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Ivan Argunov Paintings!
Ivan Petrovich Argunov (Russian: Иван Петрович Аргунов) (1727–1802) was a Russian painter, one of the founders of the Russian school of portrait painting.
He was a serf belonging to Count Sheremetev and had grown in the family of his uncle, Semyon Mikhaylovich Argunov, who was a steward of princess Cherkassky and later a major-domo for count Sheremetev. For many years Semyon managed Sheremetev's h
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How to pronounce Ivan Petrovich Argunov (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Ivan Petrovich Argunov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petrovich Argunov
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Как Плющенко играет WoT
Середина боя тройной тулуп и сломал хребет=(
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argunov.mpg
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Art with red fat cats
Compilation of Fat Cat Art by Russian artist Svetlana Petrova.
0:00 Bartholomeus van der Helst, Fat Boy and Fat Cat
0:10 Caravaggio, Bacchus
0:20 Claude Monet, Bathing in a Pond of Water Lilies
0:30 Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
0:40 Diego Velázquez, Venus at Her Mirror
0:50 Édouard Manet, Olympia
1:00 Emanuel Leutze, Washington Crossing the Dela
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How to pronounce Ivan Petlin (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Ivan Petlin brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petlin
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Demoreel ARGUNOV studio 2014
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ostroumov.mpg
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petrenco.mpg
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bogunenco.mpg
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averyanova.mpg
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Pavlova.mpg
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kredencar.mpg
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Stella Atari 2600 emulator new toy новую игрушку
Stella is an emulator for the Atari 2600 game console, and takes its name from the console's codename. It is open source, and runs on most major modern platforms including Amiga, Windows, Mac OS X, Linux, Windows CE/Mobile,Dreamcast, GP2X, Nintendo DS, and Wii. Stella was originally written in 1996 (and known as Stella 96) by Bradford W. Mott, and is now maintained by Stephen Anthony.
Stella is wr
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Антропов Алексей (1716-1795)
Антропов Алексей Петрович (1716—1795), выдающийся русский портретист. Сын оружейного мастера. С 1732 — ученик замечательных русских мастеров живописи — А. Матвеева и И. Вишнякова. Принимал участие в декоративных росписях Зимнего (1744), Летнего (1748), Царскосельского (1749) и др. дворцов. Под руководством Антропова был расписан Андреевский собор в Киеве (1752—55). Заслуги молодого талантливого жи
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Русский художник Никитин Иван Никитич (1680-1742)
Иван Никитич Никитин — «Персонных дел мастер», любимый художник Петра I, предмет его патриотической гордости перед иностранцами, «дабы знали, что есть и из н...
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How to pronounce Raymonde (French/France) - PronounceNames.com
Audio and video pronunciation of Raymonde brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Raymonde
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147. Иван Аргунов - Неизвестная крестьянка...
Сто сорок седьмой выпуск программы "Третьяковская галерея. История одного шедевра". Лучшее из мира живописи Вы можете увидеть в нашей группе http://vk.com/ru...
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How to pronounce Gorelov (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Gorelov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gorelov
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2.Взаимоотношения и совместимость в семье.
ПРЕДНАЗНАЧЕНИЕ ЖЕНЩИНЫ
Внутренняя сила - это способность уважать чужую музыку, но танцевать под собственную мелодию и слушать свою гармонию.
Руссы считали себя народом, исповедующим мудрость и высокую космическую любовь Лада – славянская богиня любви и красоты. Именем Лада древние славяне называли не только изначальную богиню любви, но и весь строй жизни — лад, где все должно было ладно, то есть
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Pierre-Auguste Renoir Paintings!
Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
He was the father of actor Pierr
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How to pronounce Gounod (French/France) - PronounceNames.com
Audio and video pronunciation of Gounod brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gounod
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Русский художник Аргунов Яков Иванович
Не столь известный, как его отец и братья, Яков Иванович Аргунов все же получил от Академии художеств звание "назначенного" в академики. Это было признанием ...
Ivan Argunov Paintings!
Ivan Petrovich Argunov (Russian: Иван Петрович Аргунов) (1727–1802) was a Russian painter, one of the founders of the Russian school of portrait painting.
He wa...
Ivan Petrovich Argunov (Russian: Иван Петрович Аргунов) (1727–1802) was a Russian painter, one of the founders of the Russian school of portrait painting.
He was a serf belonging to Count Sheremetev and had grown in the family of his uncle, Semyon Mikhaylovich Argunov, who was a steward of princess Cherkassky and later a major-domo for count Sheremetev. For many years Semyon managed Sheremetev's house on Millionnaya street in Saint-Petersburg, the house where Ivan grew up.
In 1746–1749 Ivan Argunov studied painting with a German artist named Georg Grooth who at the time was in employ of the Emperess Elizabeth of Russia. Ivan also got lessons from his cousins Fedor Leontyevich Argunov and Fedor Semenovich Argunov, painters working in Saint-Petersburg on decorating the Imperial residences.
Argunov's first works were icons for the Palace Church in Great Tsarskoe Selo Palace (1753) and for the New Jerusalem Monastery (1749). At that time he also created his only known historical painting Dying Cleopatra. His earliest known portraits were of Prince Ivan Ivanovich Lobanov-Rostovsky (1752) and Princess Ekaterina Alexandrovna Lobanova-Rostovskaya (1754). There can be seen the old traditions of traditional Russian Parsuna art mixed with the new Baroque influence.
In 1760s Argunov was in his prime. He created many beautiful parade and psychological portraits and icons. Among his subjects were Russian royalty and of course Argunov's masters Sheremetevs as well as their relatives Lazarevs and counts Tolstoy. He was one of the creators of the genre of posthumous portraits, painting many dead Sheremetevs.
In 1770 Argunov became the majordomo for the Sheremtev's house on Millionnaya street, then the majordomo of the Moscow house of Sheremetevs, then one of the stewards for their estates (chlen krepostnoj kollegii grafov Sheremetevs). He painted much less but it was in that time (1784) he created his masterpiece Portrait of an Unknown Woman in Peasant Dress. The identity of the sitter for the painting remains uncertain, whilst studies have suggested that she was the serf actress and singer of counts Sheremetevs, Anna Kovalyova-Zhemchugova, it has equally been supposed that it was not in fact an official portrait of her, but rather an image of an unidentified wet nurse, taken from amongst the Seremetevs' serfs. Between the second half of 1780s until his death in 1802 Argunov did not paint but spent all his time managing different estates and businesses of Sheremetevs.
