- published: 02 Jun 2010
- views: 8941236
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead (Latin: Missa pro defunctis) or Mass of the dead (Latin: Missa defunctorum), is a Mass in the Catholic Church offered for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal. It is frequently, but not necessarily, celebrated in the context of a funeral.
Musical settings of the propers of the Requiem Mass are also called Requiems, and the term has subsequently been applied to other musical compositions associated with death and mourning, even when they lack religious or liturgical relevance.
The term is also used for similar ceremonies outside the Roman Catholic Church, especially in the Anglo-Catholic tradition of Anglicanism and in certain Lutheran churches. A comparable service, with a wholly different ritual form and texts, exists in the Eastern Orthodox and Eastern Catholic Churches, as well as in the Methodist Church.
The Mass and its settings draw their name from the introit of the liturgy, which begins with the words "Requiem aeternam dona eis, Domine" – "Grant them eternal rest, O Lord". ("Requiem" is the accusative singular form of the Latin noun requies, "rest, repose".) The Roman Missal as revised in 1970 employs this phrase as the first entrance antiphon among the formulas for Masses for the dead, and it remains in use to this day.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Requiem
Requiem aeternam (band)
Requiem Aeternam (from Latin, literally meaning 'eternal rest' or 'eternal requiem') is a Uruguayan black/death metal band, founded in September 1995 in Montevideo, Uruguay. They are the creators of a new style within heavy metal: "philosophical metal"
Requiem Aeternam's first single, "Emergent," featured in the local metal compilation Underscream and was recorded by the band's first incarnation, comprising Martin Lopez (Amon Amarth, Opeth) on drums, Martin Mendez (Opeth) on bass and vocals, Pablo Magallanes (Scarpoint) on guitar and José Romero (Inner Sanctum) on guitar, keyboards and vocals.
In 1997, the band – now a trio with Fabián Redondo on drums, Marcelo Aguilar on bass and José Romero – entered the Studios Record in Montevideo to track their debut LP, which was mixed in Chile by José Corral (Criminal, Inner Sanctum) and mastered in Argentina by David Santos (Riff, Hermética). Eternally Dying was released in July 1998 by ICorp and distributed worldwide by Furias / Orion Music.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Requiem_aeternam_(band)
Podcasts:
-
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010 -
Arvo Pärt : Silentium
Arvo Pärt : Silentium Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé. Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia) J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une ...
published: 04 Nov 2022 -
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010 -
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/ArvoPart Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/...
published: 20 Oct 2016 -
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
published: 27 Jan 2011 -
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello Herbert Schuch - Piano Arvo Pärt: Spiegel im Spiegel (1978) Mozart Week Salzburg 2014
published: 13 Aug 2014 -
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌 Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨ Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵 🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA 🟢 Follow us and our playlists on Spotify:...
published: 03 May 2024 -
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten. 🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID 💎 More Information: https://www.piano-classics....
published: 04 Apr 2023 -
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992) Gil Shaham, violin Roger Carlsson, percussion Gothenburg Symphony Orchestra Neeme Järvi Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes. It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter. The first version for string quintet and wind quintet w...
published: 16 Dec 2009 -
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique. #ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps...
published: 19 Mar 2024
10:11
Arvo Pärt- Spiegel im Spiegel
- Order: Reorder
- Duration: 10:11
- Uploaded Date: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
https://wn.com/Arvo_Pärt_Spiegel_Im_Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
- Order: Reorder
- Duration: 18:52
- Uploaded Date: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièc...
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
https://wn.com/Arvo_Pärt_Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
- published: 04 Nov 2022
- views: 153045
3:41
Arvo Pärt- Für Alina
- Order: Reorder
- Duration: 3:41
- Uploaded Date: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
Performed by Jürgen Kruse
https://wn.com/Arvo_Pärt_Für_Alina
Performed by Jürgen Kruse
- published: 02 Jun 2010
- views: 621124
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Order: Reorder
- Duration: 2:00:24
- Uploaded Date: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook:...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
https://wn.com/Arvo_Pärt_Für_Anna_Maria_Complete_Piano_Music_(Full_Album)_Played_By_Jeroen_Van_Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
- published: 20 Oct 2016
- views: 1053539
12:55
Arvo Part - Salve Regina (Full)
- Order: Reorder
- Duration: 12:55
- Uploaded Date: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr...
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
https://wn.com/Arvo_Part_Salve_Regina_(Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
- published: 27 Jan 2011
- views: 3199348
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
- Order: Reorder
- Duration: 10:27
- Uploaded Date: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
https://wn.com/Spiegel_Im_Spiegel_For_Cello_And_Piano_(Arvo_Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
- published: 13 Aug 2014
- views: 5354906
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
- Order: Reorder
- Duration: 40:44
- Uploaded Date: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emo...
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
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00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
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Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
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All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
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https://wn.com/Arvo_Pärt_Works_For_Choir_(Ethereal_Choral_Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
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📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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Just subscribe: ➡️➡️➡️ @EssentialClassics
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Please follow and subscribe to our channel. We appreciate your support.
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🎧 Essential Classics is dedicated to sharing and promoting classical music. We strive to present the best classical music for you! Our hope is to make your days more beautiful and peaceful with classical music.
