Noise music is a category consisting of multiple discrete genres of music that have employed noise as a musical resource.

It includes a wide range of musical styles, and sound based creative practices, that feature noise as a primary aspect. It can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recordings, computer generated noise, stochastic processes and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cacophony and indeterminacy, and in many instances conventional use of melody, harmony, rhythm and pulse is often dispensed with.

The Futurist art movement was important for the development of the noise aesthetic, as was the Dada art movement (a prime example being the Antisymphony concert performed on April 30, 1919 in Berlin), and later the Surrealist and Fluxus art movements, specifically the Fluxus artists Joe Jones, Yasunao Tone, George Brecht, Robert Watts, Wolf Vostell, Yoko Ono, Walter De Maria's Ocean Music, Milan Knížák's Broken Music Composition, early LaMonte Young and Takehisa Kosugi.

Luigi Russolo (30 April 1883 – 4 February 1947) was an Italian Futurist painter and composer, and the author of the manifesto The Art of Noises (1913). He is often regarded as one of the first noise music experimental composers with his performances of "noise concerts" in 1913–14 and then again after World War I, notably in Paris in 1921.

Luigi Russolo was perhaps the first noise artist. His 1913 manifesto, L'Arte dei Rumori, translated as The Art of Noises, stated that the industrial revolution had given modern men a greater capacity to appreciate more complex sounds. Russolo found traditional melodic music confining and envisioned noise music as its future replacement.

The Art of Noises classified "noise-sound" into six groups:

He designed and constructed a number of noise-generating devices called Intonarumori and assembled a noise orchestra to perform with them. A performance of his Gran Concerto Futuristico (1917) was met with strong disapproval and violence from the audience, as Russolo himself had predicted. None of his intoning devices have survived, though recently some have been reconstructed and used in performances. Although Russolo's works bear little resemblance to modern noise music, his pioneering creations cannot be overlooked as an essential stage in the evolution of the several genres in this category, and many artists are now familiar with his manifesto.

Porter Robinson (born July 15, 1992) is an American electronic dance music producer and DJ from Chapel Hill, North Carolina. He primarily produces in the electro house genre. He also named the genre complextro when he created the portmanteau to describe his own sound.

Porter Robinson began producing at the age of 13 using Sony ACID Pro emulating sounds he heard from video games. He later began producing hands-up under the alias Ekowraith using FL Studio. It was at this time that Robinson became friends with a young Madeon, who was also producing hands-up under the name Deamon, and also using FL Studio.

Robinson primarily uses Lennard Digital Sylenth1, Native Instruments Massive, 3xOsc, Sytrus and several other commercial and free audio plugins.

He is currently 19 years old and recently graduated high school in his hometown of Chapel Hill, North Carolina.

He has released a variety of original singles on Glamara Records and Big Fish Recordings. His first single, "Say My Name", was an enormous success, landing at #1 on Beatport's Electro House chart. In the summer of 2011 he signed with OWSLA, a new label operated by Skrillex, to release his first EP entitled Spitfire. Spitfire reached the number one spot on the iTunes Dance chart as well as the number one spot on Beatport's overall release chart.

Armin van Buuren (Dutch pronunciation: [ˈɑr.mɪn vɑn ˈby.rə(n)]), OON (born 25 December 1976 in Leiden, Netherlands) is a Dutch trance producer and DJ. Between 2007 and 2010, he was voted number one in DJ Magazine's annual top 100 list of the most popular DJs. In the 2011 list, he ranked in second place. Since 2001, Van Buuren has hosted a weekly radio show called A State of Trance, which claims to have around 15 million weekly listeners in 26 countries, which would make it one of the most listened-to radio shows in the world. His 2008 studio album, Imagine, entered the Dutch album chart at #1, a first for a dance music artist in Dutch music history.

Armin van Buuren was born in Leiden, Netherlands on 25 December 1976, but grew up in Koudekerk aan den Rijn. Van Buuren started making music when he was 14.^{[citation needed]} He was inspired by French electronic music composer, Jean Michel Jarre, and wished to become a great electronic music composer like Jarre.^{[citation needed]}

He finished high school at the Stedelijk Gymnasium Leiden in 1995, and left for college to study law at Leiden University. While studying law, Van Buuren's interest for making music blossomed, and he began working as a DJ in a local club called Nexus. As his musical career began to take off, he put his law degree on hold, although he did return to finish law school in 2003.