This article relies on references to primary sources or sources affiliated with the subject, rather than references from independent authors and third-party publications. Please add citations from reliable sources. (November 2008)

Jennifer Victoria Cole (born October 16, 1973) is an American model, actress and game show/talk show host originally from Atlanta, Georgia. In addition to being a former Hawaiian Tropic model and winner of that company's swimsuit competition, Cole has either starred and/or hosted a number of shows broadcast on both network and cable television, including Sex Wars, House of Style, and Strip Poker.

She has also played small roles in a number of Hollywood feature films, including Charlie's Angels.

External links[link]

• Jennifer Cole at the Internet Movie Database

This biography article about a United States actor-model is a stub. You can help Wikipedia by expanding it. v t e

Lloyd Cole
Lloyd Cole in Münster, Germany, September 2010
Background information
Born	(1961-01-31) 31 January 1961 (age 51)
Origin	Buxton, Derbyshire, England
Genres	Rock, pop, indie pop
Occupations	Singer-songwriter
Instruments	Vocals, guitar
Years active	1984–present
Labels	Polydor
Associated acts	Lloyd Cole and the Commotions
Website	http://www.lloydcole.com

Lloyd Cole (born 31 January 1961) is an English singer and songwriter, known for his role as lead singer of Lloyd Cole and the Commotions from 1984 to 1989, and for his subsequent solo work.

Early life[link]

Cole was born in Buxton, Derbyshire.^[1] He grew up in nearby Chapel en le Frith and went to New Mills Grammar School and later attended Runshaw College in Leyland, Lancashire. After failing in Law at University College London, he later attended (but did not graduate from) the University of Glasgow, where he studied Philosophy and English and met the other members of The Commotions.

Career[link]

The Commotions' 1984 debut, Rattlesnakes, contained literary and pop culture references to such figures as Arthur Lee, Norman Mailer, Grace Kelly, Eva Marie Saint, Simone de Beauvoir, Truman Capote, and Joan Didion. The group produced two more albums, Easy Pieces and Mainstream, before disbanding in 1989, when Cole relocated to New York to record with various artists, including Fred Maher, Robert Quine and Matthew Sweet.^[2]

This solo setting produced two acclaimed albums, Lloyd Cole in 1990 and 1991's Don't Get Weird on Me Babe. The latter was recorded in two parts: one side continued the New York rock mastered on his first solo album, while the other side featured a session orchestra, much in the style of Burt Bacharach or Scott Walker. Although some reviewers have claimed Don't Get Weird on Me Babe (the title being a quotation from the American minimalist writer Raymond Carver) to be a creative peak, it produced significantly fewer record sales. While he remained with Polydor as his record label, the US distribution contract with Capitol Records ended. (US rights were immediately picked up by Rykodisc).

Cole continued redefining his sound with Bad Vibes (1993), a collaboration with producer/remixer Adam Peters, using a harder and psychedelia-inspired sound. Love Story (1995) established stripped-down, largely acoustic sound landscapes with the help of Stephen Street (famous for his work with Blur and The Smiths) and former Commotions Neil Clark and Blair Cowan; the album produced a minor hit, affording Cole a mid-90s appearance on Top of the Pops, with the song "Like Lovers Do". However, following a massive purge of the artist roster that came with Universal Music's takeover of Polygram and Cole's disappointment with the label, his contract was terminated despite at least two full-length recordings being locked in its vaults (later released in 2002 by One Little Indian).

In 2000, after being a solo artist for more than a decade (and a couple of years without a contract), Cole teamed with a younger generation of New York musicians under the name The Negatives. The group consisted of Jill Sobule, Dave Derby of the Dambuilders, Mike Kotch and Rafa Maciejak, who recorded an eponymous CD, released mainly in France. He has since released solo albums on smaller independent labels. Sanctuary Records, the company responsible for the revival of Morrissey, released Music in a Foreign Language (2003) in the UK. Recorded largely by Cole himself (including tracks recorded directly onto a Mac), the songs had a stark, folk-inspired singer-songwriter style. One Little Indian, home of Björk, released Music in a Foreign Language in the U.S.; they also collected a number of outtakes (recorded from 1996 to 2000) on 2002's Etc. and released an instrumental ambient electronica album, Plastic Wood, the same year.

