- published: 30 Jun 2015
- views: 51327
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
Como (Italian pronunciation: [ˈkɔːmo],locally: [ˈkoːmo];Lombard: Còmm; Latin: Novum Comum) is a city and comune in Lombardy, Italy. It is the administrative capital of the Province of Como.
Its proximity to Lake Como and to the Alps has made Como a tourist destination and the city contains numerous works of art, churches, gardens, museums, theatres, parks and palaces: the Duomo (seat of Diocese of Como), the Basilica of Sant'Abbondio, the Villa Olmo, the public gardens with the Tempio Voltiano, the Teatro Sociale, the Broletto (the city's medieval town hall) and the 20th century Casa del Fascio.
With 215,320 arrivals, in 2013 Como was the fourth most visited city in Lombardy after Milan, Bergamo and Brescia.
Como was the birthplace of many historical figures, including the poet Caecilius mentioned by Catullus in the 1st century BCE, writers Pliny the Elder and the Younger, Pope Innocent XI, scientist Alessandro Volta, and Cosima Liszt, second wife of Richard Wagner and long-term director of the Bayreuth Festival.
Stabat Mater Dolorosa, often referred to as Stabat Mater, is a 13th-century Catholic hymn to Mary, variously attributed to the Franciscan Jacopone da Todi and to Innocent III. It is about the Sorrows of Mary.
The title of the sorrowful hymn is an incipit of the first line, Stabat mater dolorosa ("The sorrowful mother stood"). The Stabat Mater hymn, one of the most powerful and immediate of extant medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion. It is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many composers, with the most famous settings being those by Palestrina (~1590), Domenico Scarlatti (1715), Alessandro Scarlatti (1723), Pergolesi (1736), Vivaldi (~1727), J.S.Bach (1748), Haydn (1767), Rossini (1832/42), Dvořák (1877), George Henschel, Karol Szymanowski (1925/26), Poulenc (195/51), Toivo Kuula and Arvo Pärt (1985).
The Marian hymn Stabat mater is generally ascribed to Jacopo da Todi (ca. 1230-1306).
Da pacem Domine (Give peace, Lord) is the incipit of two different Latin texts, a hymn and an introit. Both have been the base for compositions to be used in church liturgy, beginning with chant. Paraphrased versions of the hymn were created by Martin Luther in German in 1524, Verleih uns Frieden, also frequently set by composers. In English, the hymn entered the Book of Common Prayer, Give peace in our time, O Lord.
Latin
The text is a 6th or 7th-century hymn based on biblical verses 2 Kings 20:19, 2 Chronicles 20:12,15 and Psalms 72:6-7.
Settings of the Latin hymn include Da pacem Domine by Arvo Pärt (2004).
German
Martin Luther wrote a paraphrase in German, "Verleih uns Frieden". Settings include a motet in the collection Geistliche Chormusik by Heinrich Schütz (published 1648).
English
A version in English, ""Give peace in our time, O Lord", is part of the Book of Common Prayer. The similar phrase Peace for our time has been used in political context.
A different text with the same first line is the Introit for Pentecost XVIII, based on Sirach 36:18 and Psalms 122:1 (Psalm 121 in the Vulgate)
Arvo Pärt (1935): Como anhela la cierva (1998, orginal version of 'Como cierva sedienta') for soprano and orchestra soprano - 3.3.3.3 - 4.2.3.0 - timp, 5 perc, hp - strings Patricia Rozario, soprano Radio Symfonie Orkest (Hilversum), Eri Klas May 12, 2001, Amsterdam Live concert with Vaughan Williams (Five Variants & Dona nobis pacem) https://en.wikipedia.org/wiki/Arvo_P%C3%A4rt http://www.universaledition.com/Arvo-Paert/composers-and-works/composer/534 http://www.universaledition.com/Arvo-Paert/composers-and-works/composer/534/work/1637
Arvo Pärt (1935): Como cierva sedienta (1998/2002) For soprano & orchestra (3.3.3.3 - 4.2.3.0 - timp, 5 perc, hp - strings) Original title: Como anhela la cierva (1998) Original version: https://www.youtube.com/watch?v=1pXFDQKfegg Polina Pasztircsák, soprano Manchester Camerata, Gábor Takács-Nagy 12 July 2015, Bridgewater Hall, Manchester, Manchester International Festival Pärt concert (with Drei Hirtenkinder aus Fátima, Fratres, Stabat Mater, Da pacem Domine) For copyright issues: tim.poulus@gmail.com Publisher (Universal): https://goo.gl/MYFNgr Text: https://goo.gl/m3xbB7 Program: https://goo.gl/K7VuCj Broadcast (BBC): https://goo.gl/flwPx2
"24 Preludes for a Fugue" é o primeiro documentário sobre o proeminente compositor Arvo Pärt. Um retrato feito de momentos preciosos registrados durante três anos prolíficos da vida do compositor, o filme apresenta ensaios, estreias, seminários, reuniões e lembranças. O diretor Dorian Supin consegue revelar a essência do pensamento musical de Arvo Pärt. Seu trabalho abre uma porta para o mundo interior de um dos compositores com maior intensidade espiritual de nossos tempos.O filme possui excertos de grandes obras como "Tabula Rasa", "Passio", "Fratres", "Orient & Occident", "Cecilia, Vergine Romana" e "Como Cierva Sedienta".
