- published: 04 Oct 2012
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Ettore Scola (Italian pronunciation: [ˌɛtːore ˈskɔːla]; 10 May 1931 – 19 January 2016) was an Italian screenwriter and film director. He received a Golden Globe for Best Foreign Film in 1978 for his film A Special Day and over the course of his film career was nominated for five Academy Awards.
Scola was born in Trevico, Avellino, Campania. He entered the film industry as a screenwriter in 1953, and directed his first film, Let's Talk About Women, in 1964. In 1974 Scola enjoyed international success with We All Loved Each Other So Much (C'eravamo tanto amati), a wide fresco of post-World War II Italian life and politics, dedicated to fellow director Vittorio De Sica. The film won the Golden Prize at the 9th Moscow International Film Festival. In 1976 he won the Prix de la mise en scène at the 1976 Cannes Film Festival for Brutti, sporchi e cattivi.
Scola made further successful films, including A Special Day (1977), That Night In Varennes (1982), What Time Is It? (1989) and Captain Fracassa's Journey (1990). He directed close to 40 films in some 40 years. His film Passione d'amore, adapted from a nineteenth-century novel, was adapted by Stephen Sondheim and James Lapine into the award-winning musical Passion. He was a member of the jury at the 1988 Cannes Film Festival. .
Um vídeo canalPOETAeATEU - Blog do POETAeATEU: http://poetaeateu.blogspot.com.br/
Il cortometraggio "1943-1997" di Ettore Scola proiettato al Palazzo del Quirinale in occasione della celebrazione della "Giornata della memoria"
Inizio del film di Ettore Scola : La famiglia.
Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow Tout le monde en parle : [émission du 20 Mars 2004] Suite de l'interview (en français) d'Ettore SCOLA sur ses débuts dans le cinéma en tant que scénariste et sa filmographie. Il parle du cinéma néo-réaliste italien, de la comédie italienne, de son film "Gente di Roma".E. SCOLA dit "Magneto, Serge". Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow
Remarquable film sur fond de musique nazie... Deux acteurs poignants dans ce film d'Ettore Scola en 1977. A voir absolument.
Cinquante ans de danse de salon en France, depuis les années 1930 : le Front populaire, la Guerre, l'arrivée du jazz et du rock, Mai 68, le disco... Les couples silencieux se font et se défont au gré de l'histoire et de la musique.
Anche il Maestro Ettore Scola è tra gli ospiti della seconda puntata di QUELLO CHE (NON) HO.
Clip tratta dal dvd La famiglia di Ettore Scola che trovate in vendita qui: http://tinyurl.com/zkktw2s
Old couple La Terrazza di Ettore Scola (1980) http://en.wikipedia.org/wiki/La_terrazza
Estupendo film del director italiano Ettore Scola. Una sala de baile en la cual el gesto, el cuerpo, la mirada y los vestidos son los protagonistas. El hombre es su cuerpo. No es cárcel del alma, sino más bien expresión de su intimidad y la mirada no es un ver; es más que eso porque con las miradas expresamos quienes somos, qué queremos, cómo lo queremos. A través de las miradas decimos nuestro ser.
Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow 12 mai 1980 Sur une terrasse dans les hauteurs de Cannes, France ROCHE est entourée de Vittorio GASSMAN, Ettore SCOLA et Stefania SANDRELLI pour parler du film d'Ettore SCOLA "La Terrasse", présenté au festival. Extrait. Le cinéma italien vit une crise avec une grande désaffection des spectateurs, et un manque de renouvellement des réalisateurs et des acteurs. Interview de Simon MIZRAHI sur les réactions des spectateurs français aux comédies italiennes. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
La lunga intervista tra Lino Miccichè ed Ettore Scola in occasione della retrospettiva sul cinema del regista di Trevico organizzata dalla Mostra di Pesaro (2002). Di Francesco Crispino & Vito Zagarrio Montaggio Luca Bellino
Trevico-Torino (Viaggio nel Fiat-Nam) Italia, 1973, 35mm, 98', Colore Regia Ettore Scola Soggetto Diego Novelli, Ettore Scola Sceneggiatura Diego Novelli, Ettore Scola Fotografia Claudio Cirillo Musica originale Benedetto Ghiglia Suono Vittorio Massi Montaggio Raimondo Crociani Scenografia Luciano Ricceri Aiuto regia Giorgio Scotton Interpreti Paolo Turco (Fortunato), Vittoria Franzinetti (Vicky), Stefania Casini, Vittorio Franzinetti, non professionisti Direttore di produzione Alessandro von Norman Produzione Unitelefilm Distribuzione Cidif Note Visto censura n. 61.658 del 3.1.1973. Pellicola Eastmancolor; missaggio: Adriano Taloni; segretario di produzione: Adriano Incrocci. Premio della Federazione della Stampa Cinematografica 1973. E' un film drammatico del 1973 mo...