All audio and visual content on Essential Classics is created by Cugate AG a well-known music company. We have all legal rights of the audiovisual materials used in this video and our music is protected by copyright laws. If you have any questions regarding copyright or cooperation, please contact us.
#classicalmusic
- published: 03 May 2024
- views: 15364
51:00
Arvo Pärt: Lamentate
- Order: Reorder
- Duration: 51:00
- Uploaded Date: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails t...
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
https://wn.com/Arvo_Pärt_Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
👉 Social media links:
Facebook: https://PianoClassics.lnk.to/FacebookID
Spotify: https://PianoClassics.lnk.to/SpotifyID
Brilliant Classics:
Facebook: https://brilliant-classics.lnk.to/FacebookID
Spotify: https://brilliant-classics.lnk.to/SpotifyID
Instagram: https://brilliant-classics.lnk.to/InstagramID
TikTok: https://brilliant-classics.lnk.to/TikTokID
Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
- published: 04 Apr 2023
- views: 56732
9:55
Arvo Pärt - Fratres
- Order: Reorder
- Duration: 9:55
- Uploaded Date: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Frat...
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
https://wn.com/Arvo_Pärt_Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
- published: 16 Dec 2009
- views: 1813619
27:34
Arvo Pärt : Tabula rasa
- Order: Reorder
- Duration: 27:34
- Uploaded Date: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré...
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
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https://wn.com/Arvo_Pärt_Tabula_Rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
► Facebook - https://facebook.com/FranceMusique
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► TikTok - https://www.tiktok.com/@francemusique?lang=fr
- published: 19 Mar 2024
- views: 26310
-
Mozart - Requiem
Requiem Mass in D Minor Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem. Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart. The Following are the lyrics, translated from their Original Latin Grant them eternal rest, Lord, and let perpetual light shine ...
published: 05 Mar 2009 -
“Requiem” from DEAR EVAN HANSEN performed by Mallory Bechtel | DEAR EVAN HANSEN
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murphy sings an exclusive solo version of “Requiem.” DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now. Learn more: http://www.DearEvanHansen.com The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America. Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID Connect with DEAR EVAN HANSEN on social: https://twitter.com/DearEvanHansen https://facebook.com/DearEvanHansen https://instagram.com/dearevanhansen http://dearevanhansenofficial.tumblr.... A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dr...
published: 24 Aug 2018 -
Requiem
Provided to YouTube by TuneCore Requiem · Heaven Pierce Her Ultrakill: Infinite Hyperdeath (Original Game Soundtrack) ℗ 2020 Heaven Pierce Her Released on: 2020-09-11 Auto-generated by YouTube.
published: 19 Jun 2023 -
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文. 0:00 Introitus: Requiem aeternam 4:49 Kyrie eleison Sequenz 7:14 Dies irae 8:56 Tuba mirum 12:40 Rex tremendae 15:00 Recordare 20:40 Confutatis 22:59 Lacrimosa Offertorium 26:30 Domine Jesu 29:54 Versus: Hostias et preces 33:54 Sanctus 35:39 Benedictus 40:55 Agnus Dei 43:56 Communio: Lux aeterna 49:30 Credits Wolfgang Amadeus Mozart – Requiem KV 626 Bartosz Michałowski – conductor Sylwia Olszyńska – soprano Agata Schmidt – mezzo-soprano Karol Kozłowski – tenor Adam Kutny – baritone Polish Sinfonia Iuventus Orchestra Warsaw Philharmonic Cho...
published: 07 Apr 2020 -
"Requiem" from the DEAR EVAN HANSEN Original Broadway Cast Recording
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now. Learn more: http://www.DearEvanHansen.com The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America. Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID Connect with DEAR EVAN HANSEN on social: https://twitter.com/DearEvanHansen https://facebook.com/DearEvanHansen https://instagram.com/dearevanhansen http://dearevanhansenofficial.tumblr.... A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in. Both deeply personal and prof...
published: 03 Feb 2017 -
REQUIEM AETERNAM - Gregorian Chant for the poor souls
We dedicate this Gregorian chant with much love to all our brothers and sisters who have yet to undergo their final purification after death. We hope that it will comfort them and that our Father will soon welcome them into the Kingdom of His glory as His beloved children. We are honoured to have been able to record this video in the "Valley of the Fallen" (Valle de los caídos), where a great number of martyrs and victims of the Spanish Civil War from both sides are buried, and where the highest cross in the world has been erected. We ask all our listeners to join in prayer for this Benedictine abbey, that the monks may continue their valuable service there without hindrance, for the glory of God and the salvation of souls. _________________________________________________________________...
published: 02 Nov 2022 -
Requiem
Provided to YouTube by Warner Records Requiem · Avenged Sevenfold Hail to the King ℗ 2013 Warner Records Inc. Trombone: Alan Kaplan Trombone: Andrew Martin Unknown: Andy Wallace Drums: Arin Ilejay Unknown: Bob Ludwig Violin: Charlie Bisharat Cello: Dane Little Tuba: Douglas Tornquist Upright Bass: Ed Meares Trombone: Jaime Ochoa Additional Vocals: Jessi Collins Horn: Joe Meyer Cello: John E. Acosta Trumpet: John Fumo Horn: John Reynolds Violin: John Wittenberg Bass Guitar: Johnny Christ Violin: Josefina Vergara Vocals: M. Shadows Violin: Michelle Richards Producer: Mike Elizondo Violin: Natalie Leggett Additional Vocals: Ran Jackson Trumpet: Rick Baptist Voice Over: Rick D. Waserman Violin: Sara Parkins Additional Vocals: Sharlotte Gibson Violin: Songa Lee Trombone: Steven Holtma...
