- published: 02 Jun 2010
- views: 8941236
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
Podcasts:
-
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010 -
Arvo Pärt : Silentium
Arvo Pärt : Silentium Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé. Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia) J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une ...
published: 04 Nov 2022 -
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010 -
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more): https://brilliant-classics.lnk.to/ArvoPart Social Media: Facebook: https://brilliant-classics.lnk.to/Facebook Instagram: https://brilliant-classics.lnk.to/Instagram Spotify Playlists: Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic The best of Liszt: https://brilliant-classics.lnk.to/Playliszt The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies Classical music for dinnertime: https://brilliant-classics.lnk.to/...
published: 20 Oct 2016 -
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
published: 27 Jan 2011 -
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello Herbert Schuch - Piano Arvo Pärt: Spiegel im Spiegel (1978) Mozart Week Salzburg 2014
published: 13 Aug 2014 -
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌 Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨ Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵 🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA 🟢 Follow us and our playlists on Spotify:...
published: 03 May 2024 -
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten. 🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID 💎 More Information: https://www.piano-classics....
published: 04 Apr 2023 -
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992) Gil Shaham, violin Roger Carlsson, percussion Gothenburg Symphony Orchestra Neeme Järvi Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes. It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter. The first version for string quintet and wind quintet w...
published: 16 Dec 2009 -
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique. #ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps...
published: 19 Mar 2024
10:11
Arvo Pärt- Spiegel im Spiegel
- Order: Reorder
- Duration: 10:11
- Uploaded Date: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
https://wn.com/Arvo_Pärt_Spiegel_Im_Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
- Order: Reorder
- Duration: 18:52
- Uploaded Date: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièc...
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
https://wn.com/Arvo_Pärt_Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
- published: 04 Nov 2022
- views: 153045
3:41
Arvo Pärt- Für Alina
- Order: Reorder
- Duration: 3:41
- Uploaded Date: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
Performed by Jürgen Kruse
https://wn.com/Arvo_Pärt_Für_Alina
Performed by Jürgen Kruse
- published: 02 Jun 2010
- views: 621124
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Order: Reorder
- Duration: 2:00:24
- Uploaded Date: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook:...
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
https://wn.com/Arvo_Pärt_Für_Anna_Maria_Complete_Piano_Music_(Full_Album)_Played_By_Jeroen_Van_Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
Social Media:
Facebook: https://brilliant-classics.lnk.to/Facebook
Instagram: https://brilliant-classics.lnk.to/Instagram
Spotify Playlists:
Brilliant Classics Spotify: https://brilliant-classics.lnk.to/Spotify
Classical Piano Music: https://brilliant-classics.lnk.to/ClassicalPianoMusic
The best of Liszt: https://brilliant-classics.lnk.to/Playliszt
The best of Bach: https://brilliant-classics.lnk.to/BestOfBachPlaylist
Most popular piano music: https://brilliant-classics.lnk.to/MostPopularPiano
Beautiful classical Music: https://brilliant-classics.lnk.to/BeautifulClassicalMelodies
Classical music for dinnertime: https://brilliant-classics.lnk.to/ClassicalMusicforDinnertime
Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
Thanks for watching! Feel free to subscribe and visit our channel for the best classical music from the greatest composers like: Bach, Satie, Mozart, Tchaikovsky, Beethoven, Chopin, Haydn, Ravel, Debussy, Verdi, Vivaldi, Handel, Brahms, Liszt, Schubert, Mendelssohn, Rachmaninoff, Wagner, Strauss, Handel, Dvorak and many more! We upload complete albums, music for relaxing, working, studying, meditating, concentrating, instrumental music, opera, violin, classical piano music, sonatas and more!
- published: 20 Oct 2016
- views: 1053539
12:55
Arvo Part - Salve Regina (Full)
- Order: Reorder
- Duration: 12:55
- Uploaded Date: 27 Jan 2011
- views: 3199348
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr...