In 2004, to mark the 20th anniversary of the release of Rattlesnakes, Lloyd Cole and the Commotions reformed to perform a one-off, sellout tour in the UK and Ireland which generated some media interest, mostly in UK broadsheets. The reformation was never intended to be permanent and Cole released another solo album in 2006, Antidepressant, using his usual home recording outfit by playing all the instruments himself with friends like Sobule, Derby and the guitar work of former Commotion Neil Clark on some tracks.^[3] The lyrics focus on the reality of a young American middle-class parent: leaving New York for a life in the suburbs, worrying about the stock market crash, fantasies of escaping marriage, or being "no longer young, no longer driven to distraction, not even by Scarlett Johansson." The follow-up, "Broken Record" released in September 2010, marked a departure from his solo recordings as it was performed by a band of longstanding friends and working partners including Fred Maher, Joan Wasser, Rainy Orteca, Dave Derby and Blair Cowan - as well as two musicians, Matt Cullen (guitar; banjo) and Mark Schwaber (guitar; mandolin), with whom Cole tours, billed as 'Lloyd Cole Small Ensemble'. The recording of the album was entirely financed by advance purchases by his fans, and later distributed by Tapete Records - who also oversaw and negotiated the rights to re-release a boxed set with his complete collection of b-sides and alternative takes and previously unreleased material under the title Cleaning Out the Ashtrays.

Live performances[link]

Cole is on tour frequently, playing small club venues in a one-man acoustic setting and presenting rock songs from his past career remodelled to simple folk songs. He interacts extensively with the audience and some songs are told rather than played as spoken word or stand-up comedy. Performances recorded in April 2008 at Whelan's in Dublin and in 2003 in Bremen (also broadcast by Radio Bremen) were used for two live albums called the Folksinger series.^[4] In 2010, he formed a small ensemble consisting of New England musicians, Mark Schwaber and Matt Cullen and, in October and November of that year, completed an extensive tour of Europe. Further tours of New Zealand and Australia and Europe followed in 2011. Later, in June of that year, http://www.lloydcole.com/weblog/index.php?p=3907&c=1 a tour of North America and Canada was planned.

Personal life[link]

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Cole married his American wife, Elizabeth Lewis, in December 1989.^[5] They live in Easthampton, Massachusetts with their sons William and Frank.^[6]

Golf[link]

Cole's parents were golf club stewards and, as an avid golfer, he is known for playing concerts in towns suspiciously close to famous golf courses. Cole's 5.3 handicap tied 11th place on Golf Digest's top 100 list of musicians (tied with Cooper and Dan Tyminski). An article he wrote, about playing the famous golf courses of the Melbourne Sandbelt while being on tour, was awarded with the Best Feature of the Year Award by the Australian Golf Writers Association.^[7] He has also starred in a commercial for a local golf supply store located near his home.

Covers[link]

Cole has recorded and performed a number of songs by Marc Bolan: "Children of the Revolution", "The Slider", "Mystic Lady" and "Romany Soup". Cole has also covered "I'm Not Willing" by Moby Grape; "Famous Blue Raincoat", "Tower of Song" and "Chelsea Hotel" by Leonard Cohen; "People Ain't No Good" by Nick Cave; "Vicious" by Lou Reed; "I Don't Believe You", "She Belongs to Me", "You're a Big Girl Now", "I Threw it All Away" ", "It's All Over Now, Baby Blue" (Black session live) and "Most of the Time" by Bob Dylan; "Why Don't We Do It in the Road?" by The Beatles; "Waterloo Sunset" by The Kinks;^[8] "Human" by The Human League (with Stephin Merritt's 6ths); "Believe" by Cher (done as a lark); "Glory" by Television; "If I Were a Carpenter", "Lady Came From Baltimore", and "Reason To Believe" by Tim Hardin;, "Pocket Calculator" by Kraftwerk; "I Just Don't Know What To Do With Myself" by Burt Bacharach; "These Days" by Jackson Browne (not to be confused with Cole's own song "These Days" on Mainstream); "Rock 'n' Roll Ain't Noise Pollution" by AC/DC; "Please Don't Tell Me How This Story Ends" by Kris Kristofferson; and "Chinese Translation" by M. Ward. His versions often differ significantly in arrangement to the originals.