Argunov was an important teacher of art. He taught painting classes beginning in 1753 — before the opening of the Imperial Academy of Arts in 1757. Among his students were Anton Losenko, Fyodor Rokotov, Kirill Golovachevsky(ru) and Ivan Sablukov(ru) — all four future teachers of the Academy. Argunov's sons were also his pupils. Two of them: (Nikolay Argunov and Yakov Argunov) became painters, while the third (Pavel Argunov) became an architect.
Ива́н Петро́вич Аргуно́в (1729—1802, Москва) — русский живописец-портретист, находившийся в крепостной зависимости от графов Шереметевых.
Родился в семье крепостных графа А. М. Черкасского, позже отошедших к графу Шереметеву в качестве «приданого» его жены Варвары Алексеевны. Воспитывался в семье дяди, С. М. Аргунова.
Учился портретной живописи у своего двоюродного брата Фёдора Леонтьевича Аргунова, а также у иностранных мастеров. Под руководством своего учителя Георга Христофора Гроота создал иконы для церкви Екатерининского дворца в Царском Селе.
Аргунов, помимо живописного, имел и педагогический талант. По приказанию императрицы Елизаветы Петровны, к нему были отданы «в ученье художеству» придворные певчие, потерявшие голоса: А. П. Лосенко (бывший потом профессором и директором Академии художеств), К. И. Головачевский (инспектор Воспитательного училища Академии), И. С. Саблучок (Саблуков, Иван Семёнович) (академик).
wn.com/Ivan Argunov Paintings
Ivan Petrovich Argunov (Russian: Иван Петрович Аргунов) (1727–1802) was a Russian painter, one of the founders of the Russian school of portrait painting.
He was a serf belonging to Count Sheremetev and had grown in the family of his uncle, Semyon Mikhaylovich Argunov, who was a steward of princess Cherkassky and later a major-domo for count Sheremetev. For many years Semyon managed Sheremetev's house on Millionnaya street in Saint-Petersburg, the house where Ivan grew up.
In 1746–1749 Ivan Argunov studied painting with a German artist named Georg Grooth who at the time was in employ of the Emperess Elizabeth of Russia. Ivan also got lessons from his cousins Fedor Leontyevich Argunov and Fedor Semenovich Argunov, painters working in Saint-Petersburg on decorating the Imperial residences.
Argunov's first works were icons for the Palace Church in Great Tsarskoe Selo Palace (1753) and for the New Jerusalem Monastery (1749). At that time he also created his only known historical painting Dying Cleopatra. His earliest known portraits were of Prince Ivan Ivanovich Lobanov-Rostovsky (1752) and Princess Ekaterina Alexandrovna Lobanova-Rostovskaya (1754). There can be seen the old traditions of traditional Russian Parsuna art mixed with the new Baroque influence.
In 1760s Argunov was in his prime. He created many beautiful parade and psychological portraits and icons. Among his subjects were Russian royalty and of course Argunov's masters Sheremetevs as well as their relatives Lazarevs and counts Tolstoy. He was one of the creators of the genre of posthumous portraits, painting many dead Sheremetevs.
In 1770 Argunov became the majordomo for the Sheremtev's house on Millionnaya street, then the majordomo of the Moscow house of Sheremetevs, then one of the stewards for their estates (chlen krepostnoj kollegii grafov Sheremetevs). He painted much less but it was in that time (1784) he created his masterpiece Portrait of an Unknown Woman in Peasant Dress. The identity of the sitter for the painting remains uncertain, whilst studies have suggested that she was the serf actress and singer of counts Sheremetevs, Anna Kovalyova-Zhemchugova, it has equally been supposed that it was not in fact an official portrait of her, but rather an image of an unidentified wet nurse, taken from amongst the Seremetevs' serfs. Between the second half of 1780s until his death in 1802 Argunov did not paint but spent all his time managing different estates and businesses of Sheremetevs.
Argunov was an important teacher of art. He taught painting classes beginning in 1753 — before the opening of the Imperial Academy of Arts in 1757. Among his students were Anton Losenko, Fyodor Rokotov, Kirill Golovachevsky(ru) and Ivan Sablukov(ru) — all four future teachers of the Academy. Argunov's sons were also his pupils. Two of them: (Nikolay Argunov and Yakov Argunov) became painters, while the third (Pavel Argunov) became an architect.
Ива́н Петро́вич Аргуно́в (1729—1802, Москва) — русский живописец-портретист, находившийся в крепостной зависимости от графов Шереметевых.
Родился в семье крепостных графа А. М. Черкасского, позже отошедших к графу Шереметеву в качестве «приданого» его жены Варвары Алексеевны. Воспитывался в семье дяди, С. М. Аргунова.
Учился портретной живописи у своего двоюродного брата Фёдора Леонтьевича Аргунова, а также у иностранных мастеров. Под руководством своего учителя Георга Христофора Гроота создал иконы для церкви Екатерининского дворца в Царском Селе.
Аргунов, помимо живописного, имел и педагогический талант. По приказанию императрицы Елизаветы Петровны, к нему были отданы «в ученье художеству» придворные певчие, потерявшие голоса: А. П. Лосенко (бывший потом профессором и директором Академии художеств), К. И. Головачевский (инспектор Воспитательного училища Академии), И. С. Саблучок (Саблуков, Иван Семёнович) (академик).
- published: 27 Apr 2015
- views: 10
How to pronounce Ivan Petrovich Argunov (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Ivan Petrovich Argunov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people...
Audio and video pronunciation of Ivan Petrovich Argunov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petrovich Argunov
wn.com/How To Pronounce Ivan Petrovich Argunov (Russian Russia) Pronouncenames.Com
Audio and video pronunciation of Ivan Petrovich Argunov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petrovich Argunov
- published: 25 Apr 2014
- views: 0
Как Плющенко играет WoT
Середина боя тройной тулуп и сломал хребет=(...
Середина боя тройной тулуп и сломал хребет=(
wn.com/Как Плющенко Играет Wot
Середина боя тройной тулуп и сломал хребет=(
- published: 25 Nov 2014
- views: 13
Art with red fat cats
Compilation of Fat Cat Art by Russian artist Svetlana Petrova.
0:00 Bartholomeus van der Helst, Fat Boy and Fat Cat
0:10 Caravaggio, Bacchus
0:20 Claude Monet...
