- published: 02 Jun 2010
- views: 8941236
-
remove the playlistArvo Pärt
-
remove the playlistViolin Sonata
- remove the playlistArvo Pärt
- remove the playlistViolin Sonata
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
Violin sonata
A violin sonata is a musical composition for violin accompanied by a keyboard instrument and in earlier periods with a bass instrument doubling the keyboard bass line. The violin sonata developed from a simple baroque form with no fixed format to a standardised and complex classical form. Since the romantic age some composers have pushed the boundaries of both the classical format as well as the use of the instruments.
The early violin sonata
In the earliest violin sonatas a bass instrument and the harpsichord played a simple bass line (continuo) with the harpsichord doubling the bass line and fixed chords while the violin played independently. The music was contrapuntal with no fixed format. Telemann wrote many such sonatas as did Bach. Bach later wrote sonatas with the harpsichord obbligato, which freed the keyboard instrument from playing only a bass line accompaniment.
Haydn wrote over one hundred trio sonatas (which are essentially obbligato violin sonatas) with the use of the piano instead of the harpsichord and a baryton (a deeper cello like instrument) which mostly copied the piano's bass line. These works were mostly simple two movement sonatas of which the later ones used the sonata form.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Violin_sonata
Violin Sonata (Janáček)
Violin Sonata, a composition for violin and piano, is a work of the Czech composer Leoš Janáček (1854-1928). It was written in the summer of 1914, but it was not Janáček’s first attempt to create such a composition. He resolved to compose a violin sonata already as a student at the conservatoire in Leipzig in 1880, and later during his studies in Vienna. His early sonatas are today lost.
Background
It took almost thirty-five years before Janáček returned to the composition of music for the same combination of instruments. The sonata was created in the period of composer’s marked interest in chamber music (Piano Trio (now lost), 1908, Pohádka (Fairy Tale) for cello and piano, 1910), and also at the beginning of World War I. The composer himself remembers: "...in the 1914 Sonata for violin and piano I could just about hear sound of the steel clashing in my troubled head...". The Sonata was printed after many corrections in mid-1922 by Hudební matice in Prague. Its first performance was given by violinist František Kudláček with Jaroslav Kvapil at the piano on 24 April 1922 at the concert of new Moravian music organized by the Young Composer’s Club in Brno. The first performance abroad took place in Frankfurt in 1923. The violin part was performed by the German composer Paul Hindemith.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Violin_Sonata_(Janáček)
Violin Sonata (Shostakovich)
Dmitri Shostakovich composed Sonata for Violin and Piano in G major, Op. 134 in the autumn of 1968 in Moscow, completing it on October 23. It is set in three movements and lasts approximately 31 minutes. It is dedicated to the violinist David Oistrakh, who premiered the work on May 3, 1969 in the Large Hall of the Moscow Conservatory.
Oistrakh's contribution
According to the dedicatee, the sonata was "greeted enthusiastically everywhere", and indeed, the third movement was the Russian piece on the set list for violinists at the 1970 Tchaikovsky Competition. The autograph resides in the Glinka Museum of Musical Culture in Moscow.
Oistrakh collaborated with Shostakovich on several of the composer's major works, purportedly contributing his own insight and suggestions based on the violin's strengths and technical limitations. The work's inscription reads: "For the 60th birthday of David Oistrakh", who offered an explanation for its composition:
Unofficial premiere with Moishe Vainberg as pianist happened on 8th January 1969 in the Russian Union of Composers, the official premieres with Richter as pianist happened at Great Hall Moscow Conservatory on 3rd May and at the Small Hall of Leningrad Philharmonic on 23rd September.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Violin_Sonata_(Shostakovich)
Podcasts:
-
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010 -
Arvo Pärt : Silentium
Arvo Pärt : Silentium Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé. Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia) J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une ...
published: 04 Nov 2022 -
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010 -
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/ArvoPart Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/...
published: 20 Oct 2016 -
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
published: 27 Jan 2011 -
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello Herbert Schuch - Piano Arvo Pärt: Spiegel im Spiegel (1978) Mozart Week Salzburg 2014
published: 13 Aug 2014 -
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌 Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨ Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵 🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA 🟢 Follow us and our playlists on Spotify:...
published: 03 May 2024 -
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten. 🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID 💎 More Information: https://www.piano-classics....
published: 04 Apr 2023 -
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992) Gil Shaham, violin Roger Carlsson, percussion Gothenburg Symphony Orchestra Neeme Järvi Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes. It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter. The first version for string quintet and wind quintet w...
published: 16 Dec 2009 -
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique. #ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps...
published: 19 Mar 2024
10:11
Arvo Pärt- Spiegel im Spiegel
- Order: Reorder
- Duration: 10:11
- Uploaded Date: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
https://wn.com/Arvo_Pärt_Spiegel_Im_Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
- Order: Reorder
- Duration: 18:52
- Uploaded Date: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièc...
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
https://wn.com/Arvo_Pärt_Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
- published: 04 Nov 2022
- views: 153045
3:41
Arvo Pärt- Für Alina
- Order: Reorder
- Duration: 3:41
- Uploaded Date: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
Performed by Jürgen Kruse
https://wn.com/Arvo_Pärt_Für_Alina
Performed by Jürgen Kruse
- published: 02 Jun 2010
- views: 621124
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Order: Reorder
- Duration: 2:00:24
- Uploaded Date: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook:...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
https://wn.com/Arvo_Pärt_Für_Anna_Maria_Complete_Piano_Music_(Full_Album)_Played_By_Jeroen_Van_Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
- published: 20 Oct 2016
- views: 1053539
12:55
Arvo Part - Salve Regina (Full)
- Order: Reorder
- Duration: 12:55
- Uploaded Date: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr...
