Django Unchained (2012)

Actors: Walton Goggins (actor), Samuel L. Jackson (actor), J.D. Evermore (actor), Jamie Foxx (actor), Jonah Hill (actor), Gary Grubbs (actor), Bruce Dern (actor), Ned Bellamy (actor), Robert Carradine (actor), Leonardo DiCaprio (actor), Michael Bowen (actor), Edrick Browne (actor), M.C. Gainey (actor), Don Johnson (actor), John Jarratt (actor),

Plot: Former dentist, Dr. King Schultz, buys the freedom of a slave, Django, and trains him with the intent to make him his deputy bounty hunter. Instead, he is led to the site of Django's wife who is under the hands of Calvin Candie, a ruthless plantation owner.

Keywords: 1850s, 19th-century, actor-playing-multiple-roles, actor-plays-multiple-roles, alias, ambush, animal-attack, australian, bag-over-head, ball-peen-hammer
Genres: Adventure, Drama, Western,
Taglines: Life, liberty and the pursuit of vengeance. This Christmas, Django is off the chain. The "D" is Silent. Payback Won't Be.

Quotes:

Django: [upon being asked his name] Django. The D is silent.

Calvin Candie: [to Django and Schultz] Gentlemen, you had my curiosity. But now you have my attention.

Dr. King Schultz: How do you like the bounty hunting business?::Django: Kill white people and get paid for it? What's not to like?

Calvin Candie: [about Django] He is a rambunctious sort, ain't he?

Django: [to Big John Brittle] I like the way you die, boy.

Betina: [from trailer] So you're really free?::Django: Yes.::Betina: You mean, you wanna dress like that ?

Calvin Candie: [to Schultz] Come on over. We got us a fight going on that's a good bit of fun.

Stephen: You said you ain't know him.::Broomhilda: Huh?::Stephen: I said, "You said you ain't know him."::Broomhilda: I don't.::Stephen: Yes, you do.::Broomhilda: Mister Stephen, I don't.::Stephen: Why is you lying to me?::Broomhilda: [on the verge of tears] I ain't.::Stephen: Then why is you cryin'?::Broomhilda: You scaring me.::Stephen: Why is I'm scarin' you?::Broomhilda: Because you're scary.

Stephen: I count six shots, nigger.::Django: [pulls out a second revolver] I count two guns, nigger.

Billy Crash: [after Django attacks one of Candie's men, pulling him off his horse] Oh, you are one lucky nigger!::Django: You better listen to your boss, white boy!::Billy Crash: Oh, I'ma go walkin' in the moonlight with you!::Django: You wanna hold me hand? [Billy Crash laughs]

Just Sampling (2009)

Actors: Scott Hellon (actor), Jon Proudstar (director), Jon Proudstar (writer), Jon Proudstar (producer), Jon Proudstar (actor), Julio Garcia (actor), Michael Ortiz (actor), Constantine Kyriakakis (editor), Juan Heinrich (editor), Erik Hovda (actor), Juan Heinrich (actor), Constantine Kyriakakis (actor), Michael Flores (actor), Joe Jones (actor), Sonia Campbell (actress),

Genres: Drama,

Krokodillerne (2008)

Actors: Kim Sønderholm (actor), Mads Koudal (actor), Ole Ernst (actor), Erik Holmey (actor), Allan Olsen (actor), Thomas Biehl (actor), Thomas Biehl (producer), Thomas Biehl (miscellaneous crew), Thomas Biehl (miscellaneous crew), Poul Thomsen (actor), Melany Denise (actress), Claus Lund (writer), Claus Lund (producer), Claus Lund (actor), Sami Darr (actor),

Plot: Four losers hustling through the world of petty crime in provincial Randers. They claim they work at the Randers Rainforest, home to a variety of exotic animals - but it is just a cover story. One day a rather dubious job goes horribly wrong, and before long our four 'heroes' are being chased relentlessly by the entire entourage of criminals the city has to offer.

Keywords: action-hero, buddy-movie, danish, mob-action, randers-denmark
Genres: Action, Comedy,

Pusher (1996)

Actors: Peter Andersson (actor), Kim Bodnia (actor), Peter Aalbæk Jensen (producer), Mads Mikkelsen (actor), Gordon Kennedy (actor), Ann Køj (miscellaneous crew), Thomas Bo Larsen (actor), Povl Kristian (composer), Nicolas Winding Refn (actor), Nicolas Winding Refn (writer), Nicolas Winding Refn (director), Zlatko Buric (actor), Martin Abildgaard (producer), Anne Østerud (editor), Lars Bom (actor),

Plot: Frank is a drug pusher on the roll until he makes a huge deal with dope that he hasn't paid for and he gets busted by the police. He manages to dump the dope in a nearby lake but he owes his supplier a lot of money (not a nice guy to owe money to). Now we follow Frank in his quest to raise money in the underworld of Copenhagen.

