- published: 01 Oct 2015
- views: 1233
Arvo Pärt (Estonian pronunciation: [ˈɑrvo ˈpært]; born 11 September 1935) is an Estonian composer of classical and sacred music. Since the late 1970s, Pärt has worked in a minimalist style that employs his self-invented compositional technique, tintinnabuli. His music is in part inspired by Gregorian chant. Pärt has been the most performed living composer in the world for 5 consecutive years.
Pärt was born in Paide, Järva County, Estonia, and was raised by his mother and stepfather in Rakvere in northern Estonia. He began to experiment with the top and bottom notes as the family's piano's middle register was damaged. His first serious study came in 1954 at the Tallinn Music Middle School, but less than a year later he temporarily abandoned it to fulfill military service, playing oboe and percussion in the army band. While at the Tallinn Conservatory, he studied composition with Heino Eller. As a student, he produced music for film and the stage. During the 1950s, he also completed his first vocal composition, the cantata Meie aed ('Our Garden') for children's choir and orchestra. He graduated in 1963. From 1957 to 1967, he worked as a sound producer for Estonian radio.
The Te Deum (also known as Ambrosian Hymn or A Song of the Church) is an early Christian hymn of praise. The title is taken from its opening Latin words, Te Deum laudamus, rendered as "Thee, O God, we praise".
The hymn remains in regular use in the Catholic Church in the Office of Readings found in the Liturgy of the Hours, and in thanksgiving to God for a special blessing such as the election of a pope, the consecration of a bishop, the canonization of a saint, a religious profession, the publication of a treaty of peace, a royal coronation, etc. It is sung either after Mass or the Divine Office or as a separate religious ceremony. The hymn also remains in use in the Anglican Communion and some Lutheran Churches in similar settings.
In the traditional office, the Te Deum is sung at the end of Matins on all days when the Gloria is said at Mass; those days are all Sundays outside Advent, Septuagesima, Lent, and Passiontide; on all feasts (except the Triduum) and on all ferias during Eastertide. Before the 1962 reforms, neither the Gloria nor the Te Deum were said on the feast of the Holy Innocents, unless it fell on Sunday, as they were martyred before the death of Christ and therefore could not immediately attain the beatific vision. A plenary indulgence is granted, under the usual conditions, to those who recite it in public on New Year's Eve.
Jesus (/ˈdʒiːzəs/; Greek: Ἰησοῦς Iesous; 7–2 BC to AD 30–33), also referred to as Jesus of Nazareth or Jesus Christ, is the central figure of Christianity, whom the teachings of most Christian denominations hold to be the Son of God. Christians believe Jesus is the awaited Messiah (or Christ, the Anointed One) of the Old Testament.
Virtually all modern scholars of antiquity agree that Jesus existed historically, and historians consider the Synoptic Gospels (Matthew, Mark and Luke) to be the best sources for investigating the historical Jesus. Most scholars agree that Jesus was a Galilean, Jewish rabbi who preached his message orally,was baptized by John the Baptist, and was crucified by the order of the Roman Prefect Pontius Pilate. In the current mainstream view, Jesus was an apocalyptic preacher and the founder of a renewal movement within Judaism, although some prominent scholars argue that he was not apocalyptic. After Jesus' death, his followers believed he was resurrected, and the community they formed eventually became the Christian church. The widely used calendar era, abbreviated as "AD" from the Latin "Anno Domini" ("in the year of our Lord") or sometimes as "CE", is based on the birth of Jesus. His birth is celebrated annually on December 25 as a holiday known as Christmas.
Stabat Mater Dolorosa, often referred to as Stabat Mater, is a 13th-century Catholic hymn to Mary, variously attributed to the Franciscan Jacopone da Todi and to Innocent III. It is about the Sorrows of Mary.
The title of the sorrowful hymn is an incipit of the first line, Stabat mater dolorosa ("The sorrowful mother stood"). The Stabat Mater hymn, one of the most powerful and immediate of extant medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion. It is sung at the liturgy on the memorial of Our Lady of Sorrows. The Stabat Mater has been set to music by many composers, with the most famous settings being those by Palestrina (~1590), Domenico Scarlatti (1715), Alessandro Scarlatti (1723), Pergolesi (1736), Vivaldi (~1727), J.S.Bach (1748), Haydn (1767), Rossini (1832/42), Dvořák (1877), George Henschel, Karol Szymanowski (1925/26), Poulenc (195/51), Toivo Kuula and Arvo Pärt (1985).