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
https://wn.com/Arvo_Part_Salve_Regina_(Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
- published: 27 Jan 2011
- views: 3199348
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
- Order: Reorder
- Duration: 10:27
- Uploaded Date: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
https://wn.com/Spiegel_Im_Spiegel_For_Cello_And_Piano_(Arvo_Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
- published: 13 Aug 2014
- views: 5354906
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
- Order: Reorder
- Duration: 40:44
- Uploaded Date: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emo...
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
https://play.google.com/store/apps/details?id=com.memoittech.cuplaylists&hl;=en≷=US
𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
Support us
Just subscribe: ➡️➡️➡️ @EssentialClassics
Official URLs:
✨ Cugate: https://www.cugate.com
✨ Cumarket: http://www.cumarket.net
✨ Facebook: https://www.facebook.com/CuGateClassicsClub
✨ Instagram: https://instagram.com/cugate_classics
Please follow and subscribe to our channel. We appreciate your support.
🔔 Click the bell to stay updated on the great classical songs
📧 info@cugate.com
🌐 www.cugate.com
🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
https://wn.com/Arvo_Pärt_Works_For_Choir_(Ethereal_Choral_Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
https://play.google.com/store/apps/details?id=com.memoittech.cuplaylists&hl;=en≷=US
𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
Support us
Just subscribe: ➡️➡️➡️ @EssentialClassics
Official URLs:
✨ Cugate: https://www.cugate.com
✨ Cumarket: http://www.cumarket.net
✨ Facebook: https://www.facebook.com/CuGateClassicsClub
✨ Instagram: https://instagram.com/cugate_classics
Please follow and subscribe to our channel. We appreciate your support.
🔔 Click the bell to stay updated on the great classical songs
📧 info@cugate.com
🌐 www.cugate.com
🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
- published: 03 May 2024
- views: 15364
51:00
Arvo Pärt: Lamentate
- Order: Reorder
- Duration: 51:00
- Uploaded Date: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails t...
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
https://wn.com/Arvo_Pärt_Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
- published: 04 Apr 2023
- views: 56732
9:55
Arvo Pärt - Fratres
- Order: Reorder
- Duration: 9:55
- Uploaded Date: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Frat...
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
https://wn.com/Arvo_Pärt_Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
- published: 16 Dec 2009
- views: 1813619
27:34
Arvo Pärt : Tabula rasa
- Order: Reorder
- Duration: 27:34
- Uploaded Date: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré...
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
https://wn.com/Arvo_Pärt_Tabula_Rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 19 Mar 2024
- views: 26310
-
Famous Violin Sonatas
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold Artists: Kristóf Baráti, Klára Würtz, Andrea Cortesi, Marco Venturi, Alexander Vinnitsky, Vladimir Ovchinnikov, Mauro Tortorelli, Angela Meluso, Fabio Paggioro, Massimiliano Ferrati, Fabrizio Falasca, Stefania Redaelli, Matteo Fossi, Duccio Ceccanti, Antal Zalai, József Balog 💎🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/FamousViolinSonatasID 🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/ You can find the tracklist in the pinned comment below. 👉 Soci...
published: 22 Aug 2020 -
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-Sophie Mutter.-.Lambert.Orkis]
نرجوا دعمكم ☺ ☺ Please support me إشتراك + أعجبني✔ ✔Subscribe + Like
published: 01 Oct 2011 -
Tartini Violin Sonata in G minor ''Devil's Trill Sonata''
Violin Sonata in G minor: 1. Larghetto affettuoso 2. Allegro moderato 3. Andante 3. Allegro assai-Andante-Allegro assai
published: 27 Dec 2010 -
Claude Debussy: Violin Sonata / Alina Pogostkina, Jérôme Ducros
Claude Debussy (1862-1918): Violin Sonata L 140 (1917) Alina Pogostkina, Violine / Jérôme Ducros, Piano I. Allegro vivo (0:02) II. Intermède: Fantasque et léger (5:01) III. Finale: Très animé (9:11) Filmed at Solsberg Festival 2016 www.solsberg.ch http://www.alinapogostkina.de Producer: Thomas Märki Sound: Joël Cormier Post Production: Amaury Berger Cameras: Oliver Herzog, Johannes Bachmann, Muriel Kunz, Julian Gresenz © HMF Productions
published: 06 Apr 2017 -
César Franck - Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890) - Performers: Krystian Zimerman (piano), Kaja Danczowska (violin) - Year of recording: 1981 Sonata in A major for Violin and Piano, written in 1886. The 4 movements alternate between slow and fast: 00:00 - I. Allegretto ben moderato 06:24 - II. Allegro 15:01 - III. Ben moderato: Recitative-Fantasia 22:45 - IV. Allegretto poco mosso This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in...
published: 03 Oct 2015 -
Violin Sonata No. 26 in Bb, K. 37
Provided to YouTube by TuneCore Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart 50 Mozart Masterworks You Have to Listen Before You Die (Golden Deer Classics) ℗ 2018 Oregan Publishing Released on: 2018-01-19 Auto-generated by YouTube.
published: 22 Jan 2018 -
Robert Schumann - Violin Sonata No. 1, Op. 105 (1851)
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing. Please support my channel: https://ko-fi.com/bartjebartmans Sonata for violin & piano No. 1 in A minor, Op. 105 1. Mit leidenschaftlichem Ausdruck (0:00) 2. Allegretto (8:32) 3. Lebhaft (13:22) Ara Malikian, violin and Serouj Kradjian, piano Description by Blair Johnston [-] Both of Schumann's Sonatas for Violin and Piano (the present item ...
published: 05 Jun 2015 -
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited http://vevo.ly/vzFCet
published: 08 Oct 2018 -
Beethoven Violin Sonata No.3 op.12
陳子鈞小提琴獨奏會 指導教授 : 王般若教授 鋼琴合作 : 邱巧靜老師 地點 : 清華大學南大校區音樂系館演奏廳 Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12 I. Allegro con spirito ll. Adagio con molta espressione lll. Rondo Allegro molto
published: 02 Jun 2024 -
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Szeryng/Haebler]
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music. Please support my channel: https://ko-fi.com/bartjebartmans Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 1778 1. Allegro (0:00) 2. Tempo di Menuetto (6:50) Henryk Szeryng, violin and Ingrid Haebler, piano Description by Brian Robins [-] The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the E minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed i...
published: 25 Mar 2016
6:41:26
Famous Violin Sonatas
- Order: Reorder
- Duration: 6:41:26
- Uploaded Date: 22 Aug 2020
- views: 133750
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold
Artists: Kristóf Baráti, Klára W...