published: 08 Nov 2014 -
SAILORR - POOKIE’S REQUIEM | From The Block Performance 🎙
Lock in w/ #4SO 🎯: https://linktr.ee/4softb Instagram: https://www.instagram.com/4shootersonly/ Merch: https://shop4so.com/ Email: info@fromtheblock4so.com #4SO #FromTheBlock
published: 07 Nov 2024 -
【Requiem】Secret Santa! 🎁Who's present is this? 【HandCam】
Subscribe to Requiem: @YuraRikudou @PinaPengin @NiaSuzune @ShikiMiyoshino
published: 22 Dec 2024 -
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin Conductor: Donka Miteva Wolfgang A. Mozart: Requiem – Lacrimosa & Amen newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga ) Recorded on July 1, 2022 at Berlin Philharmonic, Germany In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed le...
published: 22 Apr 2023
8:54
Mozart - Requiem
- Order: Reorder
- Duration: 8:54
- Uploaded Date: 05 Mar 2009
- views: 113863202
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the...
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
https://wn.com/Mozart_Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
- published: 05 Mar 2009
- views: 113863202
4:08
“Requiem” from DEAR EVAN HANSEN performed by Mallory Bechtel | DEAR EVAN HANSEN
- Order: Reorder
- Duration: 4:08
- Uploaded Date: 24 Aug 2018
- views: 7110203
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murphy sings an exclusive solo version of “Requiem.”
DEAR EVAN HANSEN re...
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murphy sings an exclusive solo version of “Requiem.”
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
https://wn.com/“Requiem”_From_Dear_Evan_Hansen_Performed_By_Mallory_Bechtel_|_Dear_Evan_Hansen
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murphy sings an exclusive solo version of “Requiem.”
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
- published: 24 Aug 2018
- views: 7110203
3:19
Requiem
- Order: Reorder
- Duration: 3:19
- Uploaded Date: 19 Jun 2023
- views: 1458211
Provided to YouTube by TuneCore
Requiem · Heaven Pierce Her
Ultrakill: Infinite Hyperdeath (Original Game Soundtrack)
℗ 2020 Heaven Pierce Her
Released on: ...
Provided to YouTube by TuneCore
Requiem · Heaven Pierce Her
Ultrakill: Infinite Hyperdeath (Original Game Soundtrack)
℗ 2020 Heaven Pierce Her
Released on: 2020-09-11
Auto-generated by YouTube.
https://wn.com/Requiem
Provided to YouTube by TuneCore
Requiem · Heaven Pierce Her
Ultrakill: Infinite Hyperdeath (Original Game Soundtrack)
℗ 2020 Heaven Pierce Her
Released on: 2020-09-11
Auto-generated by YouTube.
- published: 19 Jun 2023
- views: 1458211
52:57
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
- Order: Reorder
- Duration: 52:57
- Uploaded Date: 07 Apr 2020
- views: 5126599
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), ...
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
https://wn.com/Mozart_–_Requiem_(With_Subtitles_In_20_Languages_–_English,_Español,_Português,_Türkçe,_中文_..._)
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
- published: 07 Apr 2020
- views: 5126599
4:20
"Requiem" from the DEAR EVAN HANSEN Original Broadway Cast Recording
- Order: Reorder
- Duration: 4:20
- Uploaded Date: 03 Feb 2017
- views: 15464867
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale no...
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
https://wn.com/Requiem_From_The_Dear_Evan_Hansen_Original_Broadway_Cast_Recording
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
- published: 03 Feb 2017
- views: 15464867
5:11
REQUIEM AETERNAM - Gregorian Chant for the poor souls
- Order: Reorder
- Duration: 5:11
- Uploaded Date: 02 Nov 2022
- views: 1419194
We dedicate this Gregorian chant with much love to all our brothers and sisters who have yet to undergo their final purification after death. We hope that it wi...
We dedicate this Gregorian chant with much love to all our brothers and sisters who have yet to undergo their final purification after death. We hope that it will comfort them and that our Father will soon welcome them into the Kingdom of His glory as His beloved children.
We are honoured to have been able to record this video in the "Valley of the Fallen" (Valle de los caídos), where a great number of martyrs and victims of the Spanish Civil War from both sides are buried, and where the highest cross in the world has been erected. We ask all our listeners to join in prayer for this Benedictine abbey, that the monks may continue their valuable service there without hindrance, for the glory of God and the salvation of souls.
