Raga rock

Raga rock is rock or pop music with a heavy Indian influence, either in its construction, its timbre, or its use of instrumentation, such as the sitar and tabla. More recently, scholars have included British rock music from the 1960s and 1970s that utilizes South Asian musical materials and instruments and Western ideas of South Asia.

Raga rock is not normally considered a specific genre of music, but rather a general aspect of any rock significantly influenced by Indian classical music. Since Indian influences are primarily limited to 1960s rock, most raga rock is limited to that decade, although heavily Indian-derived sounds are found in some post-1960s rock.

Development

Ragas are specific melodic modes used in classical music of South Asia. Thus, any rock songs with obvious Indian influences may be deemed "raga-rock" although the term is frequently used to refer to much more explicitly Indian musical outings. A major influence on raga rock was the Indian classical raga music of Bengali sitarist Ravi Shankar, who himself had become a pop music icon by 1966, following the rise of the raga rock trend.

Rock

Rock commonly refers to:

Rock or Rocks may also refer to:

Places

United Kingdom

United States

Multiple countries

Elsewhere

Music festival

A music festival is a festival oriented towards music that is sometimes presented with a theme such as musical genre, nationality or locality of musicians, or holiday. They are commonly held outdoors, and are often inclusive of other attractions such as food and merchandise vending, performance art, and social activities. Many festivals are annual, or repeat at some other interval. Some, including many rock festivals, are held only once. Some festivals are organized as for-profit concerts and others are benefits for a specific cause. Another type of music festival is the educative type, organized annually in local communities, regionally or nationally, for the benefit of amateur musicians of all ages and grades of achievement.

History

The Pythian Games at Delphi included musical performances, and may be one of the earliest festivals known. During the Middle Ages festivals were often held as competitions.

Another type of music festival is the educative type, organized annually in local communities, regionally or nationally, for the benefit of amateur musicians of all ages and grades of achievement. While entrants perform prepared pieces in the presence of an audience which includes competitors, the essential feature of this type of festival is that each participant receives verbal and written feedback, there and then, from a highly qualified, professional adjudicator—someone whom they might never meet in any other way. They also usually receive a certificate, classified according to merit, and some may win trophies. The competitive element is often played down, however, as the important aspect is that participants can learn from one another. Such festivals aim to provide a friendly and supportive platform for musicians to share in the excitement of making music. For many they provide a bridge between lessons & examinations and performing confidently in public.

Ashwin Batish

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Ashwin Kumar Batish Hindi: अशविन कुमार बातिश(born 1951 in Bombay, India) is a sitar and tabla player best known for rekindling interest in the sitar. "Many of his fans are young, college-aged students who enjoy world beat music [ethnic music from global cultures]"

Childhood and Training

A child prodigy, Ashwin would often sing with his sister Meena Batish at performances organized by his father, the composer, author, Bollywood playback singer and music director, Pandit Shiv Dayal Batish (Hindi: पन्डित षिव दयाल बातिश). His mother, Shrimati Shanta Devi Batish (Hindi: श्रिमति शान्ता देवी बातिश), was an All India Radio artist and is credited for starting young Ashwin on the dholak drum around the age of seven and on the sitar around the age of 12.

When Ashwin's father took him to see his friend Ashok, the son of the great music director and harmonium wizard Pandit Bhagatram (Hindi: पन्डित भगतराम)of Bollywood music team Husnlal Bhagatram, Ashwin fell in love with the sitar. Ashok was only two years older than Ashwin and seeing his friend perform made Ashwin aspire towards playing the sitar.

World music

World music is a musical category encompassing many different styles of music from around the globe, which includes many genres of non-Western music including folk music, ethnic music, traditional music, indigenous music, neotraditional music, and music where more than one cultural tradition, such as when ethnic music and Western popular music intermingle. World music's inclusive nature and elasticity as a musical category pose obstacles to a universal definition, but its ethic of interest in the culturally exotic is encapsulated in Roots magazine's description of the genre as "local music from out there". The term was popularized in the 1980s as a marketing category for non-Western traditional music.Globalization has facilitated the expansion of world music's audiences and scope. It has grown to include hybrid subgenres such as world fusion, global fusion, ethnic fusion and worldbeat.

Terminology

The term has been credited to ethnomusicologist Robert E. Brown, who coined it in the early 1960s at Wesleyan University in Connecticut, where he developed undergraduate through the doctoral programs in the discipline. To enhance the process of learning, he invited more than a dozen visiting performers from Africa and Asia and began a world music concert series. The term became current in the 1980s as a marketing/classificatory device in the media and the music industry. There are several conflicting definitions for world music. One is that it consists of "all the music in the world", though such a broad definition renders the term virtually meaningless.