- published: 15 Feb 2013
- views: 1477
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My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk
P.S. I have the selb cerebral palsy, but have a success in camera fright struggle, so I played as I usually play.
- published: 27 Nov 2014
- views: 543
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA.
Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting.
Excerpt from Jeremy Grimshaw's description of 'Annum per annum':
The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum per Annum bases its five-part structure on the ordinary of the mass: the lone letters K-G-C-S-A that mark each section correspond to the mass movements (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.). Each of the five sections has the same underlying structure-eight repetitions of a 13-beat phrase, and all are based on an isorhythmic and sequential cantus firmus. As the left hand and pedal execute the isorhythmic skeleton, the right hand engages in a series of melodic elaborations that continually increase in complexity before suddenly shedding all ornament and appearing in their starkest form during the A section.
The most immediately striking features of this piece's landscape are the extreme dynamic contrasts. The introduction consists of a series of repeated or sustained D's and A's spread over several octaves. They begin fortissimo, but the player is instructed to gradually close stops-and even turn off the motor that blows the pipes-until the sound disappears completely. Over the course of the five inner sections, the dynamics follow the increasingly elaborate right-hand figuration by gradually becoming louder; accordingly, when the melody turns simple in the A section, the volume drops to pianissimo. The coda, now adding a major third to the fifths that opened the work, inverts the hairpins from the introduction by beginning at a faint piano, and growing stop by stop over the course of nearly a minute into a roaring forte-fortissimo.
- published: 26 Feb 2014
- views: 523
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass zur Zeit in der Kirche eine Bilderausstellung der Medair gezeigt wird. Ich habe einige Fotos einbezogen. Die Aufnahmen passen meines Erachtens bestens zu dieser Musik. Die Aussage wird durch sie noch verstärkt.
- published: 04 Feb 2010
- views: 6194
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ.
Arvo Pärt, from Paide, Estonia, established a personal style that uses medieval, tonal, and minimalist techniques in what he calls “tintinnabuli style.” Annum per annum was commissioned in 1980 for the 900th anniversary of the Cathedral in Speyer. The piece consists of five sections, representing the five parts of the ordinary of the mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), a ritual which “annum per annum (year after year)” has been offered in devotion throughout the world. The five sections are framed by a beginning that starts full organ and diminishes in a unique way (the organ is turned off and the air dies away). After the Agnus Dei, the opposite happens; the organist manufactures a crescendo from the quietest sounds of the organ, to full organ. These outer sections further enhance the sense of timelessness the composer tries to convey in the mass movements.
www.patrickaaronparker.com
- published: 02 Mar 2015
- views: 457
Arvo Paert (1935) Annum per Annum
Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals".
Enregisté en public par Nieves Regino Hernandez le 19 juin 2002
- published: 15 May 2011
- views: 8763
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube
Arvo Pärt (b1935)
Berliner Messe & Magnificat
Polyphony
Stephen Layton (conductor)
Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt
Featured extracts
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
3- Erster Alleluiavers [0'54]
Annum per Annum [11'56]
17- Magnificat [7'04]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
23- O König aller Völker [1'19]
25- De profundis [7'19]
with Andrew Lucas (organ), Chris Guy (percussion)
Album also includes
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
2- Gloria [3'42]
3- Erster Alleluiavers [0'54]
4- Zweiter Alleluiavers [1'09]
5- Veni, Sancte Spiritus [5'33]
6- Credo [3'52]
7- Sanctus [3'23]
8- Agnus Dei [3'08]
9- The Beatitudes [7'01]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
Annum per Annum [11'56]
Andrew Lucas (organ)
10- Einleitung [1'15]
11- K [yrie] [1'46]
12- G [loria] [1'34]
13- C [redo] [1'38]
14- S [anctus] [1'39]
15- A [gnus] [2'53]
16- Coda [1'11]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
18- O Weisheit [2'00]
19- O Adonai [2'22]
20- O Spross aus Isais Wurzel [1'06]
21- O Schlüssel Davids [2'30]
22- O Morgenstern [2'27]
24- O Immanuel [3'14]
Produced by Mark Brown
Engineered by Antony Howell & Julian Millard
- published: 03 Jun 2015
- views: 1000
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.[2]
Orchestral works[edit]
Nekrolog for orchestra op.5 (1960)
Symphony No. 1: Polyphonic op.9 (1963)
Perpetuum mobile for orchestra op.10 (1963)
Symphony No. 2 for orchestra (1966)
Symphony No. 3 for orchestra (1971)
Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976)
Fratres for chamber ensemble (1976 and on, many versions)
Arbos for eight brass instruments and percussion (1977/1986/2001)
Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977)
Psalom for string orchestra (1985/1995/1997)
Festina Lente for string orchestra and harp (1988)
Summa for string orchestra (1991)
Silouan's Song for string orchestra (1991)
Trisagion for string orchestra (1992)
Mein Weg for 14 string players and percussion (1999)
Orient & Occident for string orchestra (2000)
Lennartile / Für Lennart for string orchestra (2006)
La Sindone for orchestra and percussion (2006)
Symphony No. 4: Los Angeles (2008)
Silhouette (Hommage à Gustave Eiffel) for orchestra and percussion (2009)
Swansong (2013)
Works for solo instruments and orchestra[edit]
Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano (1964)
Pro et Contra, concerto for cello and orchestra (1966, for Mstislav Rostropovich)
Credo for chorus, orchestra, and piano solo (1968)
Tabula Rasa, double concerto for two violins, string orchestra, and prepared piano (1977)
Fratres for violin, string orchestra and percussion (1992)
Concerto piccolo über B-A-C-H for trumpet, string orchestra, harpsichord and piano (1994)
Darf ich ... for violin, bells and string orchestra (1995/1999)
Lamentate for piano and orchestra (2002)
Passacaglia for violin, string orchestra and vibraphone (2003/2007, for Gidon Kremer's 60th birthday)
"Fratres" for guitar and orchestra (2005 recorded; Manuel Barreuco & Orquesta Sinfonica de Galicia)
Instrumental works[edit]
Four Easy Dances for Piano, "Music for a Children's Theatre": Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957)
Partita, Op. 2 (1958)
2 Sonatinen op.1, for piano (1958/1959)
Quintettino op.13, for wind quintet (1964)
Collage über B-A-C-H for oboe and strings (1964)
Ukuaru valss (1973)
Für Alina for piano (1976)
Pari Intervallo for organ (1976/1981)
Variationen zur Gesundung von Arinuschka for piano (1977)
Spiegel im Spiegel for violin or viola or cello and piano (1978)
Fratres (1977–1992)
Fratres for string quintet or wind quintet (original version)
Fratres for violin and piano; or cello and piano; or viola and piano; or double bass and piano
Fratres for string orchestra and percussion
