- published: 23 Jun 2016
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Hip hop music has been popular in Africa since the early 1980s due to widespread American influence. In 1985 hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were M.C. Lida, M.C. Solaar, and Positive Black Soul, who mixed rap with Mbalax, a type of West African pop music. An early South African group was Black Noise. They began as a graffiti and breakdance crew in Cape Town until they started emceeing in 1989.
There also have been groups in Tanzania and other countries that emceed before 1989, although it is not very well known. During the late 1980s-early 1990s rap started to escalate all over Africa. Each region had a new type of style of hip hop. Rap elements are also found in Kwaito, a new genre based on house music which developed in South Africa in the 1990s.
Algerian hip hop music, as a genre, includes the hip hop music of both native Algerians and Algerians abroad. Algerians living abroad have contributed much to this genre, especially in France, where they are also considered part of the French hip hop scene. Some of these Algerians have become prominent. Algeria also has a hip hop scene, which, while less well-known internationally, is among the most developed in Africa and the Arab world.
Hip hop is a form of musical expression and artistic subculture that originated in African-American and Hispanic-American communities during the 1970s in New York City, specifically within the Bronx. The term often refers to hip hop music, which consists of poetry that is spoken - rather than sung - over either original or sampled instrumental recordings mixed with new original sounds from drum machines, and/or other instruments. However, the culture has expanded far beyond its original roots, and now is considered a worldwide subculture comprising rapping, DJing, hip hop dance, and graffiti art - known collectively as "Four Pillars of Hip Hop".
The block parties of DJ Kool Herc at 1520 Sedgwick Avenue, where Herc would mix samples of existing records with his own shouts to the crowd and dancers, are generally considered the birthplace of hip hop. Kool Herc is credited as the 'father' of the art form. DJ Afrika Bambaataa of the hip-hop collective Zulu Nation outlined the four pillars of hip hop culture: MCing, DJing, B-boying and graffiti writing. Since its emergence in the South Bronx, hip hop culture has spread to both urban and suburban communities throughout the world.Hip hop music first emerged with Kool Herc and contemporary disc jockeys and imitators creating rhythmic beats by looping breaks (small portions of songs emphasizing a percussive pattern) on two turntables, more commonly referred to as sampling. This was later accompanied by "rap", a rhythmic style of chanting or poetry presented in 16 bar measures or time frames, and beatboxing, a vocal technique mainly used to imitate percussive elements of the music and various technical effects of hip hop DJ's. An original form of dancing and particular styles of dress arose among fans of this new music. These elements experienced considerable refinement and development over the course of the history of the culture.
Hip hop, a way of life
Chosen by the ghetto youth out of necessity
It involves graffiti, deejaying, breakdancing and emceeing
Which all rely on raw, artistic skill
You know, they used to tell me that this music would never last
Now look at it now, it influences all music here today
So either you respect it we gon' take it back
Hip hop, the voice of the street, the voice of the youth
The voice that you hear, the voice that only we produce
The way that we salute that makes the wildest niggas start to shoot
The voice that recoupes only 12% of the loot
The voice of the groups, like OutKast, LOX and The Roots
The voice of the truth, that no society can ever mute
The voice of the men and women who gave their lives defendin
The God-given rights, they had no choice but to fight
The voice of the black, latino and the white
The voice of the club that makes the freaks come out at night
The voice of the thugs who pop champagne and rock ice
The voice of the shorties who wear tight shirts and talk sheist
The voice of the shook who look one time but not twice
The voice of the crooks at gambling spot with hot dice
The voice of the church, mosque, synagogue and temple
The voice of your soul, your body and your mental
The voice that says "rap!" when I hear a instrumental
The voice that don't stop and it's just that simple
The voice that don't stop and it's just that simple
The voice that don't, d-d-don't, d-don't...
Yo, we live that life that you call hip hop
From the bottom straight to the tip top
Hey Rawls, we got em while them others did not
So if you with the LC, nigga, lick shot
If you live that life they call hip hop
Worldwide everyday tic-toc
This life is like nothin to play with, ock
That's why when I say "shit" you say "shit hot"
That's why when I say "shit" you say "shit hot"
That's why when I say "shit" you say "shit hot"
That's why when I say "shit" you say "shit hot"
That's why when I say "shit" -
(*excerpt from the movie _Wildstyle_*)
[ Double Trouble ]
Cause here's a little story that must be told
About two cool brothers that were put on hold
Tried to hold us back from fortune and fame
They destroyed the crew and they killed our name
They tried to step on the ego and walk on the pride
But true blue brothers stand side by side
Through thick and thin, from beginning to end