- published: 19 Sep 2016
- views: 118
Philip Morris Glass (born January 31, 1937) is a classical American composer. He is considered one of the most influential music makers of the late 20th century. His music is also often controversially described as minimal music, along with the work of the other "major minimalists" La Monte Young, Terry Riley and Steve Reich.
Glass has distanced himself from the "minimalist" label, describing himself instead as a composer of "music with repetitive structures". Though his early mature music shares much with what is normally called "minimalist", he has since evolved stylistically. Currently, he describes himself as a "classicist", pointing out that he is trained in harmony and counterpoint and studied such composers as Franz Schubert, Johann Sebastian Bach, and Wolfgang Amadeus Mozart with Nadia Boulanger.
Glass has founded his namesake musical group, the Philip Glass Ensemble, with which he still performs on keyboards, and has written operas, musical theatre works, ten symphonies, eleven concertos, solo works, chamber music including seven string quartets and instrumental sonatas, and film scores. Three of his film scores have been nominated for Academy Awards.
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Nico Muhly (/ˈniːkoʊ ˈmjuːli/; born August 26, 1981) is an American contemporary classical music composer and arranger, who has worked and recorded with classical and pop/rock musicians. He currently lives in the Lower East Side section of Manhattan in New York City. He is a member of the Icelandic music collective/recording label Bedroom Community.
Muhly was born in Vermont and raised in Providence, Rhode Island. His mother, Bunny Harvey, is a painter and teacher at Wellesley College, and his father, Frank Muhly, is a documentary filmmaker.
As a child, Muhly sang in the choir at Grace Episcopal Church in Providence, and he started to study piano at 10.
Muhly went on to study at The Wheeler School in Providence. He then attended Columbia University where he received an undergraduate degree in English, and the Juilliard School where he completed a master's degree in music. He also studied composition with John Corigliano and Christopher Rouse.
Godfrey Reggio (born March 29, 1940) is an American director of experimental documentary films.
Reggio was born in New Orleans, Louisiana to an old and distinguished Louisiana family descended from Francesco M. de Reggio, an Italian nobleman who first settled in France and then in French Louisiana around 1750. Reggio co-founded La Clinica de la Gente, a facility that provided medical care to 12,000 community members in Santa Fe, and La Gente, a community-organizing project in Northern New Mexico's barrios. In 1963 he co-founded Young Citizens for Action, a community organization project that aided juveniles among the street gangs in Santa Fe. In 1972, he co-founded the Institute for Regional Education in Santa Fe, a non-profit foundation focused on media development, the arts, community organization, and research.
Reggio has been involved in many progressive political causes in the United States, including work for the American Civil Liberties Union, co-organizing a multi-media public interest campaign on the invasion of privacy and the use of technology to control behavior. Reggio resides in Santa Fe, New Mexico and is currently focusing on a narrative-based film exploring the negative impacts of consumerism and fundamentalism on the world. Godfrey Reggio participated in the Stock Exchange of Visions project in 2006.
Nadia Sirota (born in New York) is an American viola player.
Sirota is best known for her singular sound and expressive execution, coaxing solo works from the likes of Nico Muhly, Daníel Bjarnason, Judd Greenstein, Marcos Balter and Missy Mazzoli. Her debut album First Things First was released in 2009 on New Amsterdam Records and cited as a record of the year by The New York Times, and her second album, Baroque, was released in March 2013. In 2012, she recorded Nico Muhly's "Drones & Piano" with pianist Bruce Brubaker; it appears on the Bedroom Community recording Drones.
In addition to her work as a soloist, Sirota is a member of yMusic, ACME (the American Contemporary Music Ensemble) and Alarm Will Sound, and has lent her sound to recording and concert projects by such artists and songwriters as Grizzly Bear, Jónsi and Arcade Fire. Sirota also hosts a radio show on WQXR's New Music radio stream, Q2Music, for which she was awarded the 2010 ASCAP Deems Taylor Award in Radio and Internet Broadcasting. Sirota is the recipient of Southern Methodist University's 2013 Meadows Prize, awarded to pioneering artists and scholars with an emerging international profile. She received her undergraduate and Masters degrees from the Juilliard School, and since 2007 has been on faculty at the Manhattan School of Music in their Contemporary Performance Program.