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
https://wn.com/Arvo_Part_Salve_Regina_(Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
- published: 27 Jan 2011
- views: 3199348
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
- Order: Reorder
- Duration: 10:27
- Uploaded Date: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
https://wn.com/Spiegel_Im_Spiegel_For_Cello_And_Piano_(Arvo_Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
- published: 13 Aug 2014
- views: 5354906
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
- Order: Reorder
- Duration: 40:44
- Uploaded Date: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emo...
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
📌 𝐓𝐡𝐞 𝟏𝟎𝟎 𝐁𝐞𝐬𝐭 𝐎𝐟 𝐂𝐥𝐚𝐬𝐬𝐢𝐜: https://lnk.to/Various-Artists-The-100-Best-Of-Classic-Volume-2
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐃𝐞𝐛𝐮𝐬𝐬𝐲: https://lnk.to/Various-Artists-Best-of-Debussy
📌 𝐁𝐞𝐬𝐭 𝐨𝐟 𝐇𝐚𝐧𝐝𝐞𝐥: https://lnk.to/Various-Artists-Best-of-Handel
✨ Download CuPlaylists App:
https://play.google.com/store/apps/details?id=com.memoittech.cuplaylists&hl;=en≷=US
𝐏𝐋𝐀𝐘𝐋𝐈𝐒𝐓
--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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#classicalmusic
https://wn.com/Arvo_Pärt_Works_For_Choir_(Ethereal_Choral_Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
🟢 Listen this album on Spotify: https://open.spotify.com/album/0yI3XkrX83Nt9EPKuhd372?si=0TM7khZGT_-tYD9NWTwFTA
🟢 Follow us and our playlists on Spotify:
https://open.spotify.com/user/cugate-music?si=2d9adbc210b64a2b
Don't forget to like, share, and subscribe for more classical music content.
👉 Listen to classical music on other streaming platforms. The links are below:
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--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
------------------------------------------------------------------------------
Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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- published: 03 May 2024
- views: 15364
51:00
Arvo Pärt: Lamentate
- Order: Reorder
- Duration: 51:00
- Uploaded Date: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails t...
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
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Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
https://wn.com/Arvo_Pärt_Lamentate
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
🎵 Purchase or streaming (Spotify, Apple Music, Amazon Music, Naxos, Presto): https://pianoclassics.lnk.to/PartLamentateID
💎 More Information: https://www.piano-classics.com/articles/p/paert-lamentate/
🎬🎮 Our music is available for sync licensing in videos, films, tv-shows, games, advertising and more. For more information and to request a license go to: https://www.brilliantclassicslicensing.com/albums/part-lamentate/
Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
Spotify Playlists:
Most Popular Piano Classics: https://PianoClassics.lnk.to/MostPopularPianoClassicsID
Top 50 Rachmaninoff: https://PianoClassics.lnk.to/Top50RachmaninoffID
Best Piano Music: https://PianoClassics.lnk.to/BestPianoMusicID
Peaceful and Relaxing Piano Music: https://PianoClassics.lnk.to/PeacefulAndRelaxingPianoMusicID
Beautiful Piano Nocturnes: https://PianoClassics.lnk.to/BeautifulPianoNocturnesID
Thank you for watching this video by Brilliant Classics, we hope you enjoyed it! Don’t forget to share it and subscribe to our YouTube channel. And visit our channel for more of the greatest composers. We upload daily with complete albums and compilations with the best classical music. https://brilliant-classics.lnk.to/YouTubeID
#Part #Lamentate #PianoMusic #ClassicalMusic #Piano #Music #PianoMusic #SoloPiano #PianoSolo #ClassicalPiano #PianoClassics #BrilliantClassics
- published: 04 Apr 2023
- views: 56732
9:55
Arvo Pärt - Fratres
- Order: Reorder
- Duration: 9:55
- Uploaded Date: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Frat...
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
https://wn.com/Arvo_Pärt_Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
- published: 16 Dec 2009
- views: 1813619
27:34
Arvo Pärt : Tabula rasa
- Order: Reorder
- Duration: 27:34
- Uploaded Date: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré...