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold
Artists: Kristóf Baráti, Klára Würtz, Andrea Cortesi, Marco Venturi, Alexander Vinnitsky, Vladimir Ovchinnikov, Mauro Tortorelli, Angela Meluso, Fabio Paggioro, Massimiliano Ferrati, Fabrizio Falasca, Stefania Redaelli, Matteo Fossi, Duccio Ceccanti, Antal Zalai, József Balog
💎🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/FamousViolinSonatasID
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/
You can find the tracklist in the pinned comment below.
👉 Social media links:
Instagram: https://brilliant-classics.lnk.to/InstagramID
Facebook: https://brilliant-classics.lnk.to/FacebookID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/SpotifyID
New Classical Releases: https://brilliant-classics.lnk.to/NewReleasesID
The Best of Liszt: https://brilliant-classics.lnk.to/PlaylisztID
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylistID
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPianoID
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodiesID
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertimeID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces on violin and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Famous #Violin #Sonatas #BrilliantClassics #Composer #Classical #Music #Beethoven #Brahms #Schumann #Grieg #SaintSaëns #Respighi #Debussy #Ravel #Franck #Busoni #Poulenc #Enescu #Korngold
https://wn.com/Famous_Violin_Sonatas
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold
Artists: Kristóf Baráti, Klára Würtz, Andrea Cortesi, Marco Venturi, Alexander Vinnitsky, Vladimir Ovchinnikov, Mauro Tortorelli, Angela Meluso, Fabio Paggioro, Massimiliano Ferrati, Fabrizio Falasca, Stefania Redaelli, Matteo Fossi, Duccio Ceccanti, Antal Zalai, József Balog
💎🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/FamousViolinSonatasID
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/
You can find the tracklist in the pinned comment below.
👉 Social media links:
Instagram: https://brilliant-classics.lnk.to/InstagramID
Facebook: https://brilliant-classics.lnk.to/FacebookID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/SpotifyID
New Classical Releases: https://brilliant-classics.lnk.to/NewReleasesID
The Best of Liszt: https://brilliant-classics.lnk.to/PlaylisztID
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylistID
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPianoID
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodiesID
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertimeID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces on violin and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Famous #Violin #Sonatas #BrilliantClassics #Composer #Classical #Music #Beethoven #Brahms #Schumann #Grieg #SaintSaëns #Respighi #Debussy #Ravel #Franck #Busoni #Poulenc #Enescu #Korngold
- published: 22 Aug 2020
- views: 133750
46:19
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-Sophie Mutter.-.Lambert.Orkis]
- Order: Reorder
- Duration: 46:19
- Uploaded Date: 01 Oct 2011
- views: 5750301
نرجوا دعمكم ☺ ☺ Please support me
إشتراك + أعجبني✔ ✔Subscribe + Like
نرجوا دعمكم ☺ ☺ Please support me
إشتراك + أعجبني✔ ✔Subscribe + Like
https://wn.com/Beethoven.Violin.Sonata.No.9.Op.47.Kreutzer._Anne_Sophie_Mutter._.Lambert.Orkis
نرجوا دعمكم ☺ ☺ Please support me
إشتراك + أعجبني✔ ✔Subscribe + Like
- published: 01 Oct 2011
- views: 5750301
16:31
Tartini Violin Sonata in G minor ''Devil's Trill Sonata''
- Order: Reorder
- Duration: 16:31
- Uploaded Date: 27 Dec 2010
- views: 55928407
Violin Sonata in G minor:
1. Larghetto affettuoso
2. Allegro moderato
3. Andante
3. Allegro assai-Andante-Allegro assai
Violin Sonata in G minor:
1. Larghetto affettuoso
2. Allegro moderato
3. Andante
3. Allegro assai-Andante-Allegro assai
https://wn.com/Tartini_Violin_Sonata_In_G_Minor_''Devil's_Trill_Sonata''
Violin Sonata in G minor:
1. Larghetto affettuoso
2. Allegro moderato
3. Andante
3. Allegro assai-Andante-Allegro assai
- published: 27 Dec 2010
- views: 55928407
14:04
Claude Debussy: Violin Sonata / Alina Pogostkina, Jérôme Ducros
- Order: Reorder
- Duration: 14:04
- Uploaded Date: 06 Apr 2017
- views: 214104
Claude Debussy (1862-1918): Violin Sonata L 140 (1917)
Alina Pogostkina, Violine / Jérôme Ducros, Piano
I. Allegro vivo (0:02)
II. Intermède: Fantasque et lége...
Claude Debussy (1862-1918): Violin Sonata L 140 (1917)
Alina Pogostkina, Violine / Jérôme Ducros, Piano
I. Allegro vivo (0:02)
II. Intermède: Fantasque et léger (5:01)
III. Finale: Très animé (9:11)
Filmed at Solsberg Festival 2016
www.solsberg.ch
http://www.alinapogostkina.de
Producer: Thomas Märki
Sound: Joël Cormier
Post Production: Amaury Berger
Cameras: Oliver Herzog, Johannes Bachmann, Muriel Kunz, Julian Gresenz
© HMF Productions
https://wn.com/Claude_Debussy_Violin_Sonata_Alina_Pogostkina,_Jérôme_Ducros
Claude Debussy (1862-1918): Violin Sonata L 140 (1917)
Alina Pogostkina, Violine / Jérôme Ducros, Piano
I. Allegro vivo (0:02)
II. Intermède: Fantasque et léger (5:01)
III. Finale: Très animé (9:11)
Filmed at Solsberg Festival 2016
www.solsberg.ch
http://www.alinapogostkina.de
Producer: Thomas Märki
Sound: Joël Cormier
Post Production: Amaury Berger
Cameras: Oliver Herzog, Johannes Bachmann, Muriel Kunz, Julian Gresenz
© HMF Productions
- published: 06 Apr 2017
- views: 214104
29:02
César Franck - Violin Sonata
- Order: Reorder
- Duration: 29:02
- Uploaded Date: 03 Oct 2015
- views: 1274745
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
-...