Keywords: cocaine, copenhagen-denmark, denmark, disco, dog, drug-addict, drug-dealer, drug-dealing, drug-pusher, drug-snorting
Genres: Crime, Thriller,
Taglines: You don't have a chance. Seize it! Du har ikke en chance. Grib den.

Quotes:

Tonny: Hey fish! Do you often get pussy?

Milo: Frank, are you fucking with me?

Vic: What are you watching?::Frank: Just some stupid movie with Johnny Depp.::Vic: Who's that?

Frank: [while beating a junkie] Can't you see I'm talking on the phone? You fucking junkie!

Tonny: I once ejaculated a girl in the face, and she wanted me to piss it off.::Frank: Wait a minute, wait a minute. You ejaculated a girl in the face, and she wanted you to piss it off?::Tonny: Yeah.::Frank: [laughing] Pervert! That's fucking sick!::Tonny: It is not?::Frank: It's fucking sick, man. Who was she?::Tonny: Your mother.

Frank: [pulls a gun] I need your money and your drugs.::Mike: Oh, man. Now you've lost it.

Tonny: [after snorting some coke] I need to have a shit!

Radovan: For instance, there was this Turkish guy once. He fucked up and owed Milo some money. So I went over to his place. I'd been there many times before, asking for the money in a polite way, without any luck. Finally, I took a knife, stabbed it in his kneecap and teared the shit up. Sometimes, I'd like to have another job. Believe me.

Frank: What the fuck is this?::Brian: What does it look like?::Frank: It's a gun. What's a gun doing here? [throws the gun to Tonny]::Brian: Can I get it back?::Frank: No, not right now.

Tonny: What's with you and Vic?::Frank: I'm fucking her.::Tonny: Is she "the one"?::Frank: No. She's a hooker. My girlfriend shouldn't be a hooker.::Tonny: Is she wild in bed?::Frank: Yeah, she's alright.::Tonny: Does she moan alot?::Frank: I'm not fucking telling you.

Iisa pa lamang (1992)

Actors: Jose Javier Reyes (writer), Lily Y. Monteverde (producer), June T. Rufino (producer), Dawn Zulueta (actress), Archie Adamos (actor), Carmina Villaroel (actress), Barbara Perez (actress), Eddie Gutierrez (actor), Manny Castañeda (actor), Jeffrey Santos (actor), Richard Gomez (actor), Eva Darren (actress), Noel Trinidad (actor), Lloyd Samartino (actor), Nonong Buencamino (composer),

Genres: Drama, Romance,

The Women of Brewster Place (1989)

Actors: Oprah Winfrey (producer), David Shire (composer), Jackée Harry (actress), Robin Givens (actress), Lynn Whitfield (actress), Oprah Winfrey (actress), Robin Givens (actress), Clark Johnson (actor), Phill Lewis (actor), Glenn Plummer (actor), Leon (actor), Paul Winfield (actor), Cicely Tyson (actress), Jerrold L. Ludwig (editor), Moses Gunn (actor),

Plot: Based on the novel by Gloria Naylor, which deals with several strong-willed women who live in a rundown housing project on Brewster Place in an unidentified eastern city; across three decades, they struggle against poverty, bigotry, and weak, troublesome men.

Keywords: 1960s, abuse, african-american, based-on-book, based-on-novel, black-american, block-party, closet-lesbian-relationship, compassion, ensemble
Genres: Drama,
Taglines: Seven Women. Seven Lives Hanging in the Balance.

Quotes:

Etta Mae: [re babies] All yours. Built-in heartache for the next twenty years!::Mattie Michael: [reprovingly] Etta...::Etta Mae: Now me, when I want ready-made trouble, I dig up a handsome man. No diapers to change, and I walk when I'm ready.