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
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https://wn.com/Arvo_Pärt_Tabula_Rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Pensez à vous abonner pour découvrir d’autres vidéos France Musique !
https://www.youtube.com/channel/UCiPYZkZeNbYTQZKNMlB0Gsw?sub_confirmation=1
Découvrez tout France Musique :
► Site internet - https://www.radiofrance.fr/francemusique
► Espace Concerts - https://www.radiofrance.fr/concerts
► Newsletters - https://www.radiofrance.fr/francemusique/newsletters
Suivez-nous sur les réseaux sociaux :
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- published: 19 Mar 2024
- views: 26310
PLAYLIST TIME:
PLAYLIST TIME:
10:11
Arvo Pärt- Spiegel im Spiegel
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
published: 02 Jun 2010
Arvo Pärt- Spiegel im Spiegel
Arvo Pärt- Spiegel im Spiegel
- Report rights infringement
- published: 02 Jun 2010
- views: 8941236
Performed by Jürgen Kruse (Piano) and Benjamin Hudson (viola)
18:52
Arvo Pärt : Silentium
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchest...
published: 04 Nov 2022
Arvo Pärt : Silentium
Arvo Pärt : Silentium
- Report rights infringement
- published: 04 Nov 2022
- views: 153045
Arvo Pärt : Silentium
Pièce extraite de l'album Tabula rasa écrite en 1977 pour un orchestre à cordes, deux violons et un piano préparé. Elle constitue une pièce fondatrice dans la transition de Pärt de la musique sérielle vers le mouvement de musique minimaliste et le style tintinnabuli auquel il est dès lors associé.
Silentium se veut apaisée, utilisant différents canons, où s'emmêlent les voix des deux violons et des violoncelles de l'orchestre, avec des cascades ponctuelles du piano préparé, qui rythme les effets de crescendo et decrescendo. (source : wikipédia)
J'ai choisi de mettre la musique de Pärt en regard de paysages de neige, d'où la présence humaine disparait face à une nature de plus en plus agressive, jusqu'au blanc final. Tabula rasa. (Expression latine qui désignait une tablette de cire vierge, sans aucune inscription. Par extension, faire table rase fait référence au fait d'effacer le passé), ce qui était le sens choisi par Arvo Pärt lorsqu'il a crée le "style tintinabuli".
3:41
Arvo Pärt- Für Alina
Performed by Jürgen Kruse
published: 02 Jun 2010
Arvo Pärt- Für Alina
Arvo Pärt- Für Alina
- Report rights infringement
- published: 02 Jun 2010
- views: 621124
Performed by Jürgen Kruse
2:00:24
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more)...
published: 20 Oct 2016
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
Arvo Pärt: Für Anna Maria: Complete Piano Music (Full Album) played by Jeroen van Veen
- Report rights infringement
- published: 20 Oct 2016
- views: 1053539
Online purchase or streaming (Spotify, iTunes, Amazon Music, Deezer, Google Play and more):
https://brilliant-classics.lnk.to/ArvoPart
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Composer: Antonio Vivaldi
Artists: L'Arte dell'Arco, Federico Guglielmo, Francesco Galligioni
Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of music by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much the case that more can be said with less as that less seems to be necessary in an increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted himself as among the minimalist number, nor indeed was he schooled in their new traditions, but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger against Communist oppression of his native country could barely be contained within the tumultuous textures of works such as the Third Symphony, but a combination of personal circumstances and aesthetic decisions led him to pare back his style to the world of eerie calm and yet underlying melancholy that has made works such as the Cantus in memoriam Benjamin Britten such an enduring favourite even among audiences who would not otherwise count themselves as aficionados of the European contemporary music scene. But then Pärt has never fitted into any one stylistic box, and alongside the quiet rapture of Für Alina we may find the student-era tinkling of the intriguing early Dance Pieces, as well as arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch cellist Douw Fonda – that seem to preserve their special mood no matter what the instrumental forces; a quality they share with works of Pärt's compositional idol, J.S. Bach.
