- published: 23 Mar 2010
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Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
Berliner Messe (or Berlin Mass) is a mass setting by Estonian composer Arvo Pärt. Commissioned for the 90th Katholikentag in 1990, it was originally scored for SATB soloists and organ. Pärt later revised the piece for chorus and string orchestra. Pärt uses his tintinnabuli technique throughout, with movements taking many forms within that style—flowing from quietly reverent duets between parts to full chorus proclamations of faith.
The work consists of five movements of the Mass ordinary and three movements intended for the celebration of Pentecost:
The fact that the Mass was originally written for Pentecost is evidenced by the presence of the two Alleluias and the Veni Sancte Spiritus. However, Pärt has also set two Alleluia verses to permit the work to be used at Christmas. All five of these movements are marked "ad lib." in the score.
Stephen Layton (born 23 December 1966) is an English conductor.
Layton was raised in Derby, where his father was a church organist. He was a chorister at Winchester Cathedral, and subsequently won scholarships to Eton College and then King's College, Cambridge as an organ scholar under Stephen Cleobury.
Whilst studying at Cambridge, Layton founded the mixed-voice choir Polyphony in 1986. He was appointed the musical director of the Holst Singers in 1993, replacing Hilary Davan Wetton, who had founded the group in 1978. Layton has served as assistant organist at Southwark Cathedral and musical director of Wokingham Choral Society. Beginning in 1997, he served as organist and subsequently director of music at the Temple Church. From 1999-2004 he was Chief Conductor of the Netherlands Kammerkoor. From 2000-2012 he was Chief Guest Conductor of the Danish National Vocal Ensemble. In 2006, he became Director of Music at Trinity College, Cambridge. In November 2009, the City of London Sinfonia announced the appointment of Layton as its second Artistic Director, effective with the 2010-2011 season, for an initial contract of 3 years. Layton is also to have the title of Principal Conductor.
The Beatitudes are eight blessings recounted in the Sermon on the Mount in the Gospel of Matthew. Each is a proverb-like proclamation, without narrative, "cryptic, precise, and full of meaning. Each one includes a topic that forms a major biblical theme". Four of the blessings also appear in the Sermon on the Plain in the Gospel of Luke, followed by four woes which mirror the blessings.
The term beatitude comes from the Latin noun beātitūdō which means "happiness". In the Vulgate (Latin), the book of Matthew titles this section Beatitudines, and "Beatitudes" was anglicized from that term.
Each Beatitude consists of two phrases: the condition and the result. In almost every case the condition is from familiar Old Testament context, but Jesus teaches a new interpretation. Together, the Beatitudes present a new set of Christian ideals that focus on a spirit of love and humility different in orientation than the usual force and exaction taken. They echo the highest ideals of the teachings of Jesus on mercy, spirituality, and compassion.
Leeds Cathedral, formally the Cathedral Church of St Anne, commonly known as Saint Anne's Cathedral, is the Roman Catholic Cathedral of the Diocese of Leeds, and is the seat of the Bishop of Leeds. It is in the city of Leeds, West Yorkshire, England. The city of Leeds does not have a Church of England cathedral, because it was in the Anglican Diocese of Ripon and Leeds, where the cathedral was in Ripon; Leeds Minster, although in the city and is large and architecturally significant, is an optional pro-cathedral for the Diocese of West Yorkshire and the Dales.
The original cathedral was located in St. Anne's Church in 1878, but that building was demolished around 1900. The current cathedral building on Cookridge Street was completed in 1904, and was restored in 2006. The reredos of the old cathedral's high altar was designed by Pugin in 1842 and moved to the lady chapel of the new cathedral. The cathedral is a Grade II* listed building.
In 1786, Lady Lane Chapel was built, the first post-reformation Catholic place of worship in the city. In 1838, it was replaced by St Anne's Church. At the time, there were only two places of Catholic worship in Leeds, St Patrick's Church (which was built in 1831) and St Anne's. The next church to be built in Leeds was Mount St Mary's Church in Richmond Hill.