Mattie Michael: [referring to Etta's Mae's flirtation with Reverend Woods] If you had batted your eyelashes any faster, we'd have had a dust storm up in there.::Etta Mae: You said you wanted me to meet some nice men. Well, I met one.::Mattie Michael: Etta, I meant a man who'd be serious about settling down with you. Why, you're going on like a schoolgirl. Can't you see what he's got in mind?::Etta Mae: [in a cold yet angry tone] The only thing I see is that you're telling me I'm not good enough for a man like that. Oh, no, not Etta Johnson. No upstanding decent man could ever see anything in her but a quick good time. Well, I'll tell you something Mattie Michael. I've always traveled first class, maybe not in the way you'd approve of with all your fine Christian principles, but it's done all right by me. And I'm gonna keep top drawer till I leave this earth. Don't you think I got a mirror? Each year there's a new line to cover. I lay down with this body and get up with it every morning. And each morning it cries for just a little more rest than it did the day before. Well, I'm finally gonna get that rest and it's going to be with a man like Reverend Woods. And you and the rest of those slack-mouthed gossips be damned! They'll be humming a different tune when I show up there the wife of a big preacher. I've always known what they say about me behind my back, but I never thought you were right in there with them.

Mattie Michael: [Etta Mae flirtatiously accepts an invitation to dance] Woman, you better stay here and act your age.::Etta Mae: Ooh, I'm acting it. 35!::Mattie Michael: Hm! You've got regrets older than that.

Mattie Michael: Ciel, I promise you, if you leave this world, it'll be over my dead body!

Mattie Michael: Ain't that the story. Colored folks try to do a little something, somebody come along and throw up a wall.::Kiswana: Well, why don't you do something about it?::Mattie Michael: What I'm supposed to do? I could tear down this wall with my bare hands; they'd just send somebody in the next day to put it up again.::Kiswana: But at least you would have done something!::Mattie Michael: Ain't no use. You're young. You'll see what I mean.::Kiswana: No, I won't. That's the difference between you and me.

Ciel: [while sobbing intensely] I ain't got nothing to live for, Mattie!::Mattie Michael: [wraps arms around Ciel] That ain't true, baby. You got youself. You got yourself.

Theresa: Lorraine, you're a lesbian. Do you understand that word? A butch, a dyke, a lesbo, all those things that kid was shouting. Yes, I heard him! And you can run in all the basements in the world, and it won't change that, so why don't you accept it?::Lorraine: [angrily] I have accepted it! I've accepted it all my life, and it's nothing I'm ashamed of. I lost a father because I refused to be ashamed of it, but it doesn't make me different from anyone else in the world!::Theresa: It makes you damned different!::Lorraine: [jerking open bottom drawer of her dresser and pulling out her underwear] Do you see this? There are two things that have been constant in my life since I was sixteen years old: beige bras and oatmeal. The day before I first fell in love with a woman, I got up, had oatmeal for breakfast, and put on a beige bra. I was no different the day before or after that happened, Tee.::Theresa: And what did you do when you went to school that next day, Lorraine? Did you stand around the gym locker and swap stories with the other girls about this new love in your life, huh? While they were bragging about their boyfriends and the fifty dozen ways they had lost their virginity, did you jump in and say, 'Oh, but you should have seen the one I gave it up to last night?' Huh? Did you? Did you?::[grabbing Lorraine's underwear]::Theresa: You with your beige bras and oatmeal! Why didn't you stand in that locker room and pass around a picture of this great love in your life?::Lorraine: [quietly] Because they wouldn't have understood.::Theresa: That's right! There go your precious 'theys' again. They wouldn't undertand, not in Detroit, not on Brewster Place, not anywhere! And as long as they own the whole damn world, it's them and us, Sister! Them and us. And that spells different!

Fannie Michael: [having grabbed a shotgun after witnessing her husband beat Mattie] So help me Jesus, Sam! Hit my child again, and I'll meet you soul in hell!