00:00:00 Für Alina (1976)
00:20:18 Variationen zur Gesundung von Arinuschka (1977)
00:26:15 Ukuaru valss (1973, rev. 2010)
00:29:09 Für Anna Maria No. 1 (2006)
00:30:30 Für Alina No. 1 (1976)
00:33:11 Pari intervallo (1976, rev. 2008)
00:38:38 Hymn to a Great City (1984, rev. 2004)
00:43:47 Für Anna Maria No. 2 (2006)
00:44:55 Für Alina No. 2 (1976)
00:48:11 Fratres (1977, rev. 1980)
01:00:03 Spiegel im Spiegel (1978)
01:09:14 Vier leichte Tanzstücke “Musik für Kindertheater”: I. Der gestiefelte Kater
01:09:58 Vier leichte Tanzstücke “Musik für Kindertheater”: II. Rotkäppchen und der Wolf
01:12:13 Vier leichte Tanzstücke “Musik für Kindertheater”: III. Schmetterlinge
01:14:19 Vier leichte Tanzstücke “Musik für Kindertheater”: IV. Tanz der Entenküken
01:16:54 Sonatina No. 1: I. Allegro
01:19:27 Sonatina No. 1: II. Larghetto
01:23:46 Sonatina No. 1: III. Allegro
01:24:11 Sonatine No. 2: I. Allegro energico
01:26:04 Sonatine No. 2: II. Largo
01:28:07 Sonatine No. 2: III. Allegro
01:29:55 Partita, Op. 2: I. Toccatina
01:30:46 Partita, Op. 2: II. Fughetta
01:31:50 Partita, Op. 2: III. Larghetto
01:35:07 Partita, Op. 2: IV. Ostinato
01:37:16 Für Alina No. 3 (1976)
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12:55
Arvo Part - Salve Regina (Full)
Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted...
published: 27 Jan 2011
Arvo Part - Salve Regina (Full)
Arvo Part - Salve Regina (Full)
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- published: 27 Jan 2011
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Salve Regina by Arvo Pärt. Performed by The Estonian Philharmonic Chamber Choir. Conducted by Paul Hillier. Footage from Sátántangó (1994) directed by Béla Tarr.
10:27
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozar...
published: 13 Aug 2014
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
Spiegel im Spiegel for Cello and Piano (Arvo Pärt)
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- published: 13 Aug 2014
- views: 5354906
Leonhard Roczek - Cello
Herbert Schuch - Piano
Arvo Pärt: Spiegel im Spiegel (1978)
Mozart Week Salzburg 2014
40:44
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece i...
published: 03 May 2024
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
Arvo Pärt - Works for Choir (Ethereal Choral Gems)
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- published: 03 May 2024
- views: 15364
From the hauntingly beautiful "The Beatitudes" to the celestial "Magnificat," each piece in this selection showcases Pärt's unique ability to evoke profound emotions through minimalist yet profoundly moving melodies. 🌌
Whether you're a longtime admirer of Pärt's work or discovering his music for the first time, this compilation offers a captivating journey through the soul-stirring landscapes of choral music. ✨
Sit back, close your eyes, and let the angelic voices transport you to a realm of serenity and contemplation. 🕊️ Dive into the timeless beauty of Arvo Pärt's compositions and experience the power of music to uplift and inspire. 🎵
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--------------------------------------------------------
00:00:00 The Beatitudes
00:06:41 Nun eile ich zu euch
00:13:53 Magnificat
00:19:20 Summa
00:25:06 Sieben Magnificat - Antiphonen Part: O Weisheit
00:27:08 Sieben Magnificat - Antiphonen Part: O Adonai
00:30:09 Sieben Magnificat - Antiphonen Part: O Sproß aus Isais Wurzel
00:31:44 Sieben Magnificat - Antiphonen Part: O Schlüssel Davids
00:34:23 Sieben Magnificat - Antiphonen Part: O Morgenstern
00:35:37 Sieben Magnificat - Antiphonen Part: O König aller Völker
00:37:00 Sieben Magnificat - Antiphonen Part: O Immanuel
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Performers
(1) Vilnius Municipal Choir Jauna Muzika
Press:
“Works for Choir is a strong collection that scratches roughly the same itch as a Bach mass or the better work from Pärt’s fellow holy/mystic minimalists like Tavener or Górecki.” Brainwashed
“It’s difficult to overstate the genius of Arvo Pärt – this re-release is very much in keeping with one of the great bodies of work available to new music lovers.” themoderns
"For the entirety of the forty-one-minute recording, the Vilnius Municipal Choir Jauna Muzika, with its precise intonation and pure, crystalline sound, shows itself to be an ideal interpreter of Pärt's material."