Fratres for violin, string orchestra and percussion
Fratres for cello/viola/guitar/trombone, string orchestra and percussion
Fratres for string quartet
Fratres for four percussionists
Fratres for 4, 8 or 12 cellos
Fratres for three recorder players, cello (or viola da gamba) and percussion
Fratres for wind octet and percussion
Fratres for chamber ensemble
Annum per annum for organ (1980)
Hymn to a Great City for two pianos (1984/2000)
Festina lente for string section and harp (1988)
Trivium for organ (1988)
Mein Weg hat Gipfel und Wellentäler for organ (1989)
Summa for string quartet (1990)
Psalom for string quartet (1991/1993)
Mozart-Adagio for violin, cello and piano (1992/1997, from Mozart's Piano Sonata in F major (K 280))
Passacaglia for violin and piano (2003)
Für Anna Maria for piano (2006)
Selected discography[edit]
Tabula Rasa (ECM New Series, CD/LP 1984)
Arbos (ECM New Series, CD/LP 1987)
Passio (ECM New Series, CD/LP 1988)
Miserere (ECM New Series, CD/LP 1991)
Te Deum (ECM New Series, CD/LP 1993)
Collage (Chandos Records, CD 1993)
Litany (ECM New Series, CD/LP 1996)
Beatus (Virgin Classics/EMI, CD 1997)
De Profundis (Harmonia Mundi, CD)
Kanon Pokajanen (ECM New Series, 2xCD 1998)
Sanctuary (Virgin Classics/EMI, CD 1998)
I Am The True Vine (Harmonia Mundi, CD 1999)
Alina (ECM New Series, 1999)
Orchestral Works (Naxos, CD 2000)
Te Deum (Deutsche Grammophon/Universal Classics, CD 2000)
Orient & Occident (ECM New Series, CD 2002)
Summa (Virgin Classics/EMI, CD 2002)
Passio (Naxos, CD 2003)
Triodion (Hyperion, CD 2003)
Pro & Contra (Virgin Classics/EMI, CD 2004)
Summa (Naxos, CD 2004)
Arvo Pärt: A Portrait (Naxos, Compilation CD 2005)
Lamentate (ECM New Series, 2005)
Da Pacem (Harmonia Mundi, CD 2006)
Triodion • Ode VII • I Am The True Vine • Dopo La Vittoria (Naxos, CD 2006)
In Principio (ECM New Series, CD 2009)
Symphony No. 4 (ECM, New Series CD 2010)
Cantique (Sony Classical Records, SACD 2010)
Adam's Lament (ECM New Series 2012)
- published: 21 Aug 2016
- views: 657
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital Hall
Wichita State University
P r o g r a m
Fantasia Ut, Re Mi, Fa, Sol, La
Jan Pieterszoon Sweelinck 1562–1621
All’ Elevazione Domenico Zipoli
1688-1726
Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach
1685-1750
Toccata in C Major, BuxWV 137 Dieterich Buxtehude
1637-1707
Directly following the Intermission: “Conversation with the Artist”
Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli
1555-1612
Marie Rubis Bauer and Michael Bauer, organs
B-A-C-H Mass for Organ (2000) Erland Hildén
Sweden b. 1963
I. Kyrie in B (German: B-flat) – Help us, God, in our Need
Kyrie eleison – despair
Kriste eleison – trust/reliance Kyrie eleison – despair
II. Gloria in A – We praise and worship you, Lord
III. Sanctus in C – You are Holiness
IV. Agnus in H – You are Mystery
Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler
1729-1783
Concierto 1 en Do mayor (Concerto 1 in C Major)
1. Andante
2. Minué
Marie Rubis Bauer and Michael Bauer, organs
Annum per annum (1980) Arvo Pärt
Estonia, b. 1935
Introduction, K, G, C, S, A, Coda
- published: 26 May 2016
- views: 286
Arvo Pärt
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Life
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Arvo_Pärt
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
ECM Records
ECM (Edition of Contemporary Music) is a record label founded in Munich, Germany, in 1969 by Manfred Eicher. While ECM is best known for jazz music, the label has released a wide variety of recordings, and ECM's artists often refuse to acknowledge boundaries between genres. ECM's motto is the Most Beautiful Sound Next to Silence, taken from a 1971 review of ECM releases in CODA, a Canadian jazz magazine.
The label was distributed in the USA by Warner Bros. Records, PolyGram Records, BMG, and, since 1999, by Universal Music, the successor of PolyGram.
Its album covers have been profiled in two books thus far, Sleeves of Desire and Windfall Light, both published by Lars Müller.
History
The first ECM release was Free at Last in 1969 by American pianist Mal Waldron. For some years the label specialised in jazz, releasing recordings by pianists Keith Jarrett, Chick Corea, Paul Bley, Egberto Gismonti and Art Lande; saxophonist Jan Garbarek, vibraphonist Gary Burton; drummers Jon Christensen and Paul Motian; guitarists Pat Metheny, John Abercrombie, Ralph Towner, Bill Connors and Terje Rypdal; bassists Eberhard Weber, Arild Andersen, Charlie Haden, Barre Phillips and Dave Holland; and the Art Ensemble of Chicago.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/ECM_Records
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Stephen Layton
Stephen Layton (born 23 December 1966) is an English conductor.
Layton was raised in Derby, where his father was a church organist. He was a chorister at Winchester Cathedral, and subsequently won scholarships to Eton College and then King's College, Cambridge as an organ scholar under Stephen Cleobury.
Whilst studying at Cambridge, Layton founded the mixed-voice choir Polyphony in 1986. He was appointed the musical director of the Holst Singers in 1993, replacing Hilary Davan Wetton, who had founded the group in 1978. Layton has served as assistant organist at Southwark Cathedral and musical director of Wokingham Choral Society. Beginning in 1997, he served as organist and subsequently director of music at the Temple Church. From 1999-2004 he was Chief Conductor of the Netherlands Kammerkoor. From 2000-2012 he was Chief Guest Conductor of the Danish National Vocal Ensemble. In 2006, he became Director of Music at Trinity College, Cambridge. In November 2009, the City of London Sinfonia announced the appointment of Layton as its second Artistic Director, effective with the 2010-2011 season, for an initial contract of 3 years. Layton is also to have the title of Principal Conductor.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Stephen_Layton
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Michael Bauer
Michael Bauer may refer to:
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Michael_Bauer
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
Berliner Messe
Berliner Messe (or Berlin Mass) is a mass setting by Estonian composer Arvo Pärt. Commissioned for the 90th Katholikentag in 1990, it was originally scored for SATB soloists and organ. Pärt later revised the piece for chorus and string orchestra. Pärt uses his tintinnabuli technique throughout, with movements taking many forms within that style—flowing from quietly reverent duets between parts to full chorus proclamations of faith.
Structure
The work consists of five movements of the Mass ordinary and three movements intended for the celebration of Pentecost:
The fact that the Mass was originally written for Pentecost is evidenced by the presence of the two Alleluias and the Veni Sancte Spiritus. However, Pärt has also set two Alleluia verses to permit the work to be used at Christmas. All five of these movements are marked "ad lib." in the score.
This page contains text from Wikipedia, the Free Encyclopedia -
https://wn.com/Berliner_Messe
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
This article is licensed under the Creative Commons Attribution-ShareAlike 3.0 Unported License, which means that you can copy and modify it as long as the entire work (including additions) remains under this license.