_______________________________________________________________________________
www.harpadei.com
Spotify: https://open.spotify.com/artist/6Ygmtt6OqCEz3OHKv321PM?si=mxBKG5g3SLa6ztPTMZeMsQ
Telegram: https://t.me/HarpaDei
Soundcloud: https://soundcloud.com/user-749496596-312451560
If you wish to support our mission, you can donate here:
https://www.paypal.com/donate/?hosted_button_id=ZBZ7KZH4MFBHY
https://wn.com/Requiem_Aeternam_Gregorian_Chant_For_The_Poor_Souls
We dedicate this Gregorian chant with much love to all our brothers and sisters who have yet to undergo their final purification after death. We hope that it will comfort them and that our Father will soon welcome them into the Kingdom of His glory as His beloved children.
We are honoured to have been able to record this video in the "Valley of the Fallen" (Valle de los caídos), where a great number of martyrs and victims of the Spanish Civil War from both sides are buried, and where the highest cross in the world has been erected. We ask all our listeners to join in prayer for this Benedictine abbey, that the monks may continue their valuable service there without hindrance, for the glory of God and the salvation of souls.
_______________________________________________________________________________
www.harpadei.com
Spotify: https://open.spotify.com/artist/6Ygmtt6OqCEz3OHKv321PM?si=mxBKG5g3SLa6ztPTMZeMsQ
Telegram: https://t.me/HarpaDei
Soundcloud: https://soundcloud.com/user-749496596-312451560
If you wish to support our mission, you can donate here:
https://www.paypal.com/donate/?hosted_button_id=ZBZ7KZH4MFBHY
- published: 02 Nov 2022
- views: 1419194
4:22
Requiem
- Order: Reorder
- Duration: 4:22
- Uploaded Date: 08 Nov 2014
- views: 6350769
Provided to YouTube by Warner Records
Requiem · Avenged Sevenfold
Hail to the King
℗ 2013 Warner Records Inc.
Trombone: Alan Kaplan
Trombone: Andrew Martin
...
Provided to YouTube by Warner Records
Requiem · Avenged Sevenfold
Hail to the King
℗ 2013 Warner Records Inc.
Trombone: Alan Kaplan
Trombone: Andrew Martin
Unknown: Andy Wallace
Drums: Arin Ilejay
Unknown: Bob Ludwig
Violin: Charlie Bisharat
Cello: Dane Little
Tuba: Douglas Tornquist
Upright Bass: Ed Meares
Trombone: Jaime Ochoa
Additional Vocals: Jessi Collins
Horn: Joe Meyer
Cello: John E. Acosta
Trumpet: John Fumo
Horn: John Reynolds
Violin: John Wittenberg
Bass Guitar: Johnny Christ
Violin: Josefina Vergara
Vocals: M. Shadows
Violin: Michelle Richards
Producer: Mike Elizondo
Violin: Natalie Leggett
Additional Vocals: Ran Jackson
Trumpet: Rick Baptist
Voice Over: Rick D. Waserman
Violin: Sara Parkins
Additional Vocals: Sharlotte Gibson
Violin: Songa Lee
Trombone: Steven Holtman
Additional Vocals: Storm Lee Gardner
Cello: Suzie Katayama
Guitar: Synyster Gates
Violin: Tereza Stanislav
Guitar: Zacky Vengeance
Writer: Brian Elwin Haner, Jr.
Writer: Jonathan Seward
Writer: Matthew Sanders
Writer: Zachary Baker
Auto-generated by YouTube.
https://wn.com/Requiem
Provided to YouTube by Warner Records
Requiem · Avenged Sevenfold
Hail to the King
℗ 2013 Warner Records Inc.
Trombone: Alan Kaplan
Trombone: Andrew Martin
Unknown: Andy Wallace
Drums: Arin Ilejay
Unknown: Bob Ludwig
Violin: Charlie Bisharat
Cello: Dane Little
Tuba: Douglas Tornquist
Upright Bass: Ed Meares
Trombone: Jaime Ochoa
Additional Vocals: Jessi Collins
Horn: Joe Meyer
Cello: John E. Acosta
Trumpet: John Fumo
Horn: John Reynolds
Violin: John Wittenberg
Bass Guitar: Johnny Christ
Violin: Josefina Vergara
Vocals: M. Shadows
Violin: Michelle Richards
Producer: Mike Elizondo
Violin: Natalie Leggett
Additional Vocals: Ran Jackson
Trumpet: Rick Baptist
Voice Over: Rick D. Waserman
Violin: Sara Parkins
Additional Vocals: Sharlotte Gibson
Violin: Songa Lee
Trombone: Steven Holtman
Additional Vocals: Storm Lee Gardner
Cello: Suzie Katayama
Guitar: Synyster Gates
Violin: Tereza Stanislav
Guitar: Zacky Vengeance
Writer: Brian Elwin Haner, Jr.
Writer: Jonathan Seward
Writer: Matthew Sanders
Writer: Zachary Baker
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- published: 08 Nov 2014
- views: 6350769
1:57
SAILORR - POOKIE’S REQUIEM | From The Block Performance 🎙
- Order: Reorder
- Duration: 1:57
- Uploaded Date: 07 Nov 2024
- views: 1023902
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- published: 07 Nov 2024
- views: 1023902
47:30
【Requiem】Secret Santa! 🎁Who's present is this? 【HandCam】
- Order: Reorder
- Duration: 47:30
- Uploaded Date: 22 Dec 2024
- views: 538
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- published: 22 Dec 2024
- views: 538
4:06
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
- Order: Reorder
- Duration: 4:06
- Uploaded Date: 22 Apr 2023
- views: 3450389
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and comple...
