Brindisi

Brindisi (Italian pronunciation: [ˈbrindizi]; in the local dialect: Brìnnisi; Latin: Brundisium) is a city in the region of Apulia in southern Italy, the capital of the province of Brindisi, off the coast of the Adriatic Sea. Historically, the city has played an important role in trade and culture, due to its strategic position on the Italian Peninsula and its natural port on the Adriatic Sea. The city remains a major port for trade with Greece and the Middle East. Brindisi's most flourishing industries include agriculture, chemical works, and the generation of electricity.

Geography

Brindisi is situated on a natural harbor, that penetrates deeply into the Adriatic coast of Apulia. Within the arms of the outer harbor islands are Pedagne, a tiny archipelago, currently not open and in use for military purposes (United Nations Group Schools used during the intervention in Bosnia). The entire municipality is part of the Brindisi Plain, characterized by high agricultural uses of its land. It is located in the northeastern part of the Salento plains, about 40 kilometres (25 mi) from the Itria Valley, and the low Murge. Not far from the city is the Natural Marine Reserve of the World Wide Fund for Nature of Torre Guaceto. The Ionian Sea is about 45 kilometres (28 mi) away.

Giuseppe Verdi

Giuseppe Fortunino Francesco Verdi (Italian: [dʒuˈzɛppe ˈverdi]; 10 October 1813 – 27 January 1901) was an Italian composer of operas.

Verdi was born near Busseto to a provincial family of moderate means, and developed a musical education with the help of a local patron. Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history.

In his early operas Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. He also participated briefly as an elected politician. The chorus "Va, pensiero" from his early opera Nabucco (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi however did not seek to ingratiate himself with popular movements and as he became professionally successful was able to reduce his operatic workload and sought to establish himself as a landowner in his native region. He surprised the musical world by returning, after his success with the opera Aida (1871), with three late masterpieces: his Requiem (1874), and the operas Otello (1887) and Falstaff (1893).