Textura
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51:00
Arvo Pärt: Lamentate
‘Death and suffering are the themes that concern every person born into this world. The wa...
published: 04 Apr 2023
Arvo Pärt: Lamentate
Arvo Pärt: Lamentate
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- published: 04 Apr 2023
- views: 56732
‘Death and suffering are the themes that concern every person born into this world. The way in which the individual comes to terms with these issues (or fails to do so) determines his attitude towards life, whether consciously or unconsciously… This is the subject matter underlying my composition Lamentate. Accordingly, I have written a lament – not for the dead, but for the living, who have to deal with these issues for themselves.’ This was how composer Arvo Pärt referred to his largest instrumental work to date. Also recorded in this new video are the Psalom for string orchestra and Cantus in Memoriam Benjamin Britten.
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Composer: Arvo Pärt
Artist: Pedro Piquero (piano), Orquesta de Extremadura & Álvaro Albiach (conductor)
Taking his initial inspiration from Marsyas, a massive sculpture created by Anish Kapoor in 2002 for the Turbine Hall in Tate Modern in London, the Estonian composer Arvo Pärt conceived Lamentate as a lament not for the dead but for the living, ‘who have to deal with these issues for themselves’ – something of a spiritual sequel to Brahms’s German Requiem.
The soundworld of the piece, however, as a 40-minute concertante work for piano and large orchestra, could hardly be more different from Brahms, dealing in characteristically polar opposites between ‘brutal-overwhelming’ and ‘intimate-fragile’, in the composer’s terminology. Swiftness and calm, light and dark, time and timelessness are fused in a vast organic score of ten continuous movements pointing to the ineffability of death and suffering.
The two short companion pieces distil that feeling for intimacy and fragility which the composer has made his own for six decades and more in the ‘tintinabulation’ style which has proved so influential on subsequent generations looking to compose distinctively modern music with spiritual content and meaning. Psalom is an instrumental setting of Psalm 112, as a summons to praise God, to place hope in Him and to find redemption for suffering in the intercession of God. The Cantus written in memory of Benjamin Britten remains one of Part’s most haunting and perfect works, almost half a century on from its composition: a modern classic of music’s special capacity to absorb and transform and then transcend grief.
The pianist Pedro Piquero studied in his home country of Spain and then the US. He has pursued a dual career of pianist and translator, producing definitive editions of foundational texts of Zen Buddhism and in 2017 becoming a Zen master. This search for spiritual wisdom and transcendence makes him a performer of rare insight when addressing the music of Pärt, and his essay for this album concludes by offering it as ‘a release from affliction through the truth pointed to by the composer’s generous and compassionate craft.’
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Tracklist:
Lamentate:
00:00 I. Minacciando
03:21 II. Spietato
06:38 III. Fragile
07:25 IV. Pregando
12:47 V. Solitudine –stato d'animo
18:29 VI. Consolante
19:53 VII. Stridendo
21:32 VIII. Lamentabile
28:39 IX. Risolutamente
31:25 X. Fragile e conciliante
38:18 Psalom
43:58 Cantus in memoriam Benjamin Britten
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9:55
Arvo Pärt - Fratres
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roge...
published: 16 Dec 2009
Arvo Pärt - Fratres
Arvo Pärt - Fratres
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- published: 16 Dec 2009
- views: 1813619
Fratres, for violin, string orchestra and percussion (1977, 1992)
Gil Shaham, violin
Roger Carlsson, percussion
Gothenburg Symphony Orchestra
Neeme Järvi
Fratres is a composition by the Estonian composer Arvo Pärt, existing in versions for a wide variety of instrumentations and exemplifying Pärt's Tintinnabuli style of composition. Each version has a duration of about 7 to 12 minutes.