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7:20Arvo Pärt Annum per Annum for Organ
Arvo Pärt Annum per Annum for Organ -
12:31Arvo Part - Annum Per Annum
Arvo Part - Annum Per AnnumArvo Part - Annum Per Annum
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk P.S. I have the selb cerebral palsy, but have a success in camera fright struggle, so I played as I usually play. -
7:48Annum per annum - Arvo Pärt
Annum per annum - Arvo PärtAnnum per annum - Arvo Pärt
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA. Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting. Excerpt from Jeremy Grimshaw's description of 'Annum per annum': The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum per Annum bases its five-part structure on the ordinary of the mass: the lone letters K-G-C-S-A that mark each section correspond to the mass movements (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.). Each of the five sections has the same underlying structure-eight repetitions of a 13-beat phrase, and all are based on an isorhythmic and sequential cantus firmus. As the left hand and pedal execute the isorhythmic skeleton, the right hand engages in a series of melodic elaborations that continually increase in complexity before suddenly shedding all ornament and appearing in their starkest form during the A section. The most immediately striking features of this piece's landscape are the extreme dynamic contrasts. The introduction consists of a series of repeated or sustained D's and A's spread over several octaves. They begin fortissimo, but the player is instructed to gradually close stops-and even turn off the motor that blows the pipes-until the sound disappears completely. Over the course of the five inner sections, the dynamics follow the increasingly elaborate right-hand figuration by gradually becoming louder; accordingly, when the melody turns simple in the A section, the volume drops to pianissimo. The coda, now adding a major third to the fifths that opened the work, inverts the hairpins from the introduction by beginning at a faint piano, and growing stop by stop over the course of nearly a minute into a roaring forte-fortissimo. -
8:43Arvo Pärt (*1935) - Annum per annum (1980)
Arvo Pärt (*1935) - Annum per annum (1980)Arvo Pärt (*1935) - Annum per annum (1980)
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass zur Zeit in der Kirche eine Bilderausstellung der Medair gezeigt wird. Ich habe einige Fotos einbezogen. Die Aufnahmen passen meines Erachtens bestens zu dieser Musik. Die Aussage wird durch sie noch verstärkt. -
3:26Annum Per Annum
Annum Per AnnumAnnum Per Annum
Organist talks up beauty of piece, disappoints -
9:19Pärt: Annum per Annum
Pärt: Annum per AnnumPärt: Annum per Annum
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ. Arvo Pärt, from Paide, Estonia, established a personal style that uses medieval, tonal, and minimalist techniques in what he calls “tintinnabuli style.” Annum per annum was commissioned in 1980 for the 900th anniversary of the Cathedral in Speyer. The piece consists of five sections, representing the five parts of the ordinary of the mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), a ritual which “annum per annum (year after year)” has been offered in devotion throughout the world. The five sections are framed by a beginning that starts full organ and diminishes in a unique way (the organ is turned off and the air dies away). After the Agnus Dei, the opposite happens; the organist manufactures a crescendo from the quietest sounds of the organ, to full organ. These outer sections further enhance the sense of timelessness the composer tries to convey in the mass movements. www.patrickaaronparker.com -
11:52Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de StrasbourgArvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
Arvo Paert (1935) Annum per Annum Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals". Enregisté en public par Nieves Regino Hernandez le 19 juin 2002 -
5:02Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube Arvo Pärt (b1935) Berliner Messe & Magnificat Polyphony Stephen Layton (conductor) Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt Featured extracts Berliner Messe [25'07] Polyphony, Stephen Layton (conductor), Andrew Lucas (organ) 1- Kyrie [3'26] 3- Erster Alleluiavers [0'54] Annum per Annum [11'56] 17- Magnificat [7'04] Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano) Seven Magnificat-Antiphons [14'58] Polyphony, Stephen Layton (conductor) 23- O König aller Völker [1'19] 25- De profundis [7'19] with Andrew Lucas (organ), Chris Guy (percussion) Album also includes Berliner Messe [25'07] Polyphony, Stephen Layton (conductor), Andrew Lucas (organ) 1- Kyrie [3'26] 2- Gloria [3'42] 3- Erster Alleluiavers [0'54] 4- Zweiter Alleluiavers [1'09] 5- Veni, Sancte Spiritus [5'33] 6- Credo [3'52] 7- Sanctus [3'23] 8- Agnus Dei [3'08] 9- The Beatitudes [7'01] Polyphony, Stephen Layton (conductor), Andrew Lucas (organ) Annum per Annum [11'56] Andrew Lucas (organ) 10- Einleitung [1'15] 11- K [yrie] [1'46] 12- G [loria] [1'34] 13- C [redo] [1'38] 14- S [anctus] [1'39] 15- A [gnus] [2'53] 16- Coda [1'11] Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano) Seven Magnificat-Antiphons [14'58] Polyphony, Stephen Layton (conductor) 18- O Weisheit [2'00] 19- O Adonai [2'22] 20- O Spross aus Isais Wurzel [1'06] 21- O Schlüssel Davids [2'30] 22- O Morgenstern [2'27] 24- O Immanuel [3'14] Produced by Mark Brown Engineered by Antony Howell & Julian Millard -
6:05Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.[2] Orchestral works[edit] Nekrolog for orchestra op.5 (1960) Symphony No. 1: Polyphonic op.9 (1963) Perpetuum mobile for orchestra op.10 (1963) Symphony No. 2 for orchestra (1966) Symphony No. 3 for orchestra (1971) Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976) Fratres for chamber ensemble (1976 and on, many versions) Arbos for eight brass instruments and percussion (1977/1986/2001) Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977) Psalom for string orchestra (1985/1995/1997) Festina Lente for string orchestra and harp (1988) Summa for string orchestra (1991) Silouan's Song for string orchestra (1991) Trisagion for string orchestra (1992) Mein Weg for 14 string players and percussion (1999) Orient & Occident for string orchestra (2000) Lennartile / Für Lennart for string orchestra (2006) La Sindone for orchestra and percussion (2006) Symphony No. 4: Los Angeles (2008) Silhouette (Hommage à Gustave Eiffel) for orchestra and percussion (2009) Swansong (2013) Works for solo instruments and orchestra[edit] Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano (1964) Pro et Contra, concerto for cello and orchestra (1966, for Mstislav Rostropovich) Credo for chorus, orchestra, and piano solo (1968) Tabula Rasa, double concerto for two violins, string orchestra, and prepared piano (1977) Fratres for violin, string orchestra and percussion (1992) Concerto piccolo über B-A-C-H for trumpet, string orchestra, harpsichord and piano (1994) Darf ich ... for violin, bells and string orchestra (1995/1999) Lamentate for piano and orchestra (2002) Passacaglia for violin, string orchestra and vibraphone (2003/2007, for Gidon Kremer's 60th birthday) "Fratres" for guitar and orchestra (2005 recorded; Manuel Barreuco & Orquesta Sinfonica de Galicia) Instrumental works[edit] Four Easy Dances for Piano, "Music for a Children's Theatre": Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957) Partita, Op. 2 (1958) 2 Sonatinen op.1, for piano (1958/1959) Quintettino op.13, for wind quintet (1964) Collage über B-A-C-H for oboe and strings (1964) Ukuaru valss (1973) Für Alina for piano (1976) Pari Intervallo for organ (1976/1981) Variationen zur Gesundung von Arinuschka for piano (1977) Spiegel im Spiegel for violin or viola or cello and piano (1978) Fratres (1977–1992) Fratres for string quintet or wind quintet (original version) Fratres for violin and piano; or cello and piano; or viola and piano; or double bass and piano Fratres for string orchestra and percussion Fratres for violin, string orchestra and percussion Fratres for cello/viola/guitar/trombone, string orchestra and percussion Fratres for string quartet Fratres for four percussionists Fratres for 4, 8 or 12 cellos Fratres for three recorder players, cello (or viola da gamba) and percussion Fratres for wind octet and percussion Fratres for chamber ensemble Annum per annum for organ (1980) Hymn to a Great City for two pianos (1984/2000) Festina lente for string section and harp (1988) Trivium for organ (1988) Mein Weg hat Gipfel und Wellentäler for organ (1989) Summa for string quartet (1990) Psalom for string quartet (1991/1993) Mozart-Adagio for violin, cello and piano (1992/1997, from Mozart's Piano Sonata in F major (K 280)) Passacaglia for violin and piano (2003) Für Anna Maria for piano (2006) Selected discography[edit] Tabula Rasa (ECM New Series, CD/LP 1984) Arbos (ECM New Series, CD/LP 1987) Passio (ECM New Series, CD/LP 1988) Miserere (ECM New Series, CD/LP 1991) Te Deum (ECM New Series, CD/LP 1993) Collage (Chandos Records, CD 1993) Litany (ECM New Series, CD/LP 1996) Beatus (Virgin Classics/EMI, CD 1997) De Profundis (Harmonia Mundi, CD) Kanon Pokajanen (ECM New Series, 2xCD 1998) Sanctuary (Virgin Classics/EMI, CD 1998) I Am The True Vine (Harmonia Mundi, CD 1999) Alina (ECM New Series, 1999) Orchestral Works (Naxos, CD 2000) Te Deum (Deutsche Grammophon/Universal Classics, CD 2000) Orient & Occident (ECM New Series, CD 2002) Summa (Virgin Classics/EMI, CD 2002) Passio (Naxos, CD 2003) Triodion (Hyperion, CD 2003) Pro & Contra (Virgin Classics/EMI, CD 2004) Summa (Naxos, CD 2004) Arvo Pärt: A Portrait (Naxos, Compilation CD 2005) Lamentate (ECM New Series, 2005) Da Pacem (Harmonia Mundi, CD 2006) Triodion • Ode VII • I Am The True Vine • Dopo La Vittoria (Naxos, CD 2006) In Principio (ECM New Series, CD 2009) Symphony No. 4 (ECM, New Series CD 2010) Cantique (Sony Classical Records, SACD 2010) Adam's Lament (ECM New Series 2012) -
87:30Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series. 2015-2016 "Distinguished Guest Artist" Marie Rubis Bauer, organist with Michael Bauer. Tuesday, April 12, 2016 Wiedemann Recital Hall Wichita State University P r o g r a m Fantasia Ut, Re Mi, Fa, Sol, La Jan Pieterszoon Sweelinck 1562–1621 All’ Elevazione Domenico Zipoli 1688-1726 Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach 1685-1750 Toccata in C Major, BuxWV 137 Dieterich Buxtehude 1637-1707 Directly following the Intermission: “Conversation with the Artist” Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli 1555-1612 Marie Rubis Bauer and Michael Bauer, organs B-A-C-H Mass for Organ (2000) Erland Hildén Sweden b. 1963 I. Kyrie in B (German: B-flat) – Help us, God, in our Need Kyrie eleison – despair Kriste eleison – trust/reliance Kyrie eleison – despair II. Gloria in A – We praise and worship you, Lord III. Sanctus in C – You are Holiness IV. Agnus in H – You are Mystery Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler 1729-1783 Concierto 1 en Do mayor (Concerto 1 in C Major) 1. Andante 2. Minué Marie Rubis Bauer and Michael Bauer, organs Annum per annum (1980) Arvo Pärt Estonia, b. 1935 Introduction, K, G, C, S, A, Coda
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Arvo Part - Annum Per Annum
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk P.S. I have the selb cerebral palsy, but have a success in camera fright struggle, so I played as I usually play.