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed leave far too little space for an extensive fugue at this point, but the exchange and insertion of further reeds was common and also occurred in Mozart's work. It is surely no coincidence that in the years immediately before his death Mozart devoted himself to Handel's Messiah, which concludes with an extended Amen fugue. For the overall architecture of the Requiem, such an Amen Fugue, roughly in the middle of the work, can form a supporting pillar which, together with the pillars at the beginning and end of the work, Kyrie and Cum sanctis tuis, forms a great arched architecture. In the Amen Fugue, which was realised for the new edition, Mozart's view of Bach is particularly evident, partly because it is also very clear in the Kyrie Fugue.
It is impossible to imagine what Mozart would have invented, or perhaps had already invented. Nevertheless, the new addition was about the thought experiment of deducing the extent and nature of Mozart's instructions from everything that exists in someone else's hand. In this way, it is possible to derive - only incompletely, hypothetically, of course - instructions for completing the Requiem as a "whole", based on Mozart's presumed intentions in the form of general procedures, melodic material, contrapuntal constellations, harmonic progressions, instrumental accompaniments, concrete borrowings from older works by Mozart or Handel and Bach, and so on. Once I had uncovered this "composing backwards", I tried to compose the Requiem forwards again, starting from the music Mozart had written up to his death and the influences he bundled in the Requiem. _~ Michael Ostrzyga_
----------------
_Under the roof of Collegium Musicum Berlin, some 450 students and staff of Freie Universität and Technische Universität are gathered to follow their shared passion for music. With most of the musicians having no professional education in music, our two orchestras, two choirs and one big band take great pride in their high level of achievement._
----------------
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Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed leave far too little space for an extensive fugue at this point, but the exchange and insertion of further reeds was common and also occurred in Mozart's work. It is surely no coincidence that in the years immediately before his death Mozart devoted himself to Handel's Messiah, which concludes with an extended Amen fugue. For the overall architecture of the Requiem, such an Amen Fugue, roughly in the middle of the work, can form a supporting pillar which, together with the pillars at the beginning and end of the work, Kyrie and Cum sanctis tuis, forms a great arched architecture. In the Amen Fugue, which was realised for the new edition, Mozart's view of Bach is particularly evident, partly because it is also very clear in the Kyrie Fugue.
It is impossible to imagine what Mozart would have invented, or perhaps had already invented. Nevertheless, the new addition was about the thought experiment of deducing the extent and nature of Mozart's instructions from everything that exists in someone else's hand. In this way, it is possible to derive - only incompletely, hypothetically, of course - instructions for completing the Requiem as a "whole", based on Mozart's presumed intentions in the form of general procedures, melodic material, contrapuntal constellations, harmonic progressions, instrumental accompaniments, concrete borrowings from older works by Mozart or Handel and Bach, and so on. Once I had uncovered this "composing backwards", I tried to compose the Requiem forwards again, starting from the music Mozart had written up to his death and the influences he bundled in the Requiem. _~ Michael Ostrzyga_
----------------
_Under the roof of Collegium Musicum Berlin, some 450 students and staff of Freie Universität and Technische Universität are gathered to follow their shared passion for music. With most of the musicians having no professional education in music, our two orchestras, two choirs and one big band take great pride in their high level of achievement._
----------------
https://www.collegium-musicum-berlin.de
https://www.instagram.com/collegium_musicum_berlin
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#mozart #requiem #lacrimosa #berlinphilharmonic
- published: 22 Apr 2023
- views: 3450389
PLAYLIST TIME:
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10:11
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010
Arvo Pärt- Spiegel im Spiegel
Arvo Pärt- Spiegel im Spiegel
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- published: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchest...
published: 04 Nov 2022
Arvo Pärt : Silentium
Arvo Pärt : Silentium
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- published: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
3:41
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010
Arvo Pärt- Für Alina
Arvo Pärt- Für Alina
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- published: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more)...
published: 20 Oct 2016
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
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- published: 20 Oct 2016
- views: 1053539
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Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
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12:55
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted...
published: 27 Jan 2011
Arvo Part - Salve Regina (Full)
Arvo Part - Salve Regina (Full)
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- published: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozar...
published: 13 Aug 2014
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
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- published: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece i...
published: 03 May 2024
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
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- published: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
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𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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51:00
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The wa...
published: 04 Apr 2023
Arvo Pärt: Lamentate
Arvo Pärt: Lamentate
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- published: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
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Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
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9:55
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roge...
published: 16 Dec 2009
Arvo Pärt - Fratres
Arvo Pärt - Fratres
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- published: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
27:34
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pä...
published: 19 Mar 2024
Arvo Pärt : Tabula rasa
Arvo Pärt : Tabula rasa
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- published: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
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Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
PLAYLIST TIME:
8:54
Mozart - Requiem
Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in...
published: 05 Mar 2009
Mozart - Requiem
Mozart - Requiem
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- published: 05 Mar 2009
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Requiem Mass in D Minor
Wolfgang Amadeus Mozart's final Masterpiece was commissioned in mid 1791 by the Austrian count Franz Von Walsegg, as a Tribute to the passing of his young wife Anna. Mozart began his final composition in Prague, suffering from an undetermined illness, which would eventually take his life and rob him of the chance to see the completion of his Magnum Opus. After Mozart's death, his understudy 'Franz Xaver Süssmayr', at the behest of Mozart's wife, completed the missing parts of the Requiem.