Arvo Pärt Berlin Mass: Sanctus.m4v
Pärt: Choral and Organ Music (Full Album)
Arvo Pärt - Missa Syllabica: IV. Sanctus
Annum per annum - Arvo Pärt
Arvo Pärt, Missa syllabica (1977)
Arvo Pärt - Pari intervallo
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Annem per Annem - Arvo Pärt
Kyrie, trope Cunctipotens - Arvo Pärt
Arbos - Arvo Part
Arvo Pärt, The Beatitudes
Arvo Pärt : An den wassern zu Babel sassen wir und weinten*
Arvo Pärt -- Graduel Qui sedes
Arvo Pärt - Beatus Petronius
Pari Intervallo by Arvo Pärt (Pipe Organ)
Arvo Pärt - Symphony No. 3, I
Arvo Pärt Which was the Son of
FRATRES para violín, cuerdas y percusión. Arvo Pärt
Arvo Pärt - Pari intervallo for Harp
Da Pacem, Domine : A Templar Chant : Lyric Video
Nathan Powell conducts Sanctus from Arvo Pärt's Berliner Messe.
Tracklist Below: Download via iTunes: https://itunes.apple.com/album/arvo-part-organ-choral-music/id1036814445 Buy CD: http://brilliantclassics.com/articles/p/paert-choral-and-organ-music/ Listen via Spotify: https://open.spotify.com/album/6jkNiHFRR96Oi9GSaELeu9 Arvo Pärt’s music resists the easily achieved peace of much Minimalist music of its time, even if its economy of gesture and expression – the joy taken in apparently simple beauty – has made him one of the iconic composers of our time. Such beauty is not simply achieved, and Pärt has written slowly, again unlike many of his contemporaries, filling each new piece with quiet quirks of harmony and unexpected turns that make them as satisfying to perform as they are to hear. All the works on this album of music reflecting Pärt’s dee...
Composer: Arvo Pärt Conductor: Tõnu Kaljuste Album: Beatus Label: Virgin Classics
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA. Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting. Excerpt from Jeremy Grimshaw's description of 'Annum per annum': The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum...
Arvo Pärt (1935--), Missa syllabica (1977) 00:00 Kyrie 02:24 Gloria 04:42 Credo 08:27 Sanctus 09:46 Agnus Dei 12:23 Ite missa est Theatre of Voices Christopher Bowers-Broadbent, organ Paul Hillier Artwork by Robert Ryman
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_source=youtube&utm;_medium=youtube_taster Arvo Pärt (b1935) Berliner Messe & Magnificat Polyphony Stephen Layton (conductor) Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt Featured extracts Berliner Messe [25'07] Polyphony, Stephen Layton (conductor), Andrew Lucas (organ) 1- Kyrie [3'26] 3- Erster Alleluiavers [0'54] Annum per Annum [11'56] 17- Magnificat [7'04] Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano) Seven Magnificat-Antiphons [14'58] Polyphony, Stephen Layton (conductor) 23- O König aller Völker [1'19] 25- De profundis [7'19] with Andrew Lucas (organ), Chris Guy...
Performed by organist Jeremy Thompson at First Presbyterian Church in Charlottesville, Virginia April 25, 2014
Performed by ensemble Vox Clamantis. From Annum per Annum
For 4 trumpets, 4 trombones and percussion
Arvo Pärt (born 11 September 1935), The Beatitudes, Elora Festival Singers and Orchestra, Jurgen Petrenko, organ . Composed in 1990, and revised in 1991, for SATB Choir or soloists with Organ accompaniment. Pärt's setting of The Beatitudes is one of only a handful of works (Litany and And One of the Pharisees also falling into that category) composed in English. Included "Sermon on the Mount" c. 1440, Fra Angelico (1387- 1455), "The Sermon on the Mount" 1481-1482, Cosimo Rosselli 1439- 1507, Sistine Chapel, Vatican City. The video's final stained glass window is from Saint Paul's Cathedral in St. Paul, Minnesota; the South Rose Window located south in line with Selby Avenue, the work of Charles J. Connick. The theme is from the Beatitudes spoken by jesus in the Sermon on the Mou...
