- published: 02 Jun 2010
- views: 8941236
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remove the playlistArvo Pärt
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remove the playlistSymphony No. 3 (schuman)
- remove the playlistArvo Pärt
- remove the playlistSymphony No. 3 (schuman)
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
Symphony No. 3 (Schuman)
American composer William Schuman's Symphony No. 3 was completed on January 11, 1941, and premiered on October 17 of that year by the Boston Symphony Orchestra conducted by Serge Koussevitsky, to whom it is dedicated.
Instrumentation
The symphony is scored for an orchestra consisting of piccolo (doubling flute), 2 flutes, 2 oboes, clarinet in E♭, 2 clarinets in B♭, bass clarinet, 2 bassoons, 4 horns in F, 4 trumpets in C, 4 trombones, tuba, snare drum, cymbals, bass drum, xylophone, timpani and strings, with third flute (doubling second piccolo), third oboe, third clarinet in B♭, third bassoon, contrabassoon, 4 more horns in F, and piano listed as "optional, but very desirable".
Structure
Rather than the usual four movements, the symphony is in two parts, each consisting of two continuous sections in a tempo relation of slow-fast and given titles suggesting Baroque formal practices, though Schuman does not follow these forms strictly:
- a) Passacaglia
- b) Fugue
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._3_(Schuman)
Symphony No. 3 (MacMillan)
The Symphony No. 3 (also known as Symphony No. 3 "Silence") is the third symphony by the Scottish composer James MacMillan. The piece was first performed on April 17, 2003 in NHK Hall, Tokyo, by the NHK Symphony Orchestra under the conductor Charles Dutoit.
Composition
The symphony has a duration of roughly 36 minutes and is composed in one continuous movement. The title of the piece comes from the 1966 novel Silence by the Japanese author Shūsaku Endō. MacMillan described this inspiration in the score program notes, writing:
For Endo, though, this silence is not absence but presence. It is the silence of accompaniment rather than "nihil". This is a notion that has many musical analogies. Music itself grows out of silence. The emptiness and solitude of a composer's silence is nevertheless pregnant with the promise of possibility and potency. The immateriality of music points to the reality of different types of existence. Music is not a physical reality in the sense that we are, or any other thing is. You cannot see, touch or taste music, but its powerful presence always makes itself felt.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._3_(MacMillan)
Symphony No. 3 (Popov)
Gavriil Popov composed his Symphony No. 3 for string orchestra, subtitled Heroic Symphony but also known as the Spanish, between 1939 and 1946. At ca. 55 minutes it is Popov's longest symphony. It consists of five movements, four highly dynamic movements drawing on Spanish dances framing a twenty minutes long memorial on the Spanish Civil War.
Following the ban of his Symphony No. 1 and the subsequent official condemnation of him being a formalist composer Popov focused on composing film music. In 1939 he arranged a suite from his soundtrack for Esfir Shub's documentary on the Spanish Civil War Spain and conceived in parallel a Concerto grosso for string orchestra (on the basis of the string episodes from Spain), as it can be read in the composer's diary on September 17. Work in the project was halted soon after completing the first movement, but Popov resumed it five years later, changing the work's title from Concerto grosso to his third Symphony. After two years of work, it was finished on September 1946. The premiere took place in Moscow on January 31, 1947. Popov's Symphony No. 2, which had earned the composer a Stalin Prize the previous year, marked his provisional rehabilitation, and the third symphony met a favorable reception. In his diary Popov notes his former teacher Vladimir Shcherbachov believes Symphony No. 3 is my best achievement. A meeting to discuss its nomination for the Stalin Prizes was arranged, but it was subsequently cancelled and the next year Popov was instead blacklisted in the resolution of the infamous First Congress of the Union of Soviet Composers.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Symphony_No._3_(Popov)
Podcasts:
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Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010 -
Arvo Pärt : Silentium
Arvo Pärt : Silentium Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé. Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia) J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une ...
published: 04 Nov 2022 -
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010 -
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/ArvoPart Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/...
published: 20 Oct 2016 -
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
published: 27 Jan 2011 -
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello Herbert Schuch - Piano Arvo Pärt: Spiegel im Spiegel (1978) Mozart Week Salzburg 2014
published: 13 Aug 2014 -
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌 Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨ Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵 🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA 🟢 Follow us and our playlists on Spotify:...
published: 03 May 2024 -
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten. 🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID 💎 More Information: https://www.piano-classics....
published: 04 Apr 2023 -
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992) Gil Shaham, violin Roger Carlsson, percussion Gothenburg Symphony Orchestra Neeme Järvi Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes. It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter. The first version for string quintet and wind quintet w...
published: 16 Dec 2009 -
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique. #ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps...
published: 19 Mar 2024
developed with YouTube
10:11
Arvo Pärt- Spiegel im Spiegel
- Order: Reorder
- Duration: 10:11
- Uploaded Date: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
https://wn.com/Arvo_Pärt_Spiegel_Im_Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
- Order: Reorder
- Duration: 18:52
- Uploaded Date: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièc...
