- published: 06 Dec 2022
- views: 740
Milton J. "Milt" Franklyn (September 16, 1897 – April 24, 1962) was a musical composer and arranger who worked on the Warner Bros. Looney Tunes animated cartoons.
Franklyn moved from New York to Salt Lake City at the age of three, where he went to high school and finished one year at the University of Utah. He was the state junior tennis champion in Utah for six years. The next two years were spent at the University of California, Berkeley, then he began a term at Pennsylvania University when he was called to service in World War One. Franklyn did not serve overseas; he trained as a naval officer for three months and then the Armistice was signed on November 11, 1918. He returned to Berkeley to finish his education.
As Franklyn could play a number of instruments, he joined a band in San Francisco and for the next few years played at the Palace and St. Francis hotels. He began his own nine-piece orchestra, known at various times as the Peninsula Band, the Super Soloists, and the Merrimakers, and appeared in San Mateo (1926 to June 1927), where he also owned a music store, and San Jose (1928 to January 1929), where he was Master of Ceremonies and wrote revues for the California Theatre before moving on to Fresno and Oakland. For two years he was emcee with Fanchon and Marco at Fox West Coast in San Diego; musical director and emcee with Paramount Publix Corporation, travelling to Seattle, Denver, Houston and Toledo; and finally worked on the Loew's circuit in Providence, Rhode Island and New York City from 1933 to 1935. Franklyn quit vaudeville to go to Hollywood in 1935 and spent a year doing occasional work.
Honey's Money is a 1962 Merrie Melodies animated short starring Yosemite Sam. Honey's Money is a remake of the 1950s shorts "His Bitter Half" and "Hare Trimmed." In The Bitter Half short, Daffy married a woman duck for money, but is thrown for a loop when the wife (who in Honey's Money is merely known as The Wealthy Widow) immediately becomes a nag and forces him to spend quality time with a son she didn't previously reveal. The same basic situation appears in Honey's Money, with Yosemite Sam in Daffy's place, a different design for the son, Wentworth, and some different gags. Additionally, the personalities of the two Wentworths—the innocent, dim-witted hulk of a child in "Honey's Money," vs. the brat featured in "His Bitter Half"—are different, which results in different executions of both cartoons. In addition some of the features from "Hare Trimmed" are added but without Bugs Bunny.
Sam learns that a local widow has inherited $5 million and plans to marry her, after which he plans to kick his wife out, close the orphanage and get rid of the police department (just like he tried to do in Hare Trimmed). Sam finds out that the woman is an ugly hag and tries to run, but when the woman says now has someone to help spend her money, he agrees to marry her. Sam is quickly turned into a maid, forced to do backbreaking housechores.
This'll probably be the last one of these kind of videos for a while, unless I think of something else. Here's an original melody by Milt Franklyn heard in "One Froggy Evening", "A Star is Bored" and "Go Fly a Kit".
Heard in Devil May Hare and Tweet Zoo.
Before leaving Warner Bros. (over a "moonlighting" dispute over his involvement with the UPA feature "Gay Purr-ee"), Chuck Jones created a TV pilot for a "Road Runner Show" using new and reused animation. The show wasn't picked up, but the pilot was released theatrically in 1962 as a featurette called "Adventures of the Road Runner". Much of the new animation from it was used in a standalone short called "To Beep or Not to Beep" (released 1963). Musical composer Milt Franklyn died not long after "Adventures of the Road Runner"' was completed. His successor, Bill Lava, ended up scoring "To Beep or Not To Beep". The unusual result was a famous scene with two different musical scores in two different films.
Another Milt Franklyn original, this played over the title cards for "By Word of Mouse", "Feather Dusted" and "Tweety and the Beanstalk".
This one's been bugging me for a while. It first plays in "We, the Animals Squeak!", which of course was composed by Carl Stalling. It later plays over the title cards for "Red Riding Hoodwinked" and "Mixed Master", as well as during the latter cartoon itself. It also plays in "Hare Brush". I wonder if it's an existing song or if it's something that either Stalling or Milt Franklyn came up with.
I do not own this music score sample. All rights go to Warner Bros. Discovery. Feel free to use this, no need to credit me as it's copyrighted by Warner Bros. #LooneyTunes #ShowBizBugs #JeepersCreepers #MiltFranklyn #WarnerBrosCartoons
Bugs Bunny at the Symphony.
Another Milt Franklyn original, which played over the title cards of "Baby Buggy Bunny", "Rocket-Bye Baby", and "Greedy For Tweety". I would say it has something to do with babies, but "Greedy" isn't about babies at all but the trio of characters stuck in hospital beds. Hmm.
+ Including The Closing Version! Credit Goes To Warner Bros.
Provided to YouTube by Rhino/Warner Records Carl Stalling with Milt Franklyn in Session · The Carl Stalling Project The Carl Stalling Project - Music From Warner Bros. Cartoons 1936-1958 ℗ 1990 Warner Records Inc. Masterer: Bob Ludwig Unknown: Greg Ford Sleeve Note Writer: Greg Ford Producer, Sleeve Note Writer: Hal Willner Unknown: John Purcell Production, Sleeve Note Writer: John Zorn Unknown: Scott Hull Sound Engineer: Scott Hull Unknown: Will Friedwald Composer: Carl Stalling Auto-generated by YouTube.
Milton J. "Milt" Franklyn (September 16, 1897 – April 24, 1962) was a musical composer and arranger who worked on the Warner Bros. Looney Tunes animated cartoons.
Franklyn moved from New York to Salt Lake City at the age of three, where he went to high school and finished one year at the University of Utah. He was the state junior tennis champion in Utah for six years. The next two years were spent at the University of California, Berkeley, then he began a term at Pennsylvania University when he was called to service in World War One. Franklyn did not serve overseas; he trained as a naval officer for three months and then the Armistice was signed on November 11, 1918. He returned to Berkeley to finish his education.
As Franklyn could play a number of instruments, he joined a band in San Francisco and for the next few years played at the Palace and St. Francis hotels. He began his own nine-piece orchestra, known at various times as the Peninsula Band, the Super Soloists, and the Merrimakers, and appeared in San Mateo (1926 to June 1927), where he also owned a music store, and San Jose (1928 to January 1929), where he was Master of Ceremonies and wrote revues for the California Theatre before moving on to Fresno and Oakland. For two years he was emcee with Fanchon and Marco at Fox West Coast in San Diego; musical director and emcee with Paramount Publix Corporation, travelling to Seattle, Denver, Houston and Toledo; and finally worked on the Loew's circuit in Providence, Rhode Island and New York City from 1933 to 1935. Franklyn quit vaudeville to go to Hollywood in 1935 and spent a year doing occasional work.