The Marian hymn Stabat mater is generally ascribed to Jacopo da Todi (ca. 1230-1306).
Introduction In the name of the Father, and of the Son, and of the Holy Spirit. Amen Ode I - O Jesus the Son of God, Have Mercy upon Us. We do homage to Thy pure image, O Good One, entreating forgiveness of our transgressions, O Christ our God: for of Thine own good will Thou wast graciously pleased to ascend the Cross in the flesh, that Thou mightest deliver from bondage to the enemy those whom Thou hadst fashioned. For which cause we cry aloud unto Thee with thanksgiving; with joy has Thou filled all things, O our Saviour, in that Thou didst come to save the world. Ode II - O Most Holy Birth-giver of God, Save Us Unto the Birth-giver of God let us sinners and humble ones now diligently have recourse; and let us fall down in penitence exclaiming, from the bottom of our souls; O Sovere...
Composer: Arvo Pärt Conductor: Kristjan Järvi Rundfunk-Sinfonieorchester Berlin RIAS Kammerchor Description choral score When Arvo Pärt sets words to music, he gives the impression of having entered into the depths of his chosen text and returned to the surface with an entirely fresh impression of what it's all about. This is certainly true of his Stabat Mater, and yet the result is to reaffirm the traditional significance of the text and to place the work securely in the long line of settings that includes those of Josquin Desprez, Lassus, and Palestrina, and in modern times Poulenz and Penderecki. Pärt achieves this partly by the purity and simplicity of his musical language, and partly by the way in which he draws such powerfully expressive music directly out of the rhythms and form...
Te Deum, orchestrated by Arvo Part, conducted by Tõnu Kaljuste and performed by the Tallinn Chamber Orchestra and Estonian Philharmonic Chamber Choir. The lyrics are latin: Te Deum laudamus: te Dominum confitemur. Te, aeternum Patrem, omnis terra veneratur. Tibi omnes Angeli, tibi caeli et universae Potestates, Tibi Cherubim et Seraphim incessabili voce proclamant: Sanctus, sanctus, sanctus Dominus Deus Sabaoth. Pleni sunt caeli et terra maiestatis gloriae tuae. Te gloriosus Apostolorum chorus; Te Prophetarum laudabilis numerus; Te Martyrum candidatus laudat exercitus. Te per orbem terrarum sancta confitetur Ecclesia: Patrem immensae maiestatis, Venerandum tuum verum et unicum Filium, Sanctum quoque Paraclitum Spiritum. Tu rex gloriae, Christe, Tu Patris sempiternus es Filius. Tu ad libe...
Te Deum, orchestrated by Arvo Part, conducted by Tõnu Kaljuste and performed by the Tallinn Chamber Orchestra and Estonian Philharmonic Chamber Choir. The lyrics are latin: Te Deum laudamus: te Dominum confitemur. Te, aeternum Patrem, omnis terra veneratur. Tibi omnes Angeli, tibi caeli et universae Potestates, Tibi Cherubim et Seraphim incessabili voce proclamant: Sanctus, sanctus, sanctus Dominus Deus Sabaoth. Pleni sunt caeli et terra maiestatis gloriae tuae. Te gloriosus Apostolorum chorus; Te Prophetarum laudabilis numerus; Te Martyrum candidatus laudat exercitus. Te per orbem terrarum sancta confitetur Ecclesia: Patrem immensae maiestatis, Venerandum tuum verum et unicum Filium, Sanctum quoque Paraclitum Spiritum. Tu rex gloriae, Christe, Tu Patris sempiternus es Filius. Tu ad libe...
St. Paul's Episcopal Church choir sings Arvo Part's "Beatitudes." The text is taken from Jesus' "Sermon on the Mount," Matthew 5:3-12. Recorded live on June 21, 2015. 3.Blessed are the poor in spirit : for theirs is the kingdom of heaven. 4.Blessed are they that mourn : for they shall be comforted. 5.Blessed are the meek : for they shall inherit the earth. 6.Blessed are they which do hunger and thirst after righteousness : for they shall be filled. 7.Blessed are the merciful : for they shall obtain mercy. 8.Blessed are the pure in heart : for they shall see God. 9.Blessed are the peacemakers : for they shall be called the children of God. 10.Blessed are they which are persecuted for righteousness' sake : for theirs is the kingdom of heaven. 11.Blessed are ye, when men shall revile...