Requiem Mass was first performed on January 2, 1793, in a private concert for the benefit of Mozart's grieving wife, Constanze Mozart.
The Following are the lyrics, translated from their Original Latin
Grant them eternal rest, Lord,
and let perpetual light shine on them.
You are praised, God, in Zion,
and homage will be paid to You in Jerusalem.
Hear my prayer,
to You all flesh will come.
Grant them eternal rest, Lord,
and let perpetual light shine on them.
Lord, have mercy on us.
Christ, have mercy on us.
Lord, have mercy on us.
Day of wrath, day of anger
will dissolve the world in ashes,
as foretold by David and the Sibyl.
Great trembling there will be
when the Judge descends from heaven
to examine all things closely.
The trumpet will send its wondrous sound
throughout earth's sepulchres
and gather all before the throne.
Death and nature will be astounded,
when all creation rises again,
to answer the judgment.
A book will be brought forth,
in which all will be written,
by which the world will be judged.
When the judge takes his place,
what is hidden will be revealed,
nothing will remain unavenged.
What shall a wretch like me say?
Who shall intercede for me,
when the just ones need mercy?
King of tremendous majesty,
who freely saves those worthy ones,
save me, source of mercy.
Remember, kind Jesus,
my salvation caused your suffering;
do not forsake me on that day.
Faint and weary you have sought me,
redeemed me, suffering on the cross;
may such great effort not be in vain.
Righteous judge of vengeance,
grant me the gift of absolution
before the day of retribution.
I moan as one who is guilty:
owning my shame with a red face;
suppliant before you, Lord.
You, who absolved Mary,
and listened to the thief,
give me hope also.
My prayers are unworthy,
but, good Lord, have mercy,
and rescue me from eternal fire.
Provide me a place among the sheep,
and separate me from the goats,
guiding me to Your right hand.
When the accused are confounded,
and doomed to flames of woe,
call me among the blessed.
I kneel with submissive heart,
my contrition is like ashes,
help me in my final condition.
That day of tears and mourning,
when from the ashes shall arise,
all humanity to be judged.
Spare us by your mercy, Lord,
gentle Lord Jesus,
grant them eternal rest. Amen.
Lord Jesus Christ, King of glory,
liberate the souls of the faithful,
departed from the pains of hell
and from the bottomless pit.
Deliver them from the lion's mouth,
lest hell swallow them up,
lest they fall into darkness.
Let the standard-bearer, holy Michael,
bring them into holy light.
Which was promised to Abraham
and his descendants.
Sacrifices and prayers of praise, Lord,
we offer to You.
Receive them in behalf of those souls
we commemorate today.
And let them, Lord,
pass from death to life,
which was promised to Abraham
and his descendants.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
Grant them eternal rest.
Lamb of God, who takes away
the sins of the world,
grant them eternal rest forever.
Let eternal light shine on them, Lord,
as with Your saints in eternity,
because You are merciful.
Grant them eternal rest, Lord,
and let perpetual light shine on them,
as with Your saints in eternity,
because You are merciful.
4:08
“Requiem” from DEAR EVAN HANSEN performed by Mallory Bechtel | DEAR EVAN HANSEN
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murp...
published: 24 Aug 2018
“Requiem” from DEAR EVAN HANSEN performed by Mallory Bechtel | DEAR EVAN HANSEN
“Requiem” from DEAR EVAN HANSEN performed by Mallory Bechtel | DEAR EVAN HANSEN
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- published: 24 Aug 2018
- views: 7110203
Three months ago, Mallory Bechtel graduated from high school. Now, Broadway’s new Zoe Murphy sings an exclusive solo version of “Requiem.”
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
3:19
Requiem
Provided to YouTube by TuneCore
Requiem · Heaven Pierce Her
Ultrakill: Infinite Hyperdea...
published: 19 Jun 2023
Requiem
Requiem
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- published: 19 Jun 2023
- views: 1458211
Provided to YouTube by TuneCore
Requiem · Heaven Pierce Her
Ultrakill: Infinite Hyperdeath (Original Game Soundtrack)
℗ 2020 Heaven Pierce Her
Released on: 2020-09-11
Auto-generated by YouTube.
52:57
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Fran...
published: 07 Apr 2020
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
Mozart – Requiem (with subtitles in 20 languages – English, Español, Português, Türkçe, 中文 ... )
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- published: 07 Apr 2020
- views: 5126599
info https://gr.afit.pl
Turn on subtitles: Catalan, Český, Deutsch, English, Español, Français, עברי, Italiano, 日本語, 한국어, Latin, Nederlands (by Kris Van Hoof), Magyar, Polski, Português, Русский, Tiếng Việt, Türkçe (by Faik Uyanık), Українська, 中文.