Compilation of Fat Cat Art by Russian artist Svetlana Petrova.
0:00 Bartholomeus van der Helst, Fat Boy and Fat Cat
0:10 Caravaggio, Bacchus
0:20 Claude Monet, Bathing in a Pond of Water Lilies
0:30 Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
0:40 Diego Velázquez, Venus at Her Mirror
0:50 Édouard Manet, Olympia
1:00 Emanuel Leutze, Washington Crossing the Delaware in a Boat Piloted by the Fat Cat
1:10 Eugene Delacroix, Liberty Leading the People aka Pussy Riot
1:20 Grant Wood, American Gothic
1:30 Gustav Klimt, The Kiss
1:40 Isaac Grunewald, Boy with Sailing Cat
1:50 Ivan Argunov, Portrait of an Unknown Woman in Russian Costume and a Well Known Cat in a Vet Collar
2:00 Jacques-Louis David, Napoleon Crossing the Alps
2:10 James Abbott McNeill Whistler, Arrangement in Grey, Black and Ginger No. 1
2:20 Jan van Eyck, The Arnolfini Portrait
2:30 Jean Auguste Dominique Ingres, Deux Grandes Odalisques
2:40 Jean Auguste Dominique Ingres, Napoleon I as the Imperial Throne for the Cat
2:50 Jean Honoré Fragonard, The Stolen Kiss
3:00 Johannes Vermeer, The Kitchen Maid and the Cat
3:10 John Trumbull, The Declaration of Independence
3:20 Katsushika Hokusai, Tea House at Koishikawa the Morning After a Snowfall + Catzilla
3:30 Leonardo da Vinci, Lady with a Cat Pretending to Be an Ermine
3:40 Leonardo da Vinci, Mona Lisa
3:50 Michelangelo, The Creation of Adam
4:00 Philippe de Champaigne, Portrait of Cardinal de Richelieu with a Cat
4:10 Piero della Francesca, Portraits of the Duke and Cat of Urbino
4:20 Pieter Bruegel, The Tower of Babel
4:30 Raphael, Sistine Madonna, Group of Angels
4:40 Rembrandt, The Night Watch
4:50 Salvador Dalí, The Irresistible Temptation of St. Anthony
5:00 Salvador Dalí, The Persistence of Memory
5:10 Sandro Botticelli, The Birth of Venus
5:20 Sir Lawrence Alma-Tadema, Sappho and the Fat Cat
5:30 Titian, Venus of Urbino
5:40 Tomb of Nebamun, Cats Hunting in the Marshes
5:50 Uccello, Saint George feeds the Winged Cat
wn.com/Art With Red Fat Cats
Compilation of Fat Cat Art by Russian artist Svetlana Petrova.
0:00 Bartholomeus van der Helst, Fat Boy and Fat Cat
0:10 Caravaggio, Bacchus
0:20 Claude Monet, Bathing in a Pond of Water Lilies
0:30 Damien Hirst, The Physical Impossibility of Death in the Mind of Someone Living
0:40 Diego Velázquez, Venus at Her Mirror
0:50 Édouard Manet, Olympia
1:00 Emanuel Leutze, Washington Crossing the Delaware in a Boat Piloted by the Fat Cat
1:10 Eugene Delacroix, Liberty Leading the People aka Pussy Riot
1:20 Grant Wood, American Gothic
1:30 Gustav Klimt, The Kiss
1:40 Isaac Grunewald, Boy with Sailing Cat
1:50 Ivan Argunov, Portrait of an Unknown Woman in Russian Costume and a Well Known Cat in a Vet Collar
2:00 Jacques-Louis David, Napoleon Crossing the Alps
2:10 James Abbott McNeill Whistler, Arrangement in Grey, Black and Ginger No. 1
2:20 Jan van Eyck, The Arnolfini Portrait
2:30 Jean Auguste Dominique Ingres, Deux Grandes Odalisques
2:40 Jean Auguste Dominique Ingres, Napoleon I as the Imperial Throne for the Cat
2:50 Jean Honoré Fragonard, The Stolen Kiss
3:00 Johannes Vermeer, The Kitchen Maid and the Cat
3:10 John Trumbull, The Declaration of Independence
3:20 Katsushika Hokusai, Tea House at Koishikawa the Morning After a Snowfall + Catzilla
3:30 Leonardo da Vinci, Lady with a Cat Pretending to Be an Ermine
3:40 Leonardo da Vinci, Mona Lisa
3:50 Michelangelo, The Creation of Adam
4:00 Philippe de Champaigne, Portrait of Cardinal de Richelieu with a Cat
4:10 Piero della Francesca, Portraits of the Duke and Cat of Urbino
4:20 Pieter Bruegel, The Tower of Babel
4:30 Raphael, Sistine Madonna, Group of Angels
4:40 Rembrandt, The Night Watch
4:50 Salvador Dalí, The Irresistible Temptation of St. Anthony
5:00 Salvador Dalí, The Persistence of Memory
5:10 Sandro Botticelli, The Birth of Venus
5:20 Sir Lawrence Alma-Tadema, Sappho and the Fat Cat
5:30 Titian, Venus of Urbino
5:40 Tomb of Nebamun, Cats Hunting in the Marshes
5:50 Uccello, Saint George feeds the Winged Cat
- published: 26 Mar 2015
- views: 2
How to pronounce Ivan Petlin (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Ivan Petlin brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce ...
Audio and video pronunciation of Ivan Petlin brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petlin
wn.com/How To Pronounce Ivan Petlin (Russian Russia) Pronouncenames.Com
Audio and video pronunciation of Ivan Petlin brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Ivan Petlin
- published: 25 Apr 2014
- views: 0
Stella Atari 2600 emulator new toy новую игрушку
Stella is an emulator for the Atari 2600 game console, and takes its name from the console's codename. It is open source, and runs on most major modern platform...
Stella is an emulator for the Atari 2600 game console, and takes its name from the console's codename. It is open source, and runs on most major modern platforms including Amiga, Windows, Mac OS X, Linux, Windows CE/Mobile,Dreamcast, GP2X, Nintendo DS, and Wii. Stella was originally written in 1996 (and known as Stella 96) by Bradford W. Mott, and is now maintained by Stephen Anthony.
Stella is written in the C++ programming language and thus is highly portable. The emulator supports all Atari 2600 cartridge bank switching schemes and has support for nearly all Atari 2600 titles. Support is included for NTSC, PAL and SECAM in 60 Hz/50 Hz varieties, including autodetection of those formats (based on the number of scanlines generated in each frame).