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
https://wn.com/Arvo_Pärt_Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
- published: 04 Nov 2022
- views: 153045
3:41
Arvo Pärt- Für Alina
- Order: Reorder
- Duration: 3:41
- Uploaded Date: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
Performed by Jürgen Kruse
https://wn.com/Arvo_Pärt_Für_Alina
Performed by Jürgen Kruse
- published: 02 Jun 2010
- views: 621124
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Order: Reorder
- Duration: 2:00:24
- Uploaded Date: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook:...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
https://wn.com/Arvo_Pärt_Für_Anna_Maria_Complete_Piano_Music_(Full_Album)_Played_By_Jeroen_Van_Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
- published: 20 Oct 2016
- views: 1053539
12:55
Arvo Part - Salve Regina (Full)
- Order: Reorder
- Duration: 12:55
- Uploaded Date: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr...
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
https://wn.com/Arvo_Part_Salve_Regina_(Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
- published: 27 Jan 2011
- views: 3199348
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
- Order: Reorder
- Duration: 10:27
- Uploaded Date: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
https://wn.com/Spiegel_Im_Spiegel_For_Cello_And_Piano_(Arvo_Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
- published: 13 Aug 2014
- views: 5354906
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
- Order: Reorder
- Duration: 40:44
- Uploaded Date: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emo...
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
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📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
Support us
Just subscribe: ➡️➡️➡️ @EssentialClassics
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Please follow and subscribe to our channel. We appreciate your support.
🔔 Click the bell to stay updated on the great classical songs
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🌐 www.cugate.com
🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
https://wn.com/Arvo_Pärt_Works_For_Choir_(Ethereal_Choral_Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
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Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
Support us
Just subscribe: ➡️➡️➡️ @EssentialClassics
Official URLs:
✨ Cugate: https://www.cugate.com
✨ Cumarket: http://www.cumarket.net
✨ Facebook: https://www.facebook.com/CuGateClassicsClub
✨ Instagram: https://instagram.com/cugate_classics
Please follow and subscribe to our channel. We appreciate your support.
🔔 Click the bell to stay updated on the great classical songs
📧 info@cugate.com
🌐 www.cugate.com
🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
- published: 03 May 2024
- views: 15364
51:00
Arvo Pärt: Lamentate
- Order: Reorder
- Duration: 51:00
- Uploaded Date: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails t...
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
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Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
https://wn.com/Arvo_Pärt_Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
- published: 04 Apr 2023
- views: 56732
9:55
Arvo Pärt - Fratres
- Order: Reorder
- Duration: 9:55
- Uploaded Date: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Frat...
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
https://wn.com/Arvo_Pärt_Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
- published: 16 Dec 2009
- views: 1813619
27:34
Arvo Pärt : Tabula rasa
- Order: Reorder
- Duration: 27:34
- Uploaded Date: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré...
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
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https://wn.com/Arvo_Pärt_Tabula_Rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
► Twitter - https://twitter.com/francemusique?lang=fr
► Instagram - https://www.instagram.com/francemusique/?hl=fr
► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 19 Mar 2024
- views: 26310
-
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann: 3. Sinfonie (»Rheinische«) ∙ (Auftritt) 00:00 ∙ I. Lebhaft 00:22 ∙ II. Scherzo. Sehr mäßig 09:10 ∙ III. Nicht schnell 15:57 ∙ IV. Feierlich 21:14 ∙ V. Lebhaft – Schneller 26:16 ∙ hr-Sinfonieorchester – Frankfurt Radio Symphony ∙ Marek Janowski, Dirigent ∙ Alte Oper Frankfurt, 4. März 2016 ∙ Website: http://www.hr-sinfonieorchester.de ∙ Facebook: http://www.facebook.com/hrsinfonieorchester
published: 26 Mar 2016 -
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft 9:03 Scherzo. Sehr mässig 15:45 Nicht schnell 21:10 Feierlich 28:02 Lebhaft Score video of Schumann's Rhenish symphony. Text by Blair Johnston. Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre,...