#27 - dream documentary film (2005) about prominent composer Arvo Pärt to be released on DVD.. The film is enhanced by excerpts from major musical works such as "Tabula Rasa", "Passio", "Fratres", "Orient & Occident", "Cecilia, vergine romana" and "Como cierva sedienta".
"24 Preludes for a Fugue" é o primeiro documentário sobre o proeminente compositor Arvo Pärt. Uma porta para o mundo interior de um dos compositores com maior intensidade espiritual de nossos tempos.O filme possui excertos de grandes obras como "Tabula Rasa", "Passio", "Fratres", "Orient & Occident", "Cecilia, Vergine Romana" e "Como Cierva Sedienta".
Arvo Pärt: Da pacem Domine (2004/2006) For choir (SATB) & string orchestra Vox Clamantis (Jaan-Eik Tulve) Manchester Camerata, Gábor Takács-Nagy 12 July 2015, Bridgewater Hall, Manchester, Manchester International Festival Pärt concert (with Drei Hirtenkinder aus Fátima, Fratres, Stabat Mater, Como cierva sedienta) For copyright issues: tim.poulus@gmail.com Publisher (Universal): https://goo.gl/NE6kGG Text: https://goo.gl/s0fC2D Program: https://goo.gl/K7VuCj Broadcast (BBC): https://goo.gl/flwPx2
Arvo Pärt (1935): Lamentate, Homage to Anish Kapoor and his sculpture ‘Marsyas’ (2002) For piano & orchestra (3.2.2.2 - 4.2.2.0 - timp, 4 perc - strings) Pavel Kolesnikov, piano BBC Philharmonic Orchestra, Michael Francis 24 June 2015, MediaCityUK, Salford Concert with Respighi (Ancient Airs & Dancis III) For copyright issues: tim.poulus@gmail.com Publisher (Universal): https://goo.gl/MVjhRf Introduction (Wikipedia): https://goo.gl/r8icuh Broadcast (BBC): https://goo.gl/oxm0E8
Arvo Part, il maggiore esponente della musica sacra contemporanea, nella sua casa di Tallinn alle prese con la cantata su Santa Cecilia, tra dubbi di orchestrazione e indecisioni sulla prima colazione. Tra i massimi compositori viventi, Part è uno dei pochi a essere rimasto indenne al fascino di computer e software, usando ancora carta e penna per scrivere la propria musica, e pezzetti di fogli per effettuare le cancellature. Un lavoro da certosino: grande musicista e provetto mosaicista al contempo. Follia e genialità allo stato puro.
Composer: Arvo Pärt Conductor: Kristjan Järvi Rundfunk-Sinfonieorchester Berlin RIAS Kammerchor Description choral score When Arvo Pärt sets words to music, he gives the impression of having entered into the depths of his chosen text and returned to the surface with an entirely fresh impression of what it's all about. This is certainly true of his Stabat Mater, and yet the result is to reaffirm the traditional significance of the text and to place the work securely in the long line of settings that includes those of Josquin Desprez, Lassus, and Palestrina, and in modern times Poulenz and Penderecki. Pärt achieves this partly by the purity and simplicity of his musical language, and partly by the way in which he draws such powerfully expressive music directly out of the rhythms and form...