Stella emulates most Atari 2600 peripheral devices, including standard joysticks, paddle controllers, the Atari Video Touch Pad, the Atari Keyboard Controller, Atari Indy 500 Driving Controllers, the CBS Booster-Grip controller, the CX-22/CX-80/AmigaMouse trackball controllers, the Sega Genesis controller, and the AtariVox and SaveKey controllers. Stelladaptor and 2600-daptor support allows real joysticks, paddles, and driving controllers to be used, and support is also included to access a real AtariVox device plugged into a serial port (and actually generate sound from the AtariVox device). Stella does not yet support the cassette-based titles designed to work with the Coleco KidVid cassette player but does have support for titles designed to work with the Starpath Supercharger and Spectravideo Compumate.
Stella includes many facilities for homebrew developers, including an extensive built-in interactive debugger and disassembler supporting breakpoints, read/write traps, etc. Other major features include Blargg TV effects, a cheatcode system, support for user-defined palette files, state loading/saving, hardware-accelerated rendering and effects, event remapping, and an extensive built-in, cross-platform user interface (including a ROM launcher frontend).
JStella, a translation of Stella into Java, allows the Stella emulation engine to run as a Java applet on a web page.
Stella es un emulador multiplataforma de Atari 2600 VCS, desarrollado bajo licencia GNU GPL. Estela fue desarrollado en principio para Linux por Bradford W. Mott. Tras el lanzamiento de la versión original, múltiples personas se han unido al equipo de desarrollo de Stella adaptándolo a otros sistemas operativos como AcornOS, AmigaOS, DOS, FreeBSD, IRIX, Linux, OS/2, MacOS, Unix, y Windows
El systema Atari 2600 Video Computer System (VCS), creado en 1977, fue el sistema de videojuegos más popular hasta los años 80.
Stella é um emulador do console Atari 2600.
Stella — эмулятор игровой приставки Atari 2600, разрабатываемый для платформ Amiga, Windows, Mac OS X,Linux, Windows CE/Mobile, Dreamcast, GP2X, Nintendo DS и Wii.
Stell поддерживает все схемы картриджей и практически все выпущенные игры для Atari 2600, включая варианты для видеосистем NTSC, PAL и SECAM с разверткой 50/60 Гц. В эмуляторе реализовано автодетектирование форматов через подсчет строк, генерируемых кадром. Также Stella эмулирует большинство периферийного оборудования Atari 2600, включая специфичные джойстики, пэддл-контроллеры, клавиатуры и мыши. Также в эмуляторе есть множество инструментов для создания и отладки собственных игры, включая отладчик и дизассемблер.
Биндинг для Java JStella позволяет запускать движок эмуляции Stella в качестве Java-апплета для веб-сайта.
wn.com/Stella Atari 2600 Emulator New Toy Новую Игрушку
Stella is an emulator for the Atari 2600 game console, and takes its name from the console's codename. It is open source, and runs on most major modern platforms including Amiga, Windows, Mac OS X, Linux, Windows CE/Mobile,Dreamcast, GP2X, Nintendo DS, and Wii. Stella was originally written in 1996 (and known as Stella 96) by Bradford W. Mott, and is now maintained by Stephen Anthony.
Stella is written in the C++ programming language and thus is highly portable. The emulator supports all Atari 2600 cartridge bank switching schemes and has support for nearly all Atari 2600 titles. Support is included for NTSC, PAL and SECAM in 60 Hz/50 Hz varieties, including autodetection of those formats (based on the number of scanlines generated in each frame).
Stella emulates most Atari 2600 peripheral devices, including standard joysticks, paddle controllers, the Atari Video Touch Pad, the Atari Keyboard Controller, Atari Indy 500 Driving Controllers, the CBS Booster-Grip controller, the CX-22/CX-80/AmigaMouse trackball controllers, the Sega Genesis controller, and the AtariVox and SaveKey controllers. Stelladaptor and 2600-daptor support allows real joysticks, paddles, and driving controllers to be used, and support is also included to access a real AtariVox device plugged into a serial port (and actually generate sound from the AtariVox device). Stella does not yet support the cassette-based titles designed to work with the Coleco KidVid cassette player but does have support for titles designed to work with the Starpath Supercharger and Spectravideo Compumate.
Stella includes many facilities for homebrew developers, including an extensive built-in interactive debugger and disassembler supporting breakpoints, read/write traps, etc. Other major features include Blargg TV effects, a cheatcode system, support for user-defined palette files, state loading/saving, hardware-accelerated rendering and effects, event remapping, and an extensive built-in, cross-platform user interface (including a ROM launcher frontend).
JStella, a translation of Stella into Java, allows the Stella emulation engine to run as a Java applet on a web page.
Stella es un emulador multiplataforma de Atari 2600 VCS, desarrollado bajo licencia GNU GPL. Estela fue desarrollado en principio para Linux por Bradford W. Mott. Tras el lanzamiento de la versión original, múltiples personas se han unido al equipo de desarrollo de Stella adaptándolo a otros sistemas operativos como AcornOS, AmigaOS, DOS, FreeBSD, IRIX, Linux, OS/2, MacOS, Unix, y Windows
El systema Atari 2600 Video Computer System (VCS), creado en 1977, fue el sistema de videojuegos más popular hasta los años 80.
Stella é um emulador do console Atari 2600.
Stella — эмулятор игровой приставки Atari 2600, разрабатываемый для платформ Amiga, Windows, Mac OS X,Linux, Windows CE/Mobile, Dreamcast, GP2X, Nintendo DS и Wii.
Stell поддерживает все схемы картриджей и практически все выпущенные игры для Atari 2600, включая варианты для видеосистем NTSC, PAL и SECAM с разверткой 50/60 Гц. В эмуляторе реализовано автодетектирование форматов через подсчет строк, генерируемых кадром. Также Stella эмулирует большинство периферийного оборудования Atari 2600, включая специфичные джойстики, пэддл-контроллеры, клавиатуры и мыши. Также в эмуляторе есть множество инструментов для создания и отладки собственных игры, включая отладчик и дизассемблер.
Биндинг для Java JStella позволяет запускать движок эмуляции Stella в качестве Java-апплета для веб-сайта.