published: 27 Nov 2014 -
Annum per annum - Arvo Pärt
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA. Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting. Excerpt from Jeremy Grimshaw's description of 'Annum per annum': The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum...
published: 26 Feb 2014 -
Arvo Pärt (*1935) - Annum per annum (1980)
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass zur Zeit in der Kirche eine Bilderausstellung der Medair gezeigt wird. Ich habe einige Fotos einbezogen. Die Aufnahmen passen meines Erachtens bestens zu dieser Musik. Die Aussage wird durch sie noch verstärkt.
published: 04 Feb 2010 -
Annum Per Annum
Organist talks up beauty of piece, disappoints
published: 06 Jun 2015 -
Pärt: Annum per Annum
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ. Arvo Pärt, from Paide, Estonia, established a personal style that uses medieval, tonal, and minimalist techniques in what he calls “tintinnabuli style.” Annum per annum was commissioned in 1980 for the 900th anniversary of the Cathedral in Speyer. The piece consists of five sections, representing the five parts of the ordinary of the mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), a ritual which “annum per annum (year after year)” has been offered in devotion throughout the world. The five sections are framed by a beginning that starts full organ and diminishes in a unique way (the organ is turned off and the air dies away). After the Agnus Dei, the opposite happens; the organist manufactures a cr...
published: 02 Mar 2015 -
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
Arvo Paert (1935) Annum per Annum Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals". Enregisté en public par Nieves Regino Hernandez le 19 juin 2002
published: 15 May 2011 -
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube Arvo Pärt (b1935) Berliner Messe & Magnificat Polyphony Stephen Layton (conductor) Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt Featured extracts Berliner Messe [25'07] Polyphony, Stephen Layton (conductor), Andrew Lucas (organ) 1- Kyrie [3'26] 3- Erster Alleluiavers [0'54] Annum per Annum [11'56] 17- Magnificat [7'04] Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano) Seven Magnificat-Antiphons [14'58] Polyphony, Stephen Layton (conductor) 23- O König aller Völker [1'19] 25- De profundis [7'19] with Andrew Lucas (organ), Chris Guy (percussion) Album als...
published: 03 Jun 2015 -
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.[2] Orchestral works[edit] Nekrolog for orchestra op.5 (1960) Symphony No. 1: Polyphonic op.9 (1963) Perpetuum mobile for orchestra op.10 (1963) Symphony No. 2 for orchestra (1966) Symphony No. 3 for orchestra (1971) Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976) Fratres for chamber ensemble (1976 and on, many versions) Arbos for eight brass ins...
published: 21 Aug 2016 -
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series. 2015-2016 "Distinguished Guest Artist" Marie Rubis Bauer, organist with Michael Bauer. Tuesday, April 12, 2016 Wiedemann Recital Hall Wichita State University P r o g r a m Fantasia Ut, Re Mi, Fa, Sol, La Jan Pieterszoon Sweelinck 1562–1621 All’ Elevazione Domenico Zipoli 1688-1726 Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach 1685-1750 Toccata in C Major, BuxWV 137 Dieterich Buxtehude 1637-1707 Directly following the Intermission: “Conversation with the Artist” Canzon Sol Sol La Sol Fa Mi a 8 ...
published: 26 May 2016
Arvo Pärt Annum per Annum for Organ
- Order: Reorder
- Duration: 7:20
- Updated: 15 Feb 2013
- views: 1477
Arvo Part - Annum Per Annum
- Order: Reorder
- Duration: 12:31
- Updated: 27 Nov 2014
- views: 543
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk
P.S. I have the selb cerebral palsy, but have a success in camera fright strugg...
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk
P.S. I have the selb cerebral palsy, but have a success in camera fright struggle, so I played as I usually play.
https://wn.com/Arvo_Part_Annum_Per_Annum
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk
P.S. I have the selb cerebral palsy, but have a success in camera fright struggle, so I played as I usually play.
- published: 27 Nov 2014
- views: 543
Annum per annum - Arvo Pärt
- Order: Reorder
- Duration: 7:48
- Updated: 26 Feb 2014
- views: 523
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under...
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA.
Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting.
Excerpt from Jeremy Grimshaw's description of 'Annum per annum':
The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum per Annum bases its five-part structure on the ordinary of the mass: the lone letters K-G-C-S-A that mark each section correspond to the mass movements (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.). Each of the five sections has the same underlying structure-eight repetitions of a 13-beat phrase, and all are based on an isorhythmic and sequential cantus firmus. As the left hand and pedal execute the isorhythmic skeleton, the right hand engages in a series of melodic elaborations that continually increase in complexity before suddenly shedding all ornament and appearing in their starkest form during the A section.
The most immediately striking features of this piece's landscape are the extreme dynamic contrasts. The introduction consists of a series of repeated or sustained D's and A's spread over several octaves. They begin fortissimo, but the player is instructed to gradually close stops-and even turn off the motor that blows the pipes-until the sound disappears completely. Over the course of the five inner sections, the dynamics follow the increasingly elaborate right-hand figuration by gradually becoming louder; accordingly, when the melody turns simple in the A section, the volume drops to pianissimo. The coda, now adding a major third to the fifths that opened the work, inverts the hairpins from the introduction by beginning at a faint piano, and growing stop by stop over the course of nearly a minute into a roaring forte-fortissimo.
https://wn.com/Annum_Per_Annum_Arvo_Pärt
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholic Church in Roanoke VA in a concert 'Music of Italy and Estonia' under the direction of Dr. Jeffrey Sandborg, Roanoke College, Salem, VA.
Mr. Wheelbarger performed the piece again on 2.26.14 for this YouTube posting.
Excerpt from Jeremy Grimshaw's description of 'Annum per annum':
The very title of Annum per annum (year by year) evokes the passage of large expanses time, and the perhaps the unbroken rites and traditions that string the years together. In fact, the work--one of only a handful for organ by the composer--was commissioned in 1980 to celebrate the 900th year in which daily masses were given at the Speier Cathedral. Dedicated to St. Cecilia, the traditional patron saint of music, Annum per Annum bases its five-part structure on the ordinary of the mass: the lone letters K-G-C-S-A that mark each section correspond to the mass movements (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei.). Each of the five sections has the same underlying structure-eight repetitions of a 13-beat phrase, and all are based on an isorhythmic and sequential cantus firmus. As the left hand and pedal execute the isorhythmic skeleton, the right hand engages in a series of melodic elaborations that continually increase in complexity before suddenly shedding all ornament and appearing in their starkest form during the A section.