published: 26 May 2020 -
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish" Leonard Bernstein Wiener Philharmoniker Orchestre
published: 17 Sep 2022 -
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes Detroit Symphony Orchestra Leonard Slatkin Conductor Live Broadcast from 2016 Bass Clarinet solo snare drum solo xylophone excerpt
published: 20 Nov 2021 -
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck. ROBERT SCHUMANN Sinfonie Nr. 3 Es-Dur op. 97 Christoph Eschenbach, Dirigent NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester) Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010 Website: https://www.ndr.de/eo Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/ Instagram: https://www.instagram.com/ndr.eo
published: 01 Dec 2016 -
William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at pranav.sivakumar@berkeley.edu regarding any copyright issues. 00:03 I. Passacaglia and Fugue 13:46 II. Chorale and Toccata New York Philharmonic conducted by Leonard Bernstein William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center. Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appeal...
published: 22 Mar 2023 -
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014 Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3 Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014 Orchestre de Paris David Zinman - conductor Chapters: 0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish" 0:18 I. Lebhaft ∙ 10:53 II. Scherzo. Sehr mäßig ∙ 17:20 III. Nicht schnell ∙ 22:56 IV. Feierlich ∙ 28:36 V. Lebhaft – Schneller Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC Follow us on Facebook: http://www.facebook.com/wocomo More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis © Licensed by Poorhouse #wocomoCLASSICAL
published: 22 Aug 2020 -
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below -- Het muzikale programma: Robert Schumann - Symfonie nr.3, op.97 'Rheinische' De uitvoerenden: philharmonie zuidnederland Duncan Ward, dirigent Opname: Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam. Kijk het hele concert op NPO Start: https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050 Meer AVROTROS Klassiek: ♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/ ♬ Twitter: https://twitter.com/klassiekonline ♬ Instagram: https://www.instagram.com/avrotrosklassiek/ ————————————— On the musical programme: Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" The musicians: philharmonie zuidnederland Duncan Ward, conductor Recording: The Sunday Mo...
published: 31 May 2023 -
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann Sinfonie Nr 3 in Es-Dur op 97, Rheinische Symphony No. 3 “Rhenish” in E flat major, Op. 97 Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen Lebhaft 0:00 Scherzo: Sehr mäßig (in C major) 9:40 Nicht schnell (in A-flat major) 15:40 Feierlich (in E-flat minor) 20:56 Lebhaft 27:02
published: 29 Jan 2023 -
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred" ℗ 1964 Deutsche Grammophon GmbH, Berlin Released on: 2010-01-01 Producer, Recording Producer: Hans Weber Studio Personnel, Balance Engineer: Günter Hermanns Studio Personnel, Editor: Guenther Dieckmann Composer: Robert Schumann Auto-generated by YouTube.
published: 28 Jul 2018
developed with YouTube
35:32
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
- Order: Reorder
- Duration: 35:32
- Uploaded Date: 26 Mar 2016
- views: 692607
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierli...
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
https://wn.com/Schumann_3._Sinfonie_(»Rheinische«)_∙_Hr_Sinfonieorchester_∙_Marek_Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
Facebook: http://www.facebook.com/hrsinfonieorchester
- published: 26 Mar 2016
- views: 692607
33:38
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
- Order: Reorder
- Duration: 33:38
- Uploaded Date: 26 May 2020
- views: 140709
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
...
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
https://wn.com/Robert_Schumann_Symphony_No._3_In_E_Flat_Major_Rhenish_,_Op._97_(1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
- published: 26 May 2020
- views: 140709
38:29
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
- Order: Reorder
- Duration: 38:29
- Uploaded Date: 17 Sep 2022
- views: 37357
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
https://wn.com/Schumann_Symphony_Nº_3_Rhenish_Leonard_Bernstein_Wiener_Philharmoniker_Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
- published: 17 Sep 2022
- views: 37357
32:52
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
- Order: Reorder
- Duration: 32:52
- Uploaded Date: 20 Nov 2021
- views: 10130
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm s...
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
https://wn.com/William_Schuman_Symphony_No._3_Slatkin_Dso_Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
- published: 20 Nov 2021
- views: 10130
31:50
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
- Order: Reorder
- Duration: 31:50
- Uploaded Date: 01 Dec 2016
- views: 126165
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holste...