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
https://wn.com/César_Franck_Violin_Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
- published: 03 Oct 2015
- views: 1274745
19:57
Violin Sonata No. 26 in Bb, K. 37
- Order: Reorder
- Duration: 19:57
- Uploaded Date: 22 Jan 2018
- views: 387951
Provided to YouTube by TuneCore
Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart
50 Mozart Masterworks You Have to Listen Before You Die (Golden De...
Provided to YouTube by TuneCore
Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart
50 Mozart Masterworks You Have to Listen Before You Die (Golden Deer Classics)
℗ 2018 Oregan Publishing
Released on: 2018-01-19
Auto-generated by YouTube.
https://wn.com/Violin_Sonata_No._26_In_Bb,_K._37
Provided to YouTube by TuneCore
Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart
50 Mozart Masterworks You Have to Listen Before You Die (Golden Deer Classics)
℗ 2018 Oregan Publishing
Released on: 2018-01-19
Auto-generated by YouTube.
- published: 22 Jan 2018
- views: 387951
19:04
Robert Schumann - Violin Sonata No. 1, Op. 105 (1851)
- Order: Reorder
- Duration: 19:04
- Uploaded Date: 05 Jun 2015
- views: 402414
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the R...
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 1 in A minor, Op. 105
1. Mit leidenschaftlichem Ausdruck (0:00)
2. Allegretto (8:32)
3. Lebhaft (13:22)
Ara Malikian, violin and Serouj Kradjian, piano
Description by Blair Johnston [-]
Both of Schumann's Sonatas for Violin and Piano (the present item and the Sonata, Op.121 in D minor) were composed during his tenure as a conductor in Düsseldorf in 1851, substantially later than his chamber works -- Piano Quintet, Piano Quartet, and the three string quartets -- which have achieved a more general renown. As such, they present a different set of challenges and rewards than do those earlier works. Signs of Schumann's impending collapse are certainly evident in the A minor Violin Sonata, but not through any deficiency of musical value; the work's dramatic and psychological complexities speak for themselves.
The undulation of the Sonata's first movement is established by the unbroken sixteenth note figuration in the piano's right hand. The music is played out with great surges of emotion and activity; the ponderous tone of the opening bars is carried away to heights of more hopeful passion as the second theme appears. The development is concise, concerning itself almost exclusively with the opening motive. The move into the recapitulation, seamless as it is, is a master stroke, as is the manner in which Schumann adapts the harmonic motion of the opening to achieve a sense of finality.
There could be little more contrast than that between the agitated closing bars of the first movement and the gentle tones of the second, marked Allegretto. This is a movement with virtually no dramatic motion. It is, instead, built of the same stuff that formed so many of the composer's earlier character-pieces. Witness the gentle, essentially dispassionate dialogue between contrasting musical ideas, the one built on a delicately descending, syncopated motion, the other more sprightly, with spiccato textures and trills, but no more forceful in nature than its companion. There is also a third idea, in F minor, more smoothly melodic and entirely pianissimo, which makes one appearance and then disappears forever. The frequent fermatas are by no means mere separation of phrases and sections, but are entirely necessary to the character of the movement. The agitation of the slightly quicker middle section is brief, only affording the players an opportunity to make a few more forceful statements before, inevitably, winding back down into the intimate tone of the opening. In this movement we can clearly see the myriad persona of Schumann characterized in his youthful writings by the names Florestan, Eusebius, and Master Raro in outline.
It is difficult to say whether or not the third and final movement of the Sonata, marked Lebhaft (Lively), is of lesser substance than its companions, for, in the hands of a capable duo, its perpetual motion sparkles until the final crescendo, after which the three staunch chords seem somewhat obtrusive and unnatural. More often than not, however, the movement comes across as dry and unnecessarily repetitive. But surely the movement's apparent shortcomings result from its composer's quest to explore increasingly subtle gradations of musical psychology. The feeling of irresolution at the end of the Sonata can by no means be construed as unintentional, but rather must be seen as Schumann's effort to honestly explore the depths of his own increasingly agitated and complex mind, regardless of whether or not the resulting product corresponded with pre-existing musical values.
https://wn.com/Robert_Schumann_Violin_Sonata_No._1,_Op._105_(1851)
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 1 in A minor, Op. 105
1. Mit leidenschaftlichem Ausdruck (0:00)
2. Allegretto (8:32)
3. Lebhaft (13:22)
Ara Malikian, violin and Serouj Kradjian, piano
Description by Blair Johnston [-]
Both of Schumann's Sonatas for Violin and Piano (the present item and the Sonata, Op.121 in D minor) were composed during his tenure as a conductor in Düsseldorf in 1851, substantially later than his chamber works -- Piano Quintet, Piano Quartet, and the three string quartets -- which have achieved a more general renown. As such, they present a different set of challenges and rewards than do those earlier works. Signs of Schumann's impending collapse are certainly evident in the A minor Violin Sonata, but not through any deficiency of musical value; the work's dramatic and psychological complexities speak for themselves.
The undulation of the Sonata's first movement is established by the unbroken sixteenth note figuration in the piano's right hand. The music is played out with great surges of emotion and activity; the ponderous tone of the opening bars is carried away to heights of more hopeful passion as the second theme appears. The development is concise, concerning itself almost exclusively with the opening motive. The move into the recapitulation, seamless as it is, is a master stroke, as is the manner in which Schumann adapts the harmonic motion of the opening to achieve a sense of finality.