0:00 Introitus: Requiem aeternam
4:49 Kyrie eleison
Sequenz
7:14 Dies irae
8:56 Tuba mirum
12:40 Rex tremendae
15:00 Recordare
20:40 Confutatis
22:59 Lacrimosa
Offertorium
26:30 Domine Jesu
29:54 Versus: Hostias et preces
33:54 Sanctus
35:39 Benedictus
40:55 Agnus Dei
43:56 Communio: Lux aeterna
49:30 Credits
Wolfgang Amadeus Mozart – Requiem KV 626
Bartosz Michałowski – conductor
Sylwia Olszyńska – soprano
Agata Schmidt – mezzo-soprano
Karol Kozłowski – tenor
Adam Kutny – baritone
Polish Sinfonia Iuventus Orchestra
Warsaw Philharmonic Choir
recorded November 01, 2019 at Warsaw Philharmonic Concert Hall
#Mozart #Requiem #nootnoot
4:20
"Requiem" from the DEAR EVAN HANSEN Original Broadway Cast Recording
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26t...
published: 03 Feb 2017
"Requiem" from the DEAR EVAN HANSEN Original Broadway Cast Recording
"Requiem" from the DEAR EVAN HANSEN Original Broadway Cast Recording
- Report rights infringement
- published: 03 Feb 2017
- views: 15464867
DEAR EVAN HANSEN returns to Broadway on December 11th, to London’s West End on October 26th, and will be back on tour beginning December 7th. Tickets on sale now.
Learn more: http://www.DearEvanHansen.com
The Tony Award®-winning Best Musical on Broadway, in London and cities all across North America.
Download our Deluxe Album: https://atlantic.lnk.to/DEHDeluxeID
Connect with DEAR EVAN HANSEN on social:
https://twitter.com/DearEvanHansen
https://facebook.com/DearEvanHansen
https://instagram.com/dearevanhansen
http://dearevanhansenofficial.tumblr....
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have. Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.
Both deeply personal and profoundly contemporary, DEAR EVAN HANSEN is a new American musical about life and the way we live it.
Music Box Theatre
239 West 45th Street
Between 7th & 8th Avenues
5:11
REQUIEM AETERNAM - Gregorian Chant for the poor souls
We dedicate this Gregorian chant with much love to all our brothers and sisters who have y...
published: 02 Nov 2022
REQUIEM AETERNAM - Gregorian Chant for the poor souls
REQUIEM AETERNAM - Gregorian Chant for the poor souls
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- published: 02 Nov 2022
- views: 1419194
We dedicate this Gregorian chant with much love to all our brothers and sisters who have yet to undergo their final purification after death. We hope that it will comfort them and that our Father will soon welcome them into the Kingdom of His glory as His beloved children.
We are honoured to have been able to record this video in the "Valley of the Fallen" (Valle de los caídos), where a great number of martyrs and victims of the Spanish Civil War from both sides are buried, and where the highest cross in the world has been erected. We ask all our listeners to join in prayer for this Benedictine abbey, that the monks may continue their valuable service there without hindrance, for the glory of God and the salvation of souls.
_______________________________________________________________________________
www.harpadei.com
Spotify: https://open.spotify.com/artist/6Ygmtt6OqCEz3OHKv321PM?si=mxBKG5g3SLa6ztPTMZeMsQ
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Soundcloud: https://soundcloud.com/user-749496596-312451560
If you wish to support our mission, you can donate here:
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4:22
Requiem
Provided to YouTube by Warner Records
Requiem · Avenged Sevenfold
Hail to the King
℗ 20...
published: 08 Nov 2014
Requiem
Requiem
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- published: 08 Nov 2014
- views: 6350769
Provided to YouTube by Warner Records
Requiem · Avenged Sevenfold
Hail to the King
℗ 2013 Warner Records Inc.
Trombone: Alan Kaplan
Trombone: Andrew Martin
Unknown: Andy Wallace
Drums: Arin Ilejay
Unknown: Bob Ludwig
Violin: Charlie Bisharat
Cello: Dane Little
Tuba: Douglas Tornquist
Upright Bass: Ed Meares
Trombone: Jaime Ochoa
Additional Vocals: Jessi Collins
Horn: Joe Meyer
Cello: John E. Acosta
Trumpet: John Fumo
Horn: John Reynolds
Violin: John Wittenberg
Bass Guitar: Johnny Christ
Violin: Josefina Vergara
Vocals: M. Shadows
Violin: Michelle Richards
Producer: Mike Elizondo
Violin: Natalie Leggett
Additional Vocals: Ran Jackson
Trumpet: Rick Baptist
Voice Over: Rick D. Waserman
Violin: Sara Parkins
Additional Vocals: Sharlotte Gibson
Violin: Songa Lee
Trombone: Steven Holtman
Additional Vocals: Storm Lee Gardner
Cello: Suzie Katayama
Guitar: Synyster Gates
Violin: Tereza Stanislav
Guitar: Zacky Vengeance
Writer: Brian Elwin Haner, Jr.
Writer: Jonathan Seward
Writer: Matthew Sanders
Writer: Zachary Baker
Auto-generated by YouTube.