The most immediately striking features of this piece's landscape are the extreme dynamic contrasts. The introduction consists of a series of repeated or sustained D's and A's spread over several octaves. They begin fortissimo, but the player is instructed to gradually close stops-and even turn off the motor that blows the pipes-until the sound disappears completely. Over the course of the five inner sections, the dynamics follow the increasingly elaborate right-hand figuration by gradually becoming louder; accordingly, when the melody turns simple in the A section, the volume drops to pianissimo. The coda, now adding a major third to the fifths that opened the work, inverts the hairpins from the introduction by beginning at a faint piano, and growing stop by stop over the course of nearly a minute into a roaring forte-fortissimo.
- published: 26 Feb 2014
- views: 523
Arvo Pärt (*1935) - Annum per annum (1980)
- Order: Reorder
- Duration: 8:43
- Updated: 04 Feb 2010
- views: 6194
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass z...
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass zur Zeit in der Kirche eine Bilderausstellung der Medair gezeigt wird. Ich habe einige Fotos einbezogen. Die Aufnahmen passen meines Erachtens bestens zu dieser Musik. Die Aussage wird durch sie noch verstärkt.
https://wn.com/Arvo_Pärt_(_1935)_Annum_Per_Annum_(1980)
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estnischen Komponisten finde ich äusserst packend. Interessant auch, dass zur Zeit in der Kirche eine Bilderausstellung der Medair gezeigt wird. Ich habe einige Fotos einbezogen. Die Aufnahmen passen meines Erachtens bestens zu dieser Musik. Die Aussage wird durch sie noch verstärkt.
- published: 04 Feb 2010
- views: 6194
Annum Per Annum
- Order: Reorder
- Duration: 3:26
- Updated: 06 Jun 2015
- views: 1182
Organist talks up beauty of piece, disappoints
Organist talks up beauty of piece, disappoints
https://wn.com/Annum_Per_Annum
Organist talks up beauty of piece, disappoints
- published: 06 Jun 2015
- views: 1182
Pärt: Annum per Annum
- Order: Reorder
- Duration: 9:19
- Updated: 02 Mar 2015
- views: 457
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ.
Arvo Pärt, from Paide, Estonia, established a personal style that u...
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ.
Arvo Pärt, from Paide, Estonia, established a personal style that uses medieval, tonal, and minimalist techniques in what he calls “tintinnabuli style.” Annum per annum was commissioned in 1980 for the 900th anniversary of the Cathedral in Speyer. The piece consists of five sections, representing the five parts of the ordinary of the mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), a ritual which “annum per annum (year after year)” has been offered in devotion throughout the world. The five sections are framed by a beginning that starts full organ and diminishes in a unique way (the organ is turned off and the air dies away). After the Agnus Dei, the opposite happens; the organist manufactures a crescendo from the quietest sounds of the organ, to full organ. These outer sections further enhance the sense of timelessness the composer tries to convey in the mass movements.
www.patrickaaronparker.com
https://wn.com/Pärt_Annum_Per_Annum
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ.
Arvo Pärt, from Paide, Estonia, established a personal style that uses medieval, tonal, and minimalist techniques in what he calls “tintinnabuli style.” Annum per annum was commissioned in 1980 for the 900th anniversary of the Cathedral in Speyer. The piece consists of five sections, representing the five parts of the ordinary of the mass (Kyrie, Gloria, Credo, Sanctus, Agnus Dei), a ritual which “annum per annum (year after year)” has been offered in devotion throughout the world. The five sections are framed by a beginning that starts full organ and diminishes in a unique way (the organ is turned off and the air dies away). After the Agnus Dei, the opposite happens; the organist manufactures a crescendo from the quietest sounds of the organ, to full organ. These outer sections further enhance the sense of timelessness the composer tries to convey in the mass movements.
www.patrickaaronparker.com
- published: 02 Mar 2015
- views: 457
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
- Order: Reorder
- Duration: 11:52
- Updated: 15 May 2011
- views: 8763
Arvo Paert (1935) Annum per Annum
Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals".
E...
Arvo Paert (1935) Annum per Annum
Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals".
Enregisté en public par Nieves Regino Hernandez le 19 juin 2002
https://wn.com/Arvo_Pärt_Annum_Per_Annum_Walter_Gatti_Joue_À_La_Cathédrale_De_Strasbourg
Arvo Paert (1935) Annum per Annum
Walter Gatti joue aux Grandes Orgues de Alfred Kern de la Cathédrale de Strasbourg lors de la saison "Les Grands Recitals".
Enregisté en public par Nieves Regino Hernandez le 19 juin 2002
- published: 15 May 2011
- views: 8763
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
- Order: Reorder
- Duration: 5:02
- Updated: 03 Jun 2015
- views: 1000
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube
Arvo Pärt (b1935)
...
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube
Arvo Pärt (b1935)
Berliner Messe & Magnificat
Polyphony
Stephen Layton (conductor)
Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt
Featured extracts
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
3- Erster Alleluiavers [0'54]
Annum per Annum [11'56]
17- Magnificat [7'04]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
23- O König aller Völker [1'19]
25- De profundis [7'19]
with Andrew Lucas (organ), Chris Guy (percussion)
Album also includes
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
2- Gloria [3'42]
3- Erster Alleluiavers [0'54]
4- Zweiter Alleluiavers [1'09]
5- Veni, Sancte Spiritus [5'33]
6- Credo [3'52]
7- Sanctus [3'23]
8- Agnus Dei [3'08]
9- The Beatitudes [7'01]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
Annum per Annum [11'56]
Andrew Lucas (organ)
10- Einleitung [1'15]
11- K [yrie] [1'46]
12- G [loria] [1'34]
13- C [redo] [1'38]
14- S [anctus] [1'39]
15- A [gnus] [2'53]
16- Coda [1'11]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
18- O Weisheit [2'00]
19- O Adonai [2'22]
20- O Spross aus Isais Wurzel [1'06]
21- O Schlüssel Davids [2'30]
22- O Morgenstern [2'27]
24- O Immanuel [3'14]
Produced by Mark Brown
Engineered by Antony Howell & Julian Millard
https://wn.com/Arvo_Pärt—Berliner_Messe_Magnificat—Polyphony,_Stephen_Layton_(Conductor)
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-records.co.uk/dc.asp?dc=D_CDH55408&utm;_medium=Youtube
Arvo Pärt (b1935)
Berliner Messe & Magnificat
Polyphony
Stephen Layton (conductor)
Get on iTunes https://itunes.apple.com/us/album/part-berliner-messe-magnificat/id867998889?ls=1&app;=itunes&at;=10ltTR&ct;=yt
Featured extracts
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
3- Erster Alleluiavers [0'54]
Annum per Annum [11'56]
17- Magnificat [7'04]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
23- O König aller Völker [1'19]
25- De profundis [7'19]
with Andrew Lucas (organ), Chris Guy (percussion)
Album also includes
Berliner Messe [25'07]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
1- Kyrie [3'26]
2- Gloria [3'42]
3- Erster Alleluiavers [0'54]
4- Zweiter Alleluiavers [1'09]
5- Veni, Sancte Spiritus [5'33]
6- Credo [3'52]
7- Sanctus [3'23]
8- Agnus Dei [3'08]
9- The Beatitudes [7'01]
Polyphony, Stephen Layton (conductor), Andrew Lucas (organ)
Annum per Annum [11'56]
Andrew Lucas (organ)
10- Einleitung [1'15]
11- K [yrie] [1'46]
12- G [loria] [1'34]
13- C [redo] [1'38]
14- S [anctus] [1'39]
15- A [gnus] [2'53]
16- Coda [1'11]
Polyphony, Stephen Layton (conductor), Rachel Elliott (soprano)
Seven Magnificat-Antiphons [14'58]
Polyphony, Stephen Layton (conductor)
18- O Weisheit [2'00]
19- O Adonai [2'22]
20- O Spross aus Isais Wurzel [1'06]
21- O Schlüssel Davids [2'30]
22- O Morgenstern [2'27]
24- O Immanuel [3'14]
Produced by Mark Brown
Engineered by Antony Howell & Julian Millard
- published: 03 Jun 2015
- views: 1000
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
- Order: Reorder
- Duration: 6:05
- Updated: 21 Aug 2016
- views: 657
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt h...
