David (Hebrew: דָּוִד, דָּוִיד, Modern David Tiberian Dāwîḏ; ISO 259-3 Dawid; Strong's Daveed; beloved; Arabic: داوود‎ or داود‎ Dāwūd) was, according to the Hebrew Bible, the second king of the United Kingdom of Israel and, according to the Gospel of Matthew and the Gospel of Luke, an ancestor of Jesus. David is seen as a major Prophet in Islamic traditions. His life is conventionally dated to c. 1040–970 BC, his reign over Judah c. 1010–1003 BC,^{[citation needed]} and his reign over the United Kingdom of Israel c. 1003–970 BC.^{[citation needed]} The Books of Samuel, 1 Kings, and 1 Chronicles are the only sources of information on David, although the Tel Dan stele records "House of David", which some take as confirmation of the existence in the mid-9th century BC of a Judean royal dynasty called the "House of David".

David is very important to Jewish, Christian and Islamic doctrine and culture. In Judaism, David, or David HaMelekh, is the King of Israel, and the Jewish people. Jewish tradition maintains that a direct descendant of David will be the Messiah. In Islam, he is known as Dawud, considered to be a prophet and the king of a nation. He is depicted as a righteous king, though not without faults, as well as an acclaimed warrior, musician, and poet, traditionally credited for composing many of the psalms contained in the Book of Psalms.

David Inshaw (born 21 March 1943 in Wednesfield, Staffordshire, England) is a British artist who sprang to public attention in 1973 when his painting The Badminton Game was exhibited at the ICA Summer Studio exhibition in London. The painting was subsequently acquired by the Tate Gallery and is one of several paintings from the 1970s that won him critical acclaim and a wide audience. Others include The Raven, Our days were a joy and our paths through flowers, She did not turn, The Cricket Game and Presentiment.

David Inshaw studied at Beckenham School of Art in 1959-63 and the Royal Academy Schools, London, in 1963-66. A teaching post at the West of England College of Art, Bristol, in 1966-75 was followed by a two-year fellowship in Creative Art at Trinity College, Cambridge, in 1975-77. Inshaw moved to Devizes, Wiltshire, in 1971 and formed the Broadheath Brotherhood with Graham and Ann Arnold in 1972. The three artists were joined by Peter Blake, Jann Haworth, and Graham and Annie Ovenden in 1975, when the group was renamed the Brotherhood of Ruralists. The Ruralists exhibited together for the first time at the Royal Academy Summer Exhibition in 1976, and Inshaw left the group seven years later, in 1983. He moved to Clyro near Hay-on-Wye in 1989 but returned to Devizes in 1995 and has lived there since then.