There could be little more contrast than that between the agitated closing bars of the first movement and the gentle tones of the second, marked Allegretto. This is a movement with virtually no dramatic motion. It is, instead, built of the same stuff that formed so many of the composer's earlier character-pieces. Witness the gentle, essentially dispassionate dialogue between contrasting musical ideas, the one built on a delicately descending, syncopated motion, the other more sprightly, with spiccato textures and trills, but no more forceful in nature than its companion. There is also a third idea, in F minor, more smoothly melodic and entirely pianissimo, which makes one appearance and then disappears forever. The frequent fermatas are by no means mere separation of phrases and sections, but are entirely necessary to the character of the movement. The agitation of the slightly quicker middle section is brief, only affording the players an opportunity to make a few more forceful statements before, inevitably, winding back down into the intimate tone of the opening. In this movement we can clearly see the myriad persona of Schumann characterized in his youthful writings by the names Florestan, Eusebius, and Master Raro in outline.
It is difficult to say whether or not the third and final movement of the Sonata, marked Lebhaft (Lively), is of lesser substance than its companions, for, in the hands of a capable duo, its perpetual motion sparkles until the final crescendo, after which the three staunch chords seem somewhat obtrusive and unnatural. More often than not, however, the movement comes across as dry and unnecessarily repetitive. But surely the movement's apparent shortcomings result from its composer's quest to explore increasingly subtle gradations of musical psychology. The feeling of irresolution at the end of the Sonata can by no means be construed as unintentional, but rather must be seen as Schumann's effort to honestly explore the depths of his own increasingly agitated and complex mind, regardless of whether or not the resulting product corresponded with pre-existing musical values.
- published: 05 Jun 2015
- views: 402414
3:32
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto
- Order: Reorder
- Duration: 3:32
- Uploaded Date: 08 Oct 2018
- views: 3144443
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to D...
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited
http://vevo.ly/vzFCet
https://wn.com/Hilary_Hahn_J.S._Bach_Sonata_For_Violin_Solo_No._1_In_G_Minor,_Bwv_1001_4._Presto
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited
http://vevo.ly/vzFCet
- published: 08 Oct 2018
- views: 3144443
17:22
Beethoven Violin Sonata No.3 op.12
- Order: Reorder
- Duration: 17:22
- Uploaded Date: 02 Jun 2024
- views: 43
陳子鈞小提琴獨奏會
指導教授 : 王般若教授
鋼琴合作 : 邱巧靜老師
地點 : 清華大學南大校區音樂系館演奏廳
Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12
I. Allegro con spirito
ll. Adagi...
陳子鈞小提琴獨奏會
指導教授 : 王般若教授
鋼琴合作 : 邱巧靜老師
地點 : 清華大學南大校區音樂系館演奏廳
Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12
I. Allegro con spirito
ll. Adagio con molta espressione
lll. Rondo Allegro molto
https://wn.com/Beethoven_Violin_Sonata_No.3_Op.12
陳子鈞小提琴獨奏會
指導教授 : 王般若教授
鋼琴合作 : 邱巧靜老師
地點 : 清華大學南大校區音樂系館演奏廳
Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12
I. Allegro con spirito
ll. Adagio con molta espressione
lll. Rondo Allegro molto
- published: 02 Jun 2024
- views: 43
11:59
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Szeryng/Haebler]
- Order: Reorder
- Duration: 11:59
- Uploaded Date: 25 Mar 2016
- views: 1343493
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child pro...
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 1778
1. Allegro (0:00)
2. Tempo di Menuetto (6:50)
Henryk Szeryng, violin and Ingrid Haebler, piano
Description by Brian Robins [-]
The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the E minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed in Mannheim, the following Tempo di Menuetto was composed in Paris, where Mozart and his mother finally arrived on March 23. Like all but the last of its companions, K. 304 has only two movements, but it departs from the distinctly domestic feel of the first three works in finding a new profundity of dramatic expression fully in keeping with its minor mode. In this it bears a strong resemblance to another minor-key work composed in Paris at much the same time -- the Piano Sonata in A minor, K. 310.
It may not be too fanciful to see in both works some reflection of the emotional upheaval Mozart must have experienced on leaving Aloysia Weber, the first love of his youthful life, behind in Mannheim. It was an event he had striven to delay as long as possible, much to the annoyance of his father Leopold back at home in Salzburg. Mozart's attempts to give greater equality to the violin in a genre traditionally dominated by the keyboard (not for nothing are all Mozart's sonatas designated as being for piano and violin, rather than the reverse) here takes a further step forward in the opening theme of the Allegro, which is dramatically announced complete by both instruments in unison, after which it is taken up not by the piano, but the violin. The Tempo di Menuetto movement that follows is less intense and includes a section in the major. The six sonatas K. 301 through K. 306 were published in Paris later in 1778 as Opus 1, Nos. 1-6, with the title page bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this reason they are frequently known as the "Palatine Sonatas."
https://wn.com/Mozart_Violin_Sonata_No._21,_E_Minor,_K._304_Szeryng_Haebler
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 1778
1. Allegro (0:00)
2. Tempo di Menuetto (6:50)
Henryk Szeryng, violin and Ingrid Haebler, piano
Description by Brian Robins [-]
The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the E minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed in Mannheim, the following Tempo di Menuetto was composed in Paris, where Mozart and his mother finally arrived on March 23. Like all but the last of its companions, K. 304 has only two movements, but it departs from the distinctly domestic feel of the first three works in finding a new profundity of dramatic expression fully in keeping with its minor mode. In this it bears a strong resemblance to another minor-key work composed in Paris at much the same time -- the Piano Sonata in A minor, K. 310.