- published: 25 Apr 2015
- views: 7
Антропов Алексей (1716-1795)
Антропов Алексей Петрович (1716—1795), выдающийся русский портретист. Сын оружейного мастера. С 1732 — ученик замечательных русских мастеров живописи — А. Матве...
Антропов Алексей Петрович (1716—1795), выдающийся русский портретист. Сын оружейного мастера. С 1732 — ученик замечательных русских мастеров живописи — А. Матвеева и И. Вишнякова. Принимал участие в декоративных росписях Зимнего (1744), Летнего (1748), Царскосельского (1749) и др. дворцов. Под руководством Антропова был расписан Андреевский собор в Киеве (1752—55). Заслуги молодого талантливого живописца были оценены, и с 1761 он был назначен в Синод — главным надзирателем живописных и иконописных работ. Однако в истории русского искусства Антропов остался прежде всего как замечательный портретист, творчество которого исходило из национальной традиции XVII века и портретного канона петровского времени, олицетворяя следующий этап в развитии русской портретной живописи XVIII века.
(Музыкальное сопровождение: Максим Березовский (1745-1777) - Соната до мажор для скрипки и клавесина II.Grave)
wn.com/Антропов Алексей (1716 1795)
Антропов Алексей Петрович (1716—1795), выдающийся русский портретист. Сын оружейного мастера. С 1732 — ученик замечательных русских мастеров живописи — А. Матвеева и И. Вишнякова. Принимал участие в декоративных росписях Зимнего (1744), Летнего (1748), Царскосельского (1749) и др. дворцов. Под руководством Антропова был расписан Андреевский собор в Киеве (1752—55). Заслуги молодого талантливого живописца были оценены, и с 1761 он был назначен в Синод — главным надзирателем живописных и иконописных работ. Однако в истории русского искусства Антропов остался прежде всего как замечательный портретист, творчество которого исходило из национальной традиции XVII века и портретного канона петровского времени, олицетворяя следующий этап в развитии русской портретной живописи XVIII века.
(Музыкальное сопровождение: Максим Березовский (1745-1777) - Соната до мажор для скрипки и клавесина II.Grave)
- published: 02 Dec 2014
- views: 25
Русский художник Никитин Иван Никитич (1680-1742)
Иван Никитич Никитин — «Персонных дел мастер», любимый художник Петра I, предмет его патриотической гордости перед иностранцами, «дабы знали, что есть и из н......
Иван Никитич Никитин — «Персонных дел мастер», любимый художник Петра I, предмет его патриотической гордости перед иностранцами, «дабы знали, что есть и из н...
wn.com/Русский Художник Никитин Иван Никитич (1680 1742)
Иван Никитич Никитин — «Персонных дел мастер», любимый художник Петра I, предмет его патриотической гордости перед иностранцами, «дабы знали, что есть и из н...
How to pronounce Raymonde (French/France) - PronounceNames.com
Audio and video pronunciation of Raymonde brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce nam...
Audio and video pronunciation of Raymonde brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Raymonde
wn.com/How To Pronounce Raymonde (French France) Pronouncenames.Com
Audio and video pronunciation of Raymonde brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Raymonde
- published: 25 Apr 2014
- views: 3
147. Иван Аргунов - Неизвестная крестьянка...
Сто сорок седьмой выпуск программы "Третьяковская галерея. История одного шедевра". Лучшее из мира живописи Вы можете увидеть в нашей группе http://vk.com/ru......
Сто сорок седьмой выпуск программы "Третьяковская галерея. История одного шедевра". Лучшее из мира живописи Вы можете увидеть в нашей группе http://vk.com/ru...
wn.com/147. Иван Аргунов Неизвестная Крестьянка...
Сто сорок седьмой выпуск программы "Третьяковская галерея. История одного шедевра". Лучшее из мира живописи Вы можете увидеть в нашей группе http://vk.com/ru...
How to pronounce Gorelov (Russian/Russia) - PronounceNames.com
Audio and video pronunciation of Gorelov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce name...
Audio and video pronunciation of Gorelov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gorelov
wn.com/How To Pronounce Gorelov (Russian Russia) Pronouncenames.Com
Audio and video pronunciation of Gorelov brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gorelov
- published: 25 Apr 2014
- views: 2
2.Взаимоотношения и совместимость в семье.
ПРЕДНАЗНАЧЕНИЕ ЖЕНЩИНЫ
Внутренняя сила - это способность уважать чужую музыку, но танцевать под собственную мелодию и слушать свою гармонию.
Руссы считали себя...
ПРЕДНАЗНАЧЕНИЕ ЖЕНЩИНЫ
Внутренняя сила - это способность уважать чужую музыку, но танцевать под собственную мелодию и слушать свою гармонию.
Руссы считали себя народом, исповедующим мудрость и высокую космическую любовь Лада – славянская богиня любви и красоты. Именем Лада древние славяне называли не только изначальную богиню любви, но и весь строй жизни — лад, где все должно было ладно, то есть хорошо. Все люди должны уметь ладить друг с другом.
Жена называла любимого ладо, а он ее — ладушкой. «Лады», — говорят люди, когда решили какое-то важное дело, а в древности ладником называли уговор о приданом: лады — помолвка, ладило — сват, ладканя — свадебная песня.
И даже оладьи, которые пекли по весне в честь возрождающейся жизни, от того же корня.
Тогда же пели:
Благослови, мати,
Ой мати Лада, мати!
Весну закликати…
И, конечно, мать Любовь давала свое благословение людям на призывание весны. Богиня Лада была известна многим европейским народам.
Литовцы и их соседи, летты, во время купальских празднеств славили Ладу. Они пели: «Lada, Lada, dido musu deve!» («Лada, Лада, великая наша богиня!») — и приносили в жертву белого петуха.
Когда в XII веке до н. э. дорийцы завоевали Грецию, то они принесли с собой культ Лады, чье имя на их языке означало Госпожа. С тех пор наша Лада прочно поселилась в древнегреческой мифологии, она даже раздвоилась, став, в первую очередь, титанидой Лето (в Риме ее называли Латоной), матерью Аполлона и Артемиды. Интересно, что Лето и ее дети оказывали помощь троянцам (родственному предкам русов народу) против ахейцев. Затем она же воплотилась в возлюбленную Зевса — Леду, родившую близнецов Диоскуров.
