Chamonix

Chamonix-Mont-Blanc, more commonly known simply as Chamonix (formerly also spelled Chamounix), is a commune in the Haute-Savoie département in the Rhône-Alpes region in south-eastern France. It was the site of the first Winter Olympics in 1924. The commune's population of around 9,800 ranks 865th within the country of France.

Situated near the massive peaks of the Aiguilles Rouges and most notably the Aiguille du Midi, Chamonix is one of the oldest ski resorts in France and is known as the "gateway to the European Cascades." The north side of the summit of Mont Blanc, and therefore the summit itself are part of the village of Chamonix. To the south side, the situation is different depending on the country. Italy considers that the border passes through the top. France considers that the boundary runs along the rocky Tournette under the summit cap, placing it entirely in French territory. The south side was in France, assigned to the commune of Saint-Gervais-les-Bains sharing the summit with its neighbor Chamonix. It is this situation "for France," which is found on the French IGN maps. The Chamonix commune is well known and loved by skiers and mountain enthusiasts of all types, and via the cable car lift to the Aiguille du Midi it is possible to access the world famous off-piste skirun of the Vallée Blanche. With an area of 245 km² (95 sq mi), Chamonix is the fourth largest commune in mainland France.

Linda di Chamounix

Linda di Chamounix is an operatic melodramma semiserio in three acts by Gaetano Donizetti. The Italian libretto was written by Gaetano Rossi. It premiered in Vienna, at the Kärntnertortheater, on 19 May 1842.

Performance history

Linda di Chamounix was first presented in the UK on 1 June 1843, with its New York premiere following on 4 January 1847 at Palmo's Opera House.

Its 20th and 21st Century presentations have been relatively rare. On 1 March 1934, the opera received its Metropolitan Opera premiere with Lily Pons in the title role. Through 25 March 1935, the Met presented the opera in seven more performances, all starring Pons. It has not been performed there since.

The Teatro alla Scala produced the opera in March 1972 conducted by Gianandrea Gavazzeni with Margherita Rinaldi as Linda, Alfredo Kraus as Carlo and Renato Bruson as Antonio. The production was recorded on 17 March. It was given in Geneva in 1975 with the same three cast members and also recorded, as was the performance at the 1983 Wexford Opera Festival.

Gaetano Donizetti

Domenico Gaetano Maria Donizetti (Italian: [doˈmeːniko ɡaeˈtaːno maˈriːa donidˈdzetti]; 29 November 1797 – 8 April 1848) was an Italian composer. Along with Gioachino Rossini and Vincenzo Bellini, Donizetti was a leading composer of the bel canto opera style during the first half of the nineteenth century.

Donizetti was born in Bergamo in Lombardy. Although he did not come from a musical background, at an early age he was taken under the wing of composer Simon Mayr who had enrolled him by means of a full scholarship in a school which he had set up. There he received detailed training in the arts of fugue and counterpoint. Mayr was also instrumental in obtaining a place for the young man at the Bologna Academy, where, at the age of 19, he wrote his first one-act opera, the comedy Il Pigmalione, which may not have ever been performed during his lifetime.

Over the course of his career, Donizetti wrote almost 70 operas. An offer in 1822 from Domenico Barbaja, the impresario of the Teatro di San Carlo in Naples, which followed the composer's ninth opera, led to his move to that city and his residency there which lasted until the production of Caterina Cornaro in January 1844. In all, Naples presented 51 of Donizetti's operas.

Linda

Linda may refer to:

As a name

Places

Music

Fiction

Joan Sutherland

Dame Joan Alston Sutherland OM, AC, DBE (7 November 1926 – 10 October 2010) was an Australian dramatic coloratura soprano noted for her contribution to the renaissance of the bel canto repertoire from the late 1950s through to the 1980s.

One of the most remarkable female opera singers of the 20th century, she was dubbed La Stupenda by a La Fenice audience in 1960 after a performance of the title role in Handel's Alcina. She possessed a voice of beauty and power, combining extraordinary agility, accurate intonation, "supremely" pinpoint staccatos, a splendid trill and a tremendous upper register, although music critics often complained about the imprecision of her diction. Her friend Luciano Pavarotti once called Sutherland the "Voice of the Century"; Montserrat Caballé described the Australian's voice as being like "heaven". Sutherland was the first Australian to win a Grammy Award, for Best Classical Performance – Vocal Soloist (with or without orchestra) in 1962.

Early life and career