It may not be too fanciful to see in both works some reflection of the emotional upheaval Mozart must have experienced on leaving Aloysia Weber, the first love of his youthful life, behind in Mannheim. It was an event he had striven to delay as long as possible, much to the annoyance of his father Leopold back at home in Salzburg. Mozart's attempts to give greater equality to the violin in a genre traditionally dominated by the keyboard (not for nothing are all Mozart's sonatas designated as being for piano and violin, rather than the reverse) here takes a further step forward in the opening theme of the Allegro, which is dramatically announced complete by both instruments in unison, after which it is taken up not by the piano, but the violin. The Tempo di Menuetto movement that follows is less intense and includes a section in the major. The six sonatas K. 301 through K. 306 were published in Paris later in 1778 as Opus 1, Nos. 1-6, with the title page bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this reason they are frequently known as the "Palatine Sonatas."
- published: 25 Mar 2016
- views: 1343493
PLAYLIST TIME:
PLAYLIST TIME:
10:11
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010
Arvo Pärt- Spiegel im Spiegel
Arvo Pärt- Spiegel im Spiegel
- Report rights infringement
- published: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchest...
published: 04 Nov 2022
Arvo Pärt : Silentium
Arvo Pärt : Silentium
- Report rights infringement
- published: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
3:41
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010
Arvo Pärt- Für Alina
Arvo Pärt- Für Alina
- Report rights infringement
- published: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more)...
published: 20 Oct 2016
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Report rights infringement
- published: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
12:55
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted...
published: 27 Jan 2011
Arvo Part - Salve Regina (Full)
Arvo Part - Salve Regina (Full)
- Report rights infringement
- published: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozar...
published: 13 Aug 2014
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
- Report rights infringement
- published: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece i...
published: 03 May 2024
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
- Report rights infringement
- published: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
https://play.google.com/store/apps/details?id=com.memoittech.cuplaylists&hl;=en≷=US
𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
Support us
Just subscribe: ➡️➡️➡️ @EssentialClassics
Official URLs:
✨ Cugate: https://www.cugate.com
✨ Cumarket: http://www.cumarket.net
✨ Facebook: https://www.facebook.com/CuGateClassicsClub
✨ Instagram: https://instagram.com/cugate_classics
Please follow and subscribe to our channel. We appreciate your support.
🔔 Click the bell to stay updated on the great classical songs
📧 info@cugate.com
🌐 www.cugate.com
🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
51:00
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The wa...
published: 04 Apr 2023
Arvo Pärt: Lamentate
Arvo Pärt: Lamentate
- Report rights infringement
- published: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
9:55
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roge...
published: 16 Dec 2009
Arvo Pärt - Fratres
Arvo Pärt - Fratres
- Report rights infringement
- published: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
27:34
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pä...
published: 19 Mar 2024
Arvo Pärt : Tabula rasa
Arvo Pärt : Tabula rasa
- Report rights infringement
- published: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
PLAYLIST TIME:
6:41:26
Famous Violin Sonatas
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Fran...
published: 22 Aug 2020
Famous Violin Sonatas
Famous Violin Sonatas
- Report rights infringement
- published: 22 Aug 2020
- views: 133750
Composers: Beethoven, Brahms, Schumann, Grieg, Saint-Saëns, Respighi, Debussy, Ravel, Franck, Busoni, Poulenc, Enescu, Korngold
Artists: Kristóf Baráti, Klára Würtz, Andrea Cortesi, Marco Venturi, Alexander Vinnitsky, Vladimir Ovchinnikov, Mauro Tortorelli, Angela Meluso, Fabio Paggioro, Massimiliano Ferrati, Fabrizio Falasca, Stefania Redaelli, Matteo Fossi, Duccio Ceccanti, Antal Zalai, József Balog
💎🎵 Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer): https://brilliant-classics.lnk.to/FamousViolinSonatasID
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/
You can find the tracklist in the pinned comment below.
👉 Social media links:
Instagram: https://brilliant-classics.lnk.to/InstagramID
Facebook: https://brilliant-classics.lnk.to/FacebookID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/SpotifyID
New Classical Releases: https://brilliant-classics.lnk.to/NewReleasesID
The Best of Liszt: https://brilliant-classics.lnk.to/PlaylisztID
The Best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylistID
Most Popular Piano Music: https://brilliant-classics.lnk.to/MostPopularPianoID
Beautiful Classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodiesID
Classical Music For Dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertimeID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for other pieces on violin and more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Famous #Violin #Sonatas #BrilliantClassics #Composer #Classical #Music #Beethoven #Brahms #Schumann #Grieg #SaintSaëns #Respighi #Debussy #Ravel #Franck #Busoni #Poulenc #Enescu #Korngold
46:19
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-Sophie Mutter.-.Lambert.Orkis]
نرجوا دعمكم ☺ ☺ Please support me
إشتراك + أعجبني✔ ✔Subscribe + Like
published: 01 Oct 2011
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-Sophie Mutter.-.Lambert.Orkis]
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-Sophie Mutter.-.Lambert.Orkis]
- Report rights infringement
- published: 01 Oct 2011
- views: 5750301
نرجوا دعمكم ☺ ☺ Please support me
إشتراك + أعجبني✔ ✔Subscribe + Like
16:31
Tartini Violin Sonata in G minor ''Devil's Trill Sonata''
Violin Sonata in G minor:
1. Larghetto affettuoso
2. Allegro moderato
3. Andante
3. Allegr...
published: 27 Dec 2010
Tartini Violin Sonata in G minor ''Devil's Trill Sonata''
Tartini Violin Sonata in G minor ''Devil's Trill Sonata''
- Report rights infringement
- published: 27 Dec 2010
- views: 55928407
Violin Sonata in G minor:
1. Larghetto affettuoso
2. Allegro moderato
3. Andante
3. Allegro assai-Andante-Allegro assai
14:04
Claude Debussy: Violin Sonata / Alina Pogostkina, Jérôme Ducros
Claude Debussy (1862-1918): Violin Sonata L 140 (1917)
Alina Pogostkina, Violine / Jérôme ...