Kiswana: Melanie, what help are you going to be to these people on Brewster while you're living hand-to-mouth on file-clerk jobs waiting for a revolution? You're wasting your talents, child.::Mrs. Browne: Well, I don't think they're being wasted. At least I'm here in day-to-day contact with my people. What good would I be after four or five years of a lot of white brainwashing in some phony, prestige institution, huh? I'd be like you and Daddy and those other educated blacks sitting over there in Linden Hills with a terminal case of middle-class amnesia.::Mrs. Browne: You don't have to live in a slum to be concerned about social conditions, Melanie. Your father and I have been charter members of the NAACP for the last twenty-five years.::Kiswana: [rolling her eyes] Oh, God! THAT'S being concerned? That middle-of-the-road, Uncle Tom dumping ground for Black Republicans!::Mrs. Browne: You can sneer all you want, young lady, but that organization has been working for black people since the turn of the century, and it's still working for them. Where are all those radical groups of yours that were going to put a Cadillac in every garage and Dick Gregory in the White House? I'll tell you where. They burned themselves out because they wanted too much too fast. Their goals weren't grounded in reality. And that's always been your problem.::Kiswana: What do you mean, my problem? I know exactly what I'm about.::Mrs. Browne: No, you don't. You constantly live in a fantasy world, always going to extremes, turning butterflies into eagles, and life isn't about that. It's accepting what is and working from that. Lord, I remember how worried you had me, putting all that lacquered hair spray on your head. I thought you were going to get lung cancer, trying to be what you're not.::Kiswana: [in a frustrated tone] Oh, God, I can't take this anymore. Trying to be something I'm not, trying to be something I'm not, Mama? Trying to be proud of my heritage and the fact that I was of African descent. If that's being what I'm not then I say fine. But I'd rather be dead than be like you: a white man nigger who's ashamed of being black!::Mrs. Browne: [grabs Kiswana and stares into her eyes, speaking fiercely] My grandmother was a full-blooded Iroquois, and my grandfather a free black from a long line of journeymen who had lived in Connecticut since the establishment of the colonies. And my father was a Bajan who came to this country as a cabin boy on a merchant mariner.::Kiswana: [quietly] I know all that.::Mrs. Browne: [squeezing Kiswana even tighter] Then, know this. I am alive because of the blood of proud people who never scraped or begged or apologized for what they were. They lived asking for only one thing of this world: to be allowed to be. And I learned through the blood of these people that black isn't beautiful and it isn't ugly; black is! It's not kinky hair and it's not straight hair; it just is. It broke my heart when you changed your name. I gave you my grandmother name, a woman who bore nine children and educated them all, who held off six white men with a shotgun when they tried to drag one of her sons to jail for 'not knowing his place.' Yet you needed to reach into an African dictionary to make you proud. When I brought my babies home from the hospital, my ebony son and my golden daughter, I swore before whatever gods would listen, those of my mother's people or those of my father's people, that I would use everything I had and could ever get to see that my children were prepared to meet this world on its own terms, so that on one could sell them short and make them ashamed of what they were or how they looked, whatever they were or however they looked. And Melanie, that's not being white or red or black. That's being a mother.

Kiswana: [while examining one of Cora Lee's children, who has just injured himself] There's a big knot coming up on the side of his head; maybe we should take him...::Cora Lee: It'll go down. [after seeing the expression on Kiswana's face] Look, if I ran to the hospital every time one of these kids bumps their heads or scrapes their knee, I'd spend the rest of my life in those emergency rooms.

Palavras Cruzadas (1986)

Actors: Armando Cortez (actor), Rui Luís (actor), Tozé Martinho (writer), Nicolau Breyner (director), Manuela Maria (actress), Tozé Martinho (actor), Luís Esparteiro (actor), Nicolau Breyner (actor), Rosa Lobato Faria (actress), Adelaide João (actress), Fernando Mendes (actor), Álvaro Faria (actor), Rita Ribeiro (actress), Luísa Barbosa (actress), Carlos César (actor),

Genres: ,

Profesión, ama de casa (1979)

Actors: Betiana Blum (actress), Luis Medina Castro (actor), Susana Campos (actress), Amalia Bernabé (actress), Arturo Maly (actor), María Rosa Gallo (actress), Irma Córdoba (actress), Alfonso De Grazia (actor), Mariana Karr (actress), Raúl Rizzo (actor), Alicia Aller (actress), Carlos Calvo (actor), Susana Lanteri (actress), Menchu Quesada (actress), Gustavo Rey (actor),

Genres: Drama, Romance,

Bel Amy (1972)

Actors: Ody Fraga (writer), Abrahão Farc (actor), Joana Fomm (actress), Fúlvio Stefanini (actor), Luiz Carlos de Moraes (actor), Rildo Gonçalves (actor), Marisa Sanches (actress), Leonor Lambertini (actress), Tereza Teller (actress), Maysa Matarazzo (actress), Eleonor Bruno (actress), Cynira Arruda (actress), Lilian Novaes (actress), Leonardo Lambertini (actor),

Genres: ,

Sluzavka (1969)

Actors: Ruzica Sokic (actress), Tasko Nacic (actor), Miodrag Radovanovic (actor), Dara Calenic (actress), Rahela Ferari (actress), Gerard Rekers (writer), Gerard Rekers (director), Danka Pavlovic (costume designer), Nada Kasapic (actress), Aleksandra Nikolic (actress), Srboljub Milin (actor), Herman Heijermans (writer), Jelena Gencic (miscellaneous crew), Aleksandar Cetkovic (editor), Jelena Zeckovic (writer),

Genres: Comedy,