- published: 12 Nov 2010
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Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
The concerto grosso (pronounced [konˈtʃɛrto ˈɡrɔsso]; Italian for big concert(o), plural concerti grossi [konˈtʃɛrti ˈɡrɔssi]) is a form of baroque music in which the musical material is passed between a small group of soloists (the concertino) and full orchestra (the ripieno or concerto grosso). This is in contrast to the solo concerto which features a single solo instrument with the melody line, accompanied by the orchestra.
The form developed in the late seventeenth century, although the name was not used at first. Alessandro Stradella seems to have written the first music in which two groups of different sizes are combined in the characteristic way. The name was first used by Giovanni Lorenzo Gregori in a set of 10 compositions published in Lucca in 1698.
The first major composer to use the term concerto grosso was Arcangelo Corelli. After Corelli's death, a collection of twelve of his concerti grossi was published; not long after, composers such as Francesco Geminiani, Pietro Locatelli and Giuseppe Torelli wrote concertos in the style of Corelli. He also had a strong influence on Antonio Vivaldi.
Ernest Bloch (July 24, 1880 – July 15, 1959) was a Swiss-born American composer.
Bloch was born in Geneva on July 24, 1880 to Jewish parents. He began playing the violin at age 9. He began composing soon after. He studied music at the conservatory in Brussels, where his teachers included the celebrated Belgian violinist Eugène Ysaÿe. He then travelled around Europe, moving to Germany (where he studied composition from 1900–1901 with Iwan Knorr at the Hoch Conservatory in Frankfurt), on to Paris in 1903 and back to Geneva before settling in the United States in 1916, taking American citizenship in 1924. He held several teaching appointments in the U.S., with George Antheil, Frederick Jacobi, Quincy Porter, Bernard Rogers, and Roger Sessions among his pupils. See: List of music students by teacher: A to B#Ernest Bloch. In 1917 Bloch became the first teacher of composition at Mannes College The New School for Music, a post he held for three years. In December 1920 he was appointed the first Musical Director of the newly formed Cleveland Institute of Music, a post he held until 1925. Following this he was director of the San Francisco Conservatory of Music until 1930.
Allegro may refer to:
Grosso is a comune (municipality) in the Province of Turin in the Italian region Piedmont, located about 25 kilometres (16 mi) northwest of Turin. As of 31 December 2004, it had a population of 1,002 and an area of 4.3 square kilometres (1.7 sq mi).
Grosso borders the following municipalities: Corio, Mathi, Nole, and Villanova Canavese.
Ernest Bloch,1/4 Prelude, Concerto Grosso No. 1, Morris Louis
Corelli - 12 Concerti Grossi, Op.6 | Fabio Biondi Europa Galante
Bloch - Concerto Grosso No.1 for String Orchestra and Piano Obbligato (1924)
Ernest Bloch, 2/4 Dirge, Andante moderato, Concerto Grosso No. 1, Guston
P. Castrucci: Op. 3 / 12 Concerti grossi (London, 1736) - Part I / HaendelFestSpielOrchester Halle
Ernest Bloch - Concerto Grosso No.1 - / Classikan ensemble
Ernest Bloch Concerto Grosso No.1 "PRELUDE"
FeMusa Orchestra | E. Bloch - Concerto Grosso No.1 (Prelude)
Bloch Concerto Grosso no. 1
Ernest Bloch - Concerto Grosso for String Orchestra with Piano Obbligato (1925)
Ernest Bloch (1880- 1959), Prelude: Allegro energico e pesante, Concerto Grosso No. 1 for String Orchestra and Piano Obbligato, Eastman-Rochester Orchestra, Howard Hanson, conductor. Works by Morris Louis, Morris Louis Bernstein (1912- 1962).
Arcangelo Corelli (1653 - 1713) 12 Concerti Grossi, Op.6 The Twelve Concerti Grossi, Op.6 Concerti Grossi No.1 in D major, Op.6 01. Largo - Allegro - Largo - Allegro 02. Largo 03. Allegro 04. Allegro Concerti Grossi No.2 in F major, Op.6 01. Vivace - Allegro - Adagio 02. Allegro 03. Grave - Andante Largo 04. Allegro Concerti Grossi No.3 in C minor, Op.6 01. Largo 02. Allegro - Adagio 03. Grave 04. Vivace 05. Allegro Concerti Grossi No.4 in D major, Op.6 01. Adagio - Allegro 02. Adagio 03. Vivace 04. Allegro Concerti Grossi No.5 in B flat major, Op.6 01. Adagio - Allegro - Adagio 02. Adagio 03. Allegro - Adagio 04. Largo - Allegro Concerti Grossi No.6 in F major, Op.6 01. Adagio 02. Allegro 03. Largo 04. Vivace 05. Allegro Concerti Grossi No.7 in D major, Op.6 01. Vivace - ...