An den Wassern zu Babylon calls on 13th-century music....
A very beautiful composition from an amazing man. From Annum per Annum
"Beatus Petronius and Statuit ei Dominus were commissioned in 1990 to commemorate the 600th anniversary of the Basilica San Petronio, the principal church of Bologna. San Petronio is one of the few churches to be equipped with two church organs. Arvo Pärt thus wrote both pieces for two choirs and two organs. However, the pieces can be performed together or separately. The two pieces are written in contrasting styles, arranged as antiphonal songs." http://www.universaledition.com/Arvo-Paert/composers-and-works/composer/534/work/13778/work_introduction
Pari Intervallo - composed by Arvo Pärt - played in small nice Church Organ by Oliver Michel
Symphony No.3 (1971) I. Attacca II. Più Mosso - Attaca III. Alla Breve Gothenburg Symphony Orchestra Neeme Järvi Pärt wrote this transitional work in 1971, just before a compositional silence of nearly six years from which he emerged with his minimalist-oriented "tintinnabulation" technique, for which he remains best known. In the Symphony No. 3 Pärt rejected the serialist idiom he had pioneered in his Estonian homeland, and turned to a dense, eclectic sound influenced by his study of early music: chant, Machaut, and the Flemish composers of the Renaissance. The work has echoes of everything from Russian Orthodox chant (clearly anticipating the direction in which Pärt would go) to the big string sound of Hovhaness. The composer has called this "a joyous work" that nevertheless ...
violin, strings and percussion version (1992).
Floraleda Sacchi (Harp) http://floraledasacchi.com/wp/product/minimal-harp/
If you appreciate our videos and love to support our channel: https://www.patreon.com/AOTC (even 1$ is highly appreciated) Thank you and God Bless About The Chant : The Knights left their homes to go fight in strange lands. They prayed for decisive victories so that there would be peace. Da pacem, Domine, translated into English as "Give Peace O Lord.“ An antiphon of the 6th or 7th century. By a Bull of Pope Nicholas III, 1279, it was ordered to be sung at every mass before the Agnus Dei. In the Paris Breviary of 1643, it is given along with a Collect for Peace, which occurs in the Sacramentary of Gelasius, A.D. 494, as a Commemoration de Pace per Annum. Lyrics in Latin: Da pacem, Domine In diebus nostris Quia non est alius Qui pugnet pro nobis Nisi tu Deus noster Fiat pax in vi...
Tracklist Below: Download via iTunes: https://itunes.apple.com/album/arvo-part-organ-choral-music/id1036814445 Buy CD: http://brilliantclassics.com/articles/p/paert-choral-and-organ-music/ Listen via Spotify: https://open.spotify.com/album/6jkNiHFRR96Oi9GSaELeu9 Arvo Pärt’s music resists the easily achieved peace of much Minimalist music of its time, even if its economy of gesture and expression – the joy taken in apparently simple beauty – has made him one of the iconic composers of our time. Such beauty is not simply achieved, and Pärt has written slowly, again unlike many of his contemporaries, filling each new piece with quiet quirks of harmony and unexpected turns that make them as satisfying to perform as they are to hear. All the works on this album of music reflecting Pärt’s dee...
Live performance by Cantores Musicæ Antiquæ, directed by Jeffery Kite-Powell on April 18, 2004 at Trinity United Methodist Church, Tallahassee, Fl. (Admittedly, the name of the group, in English, "Singers of Old Music" isn't appropriate for this composition!) Members of the ensemble: Beverly Beard, soprano Ariel Reed, soprano soloist Sarah Earnhardt, 2nd soprano Jessica Reed, 2nd soprano Kathleen Phipps, alto soloist Christine Valentine, alto Jeremy Barber, tenor soloist David Martinez, tenor Sean Parr, tenor Edwin Perez, bass Peter Hoesing, bass Bragi Thor Valsson, bass soloist Rainer Weissenberger, bass soloist Meghann Wilhoite, organ Cantores Musicæ Antiquæ [Singers of Early Music] was formed in the fall of 1989 with the intent to perform music from 1200-1650 in a historically info...
