Nail (unit)

A nail, as a unit of cloth measurement, is generally a sixteenth of a yard or 2¹⁄₄ inches (5.715 cm). The nail was apparently named after the practice of hammering brass nails into the counter at shops where cloth was sold. On the other hand, R D Connor, in The weights and measures of England (p 84) states that the nail was the 16th part of a Roman foot, i.e., digitus or finger, although he provides no reference to support this.Zupko's A dictionary of weights and measures for the British Isles (p 256) states that the nail was originally the distance from the thumbnail to the joint at the base of the thumb, or alternately, from the end of the middle finger to the second joint.

An archaic usage of the term nail is as a sixteenth of a (long) hundredweight for mass, or 1 clove of 7 pound avoirdupois (3.175 kg).

The nail in literature

Thou yard, three-quarters, half-yard, quarter, nail
Thou flea, thou nit, thou winter cricket thou:―
Brav'd in mine own house with a skein of
thread!

Explanation: Katherine and Petruchio are getting married. At the tailor shop, they examine the wedding dress, which is nearly finished. Petruchio is concerned that it has too many frills, wonders what it will cost, and suspects that he has been cheated. Katherine says she likes it, and complains that Petruchio is making a fool of her. The taylor repeats Katherine's words: Sir, she says you're making a fool of her. This is where Petruchio launches into the above-quoted tirade. Monstrous may be a double-entendre for cuckold. The half-yard, quarter and nail were divisions of the yard used in cloth measurement.

Nail (fastener)

In woodworking and construction, a nail is a pin-shaped object of metal (or wood, called a treenail or "trunnel") which is used as a fastener, as a peg to hang something, or sometimes as a decoration. Generally nails have a sharp point on one end and a flattened head on the other, but headless nails are available. Nails are made in a great variety of forms for specialized purposes. The most common is a wire nail. Other types of nails include pins, tacks, brads, and spikes.

Nails are typically driven into the workpiece by a hammer, a pneumatic nail gun, or a small explosive charge or primer. A nail holds materials together by friction in the axial direction and shear strength laterally. The point of the nail is also sometimes bent over or clinched after driving to prevent pulling out.

History

The history of the nail is divided roughly into three distinct periods:

Nail (album)

Nail is the fourth studio album by Scraping Foetus Off the Wheel. It was released in October 1985, through record labels Self Immolation and Some Bizzare.

Background

The album incorporates a variety of musical genres, including classical and industrial rock, and the lyrics are often esoteric. For example, the tempo and instrumentation in "Descent into the Inferno" is infrequent: the song's first half is sparse and percussive; in the latter stages the song gathers momentum and features synthesizers. "The Overture from Pigdom Come", a composition resembling a classical piece of music, is juxtaposed with perhaps the most brutal track on the album, "Private War", a track that features one minute of various grinding noises.

There are various obscure references within the songs, some more lucid than others. "The Throne of Agony" has the lyrics "Alas, poor Yorick, I knew me well", a paraphrase of a line from Shakespeare's Hamlet (Hamlet: "Alas, poor Yorick! I knew him, Horatio..."). The line "Turn on, tune in, drop out" in "DI-1-9026" refers to the Timothy Leary phrase. Jack and the Beanstalk is also referenced, with a variation of the chant "Fee, fie, foe, fum!" appearing in the final track.

Artò

Artò is a frazione (and parish) of the municipality of Madonna del Sasso, in Piedmont, northern Italy.

Overview

It is a village located some km west from the Lake Orta.

History

Since 1928 Artò was a separate comune (municipality).

References

External links

Media related to Artò at Wikimedia Commons

Artà

Coordinates: 39°42′N 3°21′E / 39.700°N 3.350°E / 39.700; 3.350

Artà is one of the 53 independent municipalities on the Spanish Balearic island of Majorca. The small town of the same name is the administrative seat of this municipality in the region (Comarca) of Llevant.

Population

In 2008 the municipality of Artà had a population of 7,113 recorded residents within an area of 139.63 square kilometres (53.91 sq mi). This equates to 50.9 inhabitants per km². In 2006 the percentage of foreigners was 13.2% (890), of which Germans made up 3.9% (262). In 1991 there were still 136 illiterates in the municipality. 1,292 inhabitants had no education, 1,675 only a primary school certificate and 1,210 had secondary school leaving certificates. The official languages are Catalan and Spanish (Castilian). The Catalan dialect spoken on the island is known as Mallorquí.

Geography

Location

Artà lies in the northeast of the island of Majorca, around 60 km from the island's capital of Palma. The Massís d’Artà, the highest and most compact massif in the eastern mountain chain of the Serres de Llevant, occupies more than half the area of the municipality. The municipality is located on the western part of peninsula of Artà and is bordered in the west by the Bay of Alcúdia (Badia d’Alcúdia), and in the north by the Mediterranean sea where its coast lies opposite the neighbouring island of Minorca. The coast of Artà stretches for 25 kilometres and, so far, has escaped being developed. Particularly noteworthy are the beach and sand dune formations of sa Canova d’Artà, the flat coastal strip near the settlement of Colònia de Sant Pere, the high rocky coves of the Cap de Ferrutx and a large number of smaller bays that extend from s’Arenalet des Verger to Cala Torta.

Art (play)

'Art' is a French-language play by Yasmina Reza that premiered on 28 October 1994 at Comédie des Champs-Élysées in Paris. The English-language adaptation, translated by Christopher Hampton, opened in London's West End on 15 October 1996, starring Albert Finney, Tom Courtenay and Ken Stott, produced by David Pugh and Sean Connery, running for eight years.

'Art' played on Broadway in New York from February 12, 1998 to August 8, 1999, again produced by Pugh and Connery, plus Joan Cullman. The March 1, 1998 opening-night cast featured Alan Alda (Marc), Victor Garber (Serge), and Alfred Molina (Yvan), who was nominated for a Tony Award for Best Actor in a Play for his performance. 'Art' won the Tony for Best Play and went on to a 600-performance run. Replacement actors included Judd Hirsch, Joe Morton, George Wendt, Buck Henry, George Segal, and Wayne Knight.

The comedy, which raises questions about art and friendship, concerns three long-time friends, Serge, Marc, and Yvan. Serge, indulging his penchant for modern art, buys a large, expensive, completely white painting. Marc is horrified, and their relationship suffers considerable strain as a result of their differing opinions about what constitutes "art". Yvan, caught in the middle of the conflict, tries to please and mollify both of them.