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
https://wn.com/Schumann_Sinfonie_Nr._3_Rheinische_Mit_Christoph_Eschenbach_|_Ndr_Elbphilharmonie_Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
Instagram: https://www.instagram.com/ndr.eo
- published: 01 Dec 2016
- views: 126165
31:07
William Schuman - Symphony No. 3 (Score Video)
- Order: Reorder
- Duration: 31:07
- Uploaded Date: 22 Mar 2023
- views: 5291
This video is provided for educational use only; please email me at pranav.sivakumar@berkeley.edu regarding any copyright issues.
00:03 I. Passacaglia and Fugu...
This video is provided for educational use only; please email me at pranav.sivakumar@berkeley.edu regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
https://wn.com/William_Schuman_Symphony_No._3_(Score_Video)
This video is provided for educational use only; please email me at pranav.sivakumar@berkeley.edu regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
- published: 22 Mar 2023
- views: 5291
36:15
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
- Order: Reorder
- Duration: 36:15
- Uploaded Date: 22 Aug 2020
- views: 39091
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concer...
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_(Orchestre_De_Paris,_David_Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
Subscribe to wocomoMUSIC: https://goo.gl/ahZRzC
Follow us on Facebook: http://www.facebook.com/wocomo
More concerts by the Orchestre de Paris: https://bit.ly/ConcertsOrchestredeParis
© Licensed by Poorhouse
#wocomoCLASSICAL
- published: 22 Aug 2020
- views: 39091
32:18
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
- Order: Reorder
- Duration: 32:18
- Uploaded Date: 31 May 2023
- views: 8133
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirig...
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_Philharmonie_Zuidnederland_Live_Hd
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
Meer AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
More AVROTROS Klassiek:
♬ Facebook: https://www.facebook.com/AVROTROS.Klassiek/
♬ Twitter: https://twitter.com/klassiekonline
♬ Instagram: https://www.instagram.com/avrotrosklassiek/
- published: 31 May 2023
- views: 8133
33:20
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
- Order: Reorder
- Duration: 33:20
- Uploaded Date: 29 Jan 2023
- views: 5717
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Br...
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
https://wn.com/Schumann_Sinfonie_Nr_3_In_Es_Dur_Op_97_Rheinische_Paavo_Järvi_Deutsche_Kammerphilharmonie_Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
- published: 29 Jan 2023
- views: 5717
9:49
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
- Order: Reorder
- Duration: 9:49
- Uploaded Date: 28 Jul 2018
- views: 9203
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík...
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
https://wn.com/Schumann_Symphony_No._3_In_E_Flat_Major,_Op._97_Rhenish_I._Lebhaft
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Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
Auto-generated by YouTube.
- published: 28 Jul 2018
- views: 9203
10:11
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010
Arvo Pärt- Spiegel im Spiegel
Arvo Pärt- Spiegel im Spiegel
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- published: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchest...
published: 04 Nov 2022
Arvo Pärt : Silentium
Arvo Pärt : Silentium
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- published: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
3:41
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010
Arvo Pärt- Für Alina
Arvo Pärt- Für Alina
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- published: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more)...
published: 20 Oct 2016
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
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- published: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
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Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
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12:55
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted...
published: 27 Jan 2011
Arvo Part - Salve Regina (Full)
Arvo Part - Salve Regina (Full)
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- published: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozar...
published: 13 Aug 2014
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
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- published: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece i...
published: 03 May 2024
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
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- published: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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51:00
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The wa...
published: 04 Apr 2023
Arvo Pärt: Lamentate
Arvo Pärt: Lamentate
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- published: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
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Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
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9:55
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roge...
published: 16 Dec 2009
Arvo Pärt - Fratres
Arvo Pärt - Fratres
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- published: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
27:34
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pä...
published: 19 Mar 2024
Arvo Pärt : Tabula rasa
Arvo Pärt : Tabula rasa
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- published: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
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Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
35:32
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II...
published: 26 Mar 2016
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
Schumann: 3. Sinfonie (»Rheinische«) ∙ hr-Sinfonieorchester ∙ Marek Janowski
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- published: 26 Mar 2016
- views: 692607
Robert Schumann:
3. Sinfonie (»Rheinische«) ∙
(Auftritt) 00:00 ∙
I. Lebhaft 00:22 ∙
II. Scherzo. Sehr mäßig 09:10 ∙
III. Nicht schnell 15:57 ∙
IV. Feierlich 21:14 ∙
V. Lebhaft – Schneller 26:16 ∙
hr-Sinfonieorchester – Frankfurt Radio Symphony ∙
Marek Janowski, Dirigent ∙
Alte Oper Frankfurt, 4. März 2016 ∙
Website: http://www.hr-sinfonieorchester.de ∙
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33:38
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
...
published: 26 May 2020
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
Robert Schumann: Symphony No. 3 in E-flat major "Rhenish", op. 97 (1850)
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- published: 26 May 2020
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0:00 Lebhaft
9:03 Scherzo. Sehr mässig
15:45 Nicht schnell
21:10 Feierlich
28:02 Lebhaft
Score video of Schumann's Rhenish symphony. Text by Blair Johnston.