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Presentato a Cinecittà il film di Ettore Scola "Che strano chiamarsi Federico" che vede il ritorno alla macchina da presa del Maestro... http://www.ilprofumodelladolcevita.it/content/ettore-scola-che-strano-chiamarsi-federico-omaggio-fellini-ed-al-cinema-italiano
http://www.youdem.tv - In Piazza del Popolo a Pesaro Ettore Scola, Hassan Al-Djhami e Giuseppe Di Piazza si confrontano nel format quotidiano "Vita: Istruzioni per l'uso". Modera Toni Capuozzo. Puntata del 28/08/2011 Ettore Scola è uno dei più grandi registi italiani. Durante i gloriosi anni '70 del cinema italiano realizza "Il commissario Pepe" (1969) e "Dramma della gelosia" (1970); la consacrazione arriva con il film "C'eravamo tanto amati" (1974), pellicola capace di ripercorrere trent'anni di storia italiana. Scola espatria e raggiunge fama internazionale: nel 1976 gira "Brutti, sporchi e cattivi", commedia dolceamara delle borgate romane, e "Una giornata particolare" (1977, con Sophia Loren e Marcello Mastroianni). Altri film di rilievo sono nel 1980 "La terrazza", un amaro bilancio...
Lezione di Cinema questa mattina al Bif&st; di Bari del presidente del Festival, Ettore Scola. http://www.baripost.it
Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow 15 mai 1982 Interview sur terrasse du carlton tandis que des manifestants crient slogans contre les emprisonnements en Turquie. E. SCOLA parle de son film la nuit de varennes. Int schlondorff et JL BARRAULT sur son rôle ds la nuit de varennes Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
Diffusée le 16 février 2000 Invités : Laure Bonicel, chorégraphe et Ettore Scola, réalisateur et scénariste italien Article desmotsdeminuit.fr : http://culturebox.francetvinfo.fr/des-mots-de-minuit/videotheque/dmdm-17-diner-avec-le-cineaste-ettore-scola-et-faire-corps-avec-laure-bonicel-229585
Le réalisateur Ettore Scola, 78 ans, est un de ceux qui a le mieux raconté laprès-guerre et le développement économique des années 60 et 70. Grâce à ses films, primés deux fois au Festival de Cannes et nominés deux fois aux Oscar, il a fait connaître lItalie au public européen. Nous lavons rencontré à Lyon en France, berceau du cinéma. Il nous parle de son art mais aussi de la politique en Europe.
Definió el cine como un espejo pintado. Ettore Scola ha retratado la segunda mitad del Novecento italiano con una lucidez teñida de nostalgia. De Una jornada particular a Una mujer y tres hombres, sus películas cuentan el amor, la amistad, y la familia con las transformaciones políticas italianas como telón de fondo. Recompensado dos veces en el festival de Cannes y nominado dos veces a los Oscar, Scola, considerado uno de los padres de la comedia italiana, nos habla de cine y de política.
In this exclusive Criterion interview except from our release of Ettore Scola’s A SPECIAL DAY, legendary actress Sophia Loren talks about working with Marcello Mastroianni, with whom she collaborated on many films over the years.
