- published: 26 May 2011
- views: 56937
Create your page here
Sunday, 29 January 2017
-
remove the playlistAria From Act Iii Of Satyagraha Philip Glass
-
remove the playlistLive Recordings
-
remove the playlistPhilip_glass Concerts
-
remove the playlistPhilip_glass Interviews
-
remove the playlistLatest Videos
- remove the playlistAria From Act Iii Of Satyagraha Philip Glass
- remove the playlistLive Recordings
- remove the playlistPhilip_glass Concerts
- remove the playlistPhilip_glass Interviews
- remove the playlistLatest Videos
back to playlist
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 7190
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 8906
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 13693
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 8215
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 10244
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 36537
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 10883
Philip Glass
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Philip_Glass
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Satyagraha
Satyagraha (/ˌsætɪəˈɡrɑːhɑː/; Sanskrit: सत्याग्रह satyāgraha) — loosely translated as "insistence on truth" (satya "truth"; agraha "insistence" or "holding firmly to") or holding onto truth or truth force — is a particular form of nonviolent resistance or civil resistance. The term satyagraha was coined and developed by Mahatma Gandhi. He deployed satyagraha in the Indian independence movement and also during his earlier struggles in South Africa for Indian rights. Satyagraha theory influenced Nelson Mandela's struggle in South Africa under apartheid, Martin Luther King, Jr.'s and James Bevel's campaigns during the Civil Rights Movement in the United States, and many other social justice and similar movements. Someone who practices satyagraha is a satyagrahi.
Origin and meaning of name
The term originated in a competition in the news-sheet Indian Opinion in South Africa in 1906. It was an adaptation by Gandhi of one of the entries in that competition. "Satyagraha" is a Tatpuruṣa compound of the Sanskrit words satya (meaning "truth") and Agraha ("polite insistence", or "holding firmly to"). Satya is derived from the word “sat”, which means “being”. Nothing is or exists in reality except Truth. In the context of satyagraha, Truth therefore includes a) Truth in speech, as opposed to falsehood, b) what is real, as opposed to nonexistent (asat) and c) good as opposed to evil, or bad. This was critical to Gandhi’s understanding of and faith in nonviolence:”The world rests upon the bedrock of satya or truth. Asatya, meaning untruth, also means nonexistent, and satya or truth also means that which is. If untruth does not so much as exist, its victory is out of the question. And truth being that which is, can never be destroyed. This is the doctrine of satyagraha in a nutshell.” For Gandhi, satyagraha went far beyond mere "passive resistance" and became strength in practising non-violent methods. In his words:
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Satyagraha
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Glass
Glass is a non-crystalline amorphous solid that is often transparent and has widespread practical, technological, and decorative usage in, for example, window panes, tableware, and optoelectronics. Scientifically, the term "glass" is often defined in a broader sense, encompassing every solid that possesses a non-crystalline (that is, amorphous) structure at the atomic scale and that exhibits a glass transition when heated towards the liquid state.
The most familiar, and historically the oldest, types of glass are based on the chemical compound silica (silicon dioxide), the primary constituent of sand. The term glass, in popular usage, is often used to refer only to this type of material, which is familiar from use as window glass and in glass bottles. Of the many silica-based glasses that exist, ordinary glazing and container glass is formed from a specific type called soda-lime glass, composed of approximately 75% silicon dioxide (SiO2), sodium oxide (Na2O) from sodium carbonate (Na2CO3), calcium oxide, also called lime (CaO), and several minor additives. A very clear and durable quartz glass can be made from pure silica which is very tough and resistant to thermal shock, being able to survive immersion in water while red hot. However, quartz must be heated to well over 3,000 °F (1,650 °C) (white hot) before it begins to melt, and it has a very narrow glass transition, making glassblowing and hot working difficult. In glasses like soda lime, the other compounds are used to lower the melting temperature and improve the temperature workability of the product at a cost in the toughness, thermal stability, and optical transmittance.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Glass
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
location on Google Map
Netherlands
The Netherlands (
i/ˈnɛðərləndz/; Dutch: Nederland [ˈneːdərˌlɑnt]) is the main "constituent country" (Dutch: land) of the Kingdom of the Netherlands. It is a small, densely populated country located in Western Europe with three island territories in the Caribbean. The European part of the Netherlands borders Germany to the east, Belgium to the south, and the North Sea to the northwest, sharing maritime borders with Belgium, the United Kingdom and Germany. The largest and most important cities in the Netherlands are Amsterdam, The Hague and Rotterdam. Amsterdam is the country's capital, while The Hague holds the Dutch seat of government and parliament. The port of Rotterdam is the largest port in Europe – as large as the next three largest combined – and was the world's largest port between 1962 and 2004. The name Holland is also frequently used to informally refer to the whole of the country of the Netherlands.
"Netherlands" literally means "lower countries", influenced by its low land and flat geography, with only about 50% of its land exceeding one metre above sea level. Most of the areas below sea level are man-made. Since the late 16th century, large areas (polders) have been reclaimed from the sea and lakes, amounting to nearly 17% of the country's current land mass.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Netherlands
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
location on Google Map
South Africa
South Africa, officially the Republic of South Africa, is the southernmost sovereign state in Africa. It is bounded on the south by 2,798 kilometers of coastline of southern Africa stretching along the South Atlantic and Indian Oceans, on the north by the neighbouring countries of Namibia, Botswana and Zimbabwe, and on the east by Mozambique and Swaziland, and surrounding the kingdom of Lesotho. South Africa is the 25th-largest country in the world by land area, and with close to 53 million people, is the world's 24th-most populous nation. It is the southernmost country on the mainland of the Old World or the Eastern Hemisphere.
South Africa is a multiethnic society encompassing a wide variety of cultures, languages, and religions. Its pluralistic makeup is reflected in the constitution's recognition of 11 official languages, which is among the highest number of any country in the world. Two of these languages are of European origin: Afrikaans developed from Dutch and serves as the first language of most white and coloured South Africans; English reflects the legacy of British colonialism, and is commonly used in public and commercial life, though it is fourth-ranked as a spoken first language.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/South_Africa
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
- Loading...
-
8:23Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
Philip Glass - Evening Song Act III Pt. 3 - Satyagraha -
15:36Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
8:25Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
14:45Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
11:33Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
15:20Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
8:08Michael Riesman Aria from Act III of Satyagraha
Michael Riesman Aria from Act III of Satyagraha -
18:48Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
11:41Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems. Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September. Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings." In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha." Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all. Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace. -
7:28II. Act III Conclusion from Satyagraha
II. Act III Conclusion from SatyagrahaII. Act III Conclusion from Satyagraha
Philip Glass
ALBUMS
- Voices for Didgeridoo and Organ / Organ Suite released: 2014
- How Now, Strung Out released: 2014
- Galileo Galilei released: 2013
- Harpsichord Concertos released: 2013
- Concert of the Sixth Sun released: 2013
- Visitors released: 2013
- Symphony no. 3 / The Hours released: 2013
- Cello Concerto No. 2: Naqoyqatsi released: 2013
- Tara Hugo Sings Philip Glass released: 2012
- Metamorphosis released: 2012
- The Passion of Ramakrishna released: 2012
- Metamorphosis - The Hours released: 2012
- Rework released: 2012
- Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations released: 2011
- Works for Saxophone Quartet released: 2011
- Symphony No. 9 released: 2011
- In the Penal Colony released: 2011
- Mad Rush: Solo Piano Music of Philip Glass released: 2011
- The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra released: 2011
- Concerto for Cello and Orchestra no. 1 released: 2011
- From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso released: 2011
- Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman) released: 2011
- Kepler released: 2011
- Orphée released: 2010
- String Quartets nos. 1-4 released: 2010
- Violin Concerto No. 2: The American Four Seasons released: 2010
- Itaipu and Three Songs released: 2010
- The Orange Mountain Music Philip Glass Sampler, Volume I released: 2010
- The Juniper Tree released: 2009
- Minimal Music released: 2009
- From the Philip Glass Recording Archive, Volume V: The Secret Agent released: 2009
- A Madrigal Opera. Cameo. A Symphonic Poem released: 2009
- Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies) released: 2009
- Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours released: 2009
- In the Upper Room released: 2009
- Music in Twelve Parts released: 2008
- Violin Concerto; Low Symphony released: 2008
- Sentieri Selvaggi Plays Gavin Bryars & Philip Glass released: 2008
- Philip Glass Soundtracks (piano: Michael Riesman) released: 2008
- The Concerto Project, Volume III released: 2008
- Another Look at Harmony, Part IV released: 2008
- From the Philip Glass Recording Archive, Volume 4: Neverwas released: 2008
- Waiting for the Barbarians released: 2008
- Les Animaux amoureux released: 2008
- From the Philip Glass Recording Archive, Volume III: Film Scores: Jenipapo released: 2008
- Complete String Quartets released: 2008
- Glass Box: A Nonesuch Retrospective released: 2008
- Philip Glass: Portrait released: 2008
- Songs and Poems for Solo Cello released: 2008
- From the Philip Glass Recording Archive, Volume 1: Theater Music released: 2007
- Dracula released: 2007
- Cassandra's Dream released: 2007
- From the Philip Glass Recording Archive, Volume II: Orchestral Music released: 2007
- Best of Philip Glass released: 2007
- Music with Changing Parts (Icebreaker) released: 2007
- Theater Music, Volume 1 released: 2007
- Book of Longing released: 2007
- Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop) released: 2007
- Notes on a Scandal released: 2007
- Dances & Sonata released: 2006
- Metamorphosis (piano: Branka Parlić) released: 2006
- Philip Glass Ensemble Live in Monterrey, Mexico released: 2006
- Analog released: 2006
- The Witches of Venice released: 2006
- Roving Mars released: 2006
- The Illusionist released: 2006
- The Concerto Project, Volume II released: 2006
- Symphony No. 8 released: 2006
- The Voyage released: 2006
- Symphony No. 6 "Plutonian Ode" released: 2005
- Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages released: 2004
- Metamorphosis released: 2004
- The Music of Undertow released: 2004
- The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz) released: 2004
- Solo Piano released: 2003
- Heroes / Low Symphonies released: 2003
- 600 Lines / How Now released: 2003
- Music From the Thin Blue Line released: 2003
- The Ultimate Philip Glass released: 2003
- Trivium released: 2001
- Koyaanisqatsi released: 2001
- Philip on Film: Filmworks by Philip Glass released: 2001
- Piano Music released: 1999
- Minimal Piano Works, Volume I (Piano: Jeroen van Veen) released: 1999
- Symphony No. 2 released: 1998
- Circles (piano: Arturo Stalteri) released: 1998
- Glassmasters released: 1997
- Music in Twelve Parts released: 1996
- Music from Dunvagen released: 1995
- Barber / Dvořák / Glass released: 1993
- Music in Twelve Parts released: 1990
- Einstein on the Beach released: 1990
- Dance Nos. 1 & 3 released: 1980
- Music in Twelve Parts, Parts 1 & 2 released: 1974
- The World of Philip Glass released:
- How Now released:
- 2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera) released:
- Philip Glass: The Piano Music (piano: John Lenehan) released:
- 2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK released:
- Monsters of Grace released:
Voices for Didgeridoo and Organ / Organ Suite
Released 2014- add to main playlist Play in Full Screen Voices for Didgeridoo and Organ: Song 1
- add to main playlist Play in Full Screen Voices for Didgeridoo and Organ: Song 2
- add to main playlist Play in Full Screen Voices for Didgeridoo and Organ: Song 3
- add to main playlist Play in Full Screen Voices for Didgeridoo and Organ: Song 4
- add to main playlist Play in Full Screen Organ Suite: Prologue
- add to main playlist Play in Full Screen Organ Suite: New Cities
- add to main playlist Play in Full Screen Organ Suite: Islands
- add to main playlist Play in Full Screen Organ Suite: Anthem
Galileo Galilei
Released 2013- add to main playlist Play in Full Screen Galileo Galilei: Scene 1: Opening Song
- add to main playlist Play in Full Screen Galileo Galilei: Scene 2: Recantation
- add to main playlist Play in Full Screen Galileo Galilei: Scene 3: Pears
- add to main playlist Play in Full Screen Galileo Galilei: Scene 4: Trial
- add to main playlist Play in Full Screen Galileo Galilei: Scene 5: Dialog Concerning the Two Chief Systems of the World
Harpsichord Concertos
Released 2013- add to main playlist Play in Full Screen Suite Antique: I. Prelude: Moderato con moto tranquillo
- add to main playlist Play in Full Screen Suite Antique: II. Ostinato: Vivace
- add to main playlist Play in Full Screen Suite Antique: III. Aria: Andante
- add to main playlist Play in Full Screen Suite Antique: IV. Waltz: A Jazz waltz
- add to main playlist Play in Full Screen Suite Antique: V. Chanson: Andante espressivo ma con moto
- add to main playlist Play in Full Screen Suite Antique: VI. Rondeau: Vivace
- add to main playlist Play in Full Screen Concerto for Harpsichord and Chamber Orchestra: I.
- add to main playlist Play in Full Screen Concerto for Harpsichord and Chamber Orchestra: II.
- add to main playlist Play in Full Screen Concerto for Harpsichord and Chamber Orchestra: III.
- add to main playlist Play in Full Screen Concerto pour Clavecin et Ensemble Instrumental: I. Toccata I
- add to main playlist Play in Full Screen Concerto pour Clavecin et Ensemble Instrumental: II. Toccata II
- add to main playlist Play in Full Screen Concerto pour Clavecin et Ensemble Instrumental: III. Andantino
- add to main playlist Play in Full Screen Concerto pour Clavecin et Ensemble Instrumental: IV. Menuet
- add to main playlist Play in Full Screen Concerto pour Clavecin et Ensemble Instrumental: V. Finale
Visitors
Released 2013- add to main playlist Play in Full Screen Novus Ordo Seclorum
- add to main playlist Play in Full Screen The Day Room
- add to main playlist Play in Full Screen Off Planet, Part 1
- add to main playlist Play in Full Screen Off Planet, Part 2
- add to main playlist Play in Full Screen Gone
- add to main playlist Play in Full Screen The Reciprocal Gaze
Symphony no. 3 / The Hours
Released 2013- add to main playlist Play in Full Screen Suite from "The Hours": I
- add to main playlist Play in Full Screen Suite from "The Hours": II
- add to main playlist Play in Full Screen Suite from "The Hours": III
- add to main playlist Play in Full Screen Symphony no. 3 (for strings): I
- add to main playlist Play in Full Screen Symphony no. 3 (for strings): II
- add to main playlist Play in Full Screen Symphony no. 3 (for strings): III
- add to main playlist Play in Full Screen Symphony no. 3 (for strings): IV
Cello Concerto No. 2: Naqoyqatsi
Released 2013- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 1. Naqoyqatsi
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 2. Massman
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 3. New World
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 4. Intensive Times
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 5. Old World
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 6. Point Blank
- add to main playlist Play in Full Screen Cello Concerto No. 2 "Naqoyqatsi": 7. The Vivid Unknown
Tara Hugo Sings Philip Glass
Released 2012- add to main playlist Play in Full Screen Always Neverwas
- add to main playlist Play in Full Screen Let the Letter Read You
- add to main playlist Play in Full Screen How Much I Love You
- add to main playlist Play in Full Screen The New Rule
- add to main playlist Play in Full Screen Spinning
- add to main playlist Play in Full Screen Feeding Frenzy
- add to main playlist Play in Full Screen Streets of Berlin
- add to main playlist Play in Full Screen A Sip of Wine
- add to main playlist Play in Full Screen Cabin in the Rockies
- add to main playlist Play in Full Screen Kabul
- add to main playlist Play in Full Screen Planctus
- add to main playlist Play in Full Screen The Night of Santiago
Metamorphosis
Released 2012- add to main playlist Play in Full Screen Opening (from Glassworks)
- add to main playlist Play in Full Screen Helen's Tune (from The Candyman): Cue 2a
- add to main playlist Play in Full Screen Helen's Tune (from The Candyman): Cue 2b
- add to main playlist Play in Full Screen Helen's Tune (from The Candyman): Cue 2c
- add to main playlist Play in Full Screen Metamorphosis: I. Moderate
- add to main playlist Play in Full Screen Metamorphosis: II. Flowing
- add to main playlist Play in Full Screen Metamorphosis: III. Moderately Fast
- add to main playlist Play in Full Screen Metamorphosis: IV. Flowing
- add to main playlist Play in Full Screen Metamorphosis: V. Moderate
- add to main playlist Play in Full Screen Modern Love Waltz
- add to main playlist Play in Full Screen Why Does Someone Have to Die? (from The Hours)
- add to main playlist Play in Full Screen "Trilogy" Sonata: I. Knee Play no. 4 (from Einstein on the Beach)
- add to main playlist Play in Full Screen "Trilogy" Sonata: II. Act III (from Satyagraha)
- add to main playlist Play in Full Screen "Trilogy" Sonata: III. Dance (from Akhnaten)
- add to main playlist Play in Full Screen Closing (from Glassworks)
The Passion of Ramakrishna
Released 2012- add to main playlist Play in Full Screen The Passion of Ramakrishna: Prologue
- add to main playlist Play in Full Screen The Passion of Ramakrishna: Part 1
- add to main playlist Play in Full Screen The Passion of Ramakrishna: Part 2
- add to main playlist Play in Full Screen The Passion of Ramakrishna: Part 3
- add to main playlist Play in Full Screen The Passion of Ramakrishna: Part 4
- add to main playlist Play in Full Screen The Passion of Ramakrishna: Epilogue
Metamorphosis - The Hours
Released 2012- add to main playlist Play in Full Screen Opening Piece From Glassworks
- add to main playlist Play in Full Screen Metamorphosis One - Moderate
- add to main playlist Play in Full Screen Metamorphosis Two - Flowing
- add to main playlist Play in Full Screen Metamorphosis Three - Moderately Fast
- add to main playlist Play in Full Screen Metamorphosis Four - Flowing
- add to main playlist Play in Full Screen Metamorphosis Five - Moderate
- add to main playlist Play in Full Screen The Hours - The Poet Acts
- add to main playlist Play in Full Screen The Hours - Something She Has to Do
- add to main playlist Play in Full Screen The Hours - I'm Going to Make a Cake
- add to main playlist Play in Full Screen The Hours - An Unwelcome Friend
- add to main playlist Play in Full Screen The Hours - Closing Life
- add to main playlist Play in Full Screen The Hours - The Hours
Phaedra, Modern Love Waltz and 21 Robert Moran Orchestrations
Released 2011- add to main playlist Play in Full Screen Phaedra: Scene 2
- add to main playlist Play in Full Screen Phaedra: Scene 4
- add to main playlist Play in Full Screen Phaedra: Scene 6
- add to main playlist Play in Full Screen Phaedra: Scene 14
- add to main playlist Play in Full Screen Phaedra: Scene 15a
- add to main playlist Play in Full Screen Modern Love Waltz
- add to main playlist Play in Full Screen Modern Love Waltz with 2 drummers
- add to main playlist Play in Full Screen Modern Love Waltz with 3 marimbas
- add to main playlist Play in Full Screen Modern Love Waltz with 5 vibraphones
- add to main playlist Play in Full Screen Modern Love Waltz with 2 drummers and 3 marimbas
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings
- add to main playlist Play in Full Screen Modern Love Waltz with 2 drummers and 5 vibraphones
- add to main playlist Play in Full Screen Modern Love Waltz with 3 marimbas and 5 vibraphones