Annual Music Sunday, April 29, 2012
Compositor: 01. Fauré: Requiem - 1. Introit & Kyrie 6:02 Intérprete: Jonathan Bond, Benjamin Luxon; Choir Of St. John's College Cambridge: George Guest, condutor 02. Fauré: Requiem - 2. Offertoire 8:54 Intérprete: Jonathan Bond, Benjamin Luxon; Choir Of St. John's College Cambridge: George Guest, condutor 03. Fauré: Requiem - 3. Sanctus 3:37 Intérprete: Jonathan Bond, Benjamin Luxon; Choir Of St. John's College Cambridge: George Guest, condutor 04. Fauré: Requiem - 4. Pie Jesu 3:35 Intérprete: Benjamin Luxon, Jonathon Bond, Etc.; Choir Of St. John's College Cambridge, Academy Of St. Martin In The Fields: George Guest, condutor 05. Fauré: Requiem - 5. Agnus Dei 6:06 Intérprete: Jonathan Bond, Benjamin Luxon; Choir Of St. John's College Cambridge: George Guest, condutor 06. Fauré: Requiem...
Akademisk Kor. Nenia Zenana, conductor. The works of Hildegard von Bingen. Blessed Hildegard of Bingen (German: Hildegard von Bingen; Latin: Hildegardis Bingensis) (1098 -- 17 September 1179), also known as Saint Hildegard, and Sibyl of the Rhine, was a German writer, composer, philosopher, Christian mystic, Benedictine abbess, visionary, and polymath. Elected a magistra by her fellow nuns in 1136, she founded the monasteries of Rupertsberg in 1150 and Eibingen in 1165. One of her works as a composer, the Ordo Virtutum, is an early example of liturgical drama. She wrote theological, botanical and medicinal texts, as well as letters, liturgical songs, poems, and arguably the oldest surviving morality play, while supervising brilliant miniature Illuminations. Academic Choir is a choir fr...
The Best of Thomas Tallis (c. 1505 – 3 December 1585) Conductor:Jeremy Summerly Oxford Camerata Tallis occupies a primary place in anthologies of English choral music, and is considered one of England's greatest composers. He is honoured for his original voice in English musicianship. No contemporary portrait of Tallis survives: although an engraving by Gerard Vandergucht exists, it dates from 150 years after Tallis' death, and there is no reason to suppose that it is a likeness of the composer. In a rare existing copy of his black letter signature, the composer spelled his last name "Tallys. Little is known about Tallis' early life or when he first displayed his musical gifts. 0:00 O Sacrum Convivium 4:52 Audivi Vocem 8:47 Lamentations (Set 1) 17:14 Discomfort Them, Oh Lord 23:52 Loq...
Primeiro episódio da segunda temporada da série Música Sacra, criada pela BBC. Neste episódio, conhecemos um pouco da vida e da obra dos compositores Johannes Brahms e Anton Bruckner.
Rie Bloomfield Organ Series. 2015-2016 "Distinguished Guest Artist" Marie Rubis Bauer, organist with Michael Bauer. Tuesday, April 12, 2016 Wiedemann Recital Hall Wichita State University P r o g r a m Fantasia Ut, Re Mi, Fa, Sol, La Jan Pieterszoon Sweelinck 1562–1621 All’ Elevazione Domenico Zipoli 1688-1726 Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach 1685-1750 Toccata in C Major, BuxWV 137 Dieterich Buxtehude 1637-1707 Directly following the Intermission: “Conversation with the Artist” Canzon Sol Sol La Sol Fa Mi a 8 ...
http://www.allmusic.com/album/release/mendelssohn-drei-psalmen-op-78-sechs-spr%C3%BCche-op-79-die-deutsche-liturgie-mr0002080699 Manfred Bittner Bass (Vocal) Chamber Choir of Europe Choir/Chorus, Primary Artist Reinhard Geller Engineer, Producer Heike Heilmann Soprano (Vocal) Gerhard Hölzle Tenor (Vocal) Nicol Matt Conductor, Primary Artist Birgit Meyer Alto (Vocals) Gerhard Nennemann Tenor (Vocal) Wilhelm Schwinghammer Bass (Vocal) Birgit Wegemann Soprano (Vocal) Gabriele Wunderer Alto (Vocals) Psalms (3) for soloists & double chorus, Op. 78 1 Warum toben die Heiden (Psalm 2) Felix Mendelssohn Chamber Choir of Europe / Nicol Matt 7:31 2 Richte mich Gott (Psalm 43, Erstfassung) Felix Mendelssohn Chamber Choir of Europe / Nicol Matt 4:01 3 Mein Gott, warum hast du mich verlassen ...