Part of EMTA Choir Concert on 1st of december 2012 in Tallinn, Estonia. Composer: Arvo Pärt. Lyrics: Virgencita, Virgencita, Virgencita de Guadalupe, salva nos, salva. Santa Mariá de Guadalupe, ruega por nosotros. Virgencita, salva nos. Santa Mariá, Madre de Dios, salva nos. Ruega por nosotros pecadores. Sálva nos. Ahora y en la hora de nuestra muerte. Nuestra Senora de Guadalupe, Virgencita, Ruega por nosotros. Amen.
Social commentary on consumerism and the American ideal. Set to the music of Arvo Part, the great Estonian composer (composition is called "Memento") Video consists of historical footage, available within the public domain. It can be seen here: http://www.archive.org/details/FromDawn1937 The translation of this piece of music, from the Russian, is as follows: Have mercy on me, O God, have mercy on me. Put not your hope, my soul, in corruptible wealth, and for what is unjustly collected. For thou dost not know to whom thou wilt leave it all. Bu cry aloud: O Christ our God, have mercy on me, who am unworthy. Have mercy on me, O God, have mercy on me. Trust not, my soul, in health of body and quickly-passing beauty. For thou seest that the strong and the young die. But cry aloud: O Chr...
Vater Unser E nomine patris et filii et spiritus sancti Vater unser der Du bist im Himmel Geheiligt werde Dein Name Dein Reich komme Dein Wille geschehe Wie im Himmel als auch auf Erden Unser tglich Brot gib uns heute Und vergib uns unsre Schuld Wie auch wir vergeben unsern Schuldigern Und fhre uns nicht in Versuchung Sondern erlse uns von dem bel Denn Dein ist das Reich und die Kraft und die Herrlichkeit in Ewigkeit Amen Read more: E Nomine - Vater Unser Lyrics | MetroLyrics
The Choir of King's College, Cambridge, under the direction of Stephen Cleobury, perform Estonian composer Arvo Pärt's choral and organ setting of 'The Beatitudes'. Text: Blessed are the poor in spirit : for theirs is the kingdom of heaven. Blessed are they that mourn : for they shall be comforted. Blessed are the meek : for they shall inherit the earth. Blessed are they which do hunger and thirst after righteousness : for they shall be filled. Blessed are the merciful : for they shall obtain mercy. Blessed are the pure in heart : for they shall see God. Blessed are the peacemakers : for they shall be called the children of God. Blessed are they which are persecuted for righteousness' sake : for theirs is the kingdom of heaven. Blessed are ye, when men shall revile you, and per...
Wir bekamen spontanen Besuch aus Budapest. Der Chor Á la c'ARTe gab ein Konzert in der Nikolaikirche. Das Video ist ursprünglich ein facebook-Livestream. Auf dem Programm standen: John Tavener: The Lord's Prayer Eric Whitacre: Lux aurumque John Tavener: The Lamb Arvo Pärt: Nunc dimittis Német Miklós (arr.): John 19:41 Henryk Mikolaj Góreczki: Amen
An Advent Service of Lessons and Carols Duke Vespers Ensemble Dr. Brian A. Schmidt, conductor Dr. David Arcus, chapel organist Prelude improvisation (David Arcus) 2:00 O Magnum Mysterium (Victória) 14:45 Processional - O Come, O Come, Emmanuel 19:55 First Lesson (Isaiah 40:1-8) There is no rose of swych virtue (anon.) 28:05 Karen Cook and Stephen Pysnik, recorders Second Lesson (Jeremiah 23:5-6) Christ the Appletree (Stanford Scriven) 33:50 Carol - Come, Thou Long Expected Jesus (HYFRYDOL) 37:28 Third Lesson (Zechariah 9:9-10) O Beatum et Sacrosanctam Diem (Peter Philips) 41:10 Fourth Lesson (Isaiah 35:1-6) Carol - Lo, How a Rose E'er Blooming (ES IST EIN ROS) 45:22 Creator alme siderum (Larry Nickel) 49:22 Fifth Lesson (Haggai 2:6-9) Carol - Comfort, Comfort, Now My People ...