Почему мы можем утверждать, что Лето и Леда это и есть славянская Лада, что у них общего, кроме сходства имен? Во-первых, все три богини были связаны с культом белого лебедя, священного животного Лады, имя которой означало, кроме прочего, «лебедушка». Зевс именно по этой причине явился к Леде в виде белого лебедя. А литовцы приносили в жертву Ладе белого петуха как замену лебедя (в самом деле, сложно было в те времена в Литве найти лебедей). Обе гречанки, Лето и Леда, родили божественных близнецов, а у Лады тоже была двойня — Лель и Полель.
Сохранились сведения о том, что в дохристианские времена в нижней части Киева, на Подоле, стоял величественный храм Лады.
Лада – Женская ипостась Рода, Супруга Сварога. Богородица Лада – Матерь богов; Она же – Рожаница, «Матерь-Родиха», помогающая при родах, а также Богиня изобилия, созревания урожая и плодородия. Для верующих людей – Заступница пред богами: защищает от их гнева. Позднее, уже после крещения Руси, Ее приравняли к христианской Богородице.
Лада – Богиня брака, изобилия, времени созревания урожая.
wn.com/2.Взаимоотношения И Совместимость В Семье.
ПРЕДНАЗНАЧЕНИЕ ЖЕНЩИНЫ
Внутренняя сила - это способность уважать чужую музыку, но танцевать под собственную мелодию и слушать свою гармонию.
Руссы считали себя народом, исповедующим мудрость и высокую космическую любовь Лада – славянская богиня любви и красоты. Именем Лада древние славяне называли не только изначальную богиню любви, но и весь строй жизни — лад, где все должно было ладно, то есть хорошо. Все люди должны уметь ладить друг с другом.
Жена называла любимого ладо, а он ее — ладушкой. «Лады», — говорят люди, когда решили какое-то важное дело, а в древности ладником называли уговор о приданом: лады — помолвка, ладило — сват, ладканя — свадебная песня.
И даже оладьи, которые пекли по весне в честь возрождающейся жизни, от того же корня.
Тогда же пели:
Благослови, мати,
Ой мати Лада, мати!
Весну закликати…
И, конечно, мать Любовь давала свое благословение людям на призывание весны. Богиня Лада была известна многим европейским народам.
Литовцы и их соседи, летты, во время купальских празднеств славили Ладу. Они пели: «Lada, Lada, dido musu deve!» («Лada, Лада, великая наша богиня!») — и приносили в жертву белого петуха.
Когда в XII веке до н. э. дорийцы завоевали Грецию, то они принесли с собой культ Лады, чье имя на их языке означало Госпожа. С тех пор наша Лада прочно поселилась в древнегреческой мифологии, она даже раздвоилась, став, в первую очередь, титанидой Лето (в Риме ее называли Латоной), матерью Аполлона и Артемиды. Интересно, что Лето и ее дети оказывали помощь троянцам (родственному предкам русов народу) против ахейцев. Затем она же воплотилась в возлюбленную Зевса — Леду, родившую близнецов Диоскуров.
Почему мы можем утверждать, что Лето и Леда это и есть славянская Лада, что у них общего, кроме сходства имен? Во-первых, все три богини были связаны с культом белого лебедя, священного животного Лады, имя которой означало, кроме прочего, «лебедушка». Зевс именно по этой причине явился к Леде в виде белого лебедя. А литовцы приносили в жертву Ладе белого петуха как замену лебедя (в самом деле, сложно было в те времена в Литве найти лебедей). Обе гречанки, Лето и Леда, родили божественных близнецов, а у Лады тоже была двойня — Лель и Полель.
Сохранились сведения о том, что в дохристианские времена в нижней части Киева, на Подоле, стоял величественный храм Лады.
Лада – Женская ипостась Рода, Супруга Сварога. Богородица Лада – Матерь богов; Она же – Рожаница, «Матерь-Родиха», помогающая при родах, а также Богиня изобилия, созревания урожая и плодородия. Для верующих людей – Заступница пред богами: защищает от их гнева. Позднее, уже после крещения Руси, Ее приравняли к христианской Богородице.
Лада – Богиня брака, изобилия, времени созревания урожая.
- published: 24 Jun 2015
- views: 1
Pierre-Auguste Renoir Paintings!
Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development o...
Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–69). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.
Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.
His initial paintings show the influence of the colorism of Eugène Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Édouard Manet, and his early work resembles theirs in his use of black as a color. Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th-century master François Boucher.
A fine example of Renoir's early work and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work; the figure carefully observed, solidly modeled and superimposed upon a contrived landscape. If the work is a "student" piece, Renoir's heightened personal response to female sensuality is present. The model was Lise Tréhot, the artist's mistress at that time, and inspiration for a number of paintings.
In the late 1860s, through the practice of painting light and water en plein air (outdoors), he and his friend Claude Monetdiscovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them, an effect known today as diffuse reflection. Several pairs of paintings exist in which Renoir and Monet worked side-by-side, depicting the same scenes (La Grenouillère, 1869).
One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Bal du moulin de la Galette). The painting depicts an open-air scene, crowded with people at a popular dance garden on the Butte Montmartre close to where he lived. The works of his early maturity were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined formal technique to portraits and figure paintings, particularly of women. It was a trip to Italy in 1881, when he saw works by Raphael and otherRenaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style in an attempt to return to classicism. Concentrating on his drawing and emphasizing the outlines of figures, he painted works such as The Large Bathers (1884–87; Philadelphia Museum of Art) during what is sometimes called his "Ingresperiod".
After 1890 he changed direction again. To dissolve outlines, as in his earlier work, he returned to thinly brushed color. From this period onward he concentrated on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1887. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes.
A prolific artist, he created several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently reproduced works in the history of art. The single largest collection of his works—181 paintings in all—is at the Barnes Foundation, inPhiladelphia.
In 1919, Ambroise Vollard, a renowned art dealer, published a book on the life and work of Renoir, La Vie et l'Œuvre de Pierre-Auguste Renoir, in an edition of 1000 copies. In 1986, Vollard's heirs started reprinting the copper plates, generally etchings with hand applied watercolor. These prints are signed by Renoir in the plate and are embossed "Vollard" in the lower margin. They are not numbered, dated or signed in pencil.
Two of Renoir's paintings have sold for more than US$70 million. Bal au moulin de la Galette sold for $78.1 million in 1990.