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.[2]
Orchestral works[edit]
Nekrolog for orchestra op.5 (1960)
Symphony No. 1: Polyphonic op.9 (1963)
Perpetuum mobile for orchestra op.10 (1963)
Symphony No. 2 for orchestra (1966)
Symphony No. 3 for orchestra (1971)
Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976)
Fratres for chamber ensemble (1976 and on, many versions)
Arbos for eight brass instruments and percussion (1977/1986/2001)
Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977)
Psalom for string orchestra (1985/1995/1997)
Festina Lente for string orchestra and harp (1988)
Summa for string orchestra (1991)
Silouan's Song for string orchestra (1991)
Trisagion for string orchestra (1992)
Mein Weg for 14 string players and percussion (1999)
Orient & Occident for string orchestra (2000)
Lennartile / Für Lennart for string orchestra (2006)
La Sindone for orchestra and percussion (2006)
Symphony No. 4: Los Angeles (2008)
Silhouette (Hommage à Gustave Eiffel) for orchestra and percussion (2009)
Swansong (2013)
Works for solo instruments and orchestra[edit]
Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano (1964)
Pro et Contra, concerto for cello and orchestra (1966, for Mstislav Rostropovich)
Credo for chorus, orchestra, and piano solo (1968)
Tabula Rasa, double concerto for two violins, string orchestra, and prepared piano (1977)
Fratres for violin, string orchestra and percussion (1992)
Concerto piccolo über B-A-C-H for trumpet, string orchestra, harpsichord and piano (1994)
Darf ich ... for violin, bells and string orchestra (1995/1999)
Lamentate for piano and orchestra (2002)
Passacaglia for violin, string orchestra and vibraphone (2003/2007, for Gidon Kremer's 60th birthday)
"Fratres" for guitar and orchestra (2005 recorded; Manuel Barreuco & Orquesta Sinfonica de Galicia)
Instrumental works[edit]
Four Easy Dances for Piano, "Music for a Children's Theatre": Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957)
Partita, Op. 2 (1958)
2 Sonatinen op.1, for piano (1958/1959)
Quintettino op.13, for wind quintet (1964)
Collage über B-A-C-H for oboe and strings (1964)
Ukuaru valss (1973)
Für Alina for piano (1976)
Pari Intervallo for organ (1976/1981)
Variationen zur Gesundung von Arinuschka for piano (1977)
Spiegel im Spiegel for violin or viola or cello and piano (1978)
Fratres (1977–1992)
Fratres for string quintet or wind quintet (original version)
Fratres for violin and piano; or cello and piano; or viola and piano; or double bass and piano
Fratres for string orchestra and percussion
Fratres for violin, string orchestra and percussion
Fratres for cello/viola/guitar/trombone, string orchestra and percussion
Fratres for string quartet
Fratres for four percussionists
Fratres for 4, 8 or 12 cellos
Fratres for three recorder players, cello (or viola da gamba) and percussion
Fratres for wind octet and percussion
Fratres for chamber ensemble
Annum per annum for organ (1980)
Hymn to a Great City for two pianos (1984/2000)
Festina lente for string section and harp (1988)
Trivium for organ (1988)
Mein Weg hat Gipfel und Wellentäler for organ (1989)
Summa for string quartet (1990)
Psalom for string quartet (1991/1993)
Mozart-Adagio for violin, cello and piano (1992/1997, from Mozart's Piano Sonata in F major (K 280))
Passacaglia for violin and piano (2003)
Für Anna Maria for piano (2006)
Selected discography[edit]
Tabula Rasa (ECM New Series, CD/LP 1984)
Arbos (ECM New Series, CD/LP 1987)
Passio (ECM New Series, CD/LP 1988)
Miserere (ECM New Series, CD/LP 1991)
Te Deum (ECM New Series, CD/LP 1993)
Collage (Chandos Records, CD 1993)
Litany (ECM New Series, CD/LP 1996)
Beatus (Virgin Classics/EMI, CD 1997)
De Profundis (Harmonia Mundi, CD)
Kanon Pokajanen (ECM New Series, 2xCD 1998)
Sanctuary (Virgin Classics/EMI, CD 1998)
I Am The True Vine (Harmonia Mundi, CD 1999)
Alina (ECM New Series, 1999)
Orchestral Works (Naxos, CD 2000)
Te Deum (Deutsche Grammophon/Universal Classics, CD 2000)
Orient & Occident (ECM New Series, CD 2002)
Summa (Virgin Classics/EMI, CD 2002)
Passio (Naxos, CD 2003)
Triodion (Hyperion, CD 2003)
Pro & Contra (Virgin Classics/EMI, CD 2004)
Summa (Naxos, CD 2004)
Arvo Pärt: A Portrait (Naxos, Compilation CD 2005)
Lamentate (ECM New Series, 2005)
Da Pacem (Harmonia Mundi, CD 2006)
Triodion • Ode VII • I Am The True Vine • Dopo La Vittoria (Naxos, CD 2006)
In Principio (ECM New Series, CD 2009)
Symphony No. 4 (ECM, New Series CD 2010)
Cantique (Sony Classical Records, SACD 2010)
Adam's Lament (ECM New Series 2012)
https://wn.com/Arvo_Pärt_Cantus_In_Memory_Of_Benjamin_Britten_Tilda_Swinton_(Video)
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music.[1] Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.[2]
Orchestral works[edit]
Nekrolog for orchestra op.5 (1960)
Symphony No. 1: Polyphonic op.9 (1963)
Perpetuum mobile for orchestra op.10 (1963)
Symphony No. 2 for orchestra (1966)
Symphony No. 3 for orchestra (1971)
Wenn Bach Bienen gezüchtet hätte ... for piano, wind quintet, string orchestra and percussion (1976)
Fratres for chamber ensemble (1976 and on, many versions)
Arbos for eight brass instruments and percussion (1977/1986/2001)
Cantus In Memoriam Benjamin Britten for string orchestra and bell (1977)
Psalom for string orchestra (1985/1995/1997)
Festina Lente for string orchestra and harp (1988)
Summa for string orchestra (1991)
Silouan's Song for string orchestra (1991)
Trisagion for string orchestra (1992)
Mein Weg for 14 string players and percussion (1999)
Orient & Occident for string orchestra (2000)
Lennartile / Für Lennart for string orchestra (2006)
La Sindone for orchestra and percussion (2006)
Symphony No. 4: Los Angeles (2008)
Silhouette (Hommage à Gustave Eiffel) for orchestra and percussion (2009)
Swansong (2013)
Works for solo instruments and orchestra[edit]
Collage sur B-A-C-H, for oboe, string orchestra, harpsichord, and piano (1964)
Pro et Contra, concerto for cello and orchestra (1966, for Mstislav Rostropovich)
Credo for chorus, orchestra, and piano solo (1968)
Tabula Rasa, double concerto for two violins, string orchestra, and prepared piano (1977)
Fratres for violin, string orchestra and percussion (1992)
Concerto piccolo über B-A-C-H for trumpet, string orchestra, harpsichord and piano (1994)
Darf ich ... for violin, bells and string orchestra (1995/1999)
Lamentate for piano and orchestra (2002)
Passacaglia for violin, string orchestra and vibraphone (2003/2007, for Gidon Kremer's 60th birthday)
"Fratres" for guitar and orchestra (2005 recorded; Manuel Barreuco & Orquesta Sinfonica de Galicia)
Instrumental works[edit]
Four Easy Dances for Piano, "Music for a Children's Theatre": Puss in Boots, Red-Riding-Hood and Wolf, Butterfly, Dance of the Ducklings, for piano (1956/1957)
Partita, Op. 2 (1958)
2 Sonatinen op.1, for piano (1958/1959)
Quintettino op.13, for wind quintet (1964)
Collage über B-A-C-H for oboe and strings (1964)
Ukuaru valss (1973)
Für Alina for piano (1976)