- add to main playlist Play in Full Screen Modern Love Waltz with 8 keyboards
- add to main playlist Play in Full Screen Modern Love Waltz with 10 percussionists
- add to main playlist Play in Full Screen Modern Love Waltz with 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings and 8 keyboards
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings and 10 percussionists
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 8 keyboards and 10 percussionists
- add to main playlist Play in Full Screen Modern Love Waltz with 8 keyboards and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 10 percussionists and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings, 8 keyboards and 10 percussionists
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings, 8 keyboards and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings, 10 percussionists and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 8 keyboards, 10 percussionists and 11 winds
- add to main playlist Play in Full Screen Modern Love Waltz with 6 strings, 8 keyboards, 10 percussionists and 11 winds
Works for Saxophone Quartet
Released 2011- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): I. 1957: Award Montage
- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): II. November 25: Ichigaya
- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): III. Grandmother and Kimitake
- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): IV. 1962: Body Building
- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): V. Blood Oath
- add to main playlist Play in Full Screen String Quartet No. 3, "Mishima" (arr. C. Enzel for saxophone quartet): VI. Mishima / Closing (End Credits)
- add to main playlist Play in Full Screen Saxophone Quartet: I. -
- add to main playlist Play in Full Screen Saxophone Quartet: II. -
- add to main playlist Play in Full Screen Saxophone Quartet: III. -
- add to main playlist Play in Full Screen Saxophone Quartet: IV. -
- add to main playlist Play in Full Screen Songs for Tony: I. -
- add to main playlist Play in Full Screen Songs for Tony: II. -
- add to main playlist Play in Full Screen Songs for Tony: III. -
- add to main playlist Play in Full Screen Songs for Tony: IV. -
In the Penal Colony
Released 2011- add to main playlist Play in Full Screen In the Penal Colony: The Machine
- add to main playlist Play in Full Screen In the Penal Colony: Prologue
- add to main playlist Play in Full Screen In the Penal Colony: Scene 1
- add to main playlist Play in Full Screen In the Penal Colony: Scene 2
- add to main playlist Play in Full Screen In the Penal Colony: Scene 3
- add to main playlist Play in Full Screen In the Penal Colony: Scene 4
- add to main playlist Play in Full Screen In the Penal Colony: Scene 5
- add to main playlist Play in Full Screen In the Penal Colony: Scene 6
- add to main playlist Play in Full Screen In the Penal Colony: Scene 7
- add to main playlist Play in Full Screen In the Penal Colony: Scene 8
- add to main playlist Play in Full Screen In the Penal Colony: Scene 9
- add to main playlist Play in Full Screen In the Penal Colony: Scene 10
- add to main playlist Play in Full Screen In the Penal Colony: Scene 11
- add to main playlist Play in Full Screen In the Penal Colony: Scene 12
- add to main playlist Play in Full Screen In the Penal Colony: Scene 13
- add to main playlist Play in Full Screen In the Penal Colony: Scene 14
- add to main playlist Play in Full Screen In the Penal Colony: Scene 15
- add to main playlist Play in Full Screen In the Penal Colony: Scene 16
- add to main playlist Play in Full Screen In the Penal Colony: Epilogue
Mad Rush: Solo Piano Music of Philip Glass
Released 2011- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Metamorphosis: I
- add to main playlist Play in Full Screen Metamorphosis: II
- add to main playlist Play in Full Screen Metamorphosis: III
- add to main playlist Play in Full Screen Metamorphosis: IV
- add to main playlist Play in Full Screen Metamorphosis: V
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Dead Things
- add to main playlist Play in Full Screen Wichita Vortex Sutra
The Concerto Project, Volume IV: Double Concerto for Violin, Cello & Orchestra / Tirol Concerto for Piano & Orchestra
Released 2011- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Duet No. 1
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Part 1
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Duet No. 2
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Part 2
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Duet No. 3
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Part 3
- add to main playlist Play in Full Screen Double Concerto for Violin, Cello & Orchestra: Duet No. 4
- add to main playlist Play in Full Screen Tirol Concerto for Piano & Orchestra: I
- add to main playlist Play in Full Screen Tirol Concerto for Piano & Orchestra: II
- add to main playlist Play in Full Screen Tirol Concerto for Piano & Orchestra: III
From the Philip Glass Recording Archive, Volume VI: The Music of Philip Glass and Foday Musa Suso
Released 2011- add to main playlist Play in Full Screen The Call
- add to main playlist Play in Full Screen Waiting
- add to main playlist Play in Full Screen African Promenade
- add to main playlist Play in Full Screen The Wayside
- add to main playlist Play in Full Screen Night Dance
- add to main playlist Play in Full Screen NY Twilight
- add to main playlist Play in Full Screen Off Chance
- add to main playlist Play in Full Screen The Ropes
- add to main playlist Play in Full Screen Meeting Marlowe
- add to main playlist Play in Full Screen Tea Time
- add to main playlist Play in Full Screen New Combo
- add to main playlist Play in Full Screen Outerlude
- add to main playlist Play in Full Screen East Village Campsite
- add to main playlist Play in Full Screen After the Pain
- add to main playlist Play in Full Screen Suso's Song
- add to main playlist Play in Full Screen Afternoon Waltz
- add to main playlist Play in Full Screen Philip's Song
- add to main playlist Play in Full Screen Foday's Hometown
- add to main playlist Play in Full Screen Beautiful Girl (live)
- add to main playlist Play in Full Screen Long Life (live)
Glassworks + Music in Similar Motion (Signal feat. conductor: Brad Lubman, keyboards: Michael Riesman)
Released 2011- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Floe
- add to main playlist Play in Full Screen Islands
- add to main playlist Play in Full Screen Rubric
- add to main playlist Play in Full Screen Facades
- add to main playlist Play in Full Screen Closing
- add to main playlist Play in Full Screen Music in Similar Motion
Kepler
Released 2011- add to main playlist Play in Full Screen I - On Astrology
- add to main playlist Play in Full Screen II - Gryphius 4: To the Stars
- add to main playlist Play in Full Screen III - Hypotheses
- add to main playlist Play in Full Screen IV - Gryphius 5: Tears of the Fatherland
- add to main playlist Play in Full Screen V - Emphemerides
- add to main playlist Play in Full Screen Epilogue
Orphée
Released 2010- add to main playlist Play in Full Screen Orphée: Act I, Scene I. "le Café" (The Café)
- add to main playlist Play in Full Screen Orphée: Act I, Scene II. "la Route" (The Road)
- add to main playlist Play in Full Screen Orphée: Act I, Scene III. "le Chalet" (The Chalet)
- add to main playlist Play in Full Screen Orphée: Act I, Scene IV. "Chez Orphée" (Orphée's House)
- add to main playlist Play in Full Screen Orphée: Act I, Scene V. "la Chambre d'Orphée" (Orphée's Bedroom)
- add to main playlist Play in Full Screen Orphée: Act I, Scene VI. "le Studio d'Orphée" (Orphée's Studio)
- add to main playlist Play in Full Screen Orphée: Act I, Scene VII. "le Bureau du Commissaire" (Commissioner's Office)
- add to main playlist Play in Full Screen Orphée: Act I, Scene VIII. "la Poursuite" (The Chase)
- add to main playlist Play in Full Screen Orphée: Act I, Scene IX. "Chez Orphée" (Orphée's House)
String Quartets nos. 1-4
Released 2010- add to main playlist Play in Full Screen String Quartet no. 2 "Company": I
- add to main playlist Play in Full Screen String Quartet no. 2 "Company": II
- add to main playlist Play in Full Screen String Quartet no. 2 "Company": III
- add to main playlist Play in Full Screen String Quartet no. 2 "Company": IV
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": I. 1957: Award Montage
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": II. November 25: Ichigaya
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": III. Grandmother and Kimitake
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": IV. 1962: Body Building
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": V. Blood Oath
- add to main playlist Play in Full Screen String Quartet no. 3 "Mishima": VI. Mishima / Closing
- add to main playlist Play in Full Screen String Quartet no. 1: I
- add to main playlist Play in Full Screen String Quartet no. 1: II
- add to main playlist Play in Full Screen String Quartet no. 4 "Buczak": I
- add to main playlist Play in Full Screen String Quartet no. 4 "Buczak": II
- add to main playlist Play in Full Screen String Quartet no. 4 "Buczak": III
Violin Concerto No. 2: The American Four Seasons
Released 2010- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": Prologue
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": I
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": Song No. 1
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": II
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": Song No. 2
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": III
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": Song No. 3
- add to main playlist Play in Full Screen Violin Concerto No. 2 "The American Four Seasons": IV
Itaipu and Three Songs
Released 2010- add to main playlist Play in Full Screen Itaipu: Mato Grosso
- add to main playlist Play in Full Screen Itaipu: The Lake
- add to main playlist Play in Full Screen Itaipu: The Dam
- add to main playlist Play in Full Screen Itaipu: To The Sea
- add to main playlist Play in Full Screen Three Songs: There Are Some Men
- add to main playlist Play in Full Screen Three Songs: Quand les Hommes Vivront d'Amour
- add to main playlist Play in Full Screen Three Songs: Pierre de Soleil
The Orange Mountain Music Philip Glass Sampler, Volume I
Released 2010- add to main playlist Play in Full Screen Etudes for Solo Piano, Volume I, Nos. 1-10: II. Etude No.2
- add to main playlist Play in Full Screen Candyman: Music Box
- add to main playlist Play in Full Screen Saxophone: Concerto for Saxophone Quartet
- add to main playlist Play in Full Screen The Thin Blue Line: Help Me
- add to main playlist Play in Full Screen Orphée Suite for Solo Piano: Orphée's Bedroom
- add to main playlist Play in Full Screen The Fog of War: 100,000 People
- add to main playlist Play in Full Screen Channels & Winds
- add to main playlist Play in Full Screen The Hours Solo Piano: Escape!
- add to main playlist Play in Full Screen Concerto Fantasy: Movement 1
- add to main playlist Play in Full Screen Undertow: The Chase
- add to main playlist Play in Full Screen Etude No.2 (Superveille)
- add to main playlist Play in Full Screen Analog: Etoile Polaire
- add to main playlist Play in Full Screen Piano Concerto No.2 "The Vision": Movement 1
- add to main playlist Play in Full Screen The Witches of Venice: The Plant-Boy's Song
- add to main playlist Play in Full Screen Dracula Solo Piano: Renfield
- add to main playlist Play in Full Screen Funeral of Amenhotep III (Edited)
- add to main playlist Play in Full Screen Cassandra's Dream: A Drive in the Country
- add to main playlist Play in Full Screen Waiting for the Barbarians: Dreamscape No.3
- add to main playlist Play in Full Screen Molly Is a Dreamer
- add to main playlist Play in Full Screen Neverwas: Neverwas Restored
- add to main playlist Play in Full Screen Koyaanisqatsi: The Grid (edit)
The Juniper Tree
Released 2009- add to main playlist Play in Full Screen The Juniper Tree: Prologue
- add to main playlist Play in Full Screen The Juniper Tree: Act One: Scene One
- add to main playlist Play in Full Screen The Juniper Tree: Scene Two
- add to main playlist Play in Full Screen The Juniper Tree: Scene Three
- add to main playlist Play in Full Screen The Juniper Tree: Bird Song
- add to main playlist Play in Full Screen The Juniper Tree: Epilogue
- add to main playlist Play in Full Screen The Juniper Tree: Act Two: Scene One
- add to main playlist Play in Full Screen The Juniper Tree: Interlude
- add to main playlist Play in Full Screen The Juniper Tree: Scene Two
- add to main playlist Play in Full Screen The Juniper Tree: Final Scene - Trio
Minimal Music
Released 2009- add to main playlist Play in Full Screen Szene 1: Funeral of Amenhotep III
- add to main playlist Play in Full Screen Conclusion Act 3
- add to main playlist Play in Full Screen The Poet Acts
- add to main playlist Play in Full Screen Escape!
- add to main playlist Play in Full Screen Knee Play no. 4
- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Hymn to the Sun
- add to main playlist Play in Full Screen Facades
- add to main playlist Play in Full Screen Lightning
- add to main playlist Play in Full Screen Dance II
- add to main playlist Play in Full Screen Dance IX
From the Philip Glass Recording Archive, Volume V: The Secret Agent
Released 2009- add to main playlist Play in Full Screen Secret Agent
- add to main playlist Play in Full Screen Winnie Remembers
- add to main playlist Play in Full Screen Verloc and the Russian Embassy
- add to main playlist Play in Full Screen Blood on the Stairs
- add to main playlist Play in Full Screen The First Meridian
- add to main playlist Play in Full Screen Emigration
- add to main playlist Play in Full Screen Trust
- add to main playlist Play in Full Screen Winnie?
- add to main playlist Play in Full Screen Explosives
- add to main playlist Play in Full Screen All the Money
- add to main playlist Play in Full Screen Simple
- add to main playlist Play in Full Screen Roast Beef
- add to main playlist Play in Full Screen Safe Journey
- add to main playlist Play in Full Screen Ossipon is Tempted
- add to main playlist Play in Full Screen Winnie Goes to Sea
- add to main playlist Play in Full Screen Secret Agent Ending
A Madrigal Opera. Cameo. A Symphonic Poem
Released 2009- add to main playlist Play in Full Screen Parts I - Opening
- add to main playlist Play in Full Screen Part I
- add to main playlist Play in Full Screen Part II
- add to main playlist Play in Full Screen Part III
- add to main playlist Play in Full Screen Part IV
- add to main playlist Play in Full Screen Parts IV - Closing
Symphony No. 7 "Toltec" (Bruckner Orchester Linz & Linz Opera Chorus, conductor: Dennis Russell Davies)
Released 2009Piano Music: Four Movements for Two Pianos / Etudes for Piano / The Hours
Released 2009- add to main playlist Play in Full Screen Four Movements for Two Pianos: I.
- add to main playlist Play in Full Screen Four Movements for Two Pianos: II.
- add to main playlist Play in Full Screen Four Movements for Two Pianos: III.
- add to main playlist Play in Full Screen Four Movements for Two Pianos: IV.
- add to main playlist Play in Full Screen Etude no. 1 (original 1994 version)
- add to main playlist Play in Full Screen Etude no. 2 (original 1994 version)
- add to main playlist Play in Full Screen Etude no. 3 (original 1994 version)
- add to main playlist Play in Full Screen Etude no. 4 (original 1994 version)
- add to main playlist Play in Full Screen Etude no. 5 (original 1994 version)
- add to main playlist Play in Full Screen Etude no. 6 (original 1994 version)
- add to main playlist Play in Full Screen The Hours: Morning Passages
- add to main playlist Play in Full Screen The Hours: Escape!
- add to main playlist Play in Full Screen The Hours: The Poet Acts
In the Upper Room
Released 2009- add to main playlist Play in Full Screen In the Upper Room: Dance I
- add to main playlist Play in Full Screen In the Upper Room: Dance II
- add to main playlist Play in Full Screen In the Upper Room: Dance III
- add to main playlist Play in Full Screen In the Upper Room: Dance IV
- add to main playlist Play in Full Screen In the Upper Room: Dance V
- add to main playlist Play in Full Screen In the Upper Room: Dance VI
- add to main playlist Play in Full Screen In the Upper Room: Dance VII
- add to main playlist Play in Full Screen In the Upper Room: Dance VIII
- add to main playlist Play in Full Screen In the Upper Room: Dance IX
Violin Concerto; Low Symphony
Released 2008- add to main playlist Play in Full Screen I. Concerto for Violin and Orchestra
- add to main playlist Play in Full Screen II. Concerto for Violin and Orchestra
- add to main playlist Play in Full Screen III. Concerto for Violin and Orchestra
- add to main playlist Play in Full Screen Subterraneans
- add to main playlist Play in Full Screen Some are
- add to main playlist Play in Full Screen Warszawa
Philip Glass Soundtracks (piano: Michael Riesman)
Released 2008- add to main playlist Play in Full Screen Anima Mundi
- add to main playlist Play in Full Screen Jenipapo: No. 14
- add to main playlist Play in Full Screen Overture to La belle et la bete
- add to main playlist Play in Full Screen Neverwas Set
- add to main playlist Play in Full Screen Notes on a Scandal: I Knew Her
- add to main playlist Play in Full Screen A Brief History of Time Selections
- add to main playlist Play in Full Screen Mishima: Closing
- add to main playlist Play in Full Screen Naqoyqatsi: Primacy of Number
- add to main playlist Play in Full Screen The Illusionist: Finale
- add to main playlist Play in Full Screen The Fog of War
- add to main playlist Play in Full Screen No Reservations Combine
- add to main playlist Play in Full Screen Candyman: Helen's Theme and More
The Concerto Project, Volume III
Released 2008- add to main playlist Play in Full Screen Concerto Grosso: I.
- add to main playlist Play in Full Screen Concerto Grosso: II.
- add to main playlist Play in Full Screen Concerto Grosso: III.
- add to main playlist Play in Full Screen Concerto for Saxophone Quartet: I.
- add to main playlist Play in Full Screen Concerto for Saxophone Quartet: II.
- add to main playlist Play in Full Screen Concerto for Saxophone Quartet: III.
- add to main playlist Play in Full Screen Concerto for Saxophone Quartet: IV.
Another Look at Harmony, Part IV
Released 2008- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: I. Opening section - choral plainchant in minims
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: II. Choral plainchant elaborated with quaver movement
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: III. Harmonic and rhythmic exploration leading to
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: 4. Oscillating and repeated chords - then new melodic line added
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: V. Organ interlude on C pedal with gentle cross-rhythms
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: VI. Choral re-entry in repeated sequences with organ obligato
- add to main playlist Play in Full Screen Another Look at Harmony, Part IV: VII. Final section - choir and organ with shifting harmonic roots
From the Philip Glass Recording Archive, Volume 4: Neverwas
Released 2008- add to main playlist Play in Full Screen Main Title Neverwas
- add to main playlist Play in Full Screen "I Want the Job"
- add to main playlist Play in Full Screen "Hi Gabriel"
- add to main playlist Play in Full Screen Meeting Maggie
- add to main playlist Play in Full Screen First Patient
- add to main playlist Play in Full Screen Records Room
- add to main playlist Play in Full Screen The Pierson Estate
- add to main playlist Play in Full Screen Remembering Thomas
- add to main playlist Play in Full Screen "I Am the King"
- add to main playlist Play in Full Screen "Weirder and Weirder"
- add to main playlist Play in Full Screen "You're a Reporter!"
- add to main playlist Play in Full Screen Dungeon Break
- add to main playlist Play in Full Screen The Riverknight
- add to main playlist Play in Full Screen Discovering Neverwas/Ghastly Arrives
- add to main playlist Play in Full Screen The Castle / "My Name Is Zachary Small"
- add to main playlist Play in Full Screen End Titles
- add to main playlist Play in Full Screen Neverwas Restored
Waiting for the Barbarians
Released 2008- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1. Prelude
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene One. "In fact, we never had a prison"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Two. Dreamscape no. 1
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Three. "You sent for me."
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Four. "You're working late."
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Five. "Normally speaking, we would never approve of torture..."
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Six. "Take off your cap"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Seven. Dreamscape no. 2
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Eight. "Do you like living in the town?"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Nine. "...To demonstrate our strength to the barbarians"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Ten. "Did you have a good evening?"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Eleven. Dreamscape no. 3
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Twelve. "What is it?"
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Thirteen. "Can you see them?" (Trip into the Mountains)
- add to main playlist Play in Full Screen Waiting for the Barbarians: Act 1, Scene Fourteen. "Who gave you permission to desert your post?"
Les Animaux amoureux
Released 2008- add to main playlist Play in Full Screen Swans Take Flight
- add to main playlist Play in Full Screen The Bath
- add to main playlist Play in Full Screen The Gaze, the Scents
- add to main playlist Play in Full Screen The Battle
- add to main playlist Play in Full Screen Ballet of the Birds
- add to main playlist Play in Full Screen The Birth of the Fawn
- add to main playlist Play in Full Screen The Peacock and the Japanese Cranes
- add to main playlist Play in Full Screen The Grebe's Race on Water
- add to main playlist Play in Full Screen The Kangaroos
- add to main playlist Play in Full Screen From Insects to Whales
- add to main playlist Play in Full Screen The Happy Couples
- add to main playlist Play in Full Screen The Orangutans and the Small Ducks
- add to main playlist Play in Full Screen From Gazelles to Kangaroos
- add to main playlist Play in Full Screen The Return of the Animals
- add to main playlist Play in Full Screen The Swans Return / End Title
From the Philip Glass Recording Archive, Volume III: Film Scores: Jenipapo
Released 2008- add to main playlist Play in Full Screen Jenipapo
- add to main playlist Play in Full Screen Coleman's Theme
- add to main playlist Play in Full Screen Political Connections
- add to main playlist Play in Full Screen Father Stephen Lewis
- add to main playlist Play in Full Screen Disappearance
- add to main playlist Play in Full Screen Land-Grab
- add to main playlist Play in Full Screen Remaining Silent Now
- add to main playlist Play in Full Screen Connected Politically
- add to main playlist Play in Full Screen Coleman's Dilemma
- add to main playlist Play in Full Screen The Reclamation Bill
- add to main playlist Play in Full Screen Journalism 101
- add to main playlist Play in Full Screen Bahia
- add to main playlist Play in Full Screen Coleman's Consequences
- add to main playlist Play in Full Screen The Interview
- add to main playlist Play in Full Screen Where We Go
- add to main playlist Play in Full Screen Jenipapo Finale
- add to main playlist Play in Full Screen Ignorant Sky (feat. Suzanne Vega)
Complete String Quartets
Released 2008- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": I. 1957: Award Montage
- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": II. November 25: Ichigaya
- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": III. 1934: Grandmother and Kimitake
- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": IV. 1962: Body Building
- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": V. Blood Oath
- add to main playlist Play in Full Screen String Quartet No. 3 "Mishima": VI. Mishima/Closing
- add to main playlist Play in Full Screen String Quartet No. 2 "Company": I
- add to main playlist Play in Full Screen String Quartet No. 2 "Company": II
- add to main playlist Play in Full Screen String Quartet No. 2 "Company": III
- add to main playlist Play in Full Screen String Quartet No. 2 "Company": IV
- add to main playlist Play in Full Screen String Quartet No. 4 "Buczak": I
- add to main playlist Play in Full Screen String Quartet No. 4 "Buczak": II
- add to main playlist Play in Full Screen String Quartet No. 4 "Buczak": III
Philip Glass: Portrait
Released 2008- add to main playlist Play in Full Screen La Belle et la Bête
- add to main playlist Play in Full Screen The Hours Suite: I.
- add to main playlist Play in Full Screen The Hours Suite: II.
- add to main playlist Play in Full Screen The Hours Suite: III.
- add to main playlist Play in Full Screen Mishima: 1934: Grandmother and Kimitake
- add to main playlist Play in Full Screen Mishima: 1962: Body Building
- add to main playlist Play in Full Screen Mishima: Blood Oath
- add to main playlist Play in Full Screen Mishima: Closing
- add to main playlist Play in Full Screen The Secret Agent
- add to main playlist Play in Full Screen Echorus
- add to main playlist Play in Full Screen Company: I.
- add to main playlist Play in Full Screen Company: II.
- add to main playlist Play in Full Screen Company: III.
- add to main playlist Play in Full Screen Company: IV.
- add to main playlist Play in Full Screen Closing
Songs and Poems for Solo Cello
Released 2008- add to main playlist Play in Full Screen Song I
- add to main playlist Play in Full Screen Song II
- add to main playlist Play in Full Screen Song III
- add to main playlist Play in Full Screen Song IV
- add to main playlist Play in Full Screen Song V
- add to main playlist Play in Full Screen Song VI
- add to main playlist Play in Full Screen Song VII
- add to main playlist Play in Full Screen Tissue No. 1
- add to main playlist Play in Full Screen Tissue No. 2
- add to main playlist Play in Full Screen Tissue No. 6
- add to main playlist Play in Full Screen Tissue No. 7
From the Philip Glass Recording Archive, Volume 1: Theater Music
Released 2007- add to main playlist Play in Full Screen The Sound of a Voice: Suite
- add to main playlist Play in Full Screen In the Summer House
- add to main playlist Play in Full Screen "My One and Only Hope..."
- add to main playlist Play in Full Screen Gertrude's Paradise
- add to main playlist Play in Full Screen Mr. Solares' Picnic Lunch
- add to main playlist Play in Full Screen "Molly Is a Dreamer."
- add to main playlist Play in Full Screen Enter Vivian
- add to main playlist Play in Full Screen The Beach / Lionel and Molly
- add to main playlist Play in Full Screen Vivian's Death / Two Marriages
- add to main playlist Play in Full Screen "Life Is Tragic, Mrs. Constable."
- add to main playlist Play in Full Screen Gertrude Leaves the Summer House
- add to main playlist Play in Full Screen Left Alone...
- add to main playlist Play in Full Screen The Lobster Bowl
- add to main playlist Play in Full Screen Back to Sad Things
- add to main playlist Play in Full Screen Gertrude Returns
- add to main playlist Play in Full Screen "I Knew You'd Come Back."
- add to main playlist Play in Full Screen A Choice
- add to main playlist Play in Full Screen Lionel Departs
- add to main playlist Play in Full Screen "When I Was a Little Girl..."
Dracula
Released 2007- add to main playlist Play in Full Screen Dracula
- add to main playlist Play in Full Screen Journey to the Inn
- add to main playlist Play in Full Screen The Inn
- add to main playlist Play in Full Screen The Crypt
- add to main playlist Play in Full Screen Carriage Without a Driver
- add to main playlist Play in Full Screen The Castle
- add to main playlist Play in Full Screen The Drawing Room
- add to main playlist Play in Full Screen Excellent, Mr. Renfield
- add to main playlist Play in Full Screen The Three Consorts of Dracula
- add to main playlist Play in Full Screen The Storm
- add to main playlist Play in Full Screen Horrible Tragedy
- add to main playlist Play in Full Screen London Fog
- add to main playlist Play in Full Screen In the Theatre
- add to main playlist Play in Full Screen Lucy's Bitten
- add to main playlist Play in Full Screen Seward Sanatorium
- add to main playlist Play in Full Screen Renfield
- add to main playlist Play in Full Screen In His Cell
- add to main playlist Play in Full Screen When the Dream Comes
- add to main playlist Play in Full Screen Dracula Enters
- add to main playlist Play in Full Screen Or a Wolf
- add to main playlist Play in Full Screen Women in White
- add to main playlist Play in Full Screen Renfield in the Drawing Room
- add to main playlist Play in Full Screen Dr. Van Helsing and Dracula
- add to main playlist Play in Full Screen Mina on the Terrace
- add to main playlist Play in Full Screen Mina's Bedroom/The Abbey
- add to main playlist Play in Full Screen The End of Dracula
- add to main playlist Play in Full Screen Dracula Epilogue
Cassandra's Dream
Released 2007- add to main playlist Play in Full Screen Cassandra's Dream
- add to main playlist Play in Full Screen Buying the Boat
- add to main playlist Play in Full Screen Sailing
- add to main playlist Play in Full Screen The Cockney Brothers
- add to main playlist Play in Full Screen A Drive in the Country
- add to main playlist Play in Full Screen Angela
- add to main playlist Play in Full Screen Howard's Request / In the Apt.
- add to main playlist Play in Full Screen The Pursuit & Murder in the Park
- add to main playlist Play in Full Screen Suspicion
- add to main playlist Play in Full Screen The Plot Unravels
- add to main playlist Play in Full Screen Death on the Boat
- add to main playlist Play in Full Screen Cassandra's Dream Finale
From the Philip Glass Recording Archive, Volume II: Orchestral Music
Released 2007- add to main playlist Play in Full Screen Days and Nights in Rocinha
- add to main playlist Play in Full Screen Persephone: I. Family
- add to main playlist Play in Full Screen Persephone: II. Galatea
- add to main playlist Play in Full Screen Persephone: III. Beds
- add to main playlist Play in Full Screen Persephone: IV. Cocktail Party
- add to main playlist Play in Full Screen Persephone: V. Perceval
Best of Philip Glass
Released 2007- add to main playlist Play in Full Screen Songs From Liquid Days: Lightning
- add to main playlist Play in Full Screen Glassworks: Facades
- add to main playlist Play in Full Screen Satyagraha: Evening Song
- add to main playlist Play in Full Screen The Photographer: A Gentleman's Honor (vocal)
- add to main playlist Play in Full Screen Akhnaten: Hymn to the Sun
- add to main playlist Play in Full Screen Metamorphosis Four
- add to main playlist Play in Full Screen Songs From Liquid Days: Open the Kingdom
- add to main playlist Play in Full Screen In the Upper Room: Dance II
- add to main playlist Play in Full Screen Glassworks: Glasspiece No. 1: Rubric
- add to main playlist Play in Full Screen Songs From Liquid Days: Changing Opinion
Theater Music, Volume 1
Released 2007- add to main playlist Play in Full Screen The Sound of a Voice - Suite
- add to main playlist Play in Full Screen In the Summer House
- add to main playlist Play in Full Screen "My One and Only Hope..."
- add to main playlist Play in Full Screen Gertrude's Paradise
- add to main playlist Play in Full Screen Mr. Solares' Picnic Lunch
- add to main playlist Play in Full Screen "Molly Is a Dreamer."
- add to main playlist Play in Full Screen Enter Vivian
- add to main playlist Play in Full Screen The Beach/Lionel and Molly
- add to main playlist Play in Full Screen Vivian's Death/Two Marriages
- add to main playlist Play in Full Screen "Life Is Tragic, Mrs. Constable."
- add to main playlist Play in Full Screen Gertrude Leaves the Summer House
- add to main playlist Play in Full Screen Left Alone...
- add to main playlist Play in Full Screen The Lobster Bowl
- add to main playlist Play in Full Screen Back to Sad Things
- add to main playlist Play in Full Screen Gertrude Returns
- add to main playlist Play in Full Screen "I Knew You'd Come Back."
- add to main playlist Play in Full Screen A Choice
- add to main playlist Play in Full Screen Lionel Departs
- add to main playlist Play in Full Screen "When I Was a Little Girl..."
Book of Longing
Released 2007- add to main playlist Play in Full Screen Prologue - I Can't Make the Hills
- add to main playlist Play in Full Screen I Came Down From the Mountains
- add to main playlist Play in Full Screen A Sip of Wine
- add to main playlist Play in Full Screen Want to Fly
- add to main playlist Play in Full Screen The Light Came Through the Window
- add to main playlist Play in Full Screen Puppet Time
- add to main playlist Play in Full Screen G-d Opened My Eyes
- add to main playlist Play in Full Screen You Go Your Way
- add to main playlist Play in Full Screen I Was Doing Something
- add to main playlist Play in Full Screen Not a Jew
- add to main playlist Play in Full Screen How Much I Love You
- add to main playlist Play in Full Screen Babylon
- add to main playlist Play in Full Screen I Enjoyed the Laughter
Symphony No. 4, "Heroes" / The Light (Bournemouth Symphony Orchestra feat. conductor: Marin Alsop)
Released 2007- add to main playlist Play in Full Screen The Light
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": I. Heroes
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": II. Abdulmajid
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": III. Sense of Doubt
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": IV. Sons of the Silent Age
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": V. Neukoln
- add to main playlist Play in Full Screen Symphony No. 4, "Heroes": VI. V2 Schneider
Notes on a Scandal
Released 2007- add to main playlist Play in Full Screen First Day of School
- add to main playlist Play in Full Screen The History
- add to main playlist Play in Full Screen Invitation
- add to main playlist Play in Full Screen The Harts
- add to main playlist Play in Full Screen Discovery
- add to main playlist Play in Full Screen Confession
- add to main playlist Play in Full Screen Stalking
- add to main playlist Play in Full Screen Courage
- add to main playlist Play in Full Screen Sheba & Steven
- add to main playlist Play in Full Screen The Promise
- add to main playlist Play in Full Screen Good Girl
- add to main playlist Play in Full Screen Sheba's Longing
- add to main playlist Play in Full Screen Someone in Your Garden
- add to main playlist Play in Full Screen A Life Lived Together
- add to main playlist Play in Full Screen Someone Has Died
- add to main playlist Play in Full Screen Betrayal
- add to main playlist Play in Full Screen It's Your Choice
- add to main playlist Play in Full Screen Barbara's House
- add to main playlist Play in Full Screen Going Home
- add to main playlist Play in Full Screen I Knew Her
Dances & Sonata
Released 2006- add to main playlist Play in Full Screen Dance No. 2
- add to main playlist Play in Full Screen Trilogy Sonata: Knee Play No. 4 From Einstein on the Beach
- add to main playlist Play in Full Screen Trilogy Sonata: Act III Conclusion From Satyagraha
- add to main playlist Play in Full Screen Trilogy Sonata: Dance From Act III of Akhnaten
- add to main playlist Play in Full Screen Dance No. 4
Metamorphosis (piano: Branka Parlić)
Released 2006- add to main playlist Play in Full Screen Metamorphosis One
- add to main playlist Play in Full Screen Metamorphosis Two
- add to main playlist Play in Full Screen Metamorphosis Three
- add to main playlist Play in Full Screen Metamorphosis Four
- add to main playlist Play in Full Screen Metamorphosis Five
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Wichita Vortex Sutra
- add to main playlist Play in Full Screen Glassworks - Opening
- add to main playlist Play in Full Screen The Hours
- add to main playlist Play in Full Screen Modern Love Waltz
Philip Glass Ensemble Live in Monterrey, Mexico
Released 2006- add to main playlist Play in Full Screen In the Upper Room: Dance IX
- add to main playlist Play in Full Screen Music in Twelve Parts: Part 1
- add to main playlist Play in Full Screen Music in Twelve Parts: Part 2
- add to main playlist Play in Full Screen Einstein on the Beach: Building
- add to main playlist Play in Full Screen Glassworks: Façades
Analog
Released 2006- add to main playlist Play in Full Screen Étoile Polaire
- add to main playlist Play in Full Screen Victor's Lament (From Étoile Polaire)
- add to main playlist Play in Full Screen River Run (From Étoile Polaire)
- add to main playlist Play in Full Screen Mon Père, Mon Père (From Étoile Polaire)
- add to main playlist Play in Full Screen Are Years What? (For Marianne Moore)
- add to main playlist Play in Full Screen Lady Day (From Étoile Polaire)
- add to main playlist Play in Full Screen Ange Des Orages (From Étoile Polaire)
- add to main playlist Play in Full Screen Ave (From Étoile Polaire)
- add to main playlist Play in Full Screen Ik-Ook (From Étoile Polaire)
- add to main playlist Play in Full Screen Montage (From Étoile Polaire)
- add to main playlist Play in Full Screen Part IV (From Dressed Like an Egg)
- add to main playlist Play in Full Screen Part V (From Dressed Like an Egg)
- add to main playlist Play in Full Screen Part VI (From Dressed Like an Egg)
- add to main playlist Play in Full Screen Mad Rush for organ
The Witches of Venice
Released 2006- add to main playlist Play in Full Screen The Lagoon
- add to main playlist Play in Full Screen The Philosophers Have Arrived
- add to main playlist Play in Full Screen No Solution
- add to main playlist Play in Full Screen The Fairies
- add to main playlist Play in Full Screen "Life Is Hard"
- add to main playlist Play in Full Screen "I'm Not a Fool"
- add to main playlist Play in Full Screen The Plant-Boy's Song
- add to main playlist Play in Full Screen The Witches Rush In
- add to main playlist Play in Full Screen The Wind Blows
- add to main playlist Play in Full Screen The Witches Palace
- add to main playlist Play in Full Screen Inside the Palace
- add to main playlist Play in Full Screen Ghosts and Skeletons!
- add to main playlist Play in Full Screen The Ogre
- add to main playlist Play in Full Screen Ogre's Song
- add to main playlist Play in Full Screen Plant-Boy Flees
- add to main playlist Play in Full Screen Dance of the Witches
- add to main playlist Play in Full Screen Witch Mother
- add to main playlist Play in Full Screen Gondolas Bringing Guests
- add to main playlist Play in Full Screen "Away Pigeon, Away!"
- add to main playlist Play in Full Screen Plant-Boy's Tears
- add to main playlist Play in Full Screen In the Chandelier
- add to main playlist Play in Full Screen Glorious Escape!
- add to main playlist Play in Full Screen A Happy Ending
- add to main playlist Play in Full Screen Life Is Hard, a Good Red Wine
Roving Mars
Released 2006- add to main playlist Play in Full Screen Opening Titles
- add to main playlist Play in Full Screen Robot Geologist
- add to main playlist Play in Full Screen Origami Spacekraft
- add to main playlist Play in Full Screen Spirit and Opportunity
- add to main playlist Play in Full Screen Eyes, Hands, Wheels
- add to main playlist Play in Full Screen So Much of Our Hopes
- add to main playlist Play in Full Screen 7 Months After Launch
- add to main playlist Play in Full Screen Unfolding
- add to main playlist Play in Full Screen Sediments
- add to main playlist Play in Full Screen Landing
- add to main playlist Play in Full Screen Opportunity vs. Spirit
- add to main playlist Play in Full Screen Floating in Space
- add to main playlist Play in Full Screen Life Itself
- add to main playlist Play in Full Screen Glósóli
The Illusionist
Released 2006- add to main playlist Play in Full Screen The Illusionist
- add to main playlist Play in Full Screen Do You Know Me?
- add to main playlist Play in Full Screen Chance Encounter
- add to main playlist Play in Full Screen The Locket
- add to main playlist Play in Full Screen The Orange Tree
- add to main playlist Play in Full Screen The Mirror
- add to main playlist Play in Full Screen Wish I Would See You Again
- add to main playlist Play in Full Screen The Sword
- add to main playlist Play in Full Screen Meeting in the Carriage
- add to main playlist Play in Full Screen Sophie
- add to main playlist Play in Full Screen The Secret Plot
- add to main playlist Play in Full Screen Sophie's Ride to the Castle
- add to main playlist Play in Full Screen The Accident
- add to main playlist Play in Full Screen The New Theater
- add to main playlist Play in Full Screen Frankel Appears
- add to main playlist Play in Full Screen A Shout From the Crowd
- add to main playlist Play in Full Screen Eisenheim Disappears
- add to main playlist Play in Full Screen The Search
- add to main playlist Play in Full Screen The Missing Gem
- add to main playlist Play in Full Screen The Chase
- add to main playlist Play in Full Screen Life in the Mountains
The Concerto Project, Volume II
Released 2006- add to main playlist Play in Full Screen Piano Concerto No. 2: I. The Vision
- add to main playlist Play in Full Screen Piano Concerto No. 2: II. Sacagawea
- add to main playlist Play in Full Screen Piano Concerto No. 2: III. The Land
- add to main playlist Play in Full Screen Concerto for Harpsichord and Orchestra: I
- add to main playlist Play in Full Screen Concerto for Harpsichord and Orchestra: II
- add to main playlist Play in Full Screen Concerto for Harpsichord and Orchestra: III
The Voyage
Released 2006- add to main playlist Play in Full Screen Prologue
- add to main playlist Play in Full Screen Act I, Scene 1
- add to main playlist Play in Full Screen Act I, Scene 2, Part 1
- add to main playlist Play in Full Screen Act I, Scene 2: Interlude
- add to main playlist Play in Full Screen Act I, Scene 2: Conclusion
- add to main playlist Play in Full Screen Act I, Scene 3
- add to main playlist Play in Full Screen Act II, Scene 1
Dennis Russell Davies Performs Philip Glass: Tirol Concerto for Piano and Orchestra and Selections from Passages
Released 2004- add to main playlist Play in Full Screen Tirol Concerto for Piano and Orchestra: Movement I
- add to main playlist Play in Full Screen Tirol Concerto for Piano and Orchestra: Movement II
- add to main playlist Play in Full Screen Tirol Concerto for Piano and Orchestra: Movement III
- add to main playlist Play in Full Screen Selections From Passages: Offering
- add to main playlist Play in Full Screen Selections From Passages: Channels And Winds
- add to main playlist Play in Full Screen Selections From Passages: Meetings Along the Edge
Metamorphosis
Released 2004- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Metamorphosis: One
- add to main playlist Play in Full Screen Metamorphosis: Two
- add to main playlist Play in Full Screen Metamorphosis: Three
- add to main playlist Play in Full Screen Metamorphosis: Four
- add to main playlist Play in Full Screen Metamorphosis: Five
- add to main playlist Play in Full Screen The Poet Acts
- add to main playlist Play in Full Screen Dead Things
- add to main playlist Play in Full Screen Modern Love Waltz
The Music of Undertow
Released 2004- add to main playlist Play in Full Screen The Kiss
- add to main playlist Play in Full Screen Car Ride
- add to main playlist Play in Full Screen The Chase
- add to main playlist Play in Full Screen The Family
- add to main playlist Play in Full Screen Chris and the Model Airplane
- add to main playlist Play in Full Screen The Argument
- add to main playlist Play in Full Screen Deel's Song
- add to main playlist Play in Full Screen Golden Coins
- add to main playlist Play in Full Screen Running Away
- add to main playlist Play in Full Screen Through the Woods
- add to main playlist Play in Full Screen Backwoods Couple
- add to main playlist Play in Full Screen Shipyard
- add to main playlist Play in Full Screen Junkyard
- add to main playlist Play in Full Screen Abandoned Factory
- add to main playlist Play in Full Screen The Ending
The Concerto Project, Volume I (Royal Liverpool Philharmonic feat. conductor: Gerard Schwarz)
Released 2004- add to main playlist Play in Full Screen Concerto for Cello and Orchestra: I
- add to main playlist Play in Full Screen Concerto for Cello and Orchestra: II
- add to main playlist Play in Full Screen Concerto for Cello and Orchestra: III
- add to main playlist Play in Full Screen Concerto Fantasy for Two Timpanists and Orchestra: I
- add to main playlist Play in Full Screen Concerto Fantasy for Two Timpanists and Orchestra: II
- add to main playlist Play in Full Screen Concerto Fantasy for Two Timpanists and Orchestra: Cadenza
- add to main playlist Play in Full Screen Concerto Fantasy for Two Timpanists and Orchestra: III
Solo Piano
Released 2003- add to main playlist Play in Full Screen Metamorphosis: One
- add to main playlist Play in Full Screen Metamorphosis: Two
- add to main playlist Play in Full Screen Metamorphosis: Three
- add to main playlist Play in Full Screen Metamorphosis: Four
- add to main playlist Play in Full Screen Metamorphosis: Five
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Wichita Sutra Vortex
Music From the Thin Blue Line
Released 2003- add to main playlist Play in Full Screen Adam's Theme
- add to main playlist Play in Full Screen Thin Blue Line
- add to main playlist Play in Full Screen Help Me
- add to main playlist Play in Full Screen Houston Skyline
- add to main playlist Play in Full Screen Looking
- add to main playlist Play in Full Screen Boston Blackie
- add to main playlist Play in Full Screen Comets and Vegas
- add to main playlist Play in Full Screen Deception
- add to main playlist Play in Full Screen The Whole Truth
- add to main playlist Play in Full Screen Remembering
- add to main playlist Play in Full Screen Adam's Nightmare
- add to main playlist Play in Full Screen Miller's Theme
- add to main playlist Play in Full Screen Hypnotic Time
- add to main playlist Play in Full Screen Harris' Story
- add to main playlist Play in Full Screen Randall
- add to main playlist Play in Full Screen Strange and Abstract
- add to main playlist Play in Full Screen Lies
- add to main playlist Play in Full Screen Strange Welcome
- add to main playlist Play in Full Screen Emily
- add to main playlist Play in Full Screen [unknown]
The Ultimate Philip Glass
Released 2003- add to main playlist Play in Full Screen Songs from Liquid Days: Lightning
- add to main playlist Play in Full Screen Glassworks: Floe
- add to main playlist Play in Full Screen Dance: Dance №5
- add to main playlist Play in Full Screen The Photographer: A Gentleman's Honour
- add to main playlist Play in Full Screen Einstein on the Beach Act IV, Scene II: Bed
- add to main playlist Play in Full Screen Satyagraha Act III, Scene III: Evening Song
- add to main playlist Play in Full Screen Einstein on the Beach Act II, Scene II: Knee Play 3
- add to main playlist Play in Full Screen Solo Piano: Mad Rush
Trivium
Released 2001- add to main playlist Play in Full Screen Trivium
- add to main playlist Play in Full Screen Mein Weg hat Gipfel und Wellentäler
- add to main playlist Play in Full Screen Annum per annum
- add to main playlist Play in Full Screen Pari intervallo
- add to main playlist Play in Full Screen Psalm 124
- add to main playlist Play in Full Screen O God Abufe
- add to main playlist Play in Full Screen Satyagraha: Act III. Conclusion
- add to main playlist Play in Full Screen Dance IV
Koyaanisqatsi
Released 2001- add to main playlist Play in Full Screen Koyaanisqatsi
- add to main playlist Play in Full Screen Organic
- add to main playlist Play in Full Screen Cloudscape
- add to main playlist Play in Full Screen Resource
- add to main playlist Play in Full Screen Vessels
- add to main playlist Play in Full Screen Pruit Igoe
- add to main playlist Play in Full Screen The Grid
- add to main playlist Play in Full Screen Prophecies
- add to main playlist Play in Full Screen Theatrical Trailer
Philip on Film: Filmworks by Philip Glass
Released 2001- add to main playlist Play in Full Screen Koyaanisqatsi
- add to main playlist Play in Full Screen Organic
- add to main playlist Play in Full Screen Cloudscape
- add to main playlist Play in Full Screen Resource
- add to main playlist Play in Full Screen Vessels
- add to main playlist Play in Full Screen Pruit Igoe
- add to main playlist Play in Full Screen The Grid
- add to main playlist Play in Full Screen Prophecies
Piano Music
Released 1999- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen The Olympian - Lighting of the Torch
- add to main playlist Play in Full Screen Metamorphosis: I
- add to main playlist Play in Full Screen Metamorphosis: II
- add to main playlist Play in Full Screen Metamorphosis: III
- add to main playlist Play in Full Screen Metamorphosis: IV
- add to main playlist Play in Full Screen Metamorphosis: V
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Wichita Vortex Sutra
Minimal Piano Works, Volume I (Piano: Jeroen van Veen)
Released 1999- add to main playlist Play in Full Screen Metamorphosis One
- add to main playlist Play in Full Screen Metamorphosis Two
- add to main playlist Play in Full Screen Metamorphosis Three
- add to main playlist Play in Full Screen Metamorphosis Four
- add to main playlist Play in Full Screen Metamorphosis Five
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Wichita Vortex Sutra
- add to main playlist Play in Full Screen Opening (from "Glassworks", Arr. van Veen)
Symphony No. 2
Released 1998- add to main playlist Play in Full Screen Movement I
- add to main playlist Play in Full Screen Movement II
- add to main playlist Play in Full Screen Movement III
- add to main playlist Play in Full Screen Interlude From Orphée (Act II, Scene 5)
- add to main playlist Play in Full Screen Movement I
- add to main playlist Play in Full Screen Movement II
- add to main playlist Play in Full Screen Movement III
- add to main playlist Play in Full Screen Movement IV
Circles (piano: Arturo Stalteri)
Released 1998- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Metamorphosis One
- add to main playlist Play in Full Screen Étoile Polaire
- add to main playlist Play in Full Screen Victor's Lament
- add to main playlist Play in Full Screen River Run
- add to main playlist Play in Full Screen Ave
- add to main playlist Play in Full Screen Mad Rush
- add to main playlist Play in Full Screen Aria From Act III of Satyagraha
- add to main playlist Play in Full Screen Closing (Stalteri Dramatic version)
Glassmasters
Released 1997- add to main playlist Play in Full Screen Akhnaten: Act I, iii. "The Window of Appearances"
- add to main playlist Play in Full Screen Itaipu: "The Dam"
- add to main playlist Play in Full Screen Satyagraha: Act I, iii. "The Vow"
- add to main playlist Play in Full Screen Liquid Days: Part II. "Open the Kingdom"
- add to main playlist Play in Full Screen Akhnaten: Act III, ii. "Attack and Fall"
- add to main playlist Play in Full Screen Satyagraha: Act II, i. "Confrontation and Rescue"
- add to main playlist Play in Full Screen Akhnaten: Act I, i. "Funeral of Amenhotep III"
Music in Twelve Parts
Released 1996- add to main playlist Play in Full Screen Music in Twelve Parts: I
- add to main playlist Play in Full Screen Music in Twelve Parts: II
- add to main playlist Play in Full Screen Music in Twelve Parts: III
- add to main playlist Play in Full Screen Music in Twelve Parts: IV
- add to main playlist Play in Full Screen Music in Twelve Parts: V: Beginning
Music from Dunvagen
Released 1995- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Compassion in Exile
- add to main playlist Play in Full Screen Passages
- add to main playlist Play in Full Screen Passages
- add to main playlist Play in Full Screen Closing
- add to main playlist Play in Full Screen Facades
- add to main playlist Play in Full Screen Phaedra
- add to main playlist Play in Full Screen Phaedra
- add to main playlist Play in Full Screen Company
- add to main playlist Play in Full Screen Company
- add to main playlist Play in Full Screen Company
- add to main playlist Play in Full Screen Mindwalk
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen In the summer house
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Pieces for a ballet
- add to main playlist Play in Full Screen Love divided by
- add to main playlist Play in Full Screen Love divided by
- add to main playlist Play in Full Screen Love divided by
- add to main playlist Play in Full Screen In The Upper Room
- add to main playlist Play in Full Screen In The Upper Room
- add to main playlist Play in Full Screen In The Upper Room
- add to main playlist Play in Full Screen In The Upper Room
- add to main playlist Play in Full Screen Tse
- add to main playlist Play in Full Screen Tse
- add to main playlist Play in Full Screen Harris (Thin blue line)
- add to main playlist Play in Full Screen Comets & vegas (Thin blue line)
- add to main playlist Play in Full Screen Strange & abstract (Thin blue line)
- add to main playlist Play in Full Screen Civil Wars (Köln)
- add to main playlist Play in Full Screen A brief history of time
- add to main playlist Play in Full Screen A brief history of time
- add to main playlist Play in Full Screen A brief history of time
- add to main playlist Play in Full Screen A brief history of time
- add to main playlist Play in Full Screen A brief history of time
- add to main playlist Play in Full Screen Dressed like an egg
- add to main playlist Play in Full Screen Floe 87
Barber / Dvořák / Glass
Released 1993- add to main playlist Play in Full Screen String Quartet, Op. 11: I. Molto allegro e appassionato
- add to main playlist Play in Full Screen String Quartet, Op. 11: IIa. Molto adagio
- add to main playlist Play in Full Screen String Quartet, Op. 11: IIb. Molto allegro (come prima)
- add to main playlist Play in Full Screen String Quartet in F major "American", Op. 96: I. Allegro ma non troppo
- add to main playlist Play in Full Screen String Quartet in F major "American", Op. 96: II. Lento
- add to main playlist Play in Full Screen String Quartet in F major "American", Op. 96: III. Molto vivace
- add to main playlist Play in Full Screen String Quartet in F major "American", Op. 96: IV. Finale - vivace ma non troppo
- add to main playlist Play in Full Screen String Quartet No. 1: Part One
- add to main playlist Play in Full Screen String Quartet No. 1: Ambient Pause
- add to main playlist Play in Full Screen String Quartet No. 1: Part Two
The World of Philip Glass
- add to main playlist Play in Full Screen I "Subterraneans" from "Low" Symphony
- add to main playlist Play in Full Screen Land of the Dead (from Music from "The Screens")
- add to main playlist Play in Full Screen Said's Treason (from Music from "The Screens")
- add to main playlist Play in Full Screen The Orchard (from Music from "The Screens")
- add to main playlist Play in Full Screen Night on the Balcony (from Music from "The Screens")
- add to main playlist Play in Full Screen Concerto for Violin and Orchestra
- add to main playlist Play in Full Screen Amazon River from "Aguas da Amazonia"
- add to main playlist Play in Full Screen "Heroes" Symphony: II. "Abdulmajid"
- add to main playlist Play in Full Screen "Heroes" Symphony: IV. "V2 Schneider"
2001-xx-xx: Metropolitan Opera, New York City, NY, USA (Metropolitan Opera)
- add to main playlist Play in Full Screen [introduction]
- add to main playlist Play in Full Screen [introduction (continued)]
- add to main playlist Play in Full Screen Act 1: Leo Tolstoy: On the Kuru Field of Justice
- add to main playlist Play in Full Screen Act 1: Leo Tolstoy: Tolstoy Farm (1910)
- add to main playlist Play in Full Screen Act 1: Leo Tolstoy: The Vow (1906)
- add to main playlist Play in Full Screen [applause] / [outro]
- add to main playlist Play in Full Screen [introduction]
- add to main playlist Play in Full Screen Act 2: Rabindranath Tagore: Confrontation and Rescue (1896)
- add to main playlist Play in Full Screen Act 2: Rabindranath Tagore: Indian Opinion (1906)
- add to main playlist Play in Full Screen Act 2: Rabindranath Tagore: Protest (1908)
- add to main playlist Play in Full Screen [applause] / [outro]
- add to main playlist Play in Full Screen [introduction]
- add to main playlist Play in Full Screen Act 3: Martin Luther King, Jr.: New Castle March (1913): a.
- add to main playlist Play in Full Screen Act 3: Martin Luther King, Jr.: New Castle March (1913): b.
- add to main playlist Play in Full Screen Act 3: Martin Luther King, Jr.: New Castle March (1913): c.
- add to main playlist Play in Full Screen [applause] / [outro]
Philip Glass: The Piano Music (piano: John Lenehan)
- add to main playlist Play in Full Screen Opening
- add to main playlist Play in Full Screen Knee Play No.4
- add to main playlist Play in Full Screen Satyagraha
- add to main playlist Play in Full Screen Dance
- add to main playlist Play in Full Screen Poet Acts
- add to main playlist Play in Full Screen Morning Passages
- add to main playlist Play in Full Screen Something She Has to Do
- add to main playlist Play in Full Screen I'm Going to Make a Cake
- add to main playlist Play in Full Screen Unwelcome Friend
- add to main playlist Play in Full Screen Dead Things
- add to main playlist Play in Full Screen Why Does Someone Have to Die
- add to main playlist Play in Full Screen Tearing Herself Away
- add to main playlist Play in Full Screen Escapei
- add to main playlist Play in Full Screen Choosing Life
- add to main playlist Play in Full Screen Hours
2009-08-12: Prom 37: Royal Albert Hall, Westminster, London, UK
- add to main playlist Play in Full Screen Violin Concerto No. 1: I. quarter note = 104 — quarter note = 120
- add to main playlist Play in Full Screen Violin Concerto No. 1: II. quarter note = ca. 108
- add to main playlist Play in Full Screen Violin Concerto No. 1: III. quarter note = ca. 150 — Coda: Poco meno quarter note = 104
- add to main playlist Play in Full Screen Symphony No. 7 for orchestra and chorus "A Toltec Symphony": I. "The Corn"
- add to main playlist Play in Full Screen Symphony No. 7 for orchestra and chorus "A Toltec Symphony": II. "The Hikuri (the Sacred Root)"
- add to main playlist Play in Full Screen Symphony No. 7 for orchestra and chorus "A Toltec Symphony": III. "The Blue Deer"
Monsters of Grace
- add to main playlist Play in Full Screen Where Everything Is Music
- add to main playlist Play in Full Screen The Needle
- add to main playlist Play in Full Screen Don't Go Back to Sleep
- add to main playlist Play in Full Screen In the Arc of Your Mallet
- add to main playlist Play in Full Screen My Worst Habit
- add to main playlist Play in Full Screen Like This
- add to main playlist Play in Full Screen Stereogram
- add to main playlist Play in Full Screen Let the Letter Read You
- add to main playlist Play in Full Screen Boy Beach and Ball
- add to main playlist Play in Full Screen The Say That Paradise Will Be Perfect
- add to main playlist Play in Full Screen The New Rule
- add to main playlist Play in Full Screen An Artist Comes to Paint You
- add to main playlist Play in Full Screen Boy on Fire
-
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
Philip Glass - Evening Song Act III Pt. 3 - Satyagraha
published: 26 May 2011 -
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
-
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell. The Sense of Peace By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-wes...
published: 06 Feb 2013 -
II. Act III Conclusion from Satyagraha
published: 24 Apr 2011
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
- Order: Reorder
- Duration: 8:23
- Updated: 26 May 2011
- views: 56937
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
- Order: Reorder
- Duration: 15:36
- Updated: 06 Feb 2013
- views: 7190
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_07_Act_3_King_Part_1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 7190
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
- Order: Reorder
- Duration: 8:25
- Updated: 06 Feb 2013
- views: 8906
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_09_Act_3_King_Part_3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 8906
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
- Order: Reorder
- Duration: 14:45
- Updated: 06 Feb 2013
- views: 13693
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_04_Act_2_Tagore_Scene_1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 13693
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
- Order: Reorder
- Duration: 11:33
- Updated: 06 Feb 2013
- views: 8215
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_05_Act_2_Tagore_Scene_2
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 8215
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
- Order: Reorder
- Duration: 15:20
- Updated: 06 Feb 2013
- views: 10244
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_06_Act_2_Tagore_Scene_3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 10244
Michael Riesman Aria from Act III of Satyagraha
- Order: Reorder
- Duration: 8:08
- Updated: 02 Feb 2016
- views: 250
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
- Order: Reorder
- Duration: 18:48
- Updated: 06 Feb 2013
- views: 36537
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_01_Act_1_Tolstoy_Scene_1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 36537
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
- Order: Reorder
- Duration: 11:41
- Updated: 06 Feb 2013
- views: 10883
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Nethe...
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
https://wn.com/Philip_Glass_Satyagraha_03_Act_1_Tolstoy_Scene_3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW54isJ
Satyagraha was commissioned by the City of Rotterdam, The Netherlands. World Premiere: September 5,1980, Stadsschouwburg Theater, Rotterdam. Original production: The Netherlands Opera Company. Director: David Poutney. Set & Costume Design: Robert Israel. Lighting: Richard Riddell.
The Sense of Peace
By any measure, the critical and popular acclaim awarded the composer Philip Glass, in both his native America and throughout much of Europe, is extraordinary. His three operas — Einstein on the Beach (1975), Satyagraha (1980) and Akhnaten (1983) — have been produced by several leading opera houses while the composer and his ensemble are capable of selling out Carnegie Hall one night and a mid-western rock club the next. Glass's audience seems to defy normal categories: Conservatory students diligently analyze the composer's unusual orchestration, while their more hedonistic contemporaries blare Glass albums from dormitory stereo systems.
Although he loathes the term, Glass is often classified as a "minimalist" composer, alonSatyagraha is about the period that Gandhi spent in South Africa (1893-1914). In fighting to repeal the so-called "Black Act" — a law that restricted the movement of non-Eurupeans from place to place and that virtually enslaved South Africa's substantial Indian community — Gandhi developed the concept of "Satyagraha," or truth-force. Gandhi fought the South African authorities on the issue of the Black Act, and eventually won non-violently — by organizing hunger strikes and peaceful demonstrations. The American novelist Constance DeJong adapted the story of Gandhi's struggle and prepared a libretto from the Bhagavad-Gita. Glass kept the opera's text in the original Sanskrit, in an attempt to avoid upsetting the rhythm of what is, of course, a sacred text. In another bow to authenticity, Glass used only what he called "international" instruments — instruments that could be found in both America and India, in one form or another. Satyagraha was completed in early 1980 and received its first performance in Rotterdam that September.
Each act of Satyagraha takes a historical figure as a sort of spiritual guardian, watching the earthly action from above. In the First Act, the symbol is Count Leo Tolstoy. He was one of Gandhi's inspirations thorughout his life, and the two men carried on a correspondence that lasted until the Russian's death in 1910. Glass believes that the "same combination of the political and the spiritual is found in both Gandhi's and Tolstoy's writings."
In Act Two, Rabindranath Tagore, the renowned poet and scholar who was the only living moral authority acknowledged by Gandhi, serves as the guardian. "The symbol in the Third Act is Martin Luther King, Jr.," Glass says, "who always impressed me as a sort of American Gandhi, accomplishing many of the same things here, and in the same manner, that Gandhi did in India. Tolstoy, Tagore, and King represent the past, present and future of Satyagraha."
Satyagraha is vastly different from the usual operatic spectacle. It is a work written entirely on a moral, even religious, plane — more ritual than entertainment, more mystery than opera. While Einstein challenged all our ideas about what an opera — even an avant-garde opera — should be, Satyagraha neatly fits Glass into the mainstream. Einstein broke the rules with Modernist zeal: Satyagraha touches all the bases, adapting the rules to the composer's own aesthetic. The opening scene is an aria that becomes a duet, then a trio, all set down in a rich, declamatory, near-Verdian manner. Other scenes may remind the listener of Wagner, or Delius, or of the Balinese gamelan, while the finale to Act II has the same combination of deeply classical romanticism to be found in Berlioz's Les Troyens — hyperactive woodwind triplets and all.
Still, while Glass seems to be consciously coming to terms with his forerunners, there is never a descent to parody, nor a hint of borrowing. One never doubts who the composer is. The closing measures are masterful — has the unadorned Phrygian mode ever seemed such an eloquent melody in itself, repeated as it is, some thirty times over shifting musical sands? The nuclear anxiety of Einstein seems far away, replaced by a serene power — call it truth-force, or, better still, Satyagraha — and an all-encompassing sense of peace.
- published: 06 Feb 2013
- views: 10883
II. Act III Conclusion from Satyagraha
- Order: Reorder
- Duration: 7:28
- Updated: 24 Apr 2011
- views: 40566
- published: 24 Apr 2011
- views: 40566
-
Philip Glass joue Mad Rush
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un concert à la Maison symphonique où il a joué la pièce Mad Rush. Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca? Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
published: 09 Mar 2015 -
-
Philip Glass performs "Mad Rush"
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2012 at 7 pm at the Garrison Institute. For more information and to buy tickets, visit the Garrison Institute website: http://www.garrisoninstitute.org/glass Philip Glass (piano) performs, "Mad Rush," a piece originally written and performed by Glass in honor of the Dalai Lama's visit to North America in 1979. Glass begins by remarking that the legacy of Gandhi can be seen in the work of leaders, including Martin Luther King Jr. and the Dalai Lama, who advocate for nonviolent, social change and by inviting listeners to consider "Mad Rush" as a play between wrathful and peaceful deities. Performance at "Satyagraha: Gandhi's 'Truth Force' in the Age of Climate Change" presented by the Garrison Institut...
published: 11 Jul 2008 -
Philip Glass & The Philip Glass Ensemble - Floe (Glassworks) @ Vilnius
Atliekamas kūrinys: Floe (Glassworks), pirma dalis Vieta: Vilniaus Kongresų rūmai, Vilnius Data: 2014-11-05 Stebėjimo vieta: 9 eilė, 30 vieta Bilieto kaina: 184 LT
published: 06 Nov 2014 -
Philip Glass: The HOURS performed live by Anton Batagov, piano
Philip Glass The HOURS Music from the motion picture Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov performed live by Anton Batagov at the Moscow International House of Music, October 30, 2015 The Poet Acts Morning Passages Something She Has to Do I'm Going to Make a Cake An Unwelcome Friend Dead Things Why Does Someone Have to Die? Tearing Herself Away Escape! Choosing Life The Hours Camera: Alisa Naremontti and Julia Galochkina © No Pictures 2015
published: 05 Nov 2015 -
Philip Glass - Koyaanisqatsi LIVE at Hollywood Bowl (July 2009)
Thanks to these YouTube users for their collaboration on this: watsuoasis, yarblockos, walkey, brs456, mattash, badcable, adub310, free4202130. Without your videos this "almost-complete" concert patchwork would not have been possible. Also, thank you, viewers, for your interest in this music and film experience. By the way, I met director Godfrey Reggio at this event (he gave me his authograph) and he told me to be ready for "one more" movie. It's great news!
published: 29 May 2013 -
Philip Glass and Tim Fain perform PENDULUM Live
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fain and Philip Glass, Live from the Temple of Dendur at the Metropolitan Museum of Art, NY
published: 22 Dec 2012 -
philip glass glassworks - live on grand piano
" Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then. " —Philip Glass Movements (original instrumentation): ***************************************** I. Opening (piano, hn) 6' II. Floe (2fl, 2 ssx, 2 tsx, 2hn, syn) 7' III. Islands (2fl, 2 ssx, tsx, bcl, 2hn, vla, vc) 8' IV. Rubric (fl, ssx, tsx, 2hn, org) 6' V. Façades (2ssx, syn, vla, vc) VI. Closing - a reprise (fl, cl, bcl, hn, vla, vc, pno) 6' Interpretation by Branka Parlic in 2005
published: 19 Jun 2011 -
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
http://www.daysandnightsfestival.com/ This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my parents, with a full ensemble, and decided I needed to come back the next day by myself. Hard to believe Mr. Glass is 74 years old, go Philip. This video is dedicated to the woman I was dating back in 1985 who suggested we drop acid and watch a movie called Koyaanisqatsi. I've never been the same since. I'm still in love with that woman to this day. I strongly urge anyone and everyone to watch Philip Glass' masterpiece Koyaanisqatsi, I saw it performed live by Philip with the movie behind him 10 years ago, it was just as mindblowing then. WARNING - PREPARE TO BE DISTURBED: part 1/8 : http://www.youtube.com/watch?v=GQsoMIGuPD8 part 2...
published: 15 Sep 2011 -
Philip Glass Ensemble - Floe
From Glassworks http://www.minimal-journalism.net/2011/01/24/wiosenno-letnie-przezycia-dla-ucha/
published: 11 Sep 2010
Philip Glass joue Mad Rush
- Order: Reorder
- Duration: 15:17
- Updated: 09 Mar 2015
- views: 137041
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un concert à la Maison symphonique où il a joué la pièce Mad Rush.
Consul...
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un concert à la Maison symphonique où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca?
Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
https://wn.com/Philip_Glass_Joue_Mad_Rush
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un concert à la Maison symphonique où il a joué la pièce Mad Rush.
Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush
Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca?
Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
- published: 09 Mar 2015
- views: 137041
Philip Glass - solo piano (Metamorphosis)
- Order: Reorder
- Duration: 11:17
- Updated: 11 Mar 2012
- views: 100955
from BBC The Late Show
from BBC The Late Show
https://wn.com/Philip_Glass_Solo_Piano_(Metamorphosis)
Philip Glass performs "Mad Rush"
- Order: Reorder
- Duration: 9:45
- Updated: 11 Jul 2008
- views: 312938
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2012 at 7 pm at the Garrison Institute. For more information and to buy...
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2012 at 7 pm at the Garrison Institute. For more information and to buy tickets, visit the Garrison Institute website: http://www.garrisoninstitute.org/glass
Philip Glass (piano) performs, "Mad Rush," a piece originally written and performed by Glass in honor of the Dalai Lama's visit to North America in 1979. Glass begins by remarking that the legacy of Gandhi can be seen in the work of leaders, including Martin Luther King Jr. and the Dalai Lama, who advocate for nonviolent, social change and by inviting listeners to consider "Mad Rush" as a play between wrathful and peaceful deities. Performance at "Satyagraha: Gandhi's 'Truth Force' in the Age of Climate Change" presented by the Garrison Institute on April 13, 2008 at the Cathedral Church of Saint John the Divine in New York City. To find out more about the Garrison Institute:
Visit our website: https://www.garrisoninstitute.org
Like us on Facebook: https://www.facebook.com/garrisoninstitute
Follow us on Twitter: https://twitter.com/GarrisonInst
https://wn.com/Philip_Glass_Performs_Mad_Rush
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2012 at 7 pm at the Garrison Institute. For more information and to buy tickets, visit the Garrison Institute website: http://www.garrisoninstitute.org/glass
Philip Glass (piano) performs, "Mad Rush," a piece originally written and performed by Glass in honor of the Dalai Lama's visit to North America in 1979. Glass begins by remarking that the legacy of Gandhi can be seen in the work of leaders, including Martin Luther King Jr. and the Dalai Lama, who advocate for nonviolent, social change and by inviting listeners to consider "Mad Rush" as a play between wrathful and peaceful deities. Performance at "Satyagraha: Gandhi's 'Truth Force' in the Age of Climate Change" presented by the Garrison Institute on April 13, 2008 at the Cathedral Church of Saint John the Divine in New York City. To find out more about the Garrison Institute:
Visit our website: https://www.garrisoninstitute.org
Like us on Facebook: https://www.facebook.com/garrisoninstitute
Follow us on Twitter: https://twitter.com/GarrisonInst
- published: 11 Jul 2008
- views: 312938
Philip Glass & The Philip Glass Ensemble - Floe (Glassworks) @ Vilnius
- Order: Reorder
- Duration: 6:13
- Updated: 06 Nov 2014
- views: 13726
Atliekamas kūrinys: Floe (Glassworks), pirma dalis
Vieta: Vilniaus Kongresų rūmai, Vilnius
Data: 2014-11-05
Stebėjimo vieta: 9 eilė, 30 vieta
Bilieto kaina: 184...
Atliekamas kūrinys: Floe (Glassworks), pirma dalis
Vieta: Vilniaus Kongresų rūmai, Vilnius
Data: 2014-11-05
Stebėjimo vieta: 9 eilė, 30 vieta
Bilieto kaina: 184 LT
https://wn.com/Philip_Glass_The_Philip_Glass_Ensemble_Floe_(Glassworks)_Vilnius
Atliekamas kūrinys: Floe (Glassworks), pirma dalis
Vieta: Vilniaus Kongresų rūmai, Vilnius
Data: 2014-11-05
Stebėjimo vieta: 9 eilė, 30 vieta
Bilieto kaina: 184 LT
- published: 06 Nov 2014
- views: 13726
Philip Glass: The HOURS performed live by Anton Batagov, piano
- Order: Reorder
- Duration: 51:26
- Updated: 05 Nov 2015
- views: 51176
Philip Glass
The HOURS
Music from the motion picture
Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov
performed live by Anton Batagov
...
Philip Glass
The HOURS
Music from the motion picture
Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov
performed live by Anton Batagov
at the Moscow International House of Music,
October 30, 2015
The Poet Acts
Morning Passages
Something She Has to Do
I'm Going to Make a Cake
An Unwelcome Friend
Dead Things
Why Does Someone Have to Die?
Tearing Herself Away
Escape!
Choosing Life
The Hours
Camera: Alisa Naremontti and Julia Galochkina
© No Pictures 2015
https://wn.com/Philip_Glass_The_Hours_Performed_Live_By_Anton_Batagov,_Piano
Philip Glass
The HOURS
Music from the motion picture
Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov
performed live by Anton Batagov
at the Moscow International House of Music,
October 30, 2015
The Poet Acts
Morning Passages
Something She Has to Do
I'm Going to Make a Cake
An Unwelcome Friend
Dead Things
Why Does Someone Have to Die?
Tearing Herself Away
Escape!
Choosing Life
The Hours
Camera: Alisa Naremontti and Julia Galochkina
© No Pictures 2015
- published: 05 Nov 2015
- views: 51176
Philip Glass - Koyaanisqatsi LIVE at Hollywood Bowl (July 2009)
- Order: Reorder
- Duration: 85:53
- Updated: 29 May 2013
- views: 32141
Thanks to these YouTube users for their collaboration on this:
watsuoasis, yarblockos, walkey, brs456, mattash, badcable, adub310, free4202130.
Without your vid...
Thanks to these YouTube users for their collaboration on this:
watsuoasis, yarblockos, walkey, brs456, mattash, badcable, adub310, free4202130.
Without your videos this "almost-complete" concert patchwork would not have been possible. Also, thank you, viewers, for your interest in this music and film experience.
By the way, I met director Godfrey Reggio at this event (he gave me his authograph) and he told me to be ready for "one more" movie. It's great news!
https://wn.com/Philip_Glass_Koyaanisqatsi_Live_At_Hollywood_Bowl_(July_2009)
Thanks to these YouTube users for their collaboration on this:
watsuoasis, yarblockos, walkey, brs456, mattash, badcable, adub310, free4202130.
Without your videos this "almost-complete" concert patchwork would not have been possible. Also, thank you, viewers, for your interest in this music and film experience.
By the way, I met director Godfrey Reggio at this event (he gave me his authograph) and he told me to be ready for "one more" movie. It's great news!
- published: 29 May 2013
- views: 32141
Philip Glass and Tim Fain perform PENDULUM Live
- Order: Reorder
- Duration: 7:17
- Updated: 22 Dec 2012
- views: 20745
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fain and Philip Glass, Live from the Temple of Dendur at the Metropolitan...
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fain and Philip Glass, Live from the Temple of Dendur at the Metropolitan Museum of Art, NY
https://wn.com/Philip_Glass_And_Tim_Fain_Perform_Pendulum_Live
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fain and Philip Glass, Live from the Temple of Dendur at the Metropolitan Museum of Art, NY
- published: 22 Dec 2012
- views: 20745
philip glass glassworks - live on grand piano
- Order: Reorder
- Duration: 4:26
- Updated: 19 Jun 2011
- views: 47701
" Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then. "
—Philip Glass
Movements (original ...
" Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then. "
—Philip Glass
Movements (original instrumentation):
*****************************************
I. Opening (piano, hn) 6'
II. Floe (2fl, 2 ssx, 2 tsx, 2hn, syn) 7'
III. Islands (2fl, 2 ssx, tsx, bcl, 2hn, vla, vc) 8'
IV. Rubric (fl, ssx, tsx, 2hn, org) 6'
V. Façades (2ssx, syn, vla, vc)
VI. Closing - a reprise (fl, cl, bcl, hn, vla, vc, pno) 6'
Interpretation by Branka Parlic in 2005
https://wn.com/Philip_Glass_Glassworks_Live_On_Grand_Piano
" Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then. "
—Philip Glass
Movements (original instrumentation):
*****************************************
I. Opening (piano, hn) 6'
II. Floe (2fl, 2 ssx, 2 tsx, 2hn, syn) 7'
III. Islands (2fl, 2 ssx, tsx, bcl, 2hn, vla, vc) 8'
IV. Rubric (fl, ssx, tsx, 2hn, org) 6'
V. Façades (2ssx, syn, vla, vc)
VI. Closing - a reprise (fl, cl, bcl, hn, vla, vc, pno) 6'
Interpretation by Branka Parlic in 2005
- published: 19 Jun 2011
- views: 47701
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
- Order: Reorder
- Duration: 58:09
- Updated: 15 Sep 2011
- views: 163997
http://www.daysandnightsfestival.com/
This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my pa...
http://www.daysandnightsfestival.com/
This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my parents, with a full ensemble, and decided I needed to come back the next day by myself. Hard to believe Mr. Glass is 74 years old, go Philip.
This video is dedicated to the woman I was dating back in 1985 who suggested we drop acid and watch a movie called Koyaanisqatsi. I've never been the same since. I'm still in love with that woman to this day.
I strongly urge anyone and everyone to watch Philip Glass' masterpiece Koyaanisqatsi, I saw it performed live by Philip with the movie behind him 10 years ago, it was just as mindblowing then. WARNING - PREPARE TO BE DISTURBED:
part 1/8 : http://www.youtube.com/watch?v=GQsoMIGuPD8
part 2/8 : This is cloudscape with the music of Autechre, just as good in my opinion but original movie, not original music. No version of cloudscape with original music on youtube: http://www.youtube.com/watch?v=Kos1NbfjXaQ / http://www.youtube.com/watch?v=q5pxmWsu4ig
part 3/8 : http://www.youtube.com/watch?v=pFwR1c-cdFw
part 4/8 : http://www.youtube.com/watch?v=CRmrxYvm7iY
part 5/8 : http://www.youtube.com/watch?v=73gfhPZ3twA / http://www.youtube.com/watch?v=FvZ3DBI1tO8 / http://www.youtube.com/watch?v=me04BWqr_Xo / http://www.youtube.com/watch?v=niVbldvWUK8
part 6/8 : http://www.youtube.com/watch?v=rhZUXhf71oU
part 7/8 : http://www.youtube.com/watch?v=AJjNFy_fAkE
part 8/8 : http://www.youtube.com/watch?v=RI7DjhKTRb8
The Grid with Autechre music : http://www.youtube.com/watch?v=niVbldvWUK8
The Simpsons watch Koyaanisqatsi : http://www.youtube.com/watch?v=AFrikkN8nwM
My new youtube channel is here: http://www.youtube.com/user/phyuckyeu2
https://wn.com/Philip_Glass_Solo_Piano_Played_By_Philip_Glass_1_Full_Hour_10_4_2011_Hidden_Valley,_Carmel_Ca
http://www.daysandnightsfestival.com/
This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my parents, with a full ensemble, and decided I needed to come back the next day by myself. Hard to believe Mr. Glass is 74 years old, go Philip.
This video is dedicated to the woman I was dating back in 1985 who suggested we drop acid and watch a movie called Koyaanisqatsi. I've never been the same since. I'm still in love with that woman to this day.
I strongly urge anyone and everyone to watch Philip Glass' masterpiece Koyaanisqatsi, I saw it performed live by Philip with the movie behind him 10 years ago, it was just as mindblowing then. WARNING - PREPARE TO BE DISTURBED:
part 1/8 : http://www.youtube.com/watch?v=GQsoMIGuPD8
part 2/8 : This is cloudscape with the music of Autechre, just as good in my opinion but original movie, not original music. No version of cloudscape with original music on youtube: http://www.youtube.com/watch?v=Kos1NbfjXaQ / http://www.youtube.com/watch?v=q5pxmWsu4ig
part 3/8 : http://www.youtube.com/watch?v=pFwR1c-cdFw
part 4/8 : http://www.youtube.com/watch?v=CRmrxYvm7iY
part 5/8 : http://www.youtube.com/watch?v=73gfhPZ3twA / http://www.youtube.com/watch?v=FvZ3DBI1tO8 / http://www.youtube.com/watch?v=me04BWqr_Xo / http://www.youtube.com/watch?v=niVbldvWUK8
part 6/8 : http://www.youtube.com/watch?v=rhZUXhf71oU
part 7/8 : http://www.youtube.com/watch?v=AJjNFy_fAkE
part 8/8 : http://www.youtube.com/watch?v=RI7DjhKTRb8
The Grid with Autechre music : http://www.youtube.com/watch?v=niVbldvWUK8
The Simpsons watch Koyaanisqatsi : http://www.youtube.com/watch?v=AFrikkN8nwM
My new youtube channel is here: http://www.youtube.com/user/phyuckyeu2
- published: 15 Sep 2011
- views: 163997
Philip Glass Ensemble - Floe
- Order: Reorder
- Duration: 4:46
- Updated: 11 Sep 2010
- views: 39868
From Glassworks http://www.minimal-journalism.net/2011/01/24/wiosenno-letnie-przezycia-dla-ucha/
- published: 11 Sep 2010
- views: 39868
-
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
Este video no me pertenece REsubo este discazo q bajaron 01. Metamorphosis 1 : 0:00 02. Metamorphosis 2 : 6:40 03. Metamorphosis 3 : 14:48 04. Metamorphosis 4 : 20:13 05. Metamorphosis 5 : 26:04 06. Mad Rush : 31:46 07. Wichita vortex sutra : 49:05 08. Glassworks, opening : 56:10 09. The hours : 1:00:55 10. Modern Love waltz : 1:09:06
published: 12 Aug 2014 -
-
The Hours Complete Soundtrack OST by Philip Glass
The Hours Complete Soundtrack OST by Philip Glass Track list: 00:00 - 01 The Poet Acts 03:43 - 02 Morning Passages 09:16 - 03 Something She Has to Do 12:29 - 04 "For Your Own Benefit" 14:32 - 05 Vanessa and the Changelings 16:21 - 06 "I'm Going to Make a Cake" 20:25 - 07 An Unwelcome Friend 24:37 - 08 Dead Things 29:01 - 09 The Kiss 32:58 - 10 "Why Does Someone Have to Die?" 36:55 - 11 Tearing Herself Away 41:58 - 12 Escape! 45:50 - 13 Choosing Life 49:51 - 14 The Hours
published: 27 Sep 2016 -
Philip Glass,Violin Concerto No.1
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding "a voice of its own" as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's dea...
published: 12 Feb 2014 -
Ravi Shankar w/ Philip Glass - Passages 1990
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. The album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. The album reached a peak position of number three on Billboard's Top World Music Albums chart. 00:00 "Offering" (Shankar)– 9:47 09:47 "Sadhanipa" (Glass) – 8:37 18:24 "Channels and Winds" (Glass) – 8:00 26:24 "Ragas in Minor Scale" (Glass) – 7:37 34:01 "Meetings Along the Edge" (Shankar) – 8:11 42:12 "Prashanti" (Shankar) – 13:40 "Offering", the album's opening track, begins with a slow introduction before the saxophone establishes the Shankar raga melody. Two additional saxophones join, followed by an extended middle se...
published: 22 Feb 2015 -
Uakti and Philip Glass - Aguas da Amazonia (HQ)
PLEASE READ The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreement among twelve Pacific Rim countries concerning a variety of matters of economic policy. If the TPP passes it will have serious legal ramifications on humble youtubers, video gamers and media consumers in general. Because of TPP's strict take on copyright issues, I will remove all music I have uploaded for fear of legal prosecution. Go to EFF.org to learn more about how TPP will affect you, and how to fight it. Thanks you. Aguas da Amazonia - Full This is the full CD copy of the album Aguas da Amazonia 1. Tiquiê River 00:00 2. Japurá River 1:42 3. Purus River 6:26 4. Negro River 14:09 5. Madeira River 18:31 6. Tapajós River 22:31 7. Paru River 25:21 8. Xingu River 29:46 9. Amazon River 34:49 10. M...
published: 11 Apr 2013 -
Philip Glass - The Photographer ( HQ)
Philip Glass - The Photographer "The Photographer is a chamber opera by composer Philip Glass that is based on the homicide trial of photographer Eadweard Muybridge. The opera is based on words drawn from the trial as well as Muybridge's letters to his wife. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam." From Wikipedia. Vinyl record ripped at 24 bit 96KHZ and encoded with NeroAAC with -q 0.75 (500~ Kbps). Both sides of been mixed into a single track for this video. Picture changes once side B begins.
published: 23 Nov 2012 -
Philip Glass Akhnaten (Complete) Act I (1/3)
Philip Glass Akhnaten Act 1: Year 1 of Akhnaten's Reign. Thebes I. Prelude: Refrain, Verse 1, Verse 2 (0:00) II. Prelude: Verse 3 (10:44) III. Scene 1: Funeral of Amenhotep III (11:24) IV: Scene 2: The Coronation of Akhnaten (20:24) V: Scene 3: The Window of Appearances (37:38) The Stuttgart State Opera, Orchestra, Chorus Dennis Russell Davies
published: 04 Mar 2012 -
Philip Glass ─ Mishima (full soundtrack)
Mishima is the soundtrack of the movie "Mishima : to Life in Oven" Chapters de Paul Schrader, composed by Philip Glass. The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima. • Composer : Philip Glass • String quartet interpreted by : Kronos Quartet • Conductor : Michael Riesman • Producer : Kurt Munkacsi • Label : Elektra/Nonesuch 7559-79113-2 • Year : 1985 _________________________________________________ Tracks : 0:00 - 1. Mishima / Opening 2:47 - 2. November 25 : morning 6:58 - 3. 1934 : grandmother & Kimitake 10:37 - 4. Temple of the golden pavillon (like some enormous music) 13:38 - 5. Osamu's Theme: Kyoko's house 16:38 - 6. 1937 : Saint Sebastian 17:45 - 7. Kyoko's house (stage...
published: 24 Oct 2015
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
- Order: Reorder
- Duration: 72:46
- Updated: 12 Aug 2014
- views: 1262861
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4...
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
https://wn.com/Philip_Glass_Metamorphosis_Full_Album_2006_Piano_Branka_Parlic
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. Metamorphosis 2 : 6:40
03. Metamorphosis 3 : 14:48
04. Metamorphosis 4 : 20:13
05. Metamorphosis 5 : 26:04
06. Mad Rush : 31:46
07. Wichita vortex sutra : 49:05
08. Glassworks, opening : 56:10
09. The hours : 1:00:55
10. Modern Love waltz : 1:09:06
- published: 12 Aug 2014
- views: 1262861
Philip Glass - Glassworks (complete)
- Order: Reorder
- Duration: 39:32
- Updated: 04 Apr 2013
- views: 2531002
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
https://wn.com/Philip_Glass_Glassworks_(Complete)
The Hours Complete Soundtrack OST by Philip Glass
- Order: Reorder
- Duration: 57:40
- Updated: 27 Sep 2016
- views: 31500
The Hours Complete Soundtrack OST by Philip Glass
Track list:
00:00 - 01 The Poet Acts
03:43 - 02 Morning Passages
09:16 - 03 Something She Has to Do
12:29 - 0...
The Hours Complete Soundtrack OST by Philip Glass
Track list:
00:00 - 01 The Poet Acts
03:43 - 02 Morning Passages
09:16 - 03 Something She Has to Do
12:29 - 04 "For Your Own Benefit"
14:32 - 05 Vanessa and the Changelings
16:21 - 06 "I'm Going to Make a Cake"
20:25 - 07 An Unwelcome Friend
24:37 - 08 Dead Things
29:01 - 09 The Kiss
32:58 - 10 "Why Does Someone Have to Die?"
36:55 - 11 Tearing Herself Away
41:58 - 12 Escape!
45:50 - 13 Choosing Life
49:51 - 14 The Hours
https://wn.com/The_Hours_Complete_Soundtrack_Ost_By_Philip_Glass
The Hours Complete Soundtrack OST by Philip Glass
Track list:
00:00 - 01 The Poet Acts
03:43 - 02 Morning Passages
09:16 - 03 Something She Has to Do
12:29 - 04 "For Your Own Benefit"
14:32 - 05 Vanessa and the Changelings
16:21 - 06 "I'm Going to Make a Cake"
20:25 - 07 An Unwelcome Friend
24:37 - 08 Dead Things
29:01 - 09 The Kiss
32:58 - 10 "Why Does Someone Have to Die?"
36:55 - 11 Tearing Herself Away
41:58 - 12 Escape!
45:50 - 13 Choosing Life
49:51 - 14 The Hours
- published: 27 Sep 2016
- views: 31500
Philip Glass,Violin Concerto No.1
- Order: Reorder
- Duration: 25:13
- Updated: 12 Feb 2014
- views: 430308
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's...
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding "a voice of its own" as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: "I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad."
Karen Gomyo(violin)/Hague Residentie Orchestra/Brad Lubman.
https://wn.com/Philip_Glass,Violin_Concerto_No.1
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding "a voice of its own" as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's death some sixteen years earlier: "I wrote the piece in 1987 thinking, let me write a piece that my father would have liked. A very smart nice man who had no education in music whatsoever, but the kind of person who fills up concert halls. It's popular, it's supposed to be — it's for my Dad."
Karen Gomyo(violin)/Hague Residentie Orchestra/Brad Lubman.
- published: 12 Feb 2014
- views: 430308
Ravi Shankar w/ Philip Glass - Passages 1990
- Order: Reorder
- Duration: 55:23
- Updated: 22 Feb 2015
- views: 385758
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. The album's conten...
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. The album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. The album reached a peak position of number three on Billboard's Top World Music Albums chart.
00:00 "Offering" (Shankar)– 9:47
09:47 "Sadhanipa" (Glass) – 8:37
18:24 "Channels and Winds" (Glass) – 8:00
26:24 "Ragas in Minor Scale" (Glass) – 7:37
34:01 "Meetings Along the Edge" (Shankar) – 8:11
42:12 "Prashanti" (Shankar) – 13:40
"Offering", the album's opening track, begins with a slow introduction before the saxophone establishes the Shankar raga melody. Two additional saxophones join, followed by an extended middle section at a faster tempo, all before returning to the starting theme. The title of the second track, "Sadhanipa", is derived from the solfège notes (swara) "Sa Dha Ni Pa" from the Indian octave (saptak) based on the first four tones of Glass' melody, "Do La Ti So" (D-B-C-A).
Allmusic's Jim Brenholts awarded the album four of five stars, calling the music "brilliant". Benholts wrote that Shankar's "smooth" style and Glass' dissonant orchestrations mixed well, and recommended Passages to fans of other minimalist composers such as John Cage, Steve Reich and Terry Riley.
Tim Baker – violin
S. P. Balasubrahmanyam – vocals
Seymour Barab – cello
Al Brown – viola
Ashit Desai – conductor
Blaise Dupuy – engineer
Barry Finclair – viola, violin
Mayuki Fukuhara – violin
Jean Gagne – voices
Jon Gibson – soprano saxophone
Philip Glass – performer, producer
Peter Gordon – French horn
Regis Iandiorio – violin
Rory Johnston – executive producer
Karen Karlsrud – violin
Abhiman Kaushal – tabla
Jack Kripl – alto saxophone, flute
Suresh Lalwani – arranger, conductor, mixing, orchestral assistant, producer
Regis Landiorio – violin
Beverly Lauridsen – cello
Batia Lieberman – cello
Ronu Mazumdar – flute
Michael McGrath – assistant engineer
Kurt Munkasci – producer
Keith O'Quinn – trombone
Richard Peck – alto saxophone, tenor saxophone
Melanie Penny – art direction
Martin Perlich – liner notes
Lenny Pickett – alto saxophone, tenor saxophone
Alan Raph – trombone
Michael Riesman – conductor, mixing, piano
Ebet Roberts – photography
Partha Sarathy – sarod, veena
Sergiu Schwartz – violin
Ron Sell – French horn
Ravi Shankar – arranger, orchestration, performer, producer, Vocals
Shubho Shankar – sitar
Richard Sortomme – viola
T. Srinivasan – drum sounds, mridangam
A.R. Swaminathan – engineer
Masako Yanagita – viola, violin
Frederick Zlotkin – cello
https://wn.com/Ravi_Shankar_W_Philip_Glass_Passages_1990
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. The album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. The album reached a peak position of number three on Billboard's Top World Music Albums chart.
00:00 "Offering" (Shankar)– 9:47
09:47 "Sadhanipa" (Glass) – 8:37
18:24 "Channels and Winds" (Glass) – 8:00
26:24 "Ragas in Minor Scale" (Glass) – 7:37
34:01 "Meetings Along the Edge" (Shankar) – 8:11
42:12 "Prashanti" (Shankar) – 13:40
"Offering", the album's opening track, begins with a slow introduction before the saxophone establishes the Shankar raga melody. Two additional saxophones join, followed by an extended middle section at a faster tempo, all before returning to the starting theme. The title of the second track, "Sadhanipa", is derived from the solfège notes (swara) "Sa Dha Ni Pa" from the Indian octave (saptak) based on the first four tones of Glass' melody, "Do La Ti So" (D-B-C-A).
Allmusic's Jim Brenholts awarded the album four of five stars, calling the music "brilliant". Benholts wrote that Shankar's "smooth" style and Glass' dissonant orchestrations mixed well, and recommended Passages to fans of other minimalist composers such as John Cage, Steve Reich and Terry Riley.
Tim Baker – violin
S. P. Balasubrahmanyam – vocals
Seymour Barab – cello
Al Brown – viola
Ashit Desai – conductor
Blaise Dupuy – engineer
Barry Finclair – viola, violin
Mayuki Fukuhara – violin
Jean Gagne – voices
Jon Gibson – soprano saxophone
Philip Glass – performer, producer
Peter Gordon – French horn
Regis Iandiorio – violin
Rory Johnston – executive producer
Karen Karlsrud – violin
Abhiman Kaushal – tabla
Jack Kripl – alto saxophone, flute
Suresh Lalwani – arranger, conductor, mixing, orchestral assistant, producer
Regis Landiorio – violin
Beverly Lauridsen – cello
Batia Lieberman – cello
Ronu Mazumdar – flute
Michael McGrath – assistant engineer
Kurt Munkasci – producer
Keith O'Quinn – trombone
Richard Peck – alto saxophone, tenor saxophone
Melanie Penny – art direction
Martin Perlich – liner notes
Lenny Pickett – alto saxophone, tenor saxophone
Alan Raph – trombone
Michael Riesman – conductor, mixing, piano
Ebet Roberts – photography
Partha Sarathy – sarod, veena
Sergiu Schwartz – violin
Ron Sell – French horn
Ravi Shankar – arranger, orchestration, performer, producer, Vocals
Shubho Shankar – sitar
Richard Sortomme – viola
T. Srinivasan – drum sounds, mridangam
A.R. Swaminathan – engineer
Masako Yanagita – viola, violin
Frederick Zlotkin – cello
- published: 22 Feb 2015
- views: 385758
Uakti and Philip Glass - Aguas da Amazonia (HQ)
- Order: Reorder
- Duration: 54:50
- Updated: 11 Apr 2013
- views: 618407
PLEASE READ
The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreement among twelve Pacific Rim countries concerning a variety of matters o...
PLEASE READ
The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreement among twelve Pacific Rim countries concerning a variety of matters of economic policy. If the TPP passes it will have serious legal ramifications on humble youtubers, video gamers and media consumers in general. Because of TPP's strict take on copyright issues, I will remove all music I have uploaded for fear of legal prosecution. Go to EFF.org to learn more about how TPP will affect you, and how to fight it. Thanks you.
Aguas da Amazonia - Full
This is the full CD copy of the album Aguas da Amazonia
1. Tiquiê River 00:00
2. Japurá River 1:42
3. Purus River 6:26
4. Negro River 14:09
5. Madeira River 18:31
6. Tapajós River 22:31
7. Paru River 25:21
8. Xingu River 29:46
9. Amazon River 34:49
10. Metamorphosis 42:16
Ripped using EAC with 99% accuracy and then encoded using FlAC at -8. The picture changes every 5 minutes.
Aguas da Amazonia - Full
This is the full CD copy of the album Aguas da Amazonia
1. Tiquiê River 00:00
2. Japurá River 1:42
3. Purus River 6:26
4. Negro River 14:09
5. Madeira River 18:31
6. Tapajós River 22:31
7. Paru River 25:21
8. Xingu River 29:46
9. Amazon River 34:49
10. Metamorphosis 42:16
Ripped using EAC with 99% accuracy and then encoded using FlAC at -8. The picture changes every 5 minutes.
https://wn.com/Uakti_And_Philip_Glass_Aguas_Da_Amazonia_(Hq)
PLEASE READ
The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreement among twelve Pacific Rim countries concerning a variety of matters of economic policy. If the TPP passes it will have serious legal ramifications on humble youtubers, video gamers and media consumers in general. Because of TPP's strict take on copyright issues, I will remove all music I have uploaded for fear of legal prosecution. Go to EFF.org to learn more about how TPP will affect you, and how to fight it. Thanks you.
Aguas da Amazonia - Full
This is the full CD copy of the album Aguas da Amazonia
1. Tiquiê River 00:00
2. Japurá River 1:42
3. Purus River 6:26
4. Negro River 14:09
5. Madeira River 18:31
6. Tapajós River 22:31
7. Paru River 25:21
8. Xingu River 29:46
9. Amazon River 34:49
10. Metamorphosis 42:16
Ripped using EAC with 99% accuracy and then encoded using FlAC at -8. The picture changes every 5 minutes.
Aguas da Amazonia - Full
This is the full CD copy of the album Aguas da Amazonia
1. Tiquiê River 00:00
2. Japurá River 1:42
3. Purus River 6:26
4. Negro River 14:09
5. Madeira River 18:31
6. Tapajós River 22:31
7. Paru River 25:21
8. Xingu River 29:46
9. Amazon River 34:49
10. Metamorphosis 42:16
Ripped using EAC with 99% accuracy and then encoded using FlAC at -8. The picture changes every 5 minutes.
- published: 11 Apr 2013
- views: 618407
Philip Glass - The Photographer ( HQ)
- Order: Reorder
- Duration: 42:25
- Updated: 23 Nov 2012
- views: 440481
Philip Glass - The Photographer
"The Photographer is a chamber opera by composer Philip Glass that is based on the homicide trial of photographer Eadweard Muyb...
Philip Glass - The Photographer
"The Photographer is a chamber opera by composer Philip Glass that is based on the homicide trial of photographer Eadweard Muybridge. The opera is based on words drawn from the trial as well as Muybridge's letters to his wife. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam."
From Wikipedia.
Vinyl record ripped at 24 bit 96KHZ and encoded with NeroAAC with -q 0.75 (500~ Kbps). Both sides of been mixed into a single track for this video. Picture changes once side B begins.
https://wn.com/Philip_Glass_The_Photographer_(_Hq)
Philip Glass - The Photographer
"The Photographer is a chamber opera by composer Philip Glass that is based on the homicide trial of photographer Eadweard Muybridge. The opera is based on words drawn from the trial as well as Muybridge's letters to his wife. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam."
From Wikipedia.
Vinyl record ripped at 24 bit 96KHZ and encoded with NeroAAC with -q 0.75 (500~ Kbps). Both sides of been mixed into a single track for this video. Picture changes once side B begins.
- published: 23 Nov 2012
- views: 440481
Philip Glass Akhnaten (Complete) Act I (1/3)
- Order: Reorder
- Duration: 46:51
- Updated: 04 Mar 2012
- views: 363823
Philip Glass
Akhnaten
Act 1: Year 1 of Akhnaten's Reign. Thebes
I. Prelude: Refrain, Verse 1, Verse 2 (0:00)
II. Prelude: Verse 3 (10:44)
III. Scene 1: Fun...
Philip Glass
Akhnaten
Act 1: Year 1 of Akhnaten's Reign. Thebes
I. Prelude: Refrain, Verse 1, Verse 2 (0:00)
II. Prelude: Verse 3 (10:44)
III. Scene 1: Funeral of Amenhotep III (11:24)
IV: Scene 2: The Coronation of Akhnaten (20:24)
V: Scene 3: The Window of Appearances (37:38)
The Stuttgart State Opera, Orchestra, Chorus
Dennis Russell Davies
https://wn.com/Philip_Glass_Akhnaten_(Complete)_Act_I_(1_3)
Philip Glass
Akhnaten
Act 1: Year 1 of Akhnaten's Reign. Thebes
I. Prelude: Refrain, Verse 1, Verse 2 (0:00)
II. Prelude: Verse 3 (10:44)
III. Scene 1: Funeral of Amenhotep III (11:24)
IV: Scene 2: The Coronation of Akhnaten (20:24)
V: Scene 3: The Window of Appearances (37:38)
The Stuttgart State Opera, Orchestra, Chorus
Dennis Russell Davies
- published: 04 Mar 2012
- views: 363823
Philip Glass ─ Mishima (full soundtrack)
- Order: Reorder
- Duration: 46:10
- Updated: 24 Oct 2015
- views: 123231
Mishima is the soundtrack of the movie "Mishima : to Life in Oven" Chapters de Paul Schrader, composed by Philip Glass.
The quartet for ropes, interpreted by K...
Mishima is the soundtrack of the movie "Mishima : to Life in Oven" Chapters de Paul Schrader, composed by Philip Glass.
The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima.
• Composer : Philip Glass
• String quartet interpreted by : Kronos Quartet
• Conductor : Michael Riesman
• Producer : Kurt Munkacsi
• Label : Elektra/Nonesuch 7559-79113-2
• Year : 1985
_________________________________________________
Tracks :
0:00 - 1. Mishima / Opening
2:47 - 2. November 25 : morning
6:58 - 3. 1934 : grandmother & Kimitake
10:37 - 4. Temple of the golden pavillon (like some enormous music)
13:38 - 5. Osamu's Theme: Kyoko's house
16:38 - 6. 1937 : Saint Sebastian
17:45 - 7. Kyoko's house (stage blood is not enough)
22:48 - 8. November 25 : Ichigaya
25:02 - 9. 1957 : award montage
29:00 - 10. Runaway horses (poetry written with a splash of blood)
38:09 - 11. 1962 : body building
39:39 - 12. November 25: The last day
41:10 - 13. F-104 : epilogue from Sun and Steel
43:09 - 14. Mishima / closing
_________________________________________________
Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.
I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.
Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.
I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.
In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.
— Paul Schrader
CREDITS:
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.
Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.
Published by Dunvagen Music Publishers, Inc. (ASCAP). © 1985 Nonesuch Records.
https://wn.com/Philip_Glass_─_Mishima_(Full_Soundtrack)
Mishima is the soundtrack of the movie "Mishima : to Life in Oven" Chapters de Paul Schrader, composed by Philip Glass.
The quartet for ropes, interpreted by Kronos Quartet, is nowadays still played, independently of the soundtrack. He is entitled String quartet No. 3 Mishima.
• Composer : Philip Glass
• String quartet interpreted by : Kronos Quartet
• Conductor : Michael Riesman
• Producer : Kurt Munkacsi
• Label : Elektra/Nonesuch 7559-79113-2
• Year : 1985
_________________________________________________
Tracks :
0:00 - 1. Mishima / Opening
2:47 - 2. November 25 : morning
6:58 - 3. 1934 : grandmother & Kimitake
10:37 - 4. Temple of the golden pavillon (like some enormous music)
13:38 - 5. Osamu's Theme: Kyoko's house
16:38 - 6. 1937 : Saint Sebastian
17:45 - 7. Kyoko's house (stage blood is not enough)
22:48 - 8. November 25 : Ichigaya
25:02 - 9. 1957 : award montage
29:00 - 10. Runaway horses (poetry written with a splash of blood)
38:09 - 11. 1962 : body building
39:39 - 12. November 25: The last day
41:10 - 13. F-104 : epilogue from Sun and Steel
43:09 - 14. Mishima / closing
_________________________________________________
Over the last fifteen years, Philip Glass has defined a new form of biographical opera. There was never any doubt that he would be the ideal composer for Mishima, a mosaic film biography. I wanted a score which would unite the film's disparate elements and propel it forward. Such a score, by definition, would be a distinct, cohesive composition.
I only wondered how to induce Glass. Money was out of the question: the film was already an egregiously under-budgeted labor of love production. I opted for a soft sell. (I've subsequently learned how remarkably resistant Philip is to a hard one.) I simply gave him the script and all the materials by and about Mishima at my disposal.
Philip responded enthusiastically and after several pre-production meetings and a trip to the Tokyo locations, wrote a score from the script as he would from a libretto. With Kurt Munkacsi and Michael Riesman he recorded a temp synthesizer version.
I edited the film to this temp score, altering it as necessary: cutting, expanding and repeating cues. I then played the edited film and score for Philip. He rewrote the music to fit the film's now-precise specifications and recorded it with a full orchestra. Later, he supervised last-minute changes during the final mix.
In keeping with the original concept, Glass has re-edited the score as a distinct musical entity. His Mishima equally serves the film and stands alone.
— Paul Schrader
CREDITS:
Original music composed by Philip Glass. Conducted by Michael Riesman. String quartets performed by The Kronos Quartet: David Harrington, violin. John Sherba, violin. Hank Dutt, viola. Joan Jeanrenaud, cello.
Produced by Kurt Munkacsi for Euphorbia Productions, Ltd. NY, NY. Recording engineer: Dan Dryden, Assistant: Don Christensen. Recorded at: Greene St. Studios NY, NY and The Living Room Inc. NY, NY. Remixed by: Dan Dryden, Kurt Munkacsi, Michael Riesman. Remixed at: The Living Room, Inc. NY, NY. Contractor for the musicians: Earl Shendell. Mastered by: Bill Kipper, Masterdisk, NY, NY.
Album art direction: Eiko Ishioka. Photo: Sukita. Album design: Makoto Kumakura.
Published by Dunvagen Music Publishers, Inc. (ASCAP). © 1985 Nonesuch Records.
- published: 24 Oct 2015
- views: 123231
-
The Creative Pulse: A Conversation with Philip Glass
Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shankar, and Godfrey Reggio) has shaped his career. Glass is interviewed by Claire Chase, flutist, artistic director of the International Contemporary Ensemble, and a 2012 MacArthur Fellow. Sponsored by the Barry S. Brook Center for Music Research and Documentation. Chase will also performs a piece for flute by Glass.
published: 18 Oct 2013 -
Philip Glass interview on Charlie Rose (1992)
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach," influences on his music, and composing music scores for films.
published: 30 Apr 2016 -
Philip Glass | Interview | TimesTalks
published: 05 Apr 2016 -
Philip Glass - Composing Myself
The first in a series of composer videos from The Music Sales Group. Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi.
published: 24 Nov 2015 -
Glass - A Portrait of Philip In Twelve Parts - cd1.avi
the first part of the a Documentary on composer Phillip Glass. The film was directed by Scott Hicks.
published: 01 Feb 2012 -
Philip Glass (RBMA New York 2013 Lecture)
One of the greatest American composers at the 2013 Red Bull Music Academy in New York. ------ Visit our official website: http://www.redbullmusicacademy.com Follow us on Twitter: https://twitter.com/RBMA Like us on Facebook: https://www.facebook.com/RedBullMusic... Subscribe to our YouTube Channel: http://bit.ly/10OyDHc ------ Along with Steve Reich, Philip Glass’ minimalist compositions transformed the world of classical music and, eventually, popular music in general. Glass’ early epiphanies occurred in Paris during his time in the mid-’60s studying under Nadia Boulanger and working with Ravi Shankar. Throughout the ’70s Glass refined his work, resulting in career-defining compositions like Music in 12 Parts and Einstein on the Beach. In the process he became a popular sensation, a s...
published: 22 Jul 2015 -
-
Extended Interview: Philip Glass
Jeffrey Brown continues the conversation with Philip Glass online with a few more questions.
published: 23 Oct 2012 -
Philip Glass - interview & Floe
Philip Glass - interview & Floe. Floe is available on the album Glassworks.
published: 21 Nov 2010 -
Uncut Interview with Philip Glass - Part 1
John McCaa interviews American Composer Philip Glass about his music, his inspiration and how he got started
published: 24 Jun 2008
The Creative Pulse: A Conversation with Philip Glass
- Order: Reorder
- Duration: 89:40
- Updated: 18 Oct 2013
- views: 16512
Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shan...
Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shankar, and Godfrey Reggio) has shaped his career. Glass is interviewed by Claire Chase, flutist, artistic director of the International Contemporary Ensemble, and a 2012 MacArthur Fellow. Sponsored by the Barry S. Brook Center for Music Research and Documentation.
Chase will also performs a piece for flute by Glass.
https://wn.com/The_Creative_Pulse_A_Conversation_With_Philip_Glass
Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shankar, and Godfrey Reggio) has shaped his career. Glass is interviewed by Claire Chase, flutist, artistic director of the International Contemporary Ensemble, and a 2012 MacArthur Fellow. Sponsored by the Barry S. Brook Center for Music Research and Documentation.
Chase will also performs a piece for flute by Glass.
- published: 18 Oct 2013
- views: 16512
Philip Glass interview on Charlie Rose (1992)
- Order: Reorder
- Duration: 11:43
- Updated: 30 Apr 2016
- views: 1297
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach," influences on his music, and composing music scores for films.
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach," influences on his music, and composing music scores for films.
https://wn.com/Philip_Glass_Interview_On_Charlie_Rose_(1992)
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach," influences on his music, and composing music scores for films.
- published: 30 Apr 2016
- views: 1297
Philip Glass | Interview | TimesTalks
- Order: Reorder
- Duration: 57:34
- Updated: 05 Apr 2016
- views: 415
- published: 05 Apr 2016
- views: 415
Philip Glass - Composing Myself
- Order: Reorder
- Duration: 13:32
- Updated: 24 Nov 2015
- views: 4948
The first in a series of composer videos from The Music Sales Group.
Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadi...
The first in a series of composer videos from The Music Sales Group.
Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi.
https://wn.com/Philip_Glass_Composing_Myself
The first in a series of composer videos from The Music Sales Group.
Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi.
- published: 24 Nov 2015
- views: 4948
Glass - A Portrait of Philip In Twelve Parts - cd1.avi
- Order: Reorder
- Duration: 51:36
- Updated: 01 Feb 2012
- views: 80689
the first part of the a Documentary on composer Phillip Glass. The film was directed by Scott Hicks.
the first part of the a Documentary on composer Phillip Glass. The film was directed by Scott Hicks.
https://wn.com/Glass_A_Portrait_Of_Philip_In_Twelve_Parts_Cd1.Avi
the first part of the a Documentary on composer Phillip Glass. The film was directed by Scott Hicks.
- published: 01 Feb 2012
- views: 80689
Philip Glass (RBMA New York 2013 Lecture)
- Order: Reorder
- Duration: 93:15
- Updated: 22 Jul 2015
- views: 9027
One of the greatest American composers at the 2013 Red Bull Music Academy in New York.
------
Visit our official website: http://www.redbullmusicacademy.com
F...
One of the greatest American composers at the 2013 Red Bull Music Academy in New York.
------
Visit our official website: http://www.redbullmusicacademy.com
Follow us on Twitter: https://twitter.com/RBMA
Like us on Facebook: https://www.facebook.com/RedBullMusic...
Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
------
Along with Steve Reich, Philip Glass’ minimalist compositions transformed the world of classical music and, eventually, popular music in general. Glass’ early epiphanies occurred in Paris during his time in the mid-’60s studying under Nadia Boulanger and working with Ravi Shankar. Throughout the ’70s Glass refined his work, resulting in career-defining compositions like Music in 12 Parts and Einstein on the Beach. In the process he became a popular sensation, a serious composer who wasn’t willfully obscure or too difficult to understand. Glass’ stunning soundtrack work for films like The Thin Blue Line and The Hours has only elevated his standing as one of America’s greatest living composers.
https://wn.com/Philip_Glass_(Rbma_New_York_2013_Lecture)
One of the greatest American composers at the 2013 Red Bull Music Academy in New York.
------
Visit our official website: http://www.redbullmusicacademy.com
Follow us on Twitter: https://twitter.com/RBMA
Like us on Facebook: https://www.facebook.com/RedBullMusic...
Subscribe to our YouTube Channel: http://bit.ly/10OyDHc
------
Along with Steve Reich, Philip Glass’ minimalist compositions transformed the world of classical music and, eventually, popular music in general. Glass’ early epiphanies occurred in Paris during his time in the mid-’60s studying under Nadia Boulanger and working with Ravi Shankar. Throughout the ’70s Glass refined his work, resulting in career-defining compositions like Music in 12 Parts and Einstein on the Beach. In the process he became a popular sensation, a serious composer who wasn’t willfully obscure or too difficult to understand. Glass’ stunning soundtrack work for films like The Thin Blue Line and The Hours has only elevated his standing as one of America’s greatest living composers.
- published: 22 Jul 2015
- views: 9027
Composer Philip Glass discusses his relationship with the piano.
- Order: Reorder
- Duration: 2:18
- Updated: 29 Sep 2014
- views: 4663
Last week, composer Philip Glass took a break from rehearsals at Carmel's Sunset Center to talk about the relationship he has with the piano.
http://www.monter...
Last week, composer Philip Glass took a break from rehearsals at Carmel's Sunset Center to talk about the relationship he has with the piano.
http://www.montereycountyweekly.com/
https://wn.com/Composer_Philip_Glass_Discusses_His_Relationship_With_The_Piano.
Extended Interview: Philip Glass
- Order: Reorder
- Duration: 2:48
- Updated: 23 Oct 2012
- views: 1986
Jeffrey Brown continues the conversation with Philip Glass online with a few more questions.
Jeffrey Brown continues the conversation with Philip Glass online with a few more questions.
https://wn.com/Extended_Interview_Philip_Glass
Jeffrey Brown continues the conversation with Philip Glass online with a few more questions.
- published: 23 Oct 2012
- views: 1986
Philip Glass - interview & Floe
- Order: Reorder
- Duration: 6:29
- Updated: 21 Nov 2010
- views: 10176
Philip Glass - interview & Floe. Floe is available on the album Glassworks.
- published: 21 Nov 2010
- views: 10176
Uncut Interview with Philip Glass - Part 1
- Order: Reorder
- Duration: 8:34
- Updated: 24 Jun 2008
- views: 27387
John McCaa interviews American Composer Philip Glass about his music, his inspiration and how he got started
John McCaa interviews American Composer Philip Glass about his music, his inspiration and how he got started
https://wn.com/Uncut_Interview_With_Philip_Glass_Part_1
John McCaa interviews American Composer Philip Glass about his music, his inspiration and how he got started
- published: 24 Jun 2008
- views: 27387
-
Philip Glass Style composition
published: 08 Nov 2016 -
Einstein on the Beach - Philip Glass
published: 23 Sep 2015 -
Philip Glass - Gone
published: 07 Feb 2014 -
Philip Glass Mad Rush
published: 28 Mar 2015 -
philip glass: metamorphosis 2
published: 12 Sep 2013 -
Philip Glass Symphony No.2
published: 03 Apr 2013 -
Philip Glass
published: 01 Jun 2011 -
-
-
Philip Glass Style composition
- Order: Reorder
- Duration: 1:33
- Updated: 08 Nov 2016
- views: 24096
- published: 08 Nov 2016
- views: 24096
Einstein on the Beach - Philip Glass
- Order: Reorder
- Duration: 6:01
- Updated: 23 Sep 2015
- views: 19784
- published: 23 Sep 2015
- views: 19784
Philip Glass - Gone
- Order: Reorder
- Duration: 15:08
- Updated: 07 Feb 2014
- views: 111644
- published: 07 Feb 2014
- views: 111644
Philip Glass Mad Rush
- Order: Reorder
- Duration: 13:48
- Updated: 28 Mar 2015
- views: 20227
- published: 28 Mar 2015
- views: 20227
philip glass: metamorphosis 2
- Order: Reorder
- Duration: 7:49
- Updated: 12 Sep 2013
- views: 132291
- published: 12 Sep 2013
- views: 132291
Philip Glass Symphony No.2
- Order: Reorder
- Duration: 43:10
- Updated: 03 Apr 2013
- views: 191222
- published: 03 Apr 2013
- views: 191222
Philip Glass
- Order: Reorder
- Duration: 1:48:43
- Updated: 01 Jun 2011
- views: 11457
- published: 01 Jun 2011
- views: 11457
Philip Glass - Glassworks (complete)
- Order: Reorder
- Duration: 39:32
- Updated: 04 Apr 2013
- views: 2531002
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
https://wn.com/Philip_Glass_Glassworks_(Complete)
Philip Glass The Kiss
- Order: Reorder
- Duration: 1:58
- Updated: 14 Oct 2016
- views: 22
Philip Glass - Metamorphosis II
- Order: Reorder
- Duration: 7:22
- Updated: 27 Nov 2015
- views: 63
back
- Playlist
- Chat
back
- Playlist
- Chat
8:23
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
Philip Glass - Evening Song Act III Pt. 3 - Satyagraha
published: 26 May 2011
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
Philip Glass - Evening Song Act III Pt. 3 (Satyagraha)
- Report rights infringement
- published: 26 May 2011
- views: 56937
15:36
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
Philip Glass - Satyagraha - 07 Act 3 - King - Part 1
- Report rights infringement
- published: 06 Feb 2013
- views: 7190
8:25
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
Philip Glass - Satyagraha - 09 Act 3 - King - Part 3
- Report rights infringement
- published: 06 Feb 2013
- views: 8906
14:45
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
Philip Glass - Satyagraha - 04 Act 2 - Tagore - Scene 1
- Report rights infringement
- published: 06 Feb 2013
- views: 13693
11:33
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
Philip Glass - Satyagraha - 05 Act 2 - Tagore - Scene 2
- Report rights infringement
- published: 06 Feb 2013
- views: 8215
15:20
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
Philip Glass - Satyagraha - 06 Act 2 - Tagore - Scene 3
- Report rights infringement
- published: 06 Feb 2013
- views: 10244
8:08
Michael Riesman Aria from Act III of Satyagraha
From the Piano Two cd 1990
published: 02 Feb 2016
Michael Riesman Aria from Act III of Satyagraha
Michael Riesman Aria from Act III of Satyagraha
- Report rights infringement
- published: 02 Feb 2016
- views: 250
18:48
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
Philip Glass - Satyagraha - 01 Act 1 - Tolstoy - Scene 1
- Report rights infringement
- published: 06 Feb 2013
- views: 36537
11:41
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
full album: https://www.youtube.com/watch?v=at9Z2SuOR8I&list;=PLTUlTwlsdlFTbgd6x2Ua9YsZeFyW...
published: 06 Feb 2013
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
Philip Glass - Satyagraha - 03 Act 1 - Tolstoy - Scene 3
- Report rights infringement
- published: 06 Feb 2013
- views: 10883
7:28
II. Act III Conclusion from Satyagraha
published: 24 Apr 2011
II. Act III Conclusion from Satyagraha
II. Act III Conclusion from Satyagraha
- Report rights infringement
- published: 24 Apr 2011
- views: 40566
back
- Playlist
- Chat
15:17
Philip Glass joue Mad Rush
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un c...
published: 09 Mar 2015
Philip Glass joue Mad Rush
Philip Glass joue Mad Rush
- Report rights infringement
- published: 09 Mar 2015
- views: 137041
11:17
Philip Glass - solo piano (Metamorphosis)
from BBC The Late Show
published: 11 Mar 2012
Philip Glass - solo piano (Metamorphosis)
Philip Glass - solo piano (Metamorphosis)
- Report rights infringement
- published: 11 Mar 2012
- views: 100955
9:45
Philip Glass performs "Mad Rush"
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2...
published: 11 Jul 2008
Philip Glass performs "Mad Rush"
Philip Glass performs "Mad Rush"
- Report rights infringement
- published: 11 Jul 2008
- views: 312938
6:13
Philip Glass & The Philip Glass Ensemble - Floe (Glassworks) @ Vilnius
Atliekamas kūrinys: Floe (Glassworks), pirma dalis
Vieta: Vilniaus Kongresų rūmai, Vilnius...
published: 06 Nov 2014
Philip Glass & The Philip Glass Ensemble - Floe (Glassworks) @ Vilnius
Philip Glass & The Philip Glass Ensemble - Floe (Glassworks) @ Vilnius
- Report rights infringement
- published: 06 Nov 2014
- views: 13726
51:26
Philip Glass: The HOURS performed live by Anton Batagov, piano
Philip Glass
The HOURS
Music from the motion picture
Arranged for piano solo by Michael R...
published: 05 Nov 2015
Philip Glass: The HOURS performed live by Anton Batagov, piano
Philip Glass: The HOURS performed live by Anton Batagov, piano
- Report rights infringement
- published: 05 Nov 2015
- views: 51176
85:53
Philip Glass - Koyaanisqatsi LIVE at Hollywood Bowl (July 2009)
Thanks to these YouTube users for their collaboration on this:
watsuoasis, yarblockos, wal...
published: 29 May 2013
Philip Glass - Koyaanisqatsi LIVE at Hollywood Bowl (July 2009)
Philip Glass - Koyaanisqatsi LIVE at Hollywood Bowl (July 2009)
- Report rights infringement
- published: 29 May 2013
- views: 32141
7:17
Philip Glass and Tim Fain perform PENDULUM Live
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fai...
published: 22 Dec 2012
Philip Glass and Tim Fain perform PENDULUM Live
Philip Glass and Tim Fain perform PENDULUM Live
- Report rights infringement
- published: 22 Dec 2012
- views: 20745
4:26
philip glass glassworks - live on grand piano
" Glassworks was intended to introduce my music to a more general audience than had been f...
published: 19 Jun 2011
philip glass glassworks - live on grand piano
philip glass glassworks - live on grand piano
- Report rights infringement
- published: 19 Jun 2011
- views: 47701
58:09
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
http://www.daysandnightsfestival.com/
This was the closing night, September 4th, 2011 at t...
published: 15 Sep 2011
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
Philip Glass Solo Piano played by Philip Glass 1 Full Hour 10/4/2011 Hidden Valley, Carmel CA
- Report rights infringement
- published: 15 Sep 2011
- views: 163997
4:46
Philip Glass Ensemble - Floe
From Glassworks http://www.minimal-journalism.net/2011/01/24/wiosenno-letnie-przezycia-dla...
published: 11 Sep 2010
Philip Glass Ensemble - Floe
Philip Glass Ensemble - Floe
- Report rights infringement
- published: 11 Sep 2010
- views: 39868
back
- Playlist
- Chat
72:46
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
Este video no me pertenece
REsubo este discazo q bajaron
01. Metamorphosis 1 : 0:00
02. ...
published: 12 Aug 2014
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
Philip Glass Metamorphosis full album 2006 piano Branka Parlic
- Report rights infringement
- published: 12 Aug 2014
- views: 1262861
39:32
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
published: 04 Apr 2013
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
- Report rights infringement
- published: 04 Apr 2013
- views: 2531002
57:40
The Hours Complete Soundtrack OST by Philip Glass
The Hours Complete Soundtrack OST by Philip Glass
Track list:
00:00 - 01 The Poet Acts
03...
published: 27 Sep 2016
The Hours Complete Soundtrack OST by Philip Glass
The Hours Complete Soundtrack OST by Philip Glass
- Report rights infringement
- published: 27 Sep 2016
- views: 31500
25:13
Philip Glass,Violin Concerto No.1
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the co...
published: 12 Feb 2014
Philip Glass,Violin Concerto No.1
Philip Glass,Violin Concerto No.1
- Report rights infringement
- published: 12 Feb 2014
- views: 430308
55:23
Ravi Shankar w/ Philip Glass - Passages 1990
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Phili...
published: 22 Feb 2015
Ravi Shankar w/ Philip Glass - Passages 1990
Ravi Shankar w/ Philip Glass - Passages 1990
- Report rights infringement
- published: 22 Feb 2015
- views: 385758
54:50
Uakti and Philip Glass - Aguas da Amazonia (HQ)
PLEASE READ
The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreemen...
published: 11 Apr 2013
Uakti and Philip Glass - Aguas da Amazonia (HQ)
Uakti and Philip Glass - Aguas da Amazonia (HQ)
- Report rights infringement
- published: 11 Apr 2013
- views: 618407
42:25
Philip Glass - The Photographer ( HQ)
Philip Glass - The Photographer
"The Photographer is a chamber opera by composer Philip G...
published: 23 Nov 2012
Philip Glass - The Photographer ( HQ)
Philip Glass - The Photographer ( HQ)
- Report rights infringement
- published: 23 Nov 2012
- views: 440481
46:51
Philip Glass Akhnaten (Complete) Act I (1/3)
Philip Glass
Akhnaten
Act 1: Year 1 of Akhnaten's Reign. Thebes
I. Prelude: Refrain, Ve...
published: 04 Mar 2012
Philip Glass Akhnaten (Complete) Act I (1/3)
Philip Glass Akhnaten (Complete) Act I (1/3)
- Report rights infringement
- published: 04 Mar 2012
- views: 363823
46:10
Philip Glass ─ Mishima (full soundtrack)
Mishima is the soundtrack of the movie "Mishima : to Life in Oven" Chapters de Paul Schrad...
published: 24 Oct 2015
Philip Glass ─ Mishima (full soundtrack)
Philip Glass ─ Mishima (full soundtrack)
- Report rights infringement
- published: 24 Oct 2015
- views: 123231
back
- Playlist
- Chat
89:40
The Creative Pulse: A Conversation with Philip Glass
Legendary composer Philip Glass speaks about his music and how the process of collaboratio...
published: 18 Oct 2013
The Creative Pulse: A Conversation with Philip Glass
The Creative Pulse: A Conversation with Philip Glass
- Report rights infringement
- published: 18 Oct 2013
- views: 16512
11:43
Philip Glass interview on Charlie Rose (1992)
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach,...
published: 30 Apr 2016
Philip Glass interview on Charlie Rose (1992)
Philip Glass interview on Charlie Rose (1992)
- Report rights infringement
- published: 30 Apr 2016
- views: 1297
57:34
Philip Glass | Interview | TimesTalks
published: 05 Apr 2016
Philip Glass | Interview | TimesTalks
Philip Glass | Interview | TimesTalks
- Report rights infringement
- published: 05 Apr 2016
- views: 415
13:32
Philip Glass - Composing Myself
The first in a series of composer videos from The Music Sales Group.
Philip Glass, early...
published: 24 Nov 2015
Philip Glass - Composing Myself
Philip Glass - Composing Myself
- Report rights infringement
- published: 24 Nov 2015
- views: 4948
51:36
Glass - A Portrait of Philip In Twelve Parts - cd1.avi
the first part of the a Documentary on composer Phillip Glass. The film was directed by Sc...
published: 01 Feb 2012
Glass - A Portrait of Philip In Twelve Parts - cd1.avi
Glass - A Portrait of Philip In Twelve Parts - cd1.avi
- Report rights infringement
- published: 01 Feb 2012
- views: 80689
93:15
Philip Glass (RBMA New York 2013 Lecture)
One of the greatest American composers at the 2013 Red Bull Music Academy in New York.
--...
published: 22 Jul 2015
Philip Glass (RBMA New York 2013 Lecture)
Philip Glass (RBMA New York 2013 Lecture)
- Report rights infringement
- published: 22 Jul 2015
- views: 9027
2:18
Composer Philip Glass discusses his relationship with the piano.
Last week, composer Philip Glass took a break from rehearsals at Carmel's Sunset Center to...
published: 29 Sep 2014
Composer Philip Glass discusses his relationship with the piano.
Composer Philip Glass discusses his relationship with the piano.
- Report rights infringement
- published: 29 Sep 2014
- views: 4663
2:48
Extended Interview: Philip Glass
Jeffrey Brown continues the conversation with Philip Glass online with a few more question...
published: 23 Oct 2012
Extended Interview: Philip Glass
Extended Interview: Philip Glass
- Report rights infringement
- published: 23 Oct 2012
- views: 1986
6:29
Philip Glass - interview & Floe
Philip Glass - interview & Floe. Floe is available on the album Glassworks.
published: 21 Nov 2010
Philip Glass - interview & Floe
Philip Glass - interview & Floe
- Report rights infringement
- published: 21 Nov 2010
- views: 10176
8:34
Uncut Interview with Philip Glass - Part 1
John McCaa interviews American Composer Philip Glass about his music, his inspiration and ...
published: 24 Jun 2008
Uncut Interview with Philip Glass - Part 1
Uncut Interview with Philip Glass - Part 1
- Report rights infringement
- published: 24 Jun 2008
- views: 27387
back
- Playlist
- Chat
1:33
Philip Glass Style composition
published: 08 Nov 2016
Philip Glass Style composition
Philip Glass Style composition
- Report rights infringement
- published: 08 Nov 2016
- views: 24096
6:01
Einstein on the Beach - Philip Glass
published: 23 Sep 2015
Einstein on the Beach - Philip Glass
Einstein on the Beach - Philip Glass
- Report rights infringement
- published: 23 Sep 2015
- views: 19784
15:08
Philip Glass - Gone
published: 07 Feb 2014
Philip Glass - Gone
Philip Glass - Gone
- Report rights infringement
- published: 07 Feb 2014
- views: 111644
13:48
Philip Glass Mad Rush
published: 28 Mar 2015
Philip Glass Mad Rush
Philip Glass Mad Rush
- Report rights infringement
- published: 28 Mar 2015
- views: 20227
7:49
philip glass: metamorphosis 2
published: 12 Sep 2013
philip glass: metamorphosis 2
philip glass: metamorphosis 2
- Report rights infringement
- published: 12 Sep 2013
- views: 132291
43:10
Philip Glass Symphony No.2
published: 03 Apr 2013
Philip Glass Symphony No.2
Philip Glass Symphony No.2
- Report rights infringement
- published: 03 Apr 2013
- views: 191222
1:48:43
Philip Glass
published: 01 Jun 2011
Philip Glass
Philip Glass
- Report rights infringement
- published: 01 Jun 2011
- views: 11457
39:32
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
published: 04 Apr 2013
Philip Glass - Glassworks (complete)
Philip Glass - Glassworks (complete)
- Report rights infringement
- published: 04 Apr 2013
- views: 2531002
1:58
Philip Glass The Kiss
Philip Glass - The Kiss
published: 14 Oct 2016
Philip Glass The Kiss
Philip Glass The Kiss
- Report rights infringement
- published: 14 Oct 2016
- views: 22
7:22
Philip Glass - Metamorphosis II
Piano - Philip Glass
published: 27 Nov 2015
Philip Glass - Metamorphosis II
Philip Glass - Metamorphosis II
- Report rights infringement
- published: 27 Nov 2015
- views: 63
Philip Glass Style composition...
Einstein on the Beach - Philip Glass...
Philip Glass - Gone...
Philip Glass Mad Rush...
philip glass: metamorphosis 2...
Philip Glass Symphony No.2...
Philip Glass...
Philip Glass - Glassworks (complete)...
Philip Glass The Kiss...
Philip Glass - Metamorphosis II...
-
Lyrics list:lyrics
-
Trial 1: All Men Are Equal, Philip Glass
-
Train 1, Philip Glass
-
The New Rule, Philip Glass
-
Prologue - I Can't Make The Hills, Philip Glass
-
A Gentleman's Honor, Philip Glass
-
Movement III, Philip Glass
-
Before The Creation, Philip Glass
-
Like This, Philip Glass
-
Lightning, Philip Glass
-
Let The Letter Read You, Philip Glass
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
-
Trial 1: All Men Are Equal
"In this court, all men are equal." You have heard
those words many times before. "All men are equal." But
what about all women ? Are women the equal of men ?
There are those who tell us that they are.
Last week, an auspicious meeting of women was held in
Kalamazoo. The meeting was addressed by a very
prominent lady who is noted for her modesty. She is so
modest that she blindfolds herself when taking a bath.
Modesty runs in her family. She has a nephew who is
just ten years of age. Sometimes, the nephew says "I'm
going to the forbidden name store." The little fellow
is too modest to say "I'm going to the A & P." Well,
here is what that modest lady said to the gathering of
women in Kalamazoo :
"My sisters : Thetime has come when we must stand up
and declare ourselves. For too long have we been
trodden under the feet of men. For too long have we
been treated as second-class citizens by men who say
that we are only good for cooking their meals, mending
their socks, and raising their babies.
"You have a boyfriend, and he calls you his queen.
Then, when he marries you, he crowns you. These are the
kind of men who, when they become romantic or, I should
say, when they are in a certain mood, they want to kiss
you and kiss you and kiss you again.
"My sisters, I say to you : Put your faces against it,
and, if the man takes from you without your permission,
look him squarely in the face, roll your eyes at him,
and say to him ‘How dare you, you male chauvinist pig !
You put that kiss right back where you got it from.’
"My sisters, we are in bondage, and we need to be
liberated. Liberation is our cry. Just yesterday, I
talked with a woman who is the mother of fifteen
children. She said ‘Yes, I want to be liberated from
the bedroom.’
"And so, my sisters, the time has come when we must let
this male chauvinist understand that the hand that
changes the diapers is the hand that shall rule the
world.
"And now, my sisters, let us stand and sing our
national song. For the benefit of you who have not yet
memorized the words, here they are :
The woman's day is drawing near, it's written in the
stars
The fall of men is very near, proclaim it from your
cars.
Sisters, rise ! You flags unfurl ! Don't be a little
girl.
Say "Down with men, their power must end : Women shall
back
Trump's ban is disguise for xenophobia
Edit CNN 29 Jan 2017
(CNN)While working at the State Department from 2011 to 2014 on various strategies to counter extremism from overseas, I used a simple litmus test to judge the efficacy of my programs. How would these extremists respond if they were in the room with me? Would they be genuinely worried that what I was proposing would hamper their efforts, or would they explode in laughter at my naiveté?. Shahed Amanullah ... Read More ... JUST WATCHED. Trump ... ....
back
Western dominance on the global stage is coming to an end – we are now entering the era of Chinese influence
Edit The Independent 29 Jan 2017
Donald Trump’s inauguration has been described as symbolising the end of the “American Century". Historians may look back on 2016-17 as the years in which the two greatest forces sweeping the world – the anti-establishment backlash in the West, and the resurgence of Asia – combined to thrust China into a global leadership role ... China’s economic relations with the region are on a long-term upward trend ... UK news in pictures....
back
New test to detect signs of life on alien planets
Edit Deccan Chronicle 29 Jan 2017
NASA scientists have developed anew chemical assay that could aid the search for life on exoplanets by identifying the presence of amino acids, the compounds that make up proteins and building blocks of life. The test uses a liquid-based technique known as capillary electrophoresis to separate a mixture of organic molecules into its components ... They get separated based on how quickly they respond to electric fields ... ....
back
Trump's immigration ban triggers protest at airports across US
Edit Deccan Herald 29 Jan 2017
Hundreds of thousands of people gathered at airports across the US to protest the ban announced by President Donald Trump on immigrants from seven Muslim-majority countries, extending solidarity to those affected as chaos and fear gripped individuals trying to enter the country ... Iran, Iraq, Libya, Somalia, Sudan, Syria and Yemen ... It is not clear they can come back to the US ... "We cannot be silent ... We will not be divided," they said. ....
back
Princess Diana's sons commission statue 20 yrs after her death
Edit Deccan Herald 29 Jan 2017
Twenty years after her death, a statue of Princess Diana has been commissioned by her children Prince William and Prince Harry who said "the time is right to recognise her positive impact" with a permanent statue. The sculpture will be erected in the public grounds of her former residence, Kensington Palace. A sculptor has yet to be chosen but a spokesperson said work on the artwork would begin soon ... ....
These smart glasses automatically focus on what you’re looking at
Edit The Verge 29 Jan 2017
he couldn’t focus up close anymore and so, his eye doctor told him, he needed to wear glasses whenever he wanted to read a book....
City of Glass stage debut in Manchester
Edit British Theatre Guide 29 Jan 2017
Vivienne Acheampong, Mark Edel-Hunt, Chris New and Jack Tarlton will star in the first stage adaptation of a Paul Auster novel in the UK, City of Glass, a brand new production by Tony Award-winning 59 ......
Jennifer Garner's daughter Seraphina in big glasses
Edit The Daily Mail 29 Jan 2017
The daughter of Jennifer Garner and Ben Affleck was heading to church with her mother close behind. She seemed to have a desire to get attention with her blue tint glasses ... ....
Winter chic! Hailey Baldwin is stylish in beige outfit with oversized green coat and pink-tinted glasses as she heads to pal Gigi Hadid's house
Edit This is Money 29 Jan 2017WISE WORDS: 'Endeavour' Star Roger Allam On The Joy Of A Good Glass Of Red
Edit Huffington Post 29 Jan 2017
For the latest in our WISE WORDS interview series - where stars from a whole range of fields share the important life lessons they’ve learned along the way - we’re posing some of the big questions to ROGER ALLAM ... As his character continues to worry about his missing daughter, Roger Allam sat down for a chat with Huffington Post UK… ... I have a glass of wine. Red ... Ignore it ... Probably having the glass of wine while cooking....
Garden in a glass
Edit Deccan Herald 29 Jan 2017
The world is fast becoming a grey place ... Enter terrariums — glass containers containing soiland plants and touted as the city-dweller’s quick-fix of nature ... towards this art ... From wine glasses to conical shapes, unique structures are fast becoming an added attraction of these self-sustaining miniature gardens that do not require any gardening knowledge ... The shape and size of the glass depends on what you are ... ....
What glass ceiling?
Edit BBC News 29 Jan 2017
Gemma Handy reports from the Turks and Caicos, where women hold almost all the top jobs ... ....
Justin Bieber gets his face smashed against the glass in NHL All-Star Celebrity Game
Edit The Washington Post 29 Jan 2017
Every winter, the NHL’s All-Star Weekend brings out celebrities, fans and hockey’s greatest stars for a celebration of the sport. With this year’s festivities taking place in Los Angeles, extra flare was added when it was announced pop star Justin Bieber would play in the league’s All-Star Celebrity Shootout. For former NHL star Chris Pronger, who spent []> ... ....
SEE IT: Chris Pronger crushes Justin Bieber into glass
Edit New York Daily News 29 Jan 2017
Judging by Chris Pronger’s smile, he probably won’t be saying sorry anytime soon ... ....
Justin Bieber smashed into glass board during celebrity hockey game
Edit York Press 29 Jan 2017
The pop star responded with a goal and an assist during the game ... ....
Oklahoma football: What's the worst thing that could happen to a glass Big 12 championship trophy?
Edit Tulsa World 29 Jan 2017
OU discovered some "shattering" news on Saturday afternoon ... ....
Upcycling: Company finds a home for recycled glass in unique countertops
Edit The Post and Courier 29 Jan 2017
When Jody Rogers was in the process of designing her family’s new home on Folly Beach, she didn’t want to go the traditional granite route for the countertops in the kitchen and bathrooms ... ....
Here’s a Video of Justin Bieber Getting Smashed Into a Glass Wall By a Professional ...
Edit New York Magazine 29 Jan 2017
Justin Bieber participated in this year’s hockey fundraising extravaganza known as the NHL All-Star Celebrity Shootout, putting his Canadian sporting skills on display to give a group of hockey pros a run for their money (er, CAD?) on the ice. Bieber performed pretty well under the circumstances — again, he...More » ... ....
- 1
- 2
- 3
- 4
- 5
- Next page »