Schumann's "Rhenish" Symphony, the Symphony No. 3 in E flat major, Op. 97, is so called because it was written in the fall of 1850 during the composer's tenure as conductor at Düsseldorf on the famous Rhine river. In a letter to the publisher N. Simrock in 1851 Schumann claimed that the history and spirit of that noble river and its people were running through his mind as he composed the work. The Symphony was less successful at its premiere in February 1851 (under the composer's direction) than had his two previous symphonic premieres had been. Although third in number, the "Rhenish" is actually Schumann's final entry in the genre, the forthcoming Symphony No. 4 in D minor, Op. 120, having been originally composed in 1841.
The heroic main theme of the opening Lebhaft is laced with hemiolas that transform its basic 3/4 time into larger bars of 3/2. A second theme in G minor is offered by the oboe and clarinet before being taken over by the violins. The astute listener will have noticed a keen similarity between the rhythmic outline of Schumann's main theme and that of the main theme to the opening movement of Johannes Brahms' Symphony No. 3 in F major. This similarity is enhanced even further during the transition to the second theme in the recapitulation, when the figure is played out with precisely the same intervallic content as the later Brahms melody -- just one example of the deep and abiding influence Schumann's music had on his younger associate. Schumann incorporates the jovial Rheinweinlied (Rhine-wine Song) into the Scherzo, which, as in the Second Symphony, appears as the second rather than the more traditional third movement. The solid C major foundation is shaken up briefly by the A minor Trio (although, rather stubbornly, the bass continues to putter around on low C). Perhaps the most fascinating aspect of the "Rhenish" Symphony is the interpolation of an extra movement. Marked Feierlich (Solemn), the movement originally carried the inscription, "in the manner of an accompaniment to a solemn ceremony." The Finale is a robust outburst (marked, like the first movement, Lebhaft) which recalls some of the main theme from the fourth movement before plunging into a final burst of joyful E flat.
Wolfgang Sawallisch & Staatskapelle Dresden
Warner Classics
38:29
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiene...
published: 17 Sep 2022
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
Schumann: Symphony nº 3 "Rhenish" - Leonard Bernstein - Wiener Philharmoniker Orchestre
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- published: 17 Sep 2022
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Robert Schumann: Symphony nº 3 in E flat major, op.97 "Rhenish"
Leonard Bernstein
Wiener Philharmoniker Orchestre
32:52
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
found this saved on my hard drive from a couple of years ago. apparently it's no longer on...
published: 20 Nov 2021
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
William SCHUMAN Symphony No. 3 - Slatkin - DSO Live
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- published: 20 Nov 2021
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found this saved on my hard drive from a couple of years ago. apparently it's no longer on the DSO website. Please don't delete my channel Leonard Slatkin I'm sorry but this is for educational purposes
Detroit Symphony Orchestra
Leonard Slatkin Conductor
Live Broadcast from 2016
Bass Clarinet solo
snare drum solo
xylophone excerpt
31:50
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet S...
published: 01 Dec 2016
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
Schumann: Sinfonie Nr. 3 "Rheinische" mit Christoph Eschenbach | NDR Elbphilharmonie Orchester
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- published: 01 Dec 2016
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Christoph Eschenbach, ehemaliger Chefdirigent des NDR Elbphilharmonie Orchesters, leitet Schumanns "Rheinische Sinfonie" bei der Eröffnung des Schleswig-Holstein Musik Festival 2010 in Lübeck.