Pari Intervallo for organ (1976/1981)
Variationen zur Gesundung von Arinuschka for piano (1977)
Spiegel im Spiegel for violin or viola or cello and piano (1978)
Fratres (1977–1992)
Fratres for string quintet or wind quintet (original version)
Fratres for violin and piano; or cello and piano; or viola and piano; or double bass and piano
Fratres for string orchestra and percussion
Fratres for violin, string orchestra and percussion
Fratres for cello/viola/guitar/trombone, string orchestra and percussion
Fratres for string quartet
Fratres for four percussionists
Fratres for 4, 8 or 12 cellos
Fratres for three recorder players, cello (or viola da gamba) and percussion
Fratres for wind octet and percussion
Fratres for chamber ensemble
Annum per annum for organ (1980)
Hymn to a Great City for two pianos (1984/2000)
Festina lente for string section and harp (1988)
Trivium for organ (1988)
Mein Weg hat Gipfel und Wellentäler for organ (1989)
Summa for string quartet (1990)
Psalom for string quartet (1991/1993)
Mozart-Adagio for violin, cello and piano (1992/1997, from Mozart's Piano Sonata in F major (K 280))
Passacaglia for violin and piano (2003)
Für Anna Maria for piano (2006)
Selected discography[edit]
Tabula Rasa (ECM New Series, CD/LP 1984)
Arbos (ECM New Series, CD/LP 1987)
Passio (ECM New Series, CD/LP 1988)
Miserere (ECM New Series, CD/LP 1991)
Te Deum (ECM New Series, CD/LP 1993)
Collage (Chandos Records, CD 1993)
Litany (ECM New Series, CD/LP 1996)
Beatus (Virgin Classics/EMI, CD 1997)
De Profundis (Harmonia Mundi, CD)
Kanon Pokajanen (ECM New Series, 2xCD 1998)
Sanctuary (Virgin Classics/EMI, CD 1998)
I Am The True Vine (Harmonia Mundi, CD 1999)
Alina (ECM New Series, 1999)
Orchestral Works (Naxos, CD 2000)
Te Deum (Deutsche Grammophon/Universal Classics, CD 2000)
Orient & Occident (ECM New Series, CD 2002)
Summa (Virgin Classics/EMI, CD 2002)
Passio (Naxos, CD 2003)
Triodion (Hyperion, CD 2003)
Pro & Contra (Virgin Classics/EMI, CD 2004)
Summa (Naxos, CD 2004)
Arvo Pärt: A Portrait (Naxos, Compilation CD 2005)
Lamentate (ECM New Series, 2005)
Da Pacem (Harmonia Mundi, CD 2006)
Triodion • Ode VII • I Am The True Vine • Dopo La Vittoria (Naxos, CD 2006)
In Principio (ECM New Series, CD 2009)
Symphony No. 4 (ECM, New Series CD 2010)
Cantique (Sony Classical Records, SACD 2010)
Adam's Lament (ECM New Series 2012)
- published: 21 Aug 2016
- views: 657
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
- Order: Reorder
- Duration: 87:30
- Updated: 26 May 2016
- views: 286
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital ...
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital Hall
Wichita State University
P r o g r a m
Fantasia Ut, Re Mi, Fa, Sol, La
Jan Pieterszoon Sweelinck 1562–1621
All’ Elevazione Domenico Zipoli
1688-1726
Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach
1685-1750
Toccata in C Major, BuxWV 137 Dieterich Buxtehude
1637-1707
Directly following the Intermission: “Conversation with the Artist”
Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli
1555-1612
Marie Rubis Bauer and Michael Bauer, organs
B-A-C-H Mass for Organ (2000) Erland Hildén
Sweden b. 1963
I. Kyrie in B (German: B-flat) – Help us, God, in our Need
Kyrie eleison – despair
Kriste eleison – trust/reliance Kyrie eleison – despair
II. Gloria in A – We praise and worship you, Lord
III. Sanctus in C – You are Holiness
IV. Agnus in H – You are Mystery
Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler
1729-1783
Concierto 1 en Do mayor (Concerto 1 in C Major)
1. Andante
2. Minué
Marie Rubis Bauer and Michael Bauer, organs
Annum per annum (1980) Arvo Pärt
Estonia, b. 1935
Introduction, K, G, C, S, A, Coda
https://wn.com/Rie_Bloomfield_Organ_Series_Guest_Artist_Marie_Rubis_Bauer_With_Michael_Bauer_April_12,_2016
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital Hall
Wichita State University
P r o g r a m
Fantasia Ut, Re Mi, Fa, Sol, La
Jan Pieterszoon Sweelinck 1562–1621
All’ Elevazione Domenico Zipoli
1688-1726
Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach
1685-1750
Toccata in C Major, BuxWV 137 Dieterich Buxtehude
1637-1707
Directly following the Intermission: “Conversation with the Artist”
Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli
1555-1612
Marie Rubis Bauer and Michael Bauer, organs
B-A-C-H Mass for Organ (2000) Erland Hildén
Sweden b. 1963
I. Kyrie in B (German: B-flat) – Help us, God, in our Need
Kyrie eleison – despair
Kriste eleison – trust/reliance Kyrie eleison – despair
II. Gloria in A – We praise and worship you, Lord
III. Sanctus in C – You are Holiness
IV. Agnus in H – You are Mystery
Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler
1729-1783
Concierto 1 en Do mayor (Concerto 1 in C Major)
1. Andante
2. Minué
Marie Rubis Bauer and Michael Bauer, organs
Annum per annum (1980) Arvo Pärt
Estonia, b. 1935
Introduction, K, G, C, S, A, Coda
- published: 26 May 2016
- views: 286
-
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series. 2015-2016 "Distinguished Guest Artist" Marie Rubis Bauer, organist with Michael Bauer. Tuesday, April 12, 2016 Wiedemann Recital Hall Wichita State University P r o g r a m Fantasia Ut, Re Mi, Fa, Sol, La Jan Pieterszoon Sweelinck 1562–1621 All’ Elevazione Domenico Zipoli 1688-1726 Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach 1685-1750 Toccata in C Major, BuxWV 137 Dieterich Buxtehude 1637-1707 Directly following the Intermission: “Conversation with the Artist” Canzon Sol Sol La Sol Fa Mi a 8 ...
published: 26 May 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
- Order: Reorder
- Duration: 1:27:30
- Updated: 26 May 2016
- views: 286
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital ...
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital Hall
Wichita State University
P r o g r a m
Fantasia Ut, Re Mi, Fa, Sol, La
Jan Pieterszoon Sweelinck 1562–1621
All’ Elevazione Domenico Zipoli
1688-1726
Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach
1685-1750
Toccata in C Major, BuxWV 137 Dieterich Buxtehude
1637-1707
Directly following the Intermission: “Conversation with the Artist”
Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli
1555-1612
Marie Rubis Bauer and Michael Bauer, organs
B-A-C-H Mass for Organ (2000) Erland Hildén
Sweden b. 1963
I. Kyrie in B (German: B-flat) – Help us, God, in our Need
Kyrie eleison – despair
Kriste eleison – trust/reliance Kyrie eleison – despair
II. Gloria in A – We praise and worship you, Lord
III. Sanctus in C – You are Holiness
IV. Agnus in H – You are Mystery
Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler
1729-1783
Concierto 1 en Do mayor (Concerto 1 in C Major)
1. Andante
2. Minué
Marie Rubis Bauer and Michael Bauer, organs
Annum per annum (1980) Arvo Pärt
Estonia, b. 1935
Introduction, K, G, C, S, A, Coda
https://wn.com/Rie_Bloomfield_Organ_Series_Guest_Artist_Marie_Rubis_Bauer_With_Michael_Bauer_April_12,_2016
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, organist with Michael Bauer.