Nico (born Christa Päffgen; 16 October 1938 – 18 July 1988) was a German singer-songwriter, lyricist, composer, musician, fashion model, and actress who became famous as a Warhol superstar in the 1960s. She is known for her vocals on The Velvet Underground's debut album, The Velvet Underground & Nico (1967), and her work as a solo artist. She also had roles in several films, including Federico Fellini's La Dolce Vita (1960) and Andy Warhol's Chelsea Girls (1966).
Nico was born Christa Päffgen in Cologne. When she was two years old, she moved with her mother and grandfather to the Spreewald forest outside of Berlin to escape the bombardments of Cologne. Her father Hermann, born into a dynasty of Colognian master brewers, was enlisted as a soldier during World War II and sustained head injuries that caused severe brain damage and ended his life in a psychiatric institution; according to an unproven rumor, he was variously said to have died in a concentration camp, or to have faded away as a result of shell shock.
This video is about Angela and JenniferChun with Philip Glass and Nico Muhly
This video is about 2 Angela and Jennifer Chun with Philip Glass and Nico Muhly 1 1
Evidence is an 8 minute 35mm film authored by Godfrey Reggio, during his term as director of Fabrica - a new school founded by Benetton - and a student collaborator, Angela Melitopulos. the film was shot in Rome during March 1995 and edited by Miroslav Janek, a collaborator of Fabrica, with music by composer Philip Glass. Evidence looks into the eyes of children watching television - in this case Walt Disney's "Dumbo". Though engaged in a daily routine, they appear drugged, retarded, like the patients of a mental hospital. Evidence is about the behavior of children watching television - an activity whose physiological aspects have been overlooked in the current controversy surrounding television. The pervasive nature of this technology is on the rise throughout the world, yet people ...
A short film by "Koyaanisqatsi" director Godfrey Reggio produced at Fabrica (www.fabrica.it) in Italy with Angela Melitopoulos and Miroslav Janek and produced by Massimo Cortesi.
Opera audiences are well acquainted with all manners of intrigue — whether political, romantic or psychological. The exciting American composer Nico Muhly is updating that paradigm to the 21st century with his opera Two Boys. This work, commissioned by the Metropolitan Opera, is loosely based on a true story from the 1990s, just at the birth of online culture. It delves into a curious and still very timely tale: a detective's investigation into the stabbing of one teenage boy by another, a crime that unspools within a web of chat room activity. Upon the piece's world premiere at the English National Opera in June 2011, New York Times critic Zachary Woolfe described Two Boys as "Muhly's best work yet." Two Boys arrives for its American premiere at the Met in October. On May 14, Muhly team...
Regia di G. Salvatores - musica di Ezio Bosso - mixato negli studi di Philip Glass - NY (2005) Quante gocce di rugiada intorno a me cerco il sole ma non c'è Dorme ancora la campagna forse no è sveglia mi guarda non so Già l'odore di terra odor di grano sale adagio verso me e la vita nel mio petto batte piano Respiro la nebbia penso a te Quanto verde tutto intorno e ancor più in là sembra quasi un mare d'erba e leggero il mio pensiero vola e va ho quasi paura che si perda Un cavallo tende il collo verso il prato resta fermo come me Faccio un passo lui mi vede è già fuggito respiro la nebbia penso a te No cosa sono adesso non lo so sono un uomo un uomo in cerca di se stesso No cosa sono adesso non lo so sono solo solo il suono del mio passo e in tanto il sole tra la nebbia filtra già il gio...
Angela and Patricia do the club twirl from the ALO production of Philip Glass' "Waiting for the Barbarians".
Le pianiste et compositeur Philip Glass était à Montréal le samedi 7 mars. Il donnait un concert à la Maison symphonique où il a joué la pièce Mad Rush. Consultez notre site pour plus d'info : http://www.icimusique.ca/#!genre/classique/actualite/841/philip-glass-mad-rush Vous souhaitez être informé de tout ce qui touche la musique classique sur ICI Musique et sur ICIMusique.ca? Abonnez-vous à notre infolettre classique : https://goo.gl/OXtwQT
Philip Glass will be performing a benefit concert for the Garrison Institute on July 19, 2012 at 7 pm at the Garrison Institute. For more information and to buy tickets, visit the Garrison Institute website: http://www.garrisoninstitute.org/glass Philip Glass (piano) performs, "Mad Rush," a piece originally written and performed by Glass in honor of the Dalai Lama's visit to North America in 1979. Glass begins by remarking that the legacy of Gandhi can be seen in the work of leaders, including Martin Luther King Jr. and the Dalai Lama, who advocate for nonviolent, social change and by inviting listeners to consider "Mad Rush" as a play between wrathful and peaceful deities. Performance at "Satyagraha: Gandhi's 'Truth Force' in the Age of Climate Change" presented by the Garrison Institut...