In 2012, Renoir's Paysage bord du Seine was offered for sale at auction but the painting was discovered to have been stolen from the Baltimore Museum of Art in 1951. The sale was cancelled.
wn.com/Pierre Auguste Renoir Paintings
Pierre-Auguste Renoir, commonly known as Auguste Renoir (25 February 1841 – 3 December 1919), was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty, and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau."
He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–69). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.
Renoir's paintings are notable for their vibrant light and saturated color, most often focusing on people in intimate and candid compositions. The female nude was one of his primary subjects. In characteristic Impressionist style, Renoir suggested the details of a scene through freely brushed touches of color, so that his figures softly fuse with one another and their surroundings.
His initial paintings show the influence of the colorism of Eugène Delacroix and the luminosity of Camille Corot. He also admired the realism of Gustave Courbet and Édouard Manet, and his early work resembles theirs in his use of black as a color. Renoir admired Edgar Degas' sense of movement. Another painter Renoir greatly admired was the 18th-century master François Boucher.
A fine example of Renoir's early work and evidence of the influence of Courbet's realism, is Diana, 1867. Ostensibly a mythological subject, the painting is a naturalistic studio work; the figure carefully observed, solidly modeled and superimposed upon a contrived landscape. If the work is a "student" piece, Renoir's heightened personal response to female sensuality is present. The model was Lise Tréhot, the artist's mistress at that time, and inspiration for a number of paintings.
In the late 1860s, through the practice of painting light and water en plein air (outdoors), he and his friend Claude Monetdiscovered that the color of shadows is not brown or black, but the reflected color of the objects surrounding them, an effect known today as diffuse reflection. Several pairs of paintings exist in which Renoir and Monet worked side-by-side, depicting the same scenes (La Grenouillère, 1869).
One of the best known Impressionist works is Renoir's 1876 Dance at Le Moulin de la Galette (Bal du moulin de la Galette). The painting depicts an open-air scene, crowded with people at a popular dance garden on the Butte Montmartre close to where he lived. The works of his early maturity were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined formal technique to portraits and figure paintings, particularly of women. It was a trip to Italy in 1881, when he saw works by Raphael and otherRenaissance masters, that convinced him that he was on the wrong path, and for the next several years he painted in a more severe style in an attempt to return to classicism. Concentrating on his drawing and emphasizing the outlines of figures, he painted works such as The Large Bathers (1884–87; Philadelphia Museum of Art) during what is sometimes called his "Ingresperiod".
After 1890 he changed direction again. To dissolve outlines, as in his earlier work, he returned to thinly brushed color. From this period onward he concentrated on monumental nudes and domestic scenes, fine examples of which are Girls at the Piano, 1892, and Grandes Baigneuses, 1887. The latter painting is the most typical and successful of Renoir's late, abundantly fleshed nudes.
A prolific artist, he created several thousand paintings. The warm sensuality of Renoir's style made his paintings some of the most well-known and frequently reproduced works in the history of art. The single largest collection of his works—181 paintings in all—is at the Barnes Foundation, inPhiladelphia.
In 1919, Ambroise Vollard, a renowned art dealer, published a book on the life and work of Renoir, La Vie et l'Œuvre de Pierre-Auguste Renoir, in an edition of 1000 copies. In 1986, Vollard's heirs started reprinting the copper plates, generally etchings with hand applied watercolor. These prints are signed by Renoir in the plate and are embossed "Vollard" in the lower margin. They are not numbered, dated or signed in pencil.
Two of Renoir's paintings have sold for more than US$70 million. Bal au moulin de la Galette sold for $78.1 million in 1990.
In 2012, Renoir's Paysage bord du Seine was offered for sale at auction but the painting was discovered to have been stolen from the Baltimore Museum of Art in 1951. The sale was cancelled.
- published: 27 Apr 2015
- views: 6
How to pronounce Gounod (French/France) - PronounceNames.com
Audio and video pronunciation of Gounod brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names...
Audio and video pronunciation of Gounod brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gounod
wn.com/How To Pronounce Gounod (French France) Pronouncenames.Com
Audio and video pronunciation of Gounod brought to you by Pronounce Names (http://www.PronounceNames.com), a website dedicated to helping people pronounce names correctly. For more information about this name, such as gender, origin, etc., go to http://www.PronounceNames.com/Gounod
- published: 25 Apr 2014
- views: 11
Русский художник Аргунов Яков Иванович
Не столь известный, как его отец и братья, Яков Иванович Аргунов все же получил от Академии художеств звание "назначенного" в академики. Это было признанием ......
Не столь известный, как его отец и братья, Яков Иванович Аргунов все же получил от Академии художеств звание "назначенного" в академики. Это было признанием ...
wn.com/Русский Художник Аргунов Яков Иванович
Не столь известный, как его отец и братья, Яков Иванович Аргунов все же получил от Академии художеств звание "назначенного" в академики. Это было признанием ...
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Chemtrails Activity Has Increased
According to the chemtrail conspiracy theory, long-lasting trails left in the sky by high-flying aircraft are chemical orbiological agents deliberately sprayed for sinister purposes undisclosed to the general public. Believers in the theory argue that normal contrails dissipate relatively quickly, and contrails that do not dissipate must contain additional substances. These arguments have been dis
Chemtrails Activity Has Increased
According to the chemtrail conspiracy theory, long-lasting trails left in the sky by high-flying aircraft are chemical orbiological agents deliberately sprayed ...
According to the chemtrail conspiracy theory, long-lasting trails left in the sky by high-flying aircraft are chemical orbiological agents deliberately sprayed for sinister purposes undisclosed to the general public. Believers in the theory argue that normal contrails dissipate relatively quickly, and contrails that do not dissipate must contain additional substances. These arguments have been dismissed by the scientific community: such trails are simply normal water-based contrails (condensation trails) which are routinely left by high-flying aircraft under certain atmospheric conditions. Although proponents have attempted to prove that the claimed chemical spraying does take place, their analyses have been flawed or based on misconception.
Because of the widespread popularity of the conspiracy theory, official agencies have received many inquiries from people demanding an explanation. Scientists and government officials around the world have repeatedly needed to confirm that supposed chemtrails are in fact normal contrails.
The term chemtrail is a portmanteau of the words "chemical" and "trail", just as contrail is a contraction of "condensation trail". Believers in the conspiracy theory speculate that the purpose of the claimed chemical release may be for solar radiation management, psychological manipulation, human population control, weather modification, or biological or chemical warfare, and that the trails are causing respiratory illnesses and other health problems. Contrails are formed at high altitudes (5–10 miles or 8–16 kilometres) and if any chemicals were released at such altitude they would disperse harmlessly and fall many hundreds of miles away, or degrade before touching the ground.