published: 06 Apr 2017
Claude Debussy: Violin Sonata / Alina Pogostkina, Jérôme Ducros
Claude Debussy: Violin Sonata / Alina Pogostkina, Jérôme Ducros
- Report rights infringement
- published: 06 Apr 2017
- views: 214104
Claude Debussy (1862-1918): Violin Sonata L 140 (1917)
Alina Pogostkina, Violine / Jérôme Ducros, Piano
I. Allegro vivo (0:02)
II. Intermède: Fantasque et léger (5:01)
III. Finale: Très animé (9:11)
Filmed at Solsberg Festival 2016
www.solsberg.ch
http://www.alinapogostkina.de
Producer: Thomas Märki
Sound: Joël Cormier
Post Production: Amaury Berger
Cameras: Oliver Herzog, Johannes Bachmann, Muriel Kunz, Julian Gresenz
© HMF Productions
29:02
César Franck - Violin Sonata
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 189...
published: 03 Oct 2015
César Franck - Violin Sonata
César Franck - Violin Sonata
- Report rights infringement
- published: 03 Oct 2015
- views: 1274745
- Composer: César-Auguste-Jean-Guillaume-Hubert Franck (10 December 1822 -- 8 November 1890)
- Performers: Krystian Zimerman (piano), Kaja Danczowska (violin)
- Year of recording: 1981
Sonata in A major for Violin and Piano, written in 1886.
The 4 movements alternate between slow and fast:
00:00 - I. Allegretto ben moderato
06:24 - II. Allegro
15:01 - III. Ben moderato: Recitative-Fantasia
22:45 - IV. Allegretto poco mosso
This sonata is one of Franck's best known compositions, and considered one of the finest sonatas for violin and piano ever written. It is an amalgam of his rich native harmonic language with the Classical traditions he valued highly, held together in a cyclic framework. it was a wedding present for the 31-year-old violinist Eugène Ysaÿe. Twenty-eight years earlier, in 1858, Franck had promised a violin sonata for Cosima von Bülow. This never saw the light of day, but it has been speculated that whatever work Franck had done on that piece was put aside and eventually ended up in the sonata he wrote for Ysaÿe in 1886. Ysaÿe kept the Violin Sonata in his repertoire for the next 40 years of his life. His championing of the Sonata contributed to the public recognition of Franck as a major composer. This recognition was quite belated, as Franck would be dead within 4 years, and did not have his first unqualified public success until the last year of his life (19 April 1890, at the Salle Pleyel, where his String Quartet in D was premiered).
- I. Allegretto ben moderato, 9/8
This gentle and sweetly reflective rocking theme, introduced by the violin after a short introduction by the piano, is the thematic core of the entire work; Franck originally intended it as a slow movement, but Ysaÿe preferred a slightly quicker tempo, and convinced Franck to mark it Allegretto.
- II. Allegro
This turbulent movement is sometimes considered the real opening movement, with the Allegretto ben moderato serving as a long introduction.
- III. Ben moderato: Recitative-Fantasia
This is improvisatory in nature, and free in both structure and expression.
- IV. Allegretto poco mosso
The main melody is heard in canonic imitation between the instruments, and recurs in a rondo-like manner to a triumphant and soaring conclusion. James Harding described the movement as "a magnificent example of canonic writing, simple, majestic and irresistible in its ample, beautifully wrought proportions".
The Franck Violin Sonata regularly appears on concert programs and on recordings and is in the core repertoire of all major violinists. Jascha Heifetz played the Violin Sonata at his final recital in 1972.
19:57
Violin Sonata No. 26 in Bb, K. 37
Provided to YouTube by TuneCore
Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Moza...
published: 22 Jan 2018
Violin Sonata No. 26 in Bb, K. 37
Violin Sonata No. 26 in Bb, K. 37
- Report rights infringement
- published: 22 Jan 2018
- views: 387951
Provided to YouTube by TuneCore
Violin Sonata No. 26 in Bb, K. 37 · Wolfgang Amadeus Mozart
50 Mozart Masterworks You Have to Listen Before You Die (Golden Deer Classics)
℗ 2018 Oregan Publishing
Released on: 2018-01-19
Auto-generated by YouTube.
19:04
Robert Schumann - Violin Sonata No. 1, Op. 105 (1851)
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music c...
published: 05 Jun 2015
Robert Schumann - Violin Sonata No. 1, Op. 105 (1851)
Robert Schumann - Violin Sonata No. 1, Op. 105 (1851)
- Report rights infringement
- published: 05 Jun 2015
- views: 402414
Robert Schumann (8 June 1810 – 29 July 1856) was a German composer and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. He had been assured by his teacher Friedrich Wieck that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 1 in A minor, Op. 105
1. Mit leidenschaftlichem Ausdruck (0:00)
2. Allegretto (8:32)
3. Lebhaft (13:22)
Ara Malikian, violin and Serouj Kradjian, piano
Description by Blair Johnston [-]
Both of Schumann's Sonatas for Violin and Piano (the present item and the Sonata, Op.121 in D minor) were composed during his tenure as a conductor in Düsseldorf in 1851, substantially later than his chamber works -- Piano Quintet, Piano Quartet, and the three string quartets -- which have achieved a more general renown. As such, they present a different set of challenges and rewards than do those earlier works. Signs of Schumann's impending collapse are certainly evident in the A minor Violin Sonata, but not through any deficiency of musical value; the work's dramatic and psychological complexities speak for themselves.
The undulation of the Sonata's first movement is established by the unbroken sixteenth note figuration in the piano's right hand. The music is played out with great surges of emotion and activity; the ponderous tone of the opening bars is carried away to heights of more hopeful passion as the second theme appears. The development is concise, concerning itself almost exclusively with the opening motive. The move into the recapitulation, seamless as it is, is a master stroke, as is the manner in which Schumann adapts the harmonic motion of the opening to achieve a sense of finality.
