- published: 05 Mar 2019
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James William Flavin, Jr. (May 14, 1906 – April 23, 1976) was an American character actor whose career lasted for nearly half a century.
Flavin was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Anglo-Irish immigrant. Thus, Flavin, well known in Hollywood as an "Irish" type, was—ironically—only one-quarter Irish. He was born and reared in Portland, Maine, a fact that may have enriched his later working relationship with director John Ford, also a Portland native.
He attended the United States Military Academy at West Point but, contrary to some sources, did not graduate. Instead he dropped out and returned to Portland and drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 Flavin was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to accompany the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time; his Broadway debut would not occur for another 39 years, in the 1971 revival of The Front Page, in which he played Murphy and briefly took over the lead role of Walter Burns from Robert Ryan.
The Naked Street is a 1955 American crime film noir directed by Maxwell Shane. The drama features Farley Granger, Anthony Quinn and Anne Bancroft.
Phil Regal, a tough racketeer, pulls strings to get his sister Rosalie's punk boyfriend, Nicky, out of a death penalty for a murder he did in fact commit, so that they can get married. Later, when he learns that Nicky is cheating on Rosalie, he arranges for Nicky to be framed for a murder he didn't commit.
Farley Granger later said that he thought the movie was "preachy, trite and pedestrian," although he welcomed the opportunity to work with Anthony Quinn and Anne Bancroft.
Roberta Smith has been art critic with The New York Times since 1991. Smith was the 2003 recipient of the Frank Jewett Mather Award for art criticism, the 2014 Marina Kellen French Distinguished Visitor at the American Academy in Berlin, and the 2018 Clarice Smith Distinguished Lecturer at the Smithsonian American Art Museum, Washington, DC. Jason Andrew is an independent curator and producer, archivist and writer. He is the founding partner at Artist Estate Studio, which manages the Estate of Elizabeth Murray among others. Smith and Andrew discuss the work and life of Elizabeth Murray and the profound influence she continues to have on contemporary artists. ACKNOWLEDGEMENTS The Burt and Deedee McMurtry Lecture is a program of the Anderson Collection at Stanford University, presented ...
Takashi Murakami discusses his exhibition Takashi Murakami: The Octopus Eats Its Own Leg with James W. Alsdorf Chief Curator Michael Darling. View the exhibition video: https://youtu.be/-YPOWBQAd1M Visit in person: Takashi Murakami: The Octopus Eats Its Own Leg Jun 6–Sep 24, 2017 https://mcachicago.org/murakami Subscribe for more MCA videos! The Richard and Mary L. Gray Lectures are made possible through a generous gift to the Chicago Contemporary Campaign. –––––– Twitter https://www.twitter.com/mcachicago/ Facebook https://www.facebook.com/mcachicago/ Instagram https://www.instagram.com/mcachicago/ On the web https://www.mcachicago.org Produced by the Museum of Contemporary Art Chicago, 2017
Thank god they outlawed fluid transfers.
Mats Gustafsson - Sax Peter Evans - Trumpet Mats Äleklint - Trombone Terrie Ex - Guitar Jim Baker - Keyboards Ingebrigt Håker Flaten - Bass Paal Nilssen-Love - Drums
Collectors' Roundtable with Robert Lehrman This annual series provides insight and invaluable advice on collecting art from museum directors, curators, collectors, art dealers, and consultants. This evening, collector Robert Lehrman (Washington, D.C.) presents "Secrets of the Art World." Robert Lehrman, since 1979, has been collecting works by contemporary American and European artists, including William Christenberry, Damien Hirst, Agnes Martin, Gerhard Richter, and Andy Warhol. He also has one of the most comprehensive private collections of works by Joseph Cornell. Lehrman is founder and president of the not-for-profit Voyager Foundation and has lectured on contemporary art appreciation at museums, universities, and art schools across America. He believes that in addition to be...
911 World Trade Center Memorial New York. The Art of America Documentary. http://www.911memorial.org/ http://911groundzero.com/ Brian Sewell Big Art Challenge UK Art Prize Full Series: https://www.youtube.com/watch?v=azZUF4eVaIk&list;=PLTRal7R3G0f-SI4XoSByxArBodGDHHupR&index;=6 Understanding Contemporary Art Full Course: https://www.youtube.com/watch?v=GYQIK-gbo8w&list;=PLTRal7R3G0f8E9rOf82XbZiBhL6IxzDCJ&index;=1 Art After Metaphysics: http://www.amazon.com/After-Metaphysics-John-David-Ebert/dp/1492765481/ref=sr_1_1?ie=UTF8&qid;=1450485945&sr;=8-1&keywords;=art+after+metaphysics Naked Emperors: Criticisms of English Contemporary Art: http://www.amazon.com/Naked-Emperors-Criticisms-English-Contemporary-ebook/dp/B00JOS49TC/ref=sr_1_3?ie=UTF8&qid;=1451990337&sr;=8-3&keywords;=naked+emperors A...
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James William Flavin, Jr. (May 14, 1906 – April 23, 1976) was an American character actor whose career lasted for nearly half a century.
Flavin was the son of a hotel waiter of Canadian-English extraction and a mother, Katherine, whose father was an Anglo-Irish immigrant. Thus, Flavin, well known in Hollywood as an "Irish" type, was—ironically—only one-quarter Irish. He was born and reared in Portland, Maine, a fact that may have enriched his later working relationship with director John Ford, also a Portland native.
He attended the United States Military Academy at West Point but, contrary to some sources, did not graduate. Instead he dropped out and returned to Portland and drove a taxi. Then as now, summer stock companies flocked to Maine each year, and in 1929 Flavin was asked to fill in for an actor. He did well with the part and the company manager offered him $150 per week to accompany the troupe back to New York. Flavin accepted and by the spring of 1930 was living in a rooming house at 108 W. 87th Street in Manhattan. Flavin didn't manage to crack Broadway at this time; his Broadway debut would not occur for another 39 years, in the 1971 revival of The Front Page, in which he played Murphy and briefly took over the lead role of Walter Burns from Robert Ryan.