Hildegard von bingen Canticles Of Ecstasy O Vis Aeternitatis (Responsorium) Sequentia Nunc Aperuit Nobis (Antiphon) Sequentia Quia Ergo Femina Mortem Instruxit (Antiphon) Sequentia Cum Processit Factura Digiti Dei (Antiphon) Sequentia Alma Redemptoris Mater (Marian Antiphon) Sequentia Ave Maria, O Auctrix Vite (Responsorium) Sequentia
Joep Franssens (1955) Phasing : for women's choir and orchestra (1985) Orchestra: Nederlands Balletorkest Conductor: Thierry Fischer Choir: Nederlands Theaterkoor Conductor: Hendrik Jan Lindhout dedicated to the ASKO koor en orkest Joep Franssens is a Dutch composer. He studied piano in Groningen, and composition in the Hague and Rotterdam with Louis Andriessen and Klaas de Vries respectively. He is representative of the post-serial generation of Dutch composers who use tonal means and an accessible idiom without neo-Romantic features, even if the pathos-laden, highly emotional nature of his music appears to contradict this endeavour. In his works, which consist of chamber music and choral and orchestral works, Franssens aims at a synthesis of monumentality and euphony and is initiall...
Organists Brian Harlow and Christopher Jennings perform Calvin Hampton's Alexander Variations for Organ and Second Keyboard Instrument. Recorded at the 2015 Mid-Atlantic Convention of the American Guild of Organists at Calvary Episcopal Church in Pittsburgh.
David discusses sorting methods and gives comparisons of their efficiencies. Some sorting methods that are mentioned include selection sort, insertion sort, bogosort, and merge sort.
At Highlands Latin School, recitations provide an opportunity for students to show the knowledge they have gained during the year. The Upper School recitation is particularly inspiring.
First modern performance presented in concert on period instruments by the FSU Early Music Ensembles and Cantores Musicæ Antiquæ, Jeffery Kite-Powell, director. March 4, 1994 at the St. Thomas More Co-Cathedral, Tallahassee, Fl. Photos from dress rehearsal. The Ensembles: Cantores Musicæ Antiquæ (Concertino Group) Rebecca Lister, soprano Alice Tillotson, soprano Patman Lester, countertenor Shawn Bartels, tenor Steven Zielke tenor David Childs, bass Cantores Musicæ Antiquæ (Ripieno Group) Solfeig Fretheim, soprano Janet Edwards, soprano Brian Black, countertenor Tim Watkins, tenor James Lease, tenor Jeffery Ames, bass Instrumental Ensembles (Strings) Karen Clarke, violin Melissa Brewer, violin Philip Chang, viola da gamba Jennifer Bell, viola da gamba Dennis Hutchison, viola da gamba ...
Classical Hollywood cinema or the classical Hollywood narrative, are terms used in film history which designate both a visual and sound style for making motion pictures and a mode of production used in the American film industry between 1917 and 1960. More bloopers: https://www.amazon.com/gp/search?ie=UTF8&tag;=tra0c7-20&linkCode;=ur2&linkId;=2e2330f57788ff94fc8dbab62c46051c&camp;=1789&creative;=9325&index;=dvd&keywords;=classic%20movie%20bloopers This period is often referred to as the "Golden Age of Hollywood." An identifiable cinematic form emerged during this period called classical Hollywood style. Classical style is fundamentally built on the principle of continuity editing or "invisible" style. That is, the camera and the sound recording should never call attention to themselves (as they...
Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the wo...
Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the wo...