Tuesday, April 12, 2016
Wiedemann Recital Hall
Wichita State University
P r o g r a m
Fantasia Ut, Re Mi, Fa, Sol, La
Jan Pieterszoon Sweelinck 1562–1621
All’ Elevazione Domenico Zipoli
1688-1726
Choralpartita Ach, was sol lich ein Sünder machen? BWV 770 Johann Sebastian Bach
1685-1750
Toccata in C Major, BuxWV 137 Dieterich Buxtehude
1637-1707
Directly following the Intermission: “Conversation with the Artist”
Canzon Sol Sol La Sol Fa Mi a 8 Giovanni Gabrielli
1555-1612
Marie Rubis Bauer and Michael Bauer, organs
B-A-C-H Mass for Organ (2000) Erland Hildén
Sweden b. 1963
I. Kyrie in B (German: B-flat) – Help us, God, in our Need
Kyrie eleison – despair
Kriste eleison – trust/reliance Kyrie eleison – despair
II. Gloria in A – We praise and worship you, Lord
III. Sanctus in C – You are Holiness
IV. Agnus in H – You are Mystery
Six concertos for two Organs (Seis Conciertos para dos órganos) Antonio Soler
1729-1783
Concierto 1 en Do mayor (Concerto 1 in C Major)
1. Andante
2. Minué
Marie Rubis Bauer and Michael Bauer, organs
Annum per annum (1980) Arvo Pärt
Estonia, b. 1935
Introduction, K, G, C, S, A, Coda
- published: 26 May 2016
- views: 286
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7:20
Arvo Pärt Annum per Annum for Organ
Konzert St.Sixti Northeim, organ Ayumi Kitamura
published: 15 Feb 2013
Arvo Pärt Annum per Annum for Organ
Arvo Pärt Annum per Annum for Organ
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- published: 15 Feb 2013
- views: 1477
12:31
Arvo Part - Annum Per Annum
My favourite Arvo Part's organ piece, played on Listomysl samples for Hauptwerk
P.S. I ha...
published: 27 Nov 2014
Arvo Part - Annum Per Annum
Arvo Part - Annum Per Annum
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- published: 27 Nov 2014
- views: 543
7:48
Annum per annum - Arvo Pärt
'Annum per annum' was performed by Kelly J. Wheelbarger on 2.23.14 at St. Andrew's Catholi...
published: 26 Feb 2014
Annum per annum - Arvo Pärt
Annum per annum - Arvo Pärt
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- published: 26 Feb 2014
- views: 523
8:43
Arvo Pärt (*1935) - Annum per annum (1980)
Konzert vom 03.02.2010 in der Elisabethenkirche Basel. Dieses faszinierende Werk des estni...
published: 04 Feb 2010
Arvo Pärt (*1935) - Annum per annum (1980)
Arvo Pärt (*1935) - Annum per annum (1980)
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- published: 04 Feb 2010
- views: 6194
3:26
Annum Per Annum
Organist talks up beauty of piece, disappoints
published: 06 Jun 2015
Annum Per Annum
Annum Per Annum
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- published: 06 Jun 2015
- views: 1182
9:19
Pärt: Annum per Annum
Live Performance, Sunday, March 1, 2015, St. Philip Presbyterian Church, Paul Fritts Organ...
published: 02 Mar 2015
Pärt: Annum per Annum
Pärt: Annum per Annum
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- published: 02 Mar 2015
- views: 457
11:52
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
Arvo Paert (1935) Annum per Annum
Walter Gatti joue aux Grandes Orgues de Alfred Kern de ...
published: 15 May 2011
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
Arvo Pärt: Annum per annum - Walter Gatti joue à la Cathédrale de Strasbourg
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- published: 15 May 2011
- views: 8763
5:02
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Available from Hyperion Records (Downloads - mp3, ALAC, FLAC / CD) http://www.hyperion-rec...
published: 03 Jun 2015
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
Arvo Pärt—Berliner Messe & Magnificat—Polyphony, Stephen Layton (conductor)
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- published: 03 Jun 2015
- views: 1000
6:05
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian c...
published: 21 Aug 2016
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
Arvo Pärt - Cantus in Memory of Benjamin Britten / Tilda Swinton (Video)
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- published: 21 Aug 2016
- views: 657
87:30
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, org...
published: 26 May 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
- Report rights infringement
- published: 26 May 2016
- views: 286
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1:27:30
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series. 2015-2016
"Distinguished Guest Artist"
Marie Rubis Bauer, org...
published: 26 May 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
Rie Bloomfield Organ Series guest artist: Marie Rubis Bauer with Michael Bauer - April 12, 2016
- Report rights infringement
- published: 26 May 2016
- views: 286
Rie Bloomfield Organ Series guest artist: Marie Ru...
See more photos of annum per annum (for organ) k arvo pärt
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Edit Yahoo Daily News 12 Feb 2017
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3 Reasons To Buy Broadcom: Growth, Value And Prospects
Edit Seeking Alpha 12 Feb 2017
For the first time since I started investing, I have added a stock to my portfolio which is at its all-time high ... This situation for Broadcom could be temporary, though ... Now that is what I like for a dividend ... The FASTgraph indicates that the FCF will be $13.82 per share for FY 2017, which means that the dividend is only about 30% of the FCF ... The NAIC wants the annual revenues to go up by at least 5% per annum for at least five years....
Veljo Tormis obituary
Edit The Guardian 12 Feb 2017
in taking them as the creative basis for his music, Tormis created a personal sound museum of a lost world ... The usual life of a composer, with its symphonies and operas, would have been too limiting for him ... Two of the country’s other leading composers, Arvo Pärt and Kuldar Sink, studied with him during his time as a teacher at the Tallinn Music high school (1956-60)....
Planned Parenthood defunding the focus of two separate rallies Saturday in Denver
Edit Fox31 Denver (NewsDB Live) 12 Feb 2017
DENVER — Rallies to stop the federal funding of Planned Parenthood took place in hundreds of cities across the country on Saturday. Advocates also came out in force to show their support for the organization. Those demonstrations also took place in Denver, as lawmakers introduced a bill that would defund Planned Parenthood. The organization receives about $5000 million per year from the federal government ... “This is the > ... ....
Perfect 10 for Czechs
Edit Sporting Life 12 Feb 2017
Barbora Strycova then wrapped up victory for the Czechs - their 10th in a row in the competition - with a 6-4 6-4 success over Lara Arruabarrena ... The draw for the Fed Cup World Group II play-offs takes place in London at 1000 GMT on Tuesday ... On the other side of the draw, Belarus beat the Netherlands to reach the semi-finals for the first time in their history ... Romania are potentially very dangerous foes for GB....
Abu Dhabi residents can help save lives through blood donations
Edit The National 12 Feb 2017
"As per the World Health Organization, blood is the most precious gift that anyone can give to another ... "One out of six people entering the hospital need blood, and knowing that blood cannot be manufactured, makes blood donation a need for all times....
Arabian Gulf needs greater economic integration and coordinated policies, OECD deputy chief says
Edit The National 12 Feb 2017
Gulf states, though, are trying to coordinate other polices, such as the introduction of a Gulf-wide 5 per cent value added tax next year ... Next year's growth forecast of 3.6 per cent would be the fastest since 2011 ... The World Trade Organization in September lowered its global trade growth forecast for this year to between 1.8 per cent and 3.1 per cent from the previous estimate of 3.6 per cent....
Analysts Recommend Holding Franco-Nevada
Edit Yahoo Daily News 12 Feb 2017
Franco-Nevada Corporation (FNV) declared a 22-cent per share quarterly dividend on Feb ... is trading at $67.88 per share, leading to a dividend yield of 1.3% ... The 27.30% growth on a year over year basis is realistic since the price per ounce of gold and silver, which accounts for approximately 65% and 20% of the company's total revenue, increased by 10.3% and 16.4% from Q4 2015....
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