Atliekamas kūrinys: Floe (Glassworks), pirma dalis Vieta: Vilniaus Kongresų rūmai, Vilnius Data: 2014-11-05 Stebėjimo vieta: 9 eilė, 30 vieta Bilieto kaina: 184 LT
Philip Glass The HOURS Music from the motion picture Arranged for piano solo by Michael Riesman, Nico Muhly and Anton Batagov performed live by Anton Batagov at the Moscow International House of Music, October 30, 2015 The Poet Acts Morning Passages Something She Has to Do I'm Going to Make a Cake An Unwelcome Friend Dead Things Why Does Someone Have to Die? Tearing Herself Away Escape! Choosing Life The Hours Camera: Alisa Naremontti and Julia Galochkina © No Pictures 2015
Thanks to these YouTube users for their collaboration on this: watsuoasis, yarblockos, walkey, brs456, mattash, badcable, adub310, free4202130. Without your videos this "almost-complete" concert patchwork would not have been possible. Also, thank you, viewers, for your interest in this music and film experience. By the way, I met director Godfrey Reggio at this event (he gave me his authograph) and he told me to be ready for "one more" movie. It's great news!
One of Philip Glass's most passionate works for violin and piano performed live by Tim Fain and Philip Glass, Live from the Temple of Dendur at the Metropolitan Museum of Art, NY
" Glassworks was intended to introduce my music to a more general audience than had been familiar with it up to then. " —Philip Glass Movements (original instrumentation): ***************************************** I. Opening (piano, hn) 6' II. Floe (2fl, 2 ssx, 2 tsx, 2hn, syn) 7' III. Islands (2fl, 2 ssx, tsx, bcl, 2hn, vla, vc) 8' IV. Rubric (fl, ssx, tsx, 2hn, org) 6' V. Façades (2ssx, syn, vla, vc) VI. Closing - a reprise (fl, cl, bcl, hn, vla, vc, pno) 6' Interpretation by Branka Parlic in 2005
http://www.daysandnightsfestival.com/ This was the closing night, September 4th, 2011 at the Carmel Valley Theatre, Carmel CA. I saw the night before with my parents, with a full ensemble, and decided I needed to come back the next day by myself. Hard to believe Mr. Glass is 74 years old, go Philip. This video is dedicated to the woman I was dating back in 1985 who suggested we drop acid and watch a movie called Koyaanisqatsi. I've never been the same since. I'm still in love with that woman to this day. I strongly urge anyone and everyone to watch Philip Glass' masterpiece Koyaanisqatsi, I saw it performed live by Philip with the movie behind him 10 years ago, it was just as mindblowing then. WARNING - PREPARE TO BE DISTURBED: part 1/8 : http://www.youtube.com/watch?v=GQsoMIGuPD8 part 2...
From Glassworks http://www.minimal-journalism.net/2011/01/24/wiosenno-letnie-przezycia-dla-ucha/
Este video no me pertenece REsubo este discazo q bajaron 01. Metamorphosis 1 : 0:00 02. Metamorphosis 2 : 6:40 03. Metamorphosis 3 : 14:48 04. Metamorphosis 4 : 20:13 05. Metamorphosis 5 : 26:04 06. Mad Rush : 31:46 07. Wichita vortex sutra : 49:05 08. Glassworks, opening : 56:10 09. The hours : 1:00:55 10. Modern Love waltz : 1:09:06
The Hours Complete Soundtrack OST by Philip Glass Track list: 00:00 - 01 The Poet Acts 03:43 - 02 Morning Passages 09:16 - 03 Something She Has to Do 12:29 - 04 "For Your Own Benefit" 14:32 - 05 Vanessa and the Changelings 16:21 - 06 "I'm Going to Make a Cake" 20:25 - 07 An Unwelcome Friend 24:37 - 08 Dead Things 29:01 - 09 The Kiss 32:58 - 10 "Why Does Someone Have to Die?" 36:55 - 11 Tearing Herself Away 41:58 - 12 Escape! 45:50 - 13 Choosing Life 49:51 - 14 The Hours
Following Glass's early operas, the conductor Dennis Russell Davies had been urging the composer to write more orchestral pieces, and the concerto marks Glass's first full-scale venture into non-theatrical orchestral composing.Glass's original concept was for a five-movement work, and Zukofsky requested a slow, high finale. As the composition process developed, however, Glass decided that five movements were too many and settled for a more conventional three-movement format. According to Glass, this traditional structure was not a concession to formality but simply a result of the work finding "a voice of its own" as the first and second movements developed into longer pieces than he had originally conceived. The work was composed with Glass's father, Ben, in mind, despite the latter's dea...