There could be little more contrast than that between the agitated closing bars of the first movement and the gentle tones of the second, marked Allegretto. This is a movement with virtually no dramatic motion. It is, instead, built of the same stuff that formed so many of the composer's earlier character-pieces. Witness the gentle, essentially dispassionate dialogue between contrasting musical ideas, the one built on a delicately descending, syncopated motion, the other more sprightly, with spiccato textures and trills, but no more forceful in nature than its companion. There is also a third idea, in F minor, more smoothly melodic and entirely pianissimo, which makes one appearance and then disappears forever. The frequent fermatas are by no means mere separation of phrases and sections, but are entirely necessary to the character of the movement. The agitation of the slightly quicker middle section is brief, only affording the players an opportunity to make a few more forceful statements before, inevitably, winding back down into the intimate tone of the opening. In this movement we can clearly see the myriad persona of Schumann characterized in his youthful writings by the names Florestan, Eusebius, and Master Raro in outline.
It is difficult to say whether or not the third and final movement of the Sonata, marked Lebhaft (Lively), is of lesser substance than its companions, for, in the hands of a capable duo, its perpetual motion sparkles until the final crescendo, after which the three staunch chords seem somewhat obtrusive and unnatural. More often than not, however, the movement comes across as dry and unnecessarily repetitive. But surely the movement's apparent shortcomings result from its composer's quest to explore increasingly subtle gradations of musical psychology. The feeling of irresolution at the end of the Sonata can by no means be construed as unintentional, but rather must be seen as Schumann's effort to honestly explore the depths of his own increasingly agitated and complex mind, regardless of whether or not the resulting product corresponded with pre-existing musical values.
3:32
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, ...
published: 08 Oct 2018
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto
- Report rights infringement
- published: 08 Oct 2018
- views: 3144443
Music video by Hilary Hahn performing J.S. Bach: Sonata for Violin Solo No. 1 in G Minor, BWV 1001 - 4. Presto. © 2018 Hilary Hahn, under exclusive licence to Decca Music Group Limited
http://vevo.ly/vzFCet
17:22
Beethoven Violin Sonata No.3 op.12
陳子鈞小提琴獨奏會
指導教授 : 王般若教授
鋼琴合作 : 邱巧靜老師
地點 : 清華大學南大校區音樂系館演奏廳
Beethoven Violin Sonata No.3 in E...
published: 02 Jun 2024
Beethoven Violin Sonata No.3 op.12
Beethoven Violin Sonata No.3 op.12
- Report rights infringement
- published: 02 Jun 2024
- views: 43
陳子鈞小提琴獨奏會
指導教授 : 王般若教授
鋼琴合作 : 邱巧靜老師
地點 : 清華大學南大校區音樂系館演奏廳
Beethoven Violin Sonata No.3 in E b Major Op.12-3 貝多芬小提琴奏鳴曲第三號,作品12
I. Allegro con spirito
ll. Adagio con molta espressione
lll. Rondo Allegro molto
11:59
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Szeryng/Haebler]
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influentia...
published: 25 Mar 2016
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Szeryng/Haebler]
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Szeryng/Haebler]
- Report rights infringement
- published: 25 Mar 2016
- views: 1343493
Wolfgang Amadeus Mozart (27 January 1756 – 5 December 1791) was one of the most influential, popular and prolific composers of the classical period. A child prodigy, from an early age he began composing over 600 works, including some of the most famous pieces of symphonic, chamber, operatic, and choral music.
Please support my channel:
https://ko-fi.com/bartjebartmans
Sonata for violin & piano No. 21 in E minor, K. 304 (K. 300c) 1778
1. Allegro (0:00)
2. Tempo di Menuetto (6:50)
Henryk Szeryng, violin and Ingrid Haebler, piano
Description by Brian Robins [-]
The fourth of seven sonatas for piano and violin composed by Mozart in Mannheim and Paris during 1778, the E minor Sonata is the only one in a minor key. Recent paper dating has shown that while the opening Allegro was composed in Mannheim, the following Tempo di Menuetto was composed in Paris, where Mozart and his mother finally arrived on March 23. Like all but the last of its companions, K. 304 has only two movements, but it departs from the distinctly domestic feel of the first three works in finding a new profundity of dramatic expression fully in keeping with its minor mode. In this it bears a strong resemblance to another minor-key work composed in Paris at much the same time -- the Piano Sonata in A minor, K. 310.
It may not be too fanciful to see in both works some reflection of the emotional upheaval Mozart must have experienced on leaving Aloysia Weber, the first love of his youthful life, behind in Mannheim. It was an event he had striven to delay as long as possible, much to the annoyance of his father Leopold back at home in Salzburg. Mozart's attempts to give greater equality to the violin in a genre traditionally dominated by the keyboard (not for nothing are all Mozart's sonatas designated as being for piano and violin, rather than the reverse) here takes a further step forward in the opening theme of the Allegro, which is dramatically announced complete by both instruments in unison, after which it is taken up not by the piano, but the violin. The Tempo di Menuetto movement that follows is less intense and includes a section in the major. The six sonatas K. 301 through K. 306 were published in Paris later in 1778 as Opus 1, Nos. 1-6, with the title page bearing a dedication to Maria Elisabeth, Electress of the Palatinate. For this reason they are frequently known as the "Palatine Sonatas."
Famous Violin Sonatas...
Beethoven.Violin.Sonata.No.9.Op.47.kreutzer.[Anne-...
Tartini Violin Sonata in G minor ''Devil's Trill S...
Claude Debussy: Violin Sonata / Alina Pogostkina, ...
César Franck - Violin Sonata...
Violin Sonata No. 26 in Bb, K. 37...
Robert Schumann - Violin Sonata No. 1, Op. 105 (18...
Hilary Hahn - J.S. Bach: Sonata for Violin Solo No...
Beethoven Violin Sonata No.3 op.12...
Mozart - Violin Sonata No. 21, E Minor, K. 304 [Sz...
Latest News for: violin sonata arvo pärt
- 1