Ernest Bloch (1880- 1959), Dirge: Andante moderato,Concerto Grosso No. 1 for String Orchestra and Piano Obbligato, Eastman-Rochester Orchestra, Howard Hanson, conductor. Works by Philip Guston (1913- 1980).
PIETRO CASTRUCCI [1679 - 1752] from CONCERTI GROSSI: Op. 3 (London, 1736) Concerto grosso n. 4 for strings and basso continuo I. Adagio andantino - II. Allegro ardito - III. Adagio un poco andantino - IV. Allegro spirituoso - Concerto grosso n. 9 for strings and basso continuo I. Allegro moderato, adagio - II. Vivace III. Andantino pianissimo sempre - IV. Andante - V. Allegro - Concerto grosso n. 6 for strings and basso continuo I. Allegro - II. Adagio - III. Giga (Allegro) - Concerto grosso n. 12 for two echo violins, echo viola, oboes, strings and basso continuo I. Introduzione (Allegro) - II. Adagio andantino - III. Allegro - IV. Gavotta (Andante) - V. Finale con L'eco (Andantino) - Concerto grosso n. 5 for strings and basso co...
Classikan ensmeble Naru Art center Ernest Bloch - Concerto grosso No 1 (1925) 1. "Prélude" (Allegro energico e pesante)
Ernest Bloch - Concerto Grosso No.1 i) Prelude Performed by FeMusa Orchestra (www.femusa.co.uk) Maria Marchant - piano Khojaly Commemoration Concert 26th February 2014 St John's Smith Square, London Ernest Bloch (1880-1959) All of Ernest Bloch's works are inspired by the traditions and liturgies of Judaism, including such pieces as Schelomo, the Israel Symphony, and Baal Shem. He was a complex man with wide knowledge and experience -- a European who spent most of his life in the US, and a Jew who embraced humanism in its broadest aspects. As a composer, he drew on both the classical past and certain innovations of the early 20th century to forge a distinctive compositional style. Mr Bloch was born in Geneva, demonstrated his musical aptitude from an early age, and composed a symphony a...
01 - "Prélude" (Allegro energico e pesante) 00:00 02 - "Dirge" (Andante moderato) 03:10 03 - "Pastorale et Danses rustiques" (Assai lento / Allegro) 11:04 04 - "Fugue" (Allegro) 18:17 Orchestre de chambre d'Israël
Girl you look so mesmerizing
You got me fantasizing
Your man's lost but you don't wanna find him
He's played you like a fool
Oh yeah I know you see me smiling
Maybe we shouldn't but we vibin'
Do you think that he would mind if
I took you for a dance or two
I've waited long enough
So please make up your mind
Because we're wasting precious time
I'm not gonna treat you like
Another girl on the side
No I... No I... No I... No I
No I can't bare to see you with him
When you should be with me
No I just can't stand to see you cry
No I
No I won't let you down
I'll be there when I should be around
No I can't be without you girl
For even one more night
No I
You ain't ever gonna change him
So tell me what you're contemplating
Baby why you keep me waiting
I don't know what to do
So you tried to tell him last night
Well that better be the last time
That you let the moment pass by
I can't get enough of you
I've waited long enough
So please make up your mind
Because we're wasting precious time
I'm not gonna treat you like
Another girl on the side
No I... No I... No I... No I
No I can't bare to see you with him
When you should be with me
No I just can't stand to see you cry
No I
No I won't let you down
I'll be there when I should be around
No I can't be without you girl
For even one more night
No I
No I can't bare to see you with him
When you should be with me
No I just can't stand to see you cry
No I
No I won't let you down
I'll be there when I should be around
No I can't be without you girl
For even one more night
No I
I see you holding hands
I gotta hold it back
You shoulda told him that
I am the only one girl
Won't you make up your mind so
I can move on in life knowing
That you're by my side
So many reasons for you to believe in our love
No I can't bare to see you with him
When you should be with me
No I just can't stand to see you cry
No I
No I won't let you down
I'll be there when I should be around
No I can't be without you girl
For even one more night