1:57
SAILORR - POOKIE’S REQUIEM | From The Block Performance 🎙
Lock in w/ #4SO 🎯: https://linktr.ee/4softb
Instagram: https://www.instagram.com/4shooters...
published: 07 Nov 2024
SAILORR - POOKIE’S REQUIEM | From The Block Performance 🎙
SAILORR - POOKIE’S REQUIEM | From The Block Performance 🎙
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- published: 07 Nov 2024
- views: 1023902
Lock in w/ #4SO 🎯: https://linktr.ee/4softb
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Email: info@fromtheblock4so.com
#4SO #FromTheBlock
47:30
【Requiem】Secret Santa! 🎁Who's present is this? 【HandCam】
Subscribe to Requiem:
@YuraRikudou
@PinaPengin
@NiaSuzune
@ShikiMiyoshino
published: 22 Dec 2024
【Requiem】Secret Santa! 🎁Who's present is this? 【HandCam】
【Requiem】Secret Santa! 🎁Who's present is this? 【HandCam】
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- published: 22 Dec 2024
- views: 538
Subscribe to Requiem:
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4:06
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
...
published: 22 Apr 2023
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin
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- published: 22 Apr 2023
- views: 3450389
Symphony Orchestra & Grand Choir of the Collegium Musicum Berlin
Conductor: Donka Miteva
Wolfgang A. Mozart: Requiem – Lacrimosa & Amen
newly edited and completed by *Michael Ostrzyga* ( @MichaelOstrzyga )
Recorded on July 1, 2022 at Berlin Philharmonic, Germany
In the 1960s, a sketch by Mozart of an Amen Fugue surfaced. It can be assumed that it was intended for the Requiem when Mozart wrote it down: Not only is there a sketch for the Rex tremendae and the Magic Flute on the same page, written like the Requiem in 1791, but there are also striking compositional references to the Introit. Moreover, Mozart did not work on any other work during this period in which the word "Amen" appears. The arrangement of the reeds in Mozart's manuscript, as has sometimes been pointed out, does indeed leave far too little space for an extensive fugue at this point, but the exchange and insertion of further reeds was common and also occurred in Mozart's work. It is surely no coincidence that in the years immediately before his death Mozart devoted himself to Handel's Messiah, which concludes with an extended Amen fugue. For the overall architecture of the Requiem, such an Amen Fugue, roughly in the middle of the work, can form a supporting pillar which, together with the pillars at the beginning and end of the work, Kyrie and Cum sanctis tuis, forms a great arched architecture. In the Amen Fugue, which was realised for the new edition, Mozart's view of Bach is particularly evident, partly because it is also very clear in the Kyrie Fugue.
It is impossible to imagine what Mozart would have invented, or perhaps had already invented. Nevertheless, the new addition was about the thought experiment of deducing the extent and nature of Mozart's instructions from everything that exists in someone else's hand. In this way, it is possible to derive - only incompletely, hypothetically, of course - instructions for completing the Requiem as a "whole", based on Mozart's presumed intentions in the form of general procedures, melodic material, contrapuntal constellations, harmonic progressions, instrumental accompaniments, concrete borrowings from older works by Mozart or Handel and Bach, and so on. Once I had uncovered this "composing backwards", I tried to compose the Requiem forwards again, starting from the music Mozart had written up to his death and the influences he bundled in the Requiem. _~ Michael Ostrzyga_
----------------
_Under the roof of Collegium Musicum Berlin, some 450 students and staff of Freie Universität and Technische Universität are gathered to follow their shared passion for music. With most of the musicians having no professional education in music, our two orchestras, two choirs and one big band take great pride in their high level of achievement._
----------------
https://www.collegium-musicum-berlin.de
https://www.instagram.com/collegium_musicum_berlin
https://www.facebook.com/collegiummusicumberlin
#mozart #requiem #lacrimosa #berlinphilharmonic
Mozart - Requiem...
“Requiem” from DEAR EVAN HANSEN performed by Mallo...
Requiem...
Mozart – Requiem (with subtitles in 20 languages –...
"Requiem" from the DEAR EVAN HANSEN Original Broad...
REQUIEM AETERNAM - Gregorian Chant for the poor so...
Requiem...
SAILORR - POOKIE’S REQUIEM | From The Block Perfor...
【Requiem】Secret Santa! 🎁Who's present is this? 【Ha...
Mozart: Requiem – Lacrimosa | SO & GC | CM Berlin...
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Requiem Aeternam
by: Giuseppe VerdiRequiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
Te decet hymnus, Deus, in Sion,
et tibi reddetur votum in Jerusalem;
Exaudi orationem meam.
Ad te omnis caro veniet.
Requiem aeternam dona eis, Domine,
et lux perpetua luceat eis.
Kyrie eleison,
Christe eleison,
Kyrie eleison.
English Trans.
Eternal rest grant them, o Lord,
and let perpetual light shine upon them.
A hymn becometh Thee, o God, in Zion,
and a vow shall be paid to Thee in Jerusalem;
O hear my prayer.
All flesh shall come to Thee.
Eternal rest grant them, o Lord,
and let perpetual light shine upon them.
Lord have mercy on us,
Christ have mercy on us,
Lord have mercy on us.