In 1996, a chemtrail conspiracy theory began to circulate when the United States Air Force (USAF) was accused of "spraying the U.S. population with mysterious substances" from aircraft "generating unusual contrail patterns." The USAF says these accusations were a hoax fueled in part by citations to a strategy paper drafted within their Air University entitled Weather as a Force Multiplier: Owning the Weather in 2025. The paper was presented in response to a military directive to outline a future strategic weather modification system for the purpose of maintaining the United States' military dominance in the year 2025, and identified as "fictional representations of future situations/scenarios." The USAF further clarified that the paper "does not reflect current military policy, practice, or capability," and that it is "not conducting any weather modification experiments or programs and has no plans to do so in the future." Additionally, the USAF states that the "'Chemtrail' hoax has been investigated and refuted by many established and accredited universities, scientific organizations, and major media publications." The conspiracy theory is seldom covered by the mainstream media, and when it is, it is usually cast as an example of anti-government paranoia.
An article in the Skeptical Inquirer said that the conspiracy theory was first started in the 1990s by "investigative journalists" such as William Thomas, and then promoted on the late-night radio shows of Art Bell. The proponents claim that after 1995 contrails had a different chemical composition and lasted a lot longer on the sky; proponents never acknowledge the photographs of long-lasting contrails dating as far back as World War II.
In the United Kingdom, when the Secretary of State for Environment, Food and Rural Affairs was asked "what research her Department has undertaken into the polluting effects of chemtrails for aircraft," the response was that "the Department is not researching into chemtrails from aircraft as they are not scientifically recognised phenomena," and that work was being conducted to understand "how contrails are formed and what effects they have on the atmosphere."
In a response to a petition by concerned Canadian citizens regarding "chemicals used in aerial sprayings are adversely affecting the health of Canadians," the Government House Leader responded by stating, "There is no substantiated evidence, scientific or otherwise, to support the allegation that there is high altitude spraying conducted in Canadian airspace. The term 'chemtrails' is a popularised expression, and there is no scientific evidence to support their existence." The house leader goes on to say that "it is our belief that the petitioners are seeing regular airplane condensation trails, or contrails."
Chemtrail (do inglês chemical trail, "trilha química") é uma teoria da conspiração que sustenta que os rastros deixados por alguns aviões são na verdade trilhas químicas, deliberadamente pulverizadas a grandes altitudes, com propósitos de controle do clima, causando danos à saúde da população. Chemtrails Activity Has Increased
wn.com/Chemtrails Activity Has Increased
According to the chemtrail conspiracy theory, long-lasting trails left in the sky by high-flying aircraft are chemical orbiological agents deliberately sprayed for sinister purposes undisclosed to the general public. Believers in the theory argue that normal contrails dissipate relatively quickly, and contrails that do not dissipate must contain additional substances. These arguments have been dismissed by the scientific community: such trails are simply normal water-based contrails (condensation trails) which are routinely left by high-flying aircraft under certain atmospheric conditions. Although proponents have attempted to prove that the claimed chemical spraying does take place, their analyses have been flawed or based on misconception.
Because of the widespread popularity of the conspiracy theory, official agencies have received many inquiries from people demanding an explanation. Scientists and government officials around the world have repeatedly needed to confirm that supposed chemtrails are in fact normal contrails.
The term chemtrail is a portmanteau of the words "chemical" and "trail", just as contrail is a contraction of "condensation trail". Believers in the conspiracy theory speculate that the purpose of the claimed chemical release may be for solar radiation management, psychological manipulation, human population control, weather modification, or biological or chemical warfare, and that the trails are causing respiratory illnesses and other health problems. Contrails are formed at high altitudes (5–10 miles or 8–16 kilometres) and if any chemicals were released at such altitude they would disperse harmlessly and fall many hundreds of miles away, or degrade before touching the ground.
In 1996, a chemtrail conspiracy theory began to circulate when the United States Air Force (USAF) was accused of "spraying the U.S. population with mysterious substances" from aircraft "generating unusual contrail patterns." The USAF says these accusations were a hoax fueled in part by citations to a strategy paper drafted within their Air University entitled Weather as a Force Multiplier: Owning the Weather in 2025. The paper was presented in response to a military directive to outline a future strategic weather modification system for the purpose of maintaining the United States' military dominance in the year 2025, and identified as "fictional representations of future situations/scenarios." The USAF further clarified that the paper "does not reflect current military policy, practice, or capability," and that it is "not conducting any weather modification experiments or programs and has no plans to do so in the future." Additionally, the USAF states that the "'Chemtrail' hoax has been investigated and refuted by many established and accredited universities, scientific organizations, and major media publications." The conspiracy theory is seldom covered by the mainstream media, and when it is, it is usually cast as an example of anti-government paranoia.
An article in the Skeptical Inquirer said that the conspiracy theory was first started in the 1990s by "investigative journalists" such as William Thomas, and then promoted on the late-night radio shows of Art Bell. The proponents claim that after 1995 contrails had a different chemical composition and lasted a lot longer on the sky; proponents never acknowledge the photographs of long-lasting contrails dating as far back as World War II.
In the United Kingdom, when the Secretary of State for Environment, Food and Rural Affairs was asked "what research her Department has undertaken into the polluting effects of chemtrails for aircraft," the response was that "the Department is not researching into chemtrails from aircraft as they are not scientifically recognised phenomena," and that work was being conducted to understand "how contrails are formed and what effects they have on the atmosphere."
In a response to a petition by concerned Canadian citizens regarding "chemicals used in aerial sprayings are adversely affecting the health of Canadians," the Government House Leader responded by stating, "There is no substantiated evidence, scientific or otherwise, to support the allegation that there is high altitude spraying conducted in Canadian airspace. The term 'chemtrails' is a popularised expression, and there is no scientific evidence to support their existence." The house leader goes on to say that "it is our belief that the petitioners are seeing regular airplane condensation trails, or contrails."
Chemtrail (do inglês chemical trail, "trilha química") é uma teoria da conspiração que sustenta que os rastros deixados por alguns aviões são na verdade trilhas químicas, deliberadamente pulverizadas a grandes altitudes, com propósitos de controle do clima, causando danos à saúde da população. Chemtrails Activity Has Increased
- published: 25 Apr 2015
- views: 6