit Aprilia in die WorldSBK auf, also ist der Weg für die Verfolger 2016 frei ... Mehr gibt's . ... 35 - 99 Francesco Cavalli / ITA / Kawasaki ZX-10R / PUNTO MOTO Corse by Clasitaly ... (noodl....
Notable Women of Music
Edit About.com 21 Feb 2016
When we think about women composers of the past, the names Hensel, Schumann, Beach and Boulanger may immediately come to mind. However, there are other women composers whose remarkable contributions paved the way for others. Sadly, some of their works are lost and little information is known about them ... decima sesta) ... 11) ... One of her influences and teachers was Francesco Cavalli, one of the foremost Venetian opera composers at that time....
Arts Roundup: Orpheus Ensemble, pianist Garrick Ohlsson – and the UW Symphony (University of Washington) ...
Edit Public Technologies 06 Jan 2016
(Source. University of Washington). Arts and Entertainment. January 6, 2016. ArtsUW rings in the new year with art, opera and jazz ... Orpheus Ensemble performs scenes from Cavalli's 'La Calisto' on January 8. Orpheus Ensemble ... Meany 267Stephen Stubbs, senior artist in residence in the School of Music, leads UW vocal performance students in staged scenes from Francesco Cavalli's early Baroque opera, 'La Calisto.' More info. ArtVenture ... Tag(s)....
SFCM will offer a special series of concerts of ‘recycled’ music
Edit The Examiner 21 Dec 2015
Next year the San Francisco Conservatory of Music (SFCM) will experiment with an innovative approach to programming. There will be a special series, called Transformations, consisting of six different programs, each of which will feature a different division of student and faculty resources ... 936a) ... Handel lifted this aria from Giovanni Bononcini and was probably not aware that Bononcini, in turn, had lifted it from Francesco Cavalli ... ....
Le Concert Royal de la Nuit CD review – Sun King’s ballet skilfully reconstructed
Edit The Guardian 11 Oct 2015Why do we hear the work of so few female classical composers?
Edit The Independent 24 Aug 2015
"I once thought that I possessed creative talent, but I have given up this idea; a woman must not desire to compose – not one has been able to do it, and why should I expect to?". The tragedy is, there were women who had gone before Clara Schumann, if only she had known it ... It's hardly surprising she gave up ... Beer compares Strozzi to one of her male contemporaries, Francesco Cavalli, who was the head of music at St Mark's in Venice ... -->....
Cavalli continues to have his way with Greek classics in the latest hm reissue
Edit The Examiner 12 Aug 2015
When harmonia mundi (hm) launched their hmHeritage series a little less than a year ago, one of the first reissued recordings to attract my attention was that of Francesco Cavalli’s Giasone as interpreted by René Jacobs and his ensemble of instrumentalists and vocalists ... At the end of this week, harmonia mundi will reissue another Jacobs recording of Cavalli....
A man for all seasons
Edit The Malta Independent 20 Jul 2015
In 'Faith, Hope u Charity', which is part of this year's Malta Arts Festival, Davide plays Francesco Cavalli - an Italian pilot who, like many other Italian pilots during World War II - has a mission to defend the Italian and German bombers attacking Malta, which at the time was a very important British naval base....
Spoleto’s mysterious operas pull you in with powerful singing and imagery
Edit The Charlotte Observer 27 May 2015
That’s a cool thing about new operas at Spoleto Festival USA ... “Veremonda” has lain dormant since the 17th century, because a useful performance edition didn’t exist until now and composer Francesco Cavalli lacked the melodic gift of his contemporary, Monteverdi ... The male figures of authority, the foppish king (Andrey Nemzer) and the general (Raffaele Pe), are sung by countertenors who’d have been castrati in Cavalli’s day ... Toppman....
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