It exists perhaps most prominently in its versions for violin, string orchestra, and percussion and for violin and piano. Most other versions are very similar to these two: for instance, the versions for viola and piano and cello and piano are almost exactly the same as the former, whereas the version for string quartet is more similar to the latter.
The first version for string quintet and wind quintet was written in 1977. Further versions were written over the years up to about 1992.
Fratres for strings and percussion
Fratres for violin, strings and percussion
Fratres for string quartet
Fratres for cello and piano
Fratres for eight cellos
Fratres for wind octet and percussion
Structurally, Fratres consists of a set of nine chord sequences, separated by a recurring percussion motif. The chord sequences themselves follow a clear pattern, and while the progressing chords explore a rich harmonic space, they nevertheless appear to have been generated by means of a simple mathematical formula.
27:34
Arvo Pärt : Tabula rasa
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pä...
published: 19 Mar 2024
Arvo Pärt : Tabula rasa
Arvo Pärt : Tabula rasa
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- published: 19 Mar 2024
- views: 26310
Ji-Yoon Park, Marc Desmons et l'Orchestre Philharmonique interprète Tabula rasa de Arvo Pärt sous la direction de Kristiina Poska. Extrait du concert enregistré le 13 mars 2024 à l'Auditorium de la Maison de la Radio et de la Musique.
#ArvoPärt #KristiinaPoska #MarcDesmons #JiYoonPark
Tabula rasa est une invitation à la méditation et aux interrogations métaphysiques. Une même note, un la, jouée à l’unisson par les deux solistes sur deux octaves distinctes vient rompre le silence. Ces deux-là, séparés de six octaves, donnent le ton du premier mouvement Ludus (« Jeu ») et en délimitent l’ambitus musical, registre au sein duquel se déploient de multiples arches mélodiques de plus en plus amples. Cette note unique ne permet pas seulement d’ouvrir l’espace ; elle actionne également le temps musical. Le silence est convié dans l’œuvre, saccadé par l’agitation des cordes et e résonnement du piano préparé.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
Des cloches dissimulées dans l’instrument sont au cœur d’un style nouveau, initié par le compositeur estonien. Le style tintinnabuli doit son nom aux clochettes utilisées dans la liturgie catholique, évoquées par ce piano, et caractérise l’expérience mystique de sa musique. Deux voix se joignent pour former une même entité indissociable. Elles n’existent ainsi plus pour elles-mêmes mais uniquement par la relation qu’elles entretiennent l’une avec l’autre, illustrant ainsi la pensée d’Arvo Pärt, entre recherche d’une essence universelle et interrogation spirituelle. Le second mouvement, Silentium (« Silence ») explore ainsi ce silence d’un genre nouveau, résonances de nappes sonores déployées par l’un des solistes, explorant chaque registre, de l’aigu céleste à l’abîme vertigineuse du grave, pendant que le second soliste oscille à la manière du temps qui passe, espérant trouver réponse aux chaos du monde. L’auditeur est entraîné vers les profondeurs du registre grave, aux frontières de l’inaudible que seul le silence peut dépasser.
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Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia - https://wn.com/Arvo_Pärt
Arvo Pärt- Spiegel im Spiegel...
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Spiegel im Spiegel for Cello and Piano (Arvo Pärt)...
Arvo Pärt - Works for Choir (Ethereal Choral Gems...
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Arvo Pärt : Tabula rasa...
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Times Argus
27 Aug 2022
Vermont Arts News
Times Argus
27 Aug 2022
... Cecilia”), Italian Baroque composer Claudio Monteverdi (“Laetatus sum” and “Beatus vir”), and contemporary Estonian composer Arvo Pärt (“The Deer’s Cry,” “Da pacem Domine” and “Bogoróditse Djévo”).
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