En 1977, une conversation intime avec l’actrice italienne à la beauté explosive dans Spécial Cinéma sur la TSR : Sophia Loren vient de tourner Une journée particulière d’Ettore Scola. Et au fait la beauté, c’est une aide pour débuter au cinéma ? Pour voir l’intégralité de l’interview sur RTSarchives: http://www.rts.ch/archives/tv/culture/special-cinema/6145066-sophia-loren.html Le site des archives de la Radio Télévision Suisse : http://www.rts.ch/archives Retrouvez la Radio Télévision Suisse sur : Le site : http://www.rts.ch/ Le portail vidéo: http://www.rts.ch/video Youtube : https://www.youtube.com/RTS Facebook : https://www.facebook.com/rts.ch Twitter : https://twitter.com/radiotelesuisse Instagram : http://instagram.com/radiotelevisionsuisse Google+ : https://plus.google.com/+RadioT...
Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow 3 juillet 1981 A Senlis, tournage d'une scène du film "La nuit de Varennes" d'Ettore SCOLA. Interview en extérieur de Jean-Claude BRIALY sur son rôle dans le film. Commentaires d'Henri CHAPIER sur le film. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=Inaculture
Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow Tout le monde en parle : [émission du 20 Mars 2004] Ettore SCOLA répond à une interview "conseil d'un pro" et parle de ses films favoris. Images d'archive INA Institut National de l'Audiovisuel http://www.ina.fr Abonnez-vous http://www.youtube.com/subscription_center?add_user=inatalkshow
[Intro]
I have a dream today
That one day this nation will rise up
And little black children
And little white children
Will hold hands
[Verse 1]
I'm a black man living in this white man's world
I gotta watch my back he might rape my girl
'cause he did one time he'll do that shit again
I'm the black american with the paperback skin
Now all he ever gave me was a knot and a rope
Cracker get your hands off my throat
And unlock these chains and let me go
And don't hit me with that whip no more
All told me that America was 50/50
I've been bamboozled, hoodwaggled, tricked me
Why all the time my people gotta suffer
It's the white man, you a dirty little hustler
And you rather see a nigga dead and rotten
Or somewhere on a cotton field picking cotton
But a brother like me I can't touch that shit
So you better give me my money bitch
Now you wanna kill me with your AIDS and your crack
I'll help the Indians take the motherfucker back
And run over them white boys
Give the money and the guns and the power to the black boys
And build a whole new nation
And burn all the politicians as a demonstration
Check the voice, black people don't you ride no
White horse, don't ride no white horse
Don't you ride no horse (x2)
[Verse 2]
I'll never marry a white girl, I'll stay single
'cause those hoes just want Mandingo
Back in the day a nigga would've got hung
Black ass nigga you know you wrong
I ain't saying nothing, white man gonna get ya
Look like O.J. shoulda stayed with that sista but
Can't tell a nigga nothing
'cause the black man always trying to be something else besides hisself
Nigga this a matter of life and death
Stick with your kind
'cause some of us niggas done lost our minds
And it makes me wonder
Who let Jane in the jungle
Amongst the real man
I'ma run that goddamn bitch back to Tarzan
Make me sick on my stomach
All praises due to Elijah Muhammed
'cause I hear no evil, I see no evil, I speak no evil
I love no evil
Pull your panties back up
'cause that ain't the pussy I like to fuck
And I'ma check the voice
Black man don't you fuck no
White horse, don't ride no white horse
Don't you love no white horse (x2)
[Verse 3]
I ain't Martin Luther King but I still got a dream
That one day my people gonna see this scheme and
Open they eyes up
One day this nation will rise up
I've been to the promised land
But it ain't promising nothing to the black man
Struggling is all I see
'cause struggling is all he ever gave to me
And his father before him and his daddy before him
Now they try to treat a nigga just like them
And we the last of the slaves
But the policeman tell me to behave
Or he'll revoke my pass
And throw them chains back on my ass
I check the voice
My nigga don't you ride no
White horse, don't ride no white horse