ROBERT SCHUMANN
Sinfonie Nr. 3 Es-Dur op. 97
Christoph Eschenbach, Dirigent
NDR Elbphilharmonie Orchester (damals NDR Sinfonieorchester)
Eröffnungskonzert Schleswig-Holstein Musik Festival, Musik- und Kongresshalle Lübeck, 2010
Website: https://www.ndr.de/eo
Facebook: https://www.facebook.com/ndrelbphilharmonieorchester/
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31:07
William Schuman - Symphony No. 3 (Score Video)
This video is provided for educational use only; please email me at pranav.sivakumar@berke...
published: 22 Mar 2023
William Schuman - Symphony No. 3 (Score Video)
William Schuman - Symphony No. 3 (Score Video)
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- published: 22 Mar 2023
- views: 5291
This video is provided for educational use only; please email me at pranav.sivakumar@berkeley.edu regarding any copyright issues.
00:03 I. Passacaglia and Fugue
13:46 II. Chorale and Toccata
New York Philharmonic conducted by Leonard Bernstein
William Schuman (1910-1992) was a notable American composer of the 20th century, also known for serving as president of the Juilliard School and of Lincoln Center.
Schuman's third symphony, written in 1941 and dedicated to the conductor Serge Koussevitzky, is considered one of his finest works; I find it one of the most compelling American symphonic works ever written. Modeled loosely on Baroque forms, it contains two parts: the first comprises a passacaglia and fugue, while the second is composed of a chorale and toccata. What I find most appealing about the work is its stirring nature and precisely crafted form; every movement is a showcase of orchestrational development from small to large scales.
36:15
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris ...
published: 22 Aug 2020
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish" (Orchestre de Paris, David Zinman)
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- published: 22 Aug 2020
- views: 39091
From the Salle Pleyel, París, 2014
Conductor David Zinman conducts the Orchestre de Paris through a program with Schumann's Symphony No. 3
Watch the full concert: https://bit.ly/DavidZinmanOrchestredeParis2014
Orchestre de Paris
David Zinman - conductor
Chapters:
0:00 Robert Schumann - Symphony No.3, Op.97, "Rhenish"
0:18 I. Lebhaft ∙
10:53 II. Scherzo. Sehr mäßig ∙
17:20 III. Nicht schnell ∙
22:56 IV. Feierlich ∙
28:36 V. Lebhaft – Schneller
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32:18
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rhein...
published: 31 May 2023
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
Schumann: Symphony No. 3 in E-flat major, Op. 97 "Rhenish" - philharmonie zuidnederland - Live HD
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- published: 31 May 2023
- views: 8133
-- English below --
Het muzikale programma:
Robert Schumann - Symfonie nr.3, op.97 'Rheinische'
De uitvoerenden:
philharmonie zuidnederland
Duncan Ward, dirigent
Opname:
Het Zondagochtend Concert van zondag 28 mei 2023 in Het Concertgebouw te Amsterdam.
Kijk het hele concert op NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
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—————————————
On the musical programme:
Robert Schumann - Symphony No. 3 in E-flat major, Op. 97 "Rhenish"
The musicians:
philharmonie zuidnederland
Duncan Ward, conductor
Recording:
The Sunday Morning Concert, Sunday the 28th of May 2023, in The Concertgebouw in Amsterdam, The Netherlands.
Watch the full concert on NPO Start:
https://www.npostart.nl/het-zondagochtend-concert-hannes-minnaar-en-philharmonie-zuidnederland/28-05-2023/WO_AT_20064050
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33:20
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E ...
published: 29 Jan 2023
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
Schumann Sinfonie Nr 3 in-Es Dur op 97 Rheinische Paavo Järvi Deutsche Kammerphilharmonie Bremen
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- published: 29 Jan 2023
- views: 5717
Robert Schumann
Sinfonie Nr 3 in Es-Dur op 97, Rheinische
Symphony No. 3 “Rhenish” in E flat major, Op. 97
Paavo Järvi conducts Deutsche Kammerphilharmonie Bremen
Lebhaft 0:00
Scherzo: Sehr mäßig (in C major) 9:40
Nicht schnell (in A-flat major) 15:40
Feierlich (in E-flat minor) 20:56
Lebhaft 27:02
9:49
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op...
published: 28 Jul 2018
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft
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- published: 28 Jul 2018
- views: 9203
Provided to YouTube by Universal Music Group
Schumann: Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish" - I. Lebhaft · Berliner Philharmoniker · Rafael Kubelík
Schumann: The 4 Symphonies; Overtures Opp.81 "Genoveva" & 115 "Manfred"
℗ 1964 Deutsche Grammophon GmbH, Berlin
Released on: 2010-01-01
Producer, Recording Producer: Hans Weber
Studio Personnel, Balance Engineer: Günter Hermanns
Studio Personnel, Editor: Guenther Dieckmann
Composer: Robert Schumann
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