Cole's "Rattlesnakes" has been covered by Tori Amos, while Sandie Shaw has recorded a version of "(Are You) Ready to Be Heartbroken?".^[9]

In 2006, Scottish band Camera Obscura released the song "Lloyd, I'm Ready to Be Heartbroken" as an answer song to Cole's 1984 hit "(Are You) Ready to Be Heartbroken?".

Discography[link]

References[link]

External links[link]

Wikimedia Commons has media related to: Lloyd Cole

• Official website
• Lloyd Cole on Myspace
• Lloyd Cole at Allmusic

Look up depend, dependent, dependant, dependence, or dependency in Wiktionary, the free dictionary.

Dependency or dependent may refer to:

Sciences[link]

Computer science[link]

• dependency, also called Coupling (computer science), a state in which one object uses a functionality of another object
• Data dependency, which describes a dependence relation between statements in a program
• Dependency (UML), a relationship between two elements in the Unified Modeling Language
• Dependency relation, a type of binary relation in mathematics and computer science.
• Functional Dependency, a relation between database attributes allowing normalization.
• Dependent type, in computer science and logic, a type which depends on a value
• Hidden dependency, a relation where a change in one area of a program produces unexpected side-effects, kind of dependency hell.

Economics[link]

• Dependant (British English) (Dependent - American English), a person who depends on another as a primary source of income
• Dependency ratio, in economics, the ratio of the economically dependent part of the economy to the productive part
• Dependency theory, an economic worldview which states that resources flow from poor states to wealthy states

Linguistics[link]

• Dependent and independent verb forms, in Goidelic languages, distinct verb forms used either with a preceding particle, in the case of dependent forms, or

Logic[link]

• Dependent type, in computer science and logic, a type which depends on a value

Mathematics[link]

• Dependency relation, a type of binary relation in mathematics and computer science.
• Dependent and independent variables, in mathematics, the variable that is dependent on the independent variable

Medicine[link]

• Dependence (behavioral medicine), a continuum of physical and psychological attachments related to the concept of behavioral addiction

Politics[link]

• Dependent territory, a classification of territory, especially a region that is not a sovereign state, but the possession of such

without one, in the case of independent forms

Psychology[link]

• Codependence, a pattern of detrimental, behavioral interactions within a dysfunctional relationship
• Dependency need, the real need of the organism, or something that individuals can not provide for themselves
• Dependent personality disorder, a personality disorder characterized by a pervasive psychological dependence on other people
• Substance dependence, a need for a substance so strong that it becomes necessary to have this substance to function properly

Music[link]

• dependent (record label), a German independent record label that focuses on aggrotech, electro-industrial and futurepop music
• Dependent Music, an independent Canadian record label, owned and operated by the artists that were a part of the collective

Religion[link]

Among monastic orders, the term denotes the relation of a monastic community with a newer community which it has established elsewhere. The relationship can be that of an abbey with a priory composed of the monks who originated from the first house. In that situation, the abbot remains the ultimate authority for the affairs of the dependent priory, which is considered an extension of the founding house. This relationship will end at such time as the daughter community might become fully autonomous and an abbey in its own right.

Smaller monasteries of nuns within a monastic congregation can make a bond with a monastery of monks within the same division of the Order, whereby the two are affiliated, and the monks guarantee pastoral care of the nuns. In this sense, the women's house is considered a dependency on that of the men.

Technologies[link]

• Dependency (project management), a link amongst a project's terminal elements

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