Passages is collaborative chamber music studio album co-composed by Ravi Shankar and Philip Glass, released in 1990 through Atlantic Records. The album's content is a hybrid of Hindustani classical music and Glass' distinct American minimal contemporary classical style. The album reached a peak position of number three on Billboard's Top World Music Albums chart. 00:00 "Offering" (Shankar)– 9:47 09:47 "Sadhanipa" (Glass) – 8:37 18:24 "Channels and Winds" (Glass) – 8:00 26:24 "Ragas in Minor Scale" (Glass) – 7:37 34:01 "Meetings Along the Edge" (Shankar) – 8:11 42:12 "Prashanti" (Shankar) – 13:40 "Offering", the album's opening track, begins with a slow introduction before the saxophone establishes the Shankar raga melody. Two additional saxophones join, followed by an extended middle se...
PLEASE READ The Trans-Pacific Partnership (TPP) is a controversial proposed trade agreement among twelve Pacific Rim countries concerning a variety of matters of economic policy. If the TPP passes it will have serious legal ramifications on humble youtubers, video gamers and media consumers in general. Because of TPP's strict take on copyright issues, I will remove all music I have uploaded for fear of legal prosecution. Go to EFF.org to learn more about how TPP will affect you, and how to fight it. Thanks you. Aguas da Amazonia - Full This is the full CD copy of the album Aguas da Amazonia 1. Tiquiê River 00:00 2. Japurá River 1:42 3. Purus River 6:26 4. Negro River 14:09 5. Madeira River 18:31 6. Tapajós River 22:31 7. Paru River 25:21 8. Xingu River 29:46 9. Amazon River 34:49 10. M...
Philip Glass - The Photographer "The Photographer is a chamber opera by composer Philip Glass that is based on the homicide trial of photographer Eadweard Muybridge. The opera is based on words drawn from the trial as well as Muybridge's letters to his wife. Commissioned by the Holland Festival, the opera was first performed in 1982 at the Royal Palace in Amsterdam." From Wikipedia. Vinyl record ripped at 24 bit 96KHZ and encoded with NeroAAC with -q 0.75 (500~ Kbps). Both sides of been mixed into a single track for this video. Picture changes once side B begins.
Philip Glass Akhnaten Act 1: Year 1 of Akhnaten's Reign. Thebes I. Prelude: Refrain, Verse 1, Verse 2 (0:00) II. Prelude: Verse 3 (10:44) III. Scene 1: Funeral of Amenhotep III (11:24) IV: Scene 2: The Coronation of Akhnaten (20:24) V: Scene 3: The Window of Appearances (37:38) The Stuttgart State Opera, Orchestra, Chorus Dennis Russell Davies
Double Concerto for Violin, Cello and Orchestra 01. Duet No.1 02. Part 1 2:51 03. Duet No.2 8:27 04. Part 2 11:39 05. Duet No.3 20:25 06. Part 3 22:29 07. Duet No.4 27:28 Tim Fain, violin Wendy Sutter, cello Residentie Orkest The Hague Philharmonic Jurjen Hempel, conductor Tirol Concerto for Piano and Orchestra 08. Movement I 31:29 09. Movement II 10. Movement III Stuttgart Chamber Orchestra Dennis Russell Davies, piano & conductor Si quieres saber más acerca del mundo de la cultura y el arte, visita mis bitácoras: http://ulises277.blogspot.com.co/ http://miblogdecineyliteratura25.blogspot.com.co/
Composer Philip Glass, reflects on the revival of his first opera, "Einstein on the Beach," influences on his music, and composing music scores for films.
Legendary composer Philip Glass speaks about his music and how the process of collaboration with exceptionally creative minds (including Richard Sera, Ravi Shankar, and Godfrey Reggio) has shaped his career. Glass is interviewed by Claire Chase, flutist, artistic director of the International Contemporary Ensemble, and a 2012 MacArthur Fellow. Sponsored by the Barry S. Brook Center for Music Research and Documentation. Chase will also performs a piece for flute by Glass.
The first in a series of composer videos from The Music Sales Group. Philip Glass, early protagonist of the Minimalist movement, studied with Milhaud and Nadia Boulanger. His first job, assisting Ravi Shankar on a film soundtrack, heralded the start of his own successful cinema career, and to date he has scored over fifty movies. Early works tended to be abstract, but from the mid-1970s his attention shifted towards the stage. His first operatic triumph, Einstein on the Beach, did much to reinvigorate the international contemporary opera scene. Profoundly interested in traditional cultures, Glass often draws on Eastern traditions, as in Monsters of Grace (1997), a multimedia collaboration based on the writings of Rumi.
the first part of the a Documentary on composer Phillip Glass. The film was directed by Scott Hicks.
One of the greatest American composers at the 2013 Red Bull Music Academy in New York. ------ Visit our official website: http://www.redbullmusicacademy.com Follow us on Twitter: https://twitter.com/RBMA Like us on Facebook: https://www.facebook.com/RedBullMusic... Subscribe to our YouTube Channel: http://bit.ly/10OyDHc ------ Along with Steve Reich, Philip Glass’ minimalist compositions transformed the world of classical music and, eventually, popular music in general. Glass’ early epiphanies occurred in Paris during his time in the mid-’60s studying under Nadia Boulanger and working with Ravi Shankar. Throughout the ’70s Glass refined his work, resulting in career-defining compositions like Music in 12 Parts and Einstein on the Beach. In the process he became a popular sensation, a s...
Philip Glass - interview & Floe. Floe is available on the album Glassworks.
John McCaa interviews American Composer Philip Glass about his music, his inspiration and how he got started
Jeffrey Brown continues the conversation with Philip Glass online with a few more questions.
This video is about Angela and JenniferChun with Philip Glass and Nico Muhly
This video is about 2 Angela and Jennifer Chun with Philip Glass and Nico Muhly 1 1
Choreography: Angela Mousseau Top Ten - Core Dance Competition, Nanaimo, BC 2014 Music Credit: Protest - Philip Glass
Regia di G. Salvatores - musica di Ezio Bosso - mixato negli studi di Philip Glass - NY (2005) Quante gocce di rugiada intorno a me cerco il sole ma non c'è Dorme ancora la campagna forse no è sveglia mi guarda non so Già l'odore di terra odor di grano sale adagio verso me e la vita nel mio petto batte piano Respiro la nebbia penso a te Quanto verde tutto intorno e ancor più in là sembra quasi un mare d'erba e leggero il mio pensiero vola e va ho quasi paura che si perda Un cavallo tende il collo verso il prato resta fermo come me Faccio un passo lui mi vede è già fuggito respiro la nebbia penso a te No cosa sono adesso non lo so sono un uomo un uomo in cerca di se stesso No cosa sono adesso non lo so sono solo solo il suono del mio passo e in tanto il sole tra la nebbia filtra già il gio...
mishiDance Exsanguinate Choreography: Mishi Castroverde Music: Philip Glass and Kronos Quartet Dancers: Debra Bona, Katie Eshbach, Allyn Ginns, Angela Gorman
Opera audiences are well acquainted with all manners of intrigue — whether political, romantic or psychological. The exciting American composer Nico Muhly is updating that paradigm to the 21st century with his opera Two Boys. This work, commissioned by the Metropolitan Opera, is loosely based on a true story from the 1990s, just at the birth of online culture. It delves into a curious and still very timely tale: a detective's investigation into the stabbing of one teenage boy by another, a crime that unspools within a web of chat room activity. Upon the piece's world premiere at the English National Opera in June 2011, New York Times critic Zachary Woolfe described Two Boys as "Muhly's best work yet." Two Boys arrives for its American premiere at the Met in October. On May 14, Muhly team...
Produced by Jeremiah Bennett Written by Jim Abel Directed by Jeremy Oliver Miller Executive Producer Jim Abel Co-Producer Mary Cims-Bennett Director of Photography Kyle Stryker Edited by William Bagley Michael Gillett Composed by Evan Hodges Cast Molly Nichols - Morgan Hinkleman Raymond - Charles Black Jordan Nichols - Jeremy Harrison Jenna Nichols - Alexandra Bartee Casey Nichols - Beth Bilgreen Brent Phillips - Brooks Robinson Crew Production Manager - Troy Henley Associate Producer - Jeremy Oliver Miller 1st Assistant Director - Christina Reynolds 2nd Assistant Director - Joey Nipper Script Supervisor - Halley Bowman 1st Assistant Camera - Daniel Guadalupe 2nd Assistant Camera - Tyler Blackwell DIT - William Bagley Gaffer - Alex Allgood Best Boy - Jake Simmons Key Grip - Ian Sa...
"Notte Panna IV edition" September 30, 2012 Taranto, Italy Artistic D irector for the evento Angela Barbanente "America" work in progress Choreography of Joseph Fontano to the music of Philip Glass danced by Veronica Grasso and Luciano Lanza
This is my DVD update for November 9th! Hope you enjoy it! DVD's: Tucker And Dale Vs. Evil : Directed By Eli Craig- Starring Tyler Labine, Alan Tudyk, Katrina Bowden, Jesse Moss, Philip Granger, Brandon Jay McLaren, Christie Laing, Chelan Simmons, Travis Nelson, Alex Arsenault, Adam Beauchesne, Joseph Allan Sutherland, Mitchell Verigin, Angela DeCorte, Karen Reigh, and Tye Evans. The Glass House : Directed By Daniel Sackheim- Starring Leelee Sobieski, Diane Lane, Stellan Skarsgard, Bruce Dern, Kathy Baker, Trevor Morgan, Chris Noth, Rita Wilson, Michael O'Keefe, Vyto Ruginis, Gavin O'Connor, Carly Pope, Agnes Bruckner, and Michael Paul Chan. The Hitcher : Directed By Robert Harmon- Starring Rutger Hauer, C. Thomas Howell, Jennifer Jason Leigh, Jeffrey DuMunn, John M. Jackson, Billy Gre...
"In this court, all men are equal." You have heard
those words many times before. "All men are equal." But
what about all women ? Are women the equal of men ?
There are those who tell us that they are.
Last week, an auspicious meeting of women was held in
Kalamazoo. The meeting was addressed by a very
prominent lady who is noted for her modesty. She is so
modest that she blindfolds herself when taking a bath.
Modesty runs in her family. She has a nephew who is
just ten years of age. Sometimes, the nephew says "I'm
going to the forbidden name store." The little fellow
is too modest to say "I'm going to the A & P." Well,
here is what that modest lady said to the gathering of
women in Kalamazoo :
"My sisters : Thetime has come when we must stand up
and declare ourselves. For too long have we been
trodden under the feet of men. For too long have we
been treated as second-class citizens by men who say
that we are only good for cooking their meals, mending
their socks, and raising their babies.
"You have a boyfriend, and he calls you his queen.
Then, when he marries you, he crowns you. These are the
kind of men who, when they become romantic or, I should
say, when they are in a certain mood, they want to kiss
you and kiss you and kiss you again.
"My sisters, I say to you : Put your faces against it,
and, if the man takes from you without your permission,
look him squarely in the face, roll your eyes at him,
and say to him ‘How dare you, you male chauvinist pig !
You put that kiss right back where you got it from.’
"My sisters, we are in bondage, and we need to be
liberated. Liberation is our cry. Just yesterday, I
talked with a woman who is the mother of fifteen
children. She said ‘Yes, I want to be liberated from
the bedroom.’
"And so, my sisters, the time has come when we must let
this male chauvinist understand that the hand that
changes the diapers is the hand that shall rule the
world.
"And now, my sisters, let us stand and sing our
national song. For the benefit of you who have not yet
memorized the words, here they are :
The woman's day is drawing near, it's written in the
stars
The fall of men is very near, proclaim it from your
cars.
Sisters, rise ! You flags unfurl ! Don't be a little
girl.
Say "Down with men, their power must end : Women shall