Ku-umba Frank Lacy (b. 1959, Houston, Texas) is an American jazz trombonist.

His father was a teacher who had played guitar with Illinois Jacquet, Eddie Cleanhead Vinson, and Arnett Cobb; his mother sang gospel music. He played piano from age eight, and played trumpet, euphonium, and tuba before settling on trombone at age 16.^{[citation needed]}

He earned a bachelor's degree in physics^{[citation needed]} before studying music at the Berklee College of Music,^{[citation needed]} where he played with Branford Marsalis, Greg Osby, and Marvin Smith. Lacy then studied for his Masters degree at Mason Gross School of the Arts, Rutgers University. Following this Lacy worked with Henry Threadgill, Oliver Lake, Julius Hemphill, Dizzy Gillespie, Abdullah Ibrahim, Bobby Watson, David Murray, McCoy Tyner, and Lester Bowie. He also played in the Mingus Big Band and served as musical director for Art Blakey's Jazz Messengers.

With Superblue

3-2-1 Contact is an American science educational television show that aired on PBS from 1980 to 1988, and an adjoining children's magazine. The show, a production of the Children's Television Workshop, teaches scientific principles and their applications. Dr. Edward G. Atkins, who was responsible for much of the scientific content of the show, felt that the TV program wouldn't replace a classroom but would open the viewers to ask questions about the scientific purpose of things.

3-2-1 Contact was the brainchild of Samuel Y. Gibbon, Jr., who had been the executive producer of The Electric Company for CTW from 1971 to 1977. (Gibbon actually left CTW before Contact's production began, though he was still credited as "Senior Consultant.")

The first season of 65 programs began airing January 14, 1980 on select PBS member stations; it featured a cast of three college students who discussed science in an on-campus room known as the Workshop. The first season came to an end on April 11, 1980, but funds for more episodes were not sufficient until 1982.

Frederick Dewayne "Freddie" Hubbard (April 7, 1938 – December 29, 2008) was an American jazz trumpeter. He was known primarily for playing in the bebop, hard bop and post bop styles from the early 1960s and on. His unmistakable and influential tone contributed to new perspectives for modern jazz and bebop.

Hubbard started playing the mellophone and trumpet in his school band at Arsenal Technical High School in Indianapolis, Indiana. Trumpeter Lee Katzman, former sideman with Stan Kenton, recommended that he begin studying at the Arthur Jordan Conservatory of Music (now the Jordan College of Fine Art at Butler University) with Max Woodbury, the principal trumpeter of the Indianapolis Symphony Orchestra. In his teens Hubbard worked locally with brothers Wes and Monk Montgomery and worked with bassist Larry Ridley and saxophonist James Spaulding. In 1958, at the age of 20, he moved to New York, and began playing with some of the best jazz players of the era, including Philly Joe Jones, Sonny Rollins, Slide Hampton, Eric Dolphy, J. J. Johnson, and Quincy Jones. In June 1960 Hubbard made his first record as a leader, Open Sesame, with saxophonist Tina Brooks, pianist McCoy Tyner, bassist Sam Jones, and drummer Clifford Jarvis